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RevengeisSweeterthanSex: AReviewoftheCoenBrothers’2010Movie,TrueGrit
ByJaneGilgunSummary
TrueGritisaboutthesatisfactionsofrevenge.Revengeissweeterthansex.Thisreviewanalyzestheviolenceofthemovie.Themaincharacters,RoosterCockburnand14 year-oldMattieRoss,haveitbothways,withatwist.Mattieishurtandoutragedbyher father’smurder.Roosterisanavenging,imperfectangel.Theyhavetheirrevenge,allright,butbothpayahugeprice.TheonlycharacterinthemoviewhohastruetruegritisMattie’shorse,Blackie,whointheend,sacrificeshimselftosaveMattie.
 AbouttheAuthor
JaneF.Gilgun,Ph.D.,LICSW,isaUniversityprofessorandresearcherwhohasinterviewedviolentmenformorethan25years.Sheplanstospendmuchofthenext25yearstalkingaboutviolenceanditssavagecontradictions.ProfessorGilgunhasmanypublicationsonviolenceavailableonscribd.com,AmazonKindle,iBooks,andotheron-linebooksellers.Shealsowriteschildren’sstories,articles,andbooksonavarietyofothertopics,suchasresilience,childdevelopment,andqualitativeresearch.
 
RevengeisSweeterthanSex: AReviewoftheCoenBrothers’Movie,TrueGrit
ewantitbothways.Weloveviolence.Thethrillsandchillsofrightingawrongandofseeingjusticereignaregratifying.Snuffthebadguysout.Tearthemlimbfromlimb.Throwthemtothelionsandjackals.It’sonlyright.Somepeopledeserveit.Wehateviolence.Wehurtwhenwearetargetsofviolence,whenpeoplewecareaboutaretargets,andwhenourenemiesuseviolenceinpoliticalcauses.Killthosewhouseviolenceagainstus.It’sonlyright.Somepeopledeserveit.Individualsandthesocietiestheycreatebelievesodeeplyinviolencethatviolencewillneverchange.AcaseinpointisTrueGrit,theCoenbrothers’moviewherethemaincharactershaveitbothways,withafinaltwist.TrueGritisa2010remakeofanoldmovie,remade,Isupposebecauseofitstimelessmessage.Themessageisrevenge.Thetwisttothemovieisthepunishmentthatvisitsitselfupontheavengers..
PlotSummary
AfterahardchasethroughroughWesterncountryinthewinter,MattieRossfinallyfindsandshootsherfather’smurderer.Themurderisparticularlyheinousbecausethefatherwastryingtohelpthemurderer.Mattie’sshottothechestissopowerfulthatthemanispropelledoffacliff.HisnameisCheney.Notonlydoesa14year-oldgirlkillthemurdererofthegoodfather,buthefallstotheearthinaheapofbrokenbones.Howsatisfying.Inthemeantime,hersidekick,RoosterCockburnkillstheothermurdererswhowereCheney’scompanion.Moresatisfaction.Theworldisinbalanceonceagain.Butwait,there’smore.ThekickofthecarbinethatMattieusestokillCheneyissopowerfulthatMattieispropelledbackwards,rightintoapitfullofrattlesnakes.Asnakebitesherlefthand.Roostercomestotherescue,shootsthesnakes,andcarriesMattietosafety.Mattielosesherleftarmuptoherelbowbecauseoftherattlerbite.Weseeher25yearslater,dressedinblack,aspinster,withaleftarmthatendsatherelbow.MattieissearchingforRoosterafterallofthattime.Oh,no,Roosterdiedafewdaysbefore.Deniedthesatisfactionofseeinghersavior,themiddle-agedMattiehashisbodyexhumedandbroughttoherfamily’splot.Thelast
W
 
sceneisofMattiestandingatRooster’sgravestone,thenwalkingoffagainstthehugeWesternsky,hermissinglimbthereforalltosee.
 AnAnalysis
Themoviegivesviolencetousbothways.Wehavethesatisfactionofseeingbadguyssnuffedoutinexcitingscenes.Roostergallopstowardfourbadguyswithgunsablazing,forexample.Nowthatistruegrit.MattiepushesherbeautifulblackhorsetoswimacrossawildanddeeprivertojoinupwithRoosteronthehuntforCheney.Thegrithereisthehorse’s.Theblackhorseistheonlycharacterinthemoviewithapureheart.ThehorsehurtsnooneandhelpsMattiereachhergoals.HediescarryingherandRoosterbacktocivilizationformedicalcare.Thehorsehasrealtruegrit.Thedeathofthehorsehurts.It’salsocontrivedandmanipulative.Withtruegrit,RoostershootsthehorseintheheadasthehorseliesonthegroundpantingforhislastbreathafterhoursofcarryingMattieandRoosteracrossthefrozenterraintowardmedicalhelp.Thismovieshowswewantitbothways.Wegetit,too.Mattiehadherrevenge.Roosterkillsbadguys.Sadly,theypayaprice.Mattielosesherarm.RoosterdiesbeforehecanseeMattie.Mattiedoesn’tgettoseeRoosteronelasttime.Thedeathofthehorsesshowsthatevenvirtuegoesunrewarded.
TheMoraloftheTale
Themoralofthetalegetstotheheartofthings.Revengeissweet,butyoustillpay.MattieandRoosterarethegoodguys.Theyhadthesatisfactionofrevenge.Theymurderedpeoplewhomurderedpeople.Moviegoerssharethesweetanddeepsatisfactionofrevenge.TheyfeltsadbecauseMattielostherleftarmandMattieandRoosternevergottoseeeachotheragainaftertheysatisfiedvengefulquest.Revengeandretributionaresweeterthansex..TheCoenbrothersmaybelievetheyhaveavisionthatismoral.Afterall,MattieandRoosterpaidapricefortheirviolence.Thismoralvisionmaybeastepclosertoarethinkingofvengeance.Yes,theCoenswantitbothways.Theyexploitviolencetoattractattentiontotheirmovies.Theyalsoshowthepriceofviolence.Intheend,revengethroughviolencereignssupreme,evenwhenitexactsaprice.Revengeisapearlofgreatprice.
References
Gilgun, Jane F. (2010). Reflections on more than 20 years of research on violence.
 Reflections: Narratives of Professional Helping, 16(4),
50-59
.
Gilgun, Jane F. (2010). Methods for enhancing theory and knowledge about problems, policies, and practice. In Katherine Briar, Joan Orme, Roy Ruckdeschel, & Ian Shaw,
The Sagehandbook of social work research
(pp. 281-297)
.
Thousand Oaks, CA: Sage.
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