The 11 Project Issue 1

1111

the project

the

outside-the-box

issue

with

Lissa BoLessarah CaLLanMiChaeL Dante DiMartinoKristin GLenn anD shannon WhiteheaDChris GuiLLeBeauJennifer LouDenaMBer MaiDaJiLL MiLLerMeGan eLizaBeth MorrisMeLissa PierCeDesirea roDGers

2

11project.com

outside-the-box issue

The 11 Project is a magazine that isredening the good lie by hunting orthe best o what humanity is up to.In each issue 11 people are asked thesame 11 questions around a theme.

Brk TsRs SkrnStn ZtNkk314 n Flkr.Tsn n Flkr.Snl n Flkr.Vnl n Flkr.Kbn n Flkr.Ll n Flkr.

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unr t llwn ntns:

Attribution

— y st ttrbt t wrk n t nnr s b t tr r lnsr(bt nt n n w tt ssts tt t nrs  r r s  t wrk).

No Derivative Works

— y  nt ltr, trnsr, r bl n ts wrk.

Waiver

— an  t bv ntns n b wv   t rssn r t rt lr.

Public Domain

— Wr t wrk r n  ts lnts s n t bl n nr lbl lw,tt stts s n n w t b t lns.

Other Rights

— in n w r n  t llwn rts t b t lns:yr r ln r r s rts, r tr lbl rt xtns n lttns;T tr’s rl rts;Rts tr rsns  v tr n t wrk tsl r n w t wrk s s,s s blt r rv rts.

11project.com

outside-the-box issue

3

table of contents

1

SaRah caLLeN page 5

The Bird in Flight

“as ln s  r xrssn rsl, srn r str n swn l w  r,tr wll lws b ntr rtnt r t b .”

2

JiLL miLLeR page 7

The Mover and Shaker

“N sl tn ws n t nr  tr wn sl r t r wn l. y wrjst n t v t r t t rsl.”

3

michaeL dimaRTiNo page 12

The Storyteller

“it’s zn t  w trnn r l n  sltl rnt rtn n rt s nnw ssblts.”

4

JeNNiFeR LoudeN page 16

The Welcome Wagon

“Flr n rtbrk v bn t lstt v n vrtn r  rtn sss.”

5

meLiSSa pieRce page 20

The Driver

“i wl llw  rt n r wlr r t wrl. ortnt wlntn t knk.”

6

amBeR maida page 23

The Artist

“i n’t blv i v t blt t st trs,nl t rs  t.”

7

deSiRea RodgeRS page 28

The Liberator

“it ws tn tt i knw tt  t l v, tn i l. h n vrtn. its  rtr,  blr, t s  wr tt rsns n ss s.”

8

chRiS guiLLeBeau page 30

The Obstacle Demolisher

“i’v lrn tt t rst  lsr, rt rst  bln r wn zn ltt’s strtl s n rsl, s lttl ltn tn.”

9

LiSSa BoLeS page 35

The Soul Mapper

“prs sn’t sl stn  lv nr wrk r r bsnss. yr rs snt t b lll tr vr r  rl, t’s lst n rnsv.”

10

megaN eLiZaBeTh moRRiS page 40

The Growth Inducer

“i tnk t n l ss tr lvsn t b bt ts ntv tns jstbs tt’s w l s, n tt’s nt tr.”

11

KRiSTiN gLeNN aNdShaNNoN WhiTehead page 46

The Purpose-Preneurs

“or l s t sw l tt ll  s vt blt t k t wrk — n t lrn, x-rn, n n t wrl n t rss.”