Professional Documents
Culture Documents
Jen Grisanti
CONTENTS
INTRODUCTION
1. What Is a Log Line? How Do You Learn to Identify Log Lines in
Your Own Life?
2. Create Universal Moments in Your Story Lines
PART 1 - SET UP
3. Writing Your Log Lines and How They Apply to Your Story Lines
4. Identifying Your Universal Life Moments
5. Write a Log Line for Your Script
PART II – DILEMMA
6. What Is a Dilemma? What Are Your Dilemmas? What Are Your
Goals?
7. What Is Your Central Character’s Dilemma Stemming From Or
Leading To Their Goal?
8. How Does Your Backstory Influence Your Goals and Dilemmas?
9. H
ow Does Your Central Character’s Backstory Influence His/Her
Goals and Dilemmas?
PART III - ACTION
10. H
ow Did Your Life Dilemmas Unfold? What Was the Sequence
of Events? Did They Influence Your Goals?
11. How to Structure Your Central Character’s Dilemmas and Goals
into a Compelling Story.
12. What Obstacles Have You Faced in Your Own Life in Pursuit of
Your Goals?
13. What Obstacles Does Your Central Character Face in Pursuit of
His/Her Goal?
14. What Is the Worst That Could Happen in Your Own Life If You
Don’t Solve Your Dilemmas or Achieve Your Goals?
15. What Is Emotionally at Stake If Your Central Character Does Not
Solve His/Her Dilemmas and Achieve His/Her Goal?
16. What Are Recurring Symbols/Themes in Your Own Life?
17. What Is the Theme of Your Story? How Do You Use Symbolism?
18. What Drives You to Succeed?
19. What Drives Your Central Character to Succeed?
PART IV - GOAL
20. Did You Achieve Your Life Goal? If So, What Does It Feel Like? If
Not, What Does This Feel Like?
21. D
oes Your Central Character Achieve His/Her Goal? If So, What
Does It Feel Like? If Not, How Does It Change Your Character?
22. What Is a Recurring Message in Your Own Life?
CONCLUSION
23. What Is the Message in Your Story?
Story Line: Finding Gold in Your Life Story embodies the idea of learn-
ing to delve inside your personal well of experience to find story. In
your well, you will find your gold. Your gold is your truth. It comes
from being able to add a voice to all your personal life experiences.
This well is where we carry everything that happens in our life. It is
filled with happiness and joy, inspiration and accomplishment, love
and hope, anger and disappointment, sadness and sorrow, heartbreak
and despair. The list goes on. We store it all inside. We all have a story
that is worth exploring and worth recording. If you are writing tele-
vision, features, or novels, this book is designed to show you how to
find, utilize, and fictionalize your truth into your writing. If you’re
someone who is just interested in understanding your own story more,
this book will show you how to find your gold, and my hope is that it
will also inspire and encourage you to write.
I believe that we are all writers. We are all creating story in our life
everyday. Sure, there are some of us who have the courage to make a
career out of this expression, but the potential is there for every single
one of us to reap the rewards and understand the gift of our own story.
Our truth can be fictionalized in a way that will reach the masses, stop
isolation, and create community. Story unites us. It builds intimacy. In
a time when we are all so overcome with the changes going on in our
world, connecting through the power of story is a beautiful way to
bring us together while so much else threatens to pull us apart.
A log line is a brief description of story that often has an emotional
hook and a twist of irony. Learning how to write log lines will help
connect you to your universal life moments. In your universal life mo-
ments, you will find the gold in your story. Through understanding
your own story, looking at your goals and accomplishments, thinking
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STORY LINE | Jen Grisanti
about your sorrows and your heartbreaks, and watching for recurring
themes, symbolism, and messages, you will begin to see just how rich
your story is and how much of it you have inside you. You just need
to learn how to access it.
We can all remember growing up and connecting with story whether
we heard it, read it, or watched it on television or at the movie theaters.
Story has this incredible way of engaging us and letting our imagina-
tions go wild. It fulfills and enthralls us. It befriends us, keeps us warm,
and offers us an escape. It doesn’t judge us. In fact, it does the opposite.
It is just there to entertain us. It connects us to the truth of the story-
teller, making us realize that we are not alone in our life experiences.
Think of the way that story has inspired you over your lifetime. Often,
story makes us feel empowered. We realize that no matter how bad
things can get, we can rise above and achieve a goal. We can triumph
and succeed.
Most of the stories that have touched and inspired us over the years
are derived from the truths of the storytellers. The best stories are
written by the people who are not afraid to dive inside themselves and
see what will surface on the page. The writers with the most courage
have the greatest opportunity to connect the audience to their vision.
The intention of Story Line: Finding Gold in Your Life Story is to help you
see the true value that lies within. The book is designed to alternate be-
tween free-thinking and crafting those explorations into your writing.
Each topic discussed begins with a chapter teaching you to draw truth
from your life moments and is followed by a chapter discussing how you
apply that truth to your story lines. Exercises and examples from both
television and film are provided to help guide you.
It is your story. It is powerful. It is eager to come out and join forces with
fiction so that it can reach new heights, touch hearts, and entertain. It is
worth doing the work to get there. We want to hear your voice.
6
WHAT IS A LOG LINE? HOW
DO YOU LEARN TO IDENTIFY
1
LOG LINES IN YOUR OWN LIFE?
Writing, I think is not apart from living. Writing is a kind of double living.
The writer experiences everything twice. Once in reality and once in that
mirror which waits always before or behind.
~ Catherine Drinker Bowen
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STORY LINE | Jen Grisanti
8
What is a Log Line?
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STORY LINE | Jen Grisanti
You can start thinking about log lines in your life by thinking of univer-
sal life moments that you’ve experienced. By “universal life moment”, I
mean moments in your life when your world was turned upside down
and your sense of reality, as you knew it, shifted. Throughout this
book, I will teach you how to dive into these moments and fictional-
ize them, writing log lines that reflect your universal life moments and
helping you build and elevate the fictional stories that you are working
on. When you write what you know, you write from an authentic
place. Having the courage and the insight to do this will elevate your
writing and connect you with your audience.
The beauty of this exercise is that it will help you relate with people in
a new way. One group I did it with said that they’ve been sitting next
to people for years in their guild and they had no idea that these stories
were under the surface. They suddenly saw people in a new light. This
is the gift of story. When you go inside and uncover what is there, you
will be surprised by the depth it adds to the way that you write and
how this depth will connect you with your audience. You will feel a
passion that maybe you haven’t felt before, because when you write
what you know, you write from your truth. When you write from
your truth, you identify your voice. Your voice is what will set you
apart from other writers.
At this point in my career, I’ve probably read over 3,000 scripts. The
ones that really stand out to me are those that have mastered the use
of theme and symbolism. This is the icing on the cake of story for me.
Theme and symbolism can often be drawn from our universal life
moments.
For example, just before my marriage ended, a necklace that my hus-
band had given me broke. I remember this very vividly because the
necklace breaking was a symbol of things to come. I’ve had many signs
like this in my life. While these symbolic moments may be painful,
they also present an opportunity to add depth to the stories you tell.
If you have experienced true moments, chances are that millions of
others have as well, and finding a way to use these moments in your
writing will connect your audience to your story.
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What is a Log Line?
If you draw from moments of truth in your life, you will write your
themes and symbolism from a stronger place. Current movies that
have utilized theme and symbolism well and are likely drawn from
the true life experiences of the storytellers are: Star Trek (Paramount,
2009), with the theme of “logic versus emotion,” Frost/Nixon (Universal
Pictures, 2008), with the theme and symbolism behind exploring recov-
ery after a fall from grace, and The Lives Of Others (Arte, 2006), the
German film that won the best foreign film in 2007, explores loyalty
in depth. Avatar (20th Century Fox Film, 2009) explores the theme
of freedom and symbolizes it through the use and paralyzation of the
central character’s legs.
The final and probably most important part of story that I like to
reflect on in reading your log line and your writing is the goal and
dilemma faced by your lead character. In simple terms, what does your
central character want? This covers the goal. If you want to go further
and strengthen your story even more, develop the dilemma part of the
goal. Jeffrey Kitchen covers this incredibly well in his book Writing A
Great Movie: Keys Tools for Successful Screenwriting. He writes, “Dilemma
may be defined as a situation with a choice to be made in which neither
alternative is acceptable.” If your goal is crystal clear, stemming from
a dilemma or leading into a dilemma, your story has a much greater
chance of working.
Feature-wise, strong examples of this are found in Avatar. We know
that the lead character Jake (Sam Worthington) wants the use of his
legs back as an external goal. The dilemma he faces is that if he does
what the antagonist wants him to do, he will get his legs back; however,
in doing this, he will have to betray his love interest. The strength and
clarity of this dilemma heightens the emotional stakes tremendously.
Internally, he wants to fill his brother’s shoes and earn his place, being
held in higher esteem. This self-worth is taught to him through his love
interest Nitiri (Zoe Saldana) and the character, Dr. Grace Augustine
(Sigourney Weaver.)
Television-wise, Breaking Bad (Sony Pictures Television), Big Love
(Playtone Productions), and Mad Men (AMC), do beautiful jobs of
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STORY LINE | Jen Grisanti
exemplifying with clarity what the central character wants and the
dilemmas that they face. In Breaking Bad, there is a great overall series
dilemma faced by Walt (played by Bryan Cranston). After being di-
agnosed with terminal lung cancer, he realizes that when he dies, his
family will be left with nothing. So, since he’s a chemistry teacher, he
comes up with the idea of dealing meth. The two sides of his dilemma
are, first, if he deals meth, he risks getting caught and going to jail,
but he will have money to leave his wife and their handicapped son;
second, if he doesn’t make meth, he will have very little to leave his
family and will die feeling like he didn’t provide enough for them. The
series explores both sides of this dilemma. A prevalent dilemma leading
to a strong goal or stemming from a strong goal elevates the strength
of your story. If this goal, resulting from the dilemma or leading to the
dilemma, is blurred, your story will suffer, but if your goal is clear, your
story will be stronger.
I find that many writers have difficulty defining their character’s goal
because most people are not totally clear on what they want in their
own lives. So, if you don’t know with clarity what you want, how do
you write it? By finding clarity in your own life, you will find clar-
ity in your writing. Doing this involves, “Developing from Within,”
a phrase I’ve adopted as my brand. I believe that the stronger you are
inside, the stronger you are on the page.
We will explore universal life moments, theme, symbolism and goals
and dilemmas in depth in this book because they are elements that
go into defining the log lines for your life. By defining your life log
lines, you will bring yourself personal clarity and enhance and elevate
your writing, increasing your chances of a long career as a successful
working writer. However, the first step is looking inside yourself and
embracing your own story.
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CREATE UNIVERSAL MOMENTS
2
IN YOUR STORY LINES
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STORY LINE | Jen Grisanti
14
Create Universal Moments in Your Story Lines
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STORY LINE | Jen Grisanti
at home doing what he does best, even though it involves risking his
life. This is symbolized beautifully in a grocery store scene when Will’s
wife asks him to grab a box of cereal and we see him looking up and
down the aisle, completely bewildered by the multitude of choices. It is
in this moment that we truly feel his isolation and sense of disconnec-
tion with this part of his life. How many of us can relate to this? Work
actually comes easy. It’s relationships and baring all that’s truly difficult.
I heard the writer, Mark Boal, speak at the Writers Guild Foundation. I
asked him about this scene. He said that he drew this from his own life.
He said that he is never comfortable in the grocery story. He utilized
his own truth and fictionalized it into story.
Television-wise, there’s a great moment in the fourth season finale
of Dexter (Clyde Phillips Productions), written by Melissa Rosenberg
and Wendy West, that has real universal relevance. In his voice over,
Dexter (Michael C. Hall) asks himself, ”Why is it that with killing, I
feel no regret, but disappointing Rita makes me feel like the scum of
the earth?” Sometimes we can disassociate from external actions that
one would think would be our most terrible regrets, yet disappointing
a person who we love is almost always painful.
In an episode of Mad Men (AMC), written by Matt Weiner and Kater
Gordon, there is a great moment when the teacher, Miss Farrell (Abi-
gail Spencer), with whom Don (John Hamm) is having an affair, relays
a question that an 8-year-old boy asked her: “How do I know that you
see blue like I see blue?” Don replies, “People may see things different-
ly, but they don’t really want to.” This line sets up the entire episode,
which explores both Don and his wife’s indiscretions, and is further
symbolized with a basket of dirty laundry. Universally, it forces us, as
an audience, to explore the difference between how we see things and
how we want to see them. That is to say, we each live life in a healthy
sense of denial, looking at the world through rose-colored glasses,
denying the truth behind our actions. This is something we can all
connect with and relate to in one way or another.
Very often, the most powerful moments in a story reveal a writer’s
truth. It is through your truth that you submerge your audience into
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Create Universal Moments in Your Story Lines
your vision and make them feel your story. Diving into our personal
truth can be terrifying. Yet, often, confronting our truth is what finally
releases us from the paralyzing hold it has on us.
After losing my job in the corporate world after fifteen years at the
same company, I took a trip to Esalen, a magical place by the Pacific
Ocean in Big Sur. After I went through my divorce, I had, in essence,
married my job. So, when my job came to an end, it was like I was
going through a second divorce. It was a very numbing experience. I’ll
never forget the ride up the California coastline. It was like I was see-
ing the coast for the very first time, finally truly able to see its beauty.
I worked in the corporate world since the moment I had graduated
from USC. Despite the tremendous fear of the unknown that I was
facing, for the first time in my life I was totally free. For the first time
since college, I didn’t have a specific reason or purpose to wake up in
the morning other than to do things for myself, like workout and plan
for the next stage of my life.
While I was at Esalen, I took a five-day course called “Completions
and Transitions” with thirteen other people. On the first day, we went
around the room and told our stories. Some of the stories were so deep,
so painful and so raw. It made me feel like a fool for being there. I had
only lost my job and some of these people had lost so much more. It
made me feel selfish and egotistical. Who was I to think that my pain
compared with theirs? On the first day, I felt like I didn’t belong, but
by the fifth day, that feeling had changed completely. Through the
tremendous instruction by Mary Goldenson, author of the book It’s
Time: No One Is Coming to Save You, I began to see that all of our pain
is relevant. If we dig into the backstories of our lives, much like we do
with the backstories of our characters’ lives, we find that so many of
the themes highlighted by our universal life moments are similar. The
actual scenarios may be totally different, but the pain behind them is
the same. We all have a right and a need to grieve.
As a writer, you have the gift of being able to provide a tremendous
sense of relief to others, by allowing them to see their pain explored in
a fictional way, showing them they are not alone. There is no greater
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STORY LINE | Jen Grisanti
feeling than when a TV show or movie really speaks to you and makes
you feel like someone understands. Drawing from your real pain and
experience is what will bring your audience to tears and convince
them to root for your characters. But to do this, you need to under-
stand your own truth. You have to be willing to look deep inside your-
self and extract it, look at it, feel it, expose it, process it, and express it
on the page.
Universal life themes are your gold. If you can learn to tap into and
fictionalize these moments, adding the truth of your own emotion,
you will find new depth in your writing. You will connect with your
audience and discover the sound of your voice. Your script will stand
out from the masses. The key to your success as a writer lies within.
The way you interpret your universal life moments is what will inform
your story and connect you with your audience.
EXERCISE
Write down five of your most memorable universal life moments.
Think of the times in your life when your reality shifted and your
world turned upside down. Go into these moments.
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