The Matrix and Anthroposophy

Running Head: The Spiritual Matrix – An Anthroposophical Reading

The Spiritual Matrix – An Anthroposophical ReadingO

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By Seth Miller02.20.06

The Spiritual Matrix – An Anthroposophical Reading 1

The Inner Text

Perhaps more than any other movie or set of movies, the Matrix trilogy has inspired popular aswell as academic discussion and debate, spawning well over twelve individual books, let alone countlesswebsites, essays, and discussion groups. Why then should another essay be added to this alreadycluttered intellectual space? Much of the present treatment of the movies is philosophical in nature, butoften its character is essentially topical, lifting concepts dealt with in the movies and discussing themexternally to the movies themselves. Rather than using the movie as a jumping off point for discussionof related issues, it seems that what is needed is a treatment which takes the movie ‘seriously’ – as if theMatrix itself was its own key. What if we tried to enter into a reading through and with the moviesrather than a reading

of

them?In other words, I propose that we need to use the inner language of the movie itself (itssequencing, rhythm, color, plot, form, and flow) as a guide to its own inner coherency. Here I assumethat the coherency of the movie is somewhat like that of a dream, and that its structure is coherent byvirtue of the inner meaning of the overt drama and images. In other words, the sequencing of imagesand the developments of the plot are seen to have both an outer form as well as an inner form. Anunderstanding of the movies that relies primarily on the outer form is incomplete – we must find someway to address also the inner form, the more subtle threads woven through the overt images on thescreen, which when seen from a bit of a distance, reveal their

own

pattern and logic.You, the reader, may rightfully feel that this is somewhat of an abstraction, for the nature of movies, as in the case of dreams, requires external contextualization to place them into hermeneuticrelationship with the actual world. This is both unavoidable and wonderful, for it means that nothingexists in isolation. But if we then try to read the movie as an inner text, or more poetically: listen to itwith the empathy of a lover, then the choice of starting positions will likely yield a variety of results. Itis not the case, however, that every starting point is as good as any other, for here I assume that themovie itself actually contains purposeful content that, although endlessly interpretable, will tend toilluminate itself from within to the careful reader. Thus, reading a movie as a text is almost perfectlyanalogous to interacting dialogically with another human to try and understand his or her inner states, inall their complexity and paradox. We can, in fact, treat the movies almost as if they themselves were abeing. As a being, the movies can be questioned directly if one takes the trouble to learn their language,their logos. And just as some beings are more internally coherent and integrated than others, so toosome movies are more or less ‘awake’ and able to respond intelligently to probing. It is my experiencethat if such a process is undertaken, then one can have the feeling of being led, by the movie itself,towards greater coherency, consistency, and depth. This is particularly true in my experience for thethree Matrix movies presently in question.Because the place from which one begins any journey determines the potential paths that canthen be followed, it is useful to declare one’s beginning place outright. My experience andinterpretation of the Matrix movies is directly informed by an understanding of the spiritual science of anthroposophy initiated by Rudolf Steiner in the early 20th century. As I watched the movies, themeafter theme was brought to light when I meditated on them from an anthroposophical perspective, and inmany cases I knew the insights would never have arisen except by virtue of this particular backgroundcontext. In fact after having watched Matrix Reloaded, the second movie of the trilogy, I made explicitpredictions about events in the third movie that I thought necessary based upon the logic of the

The Spiritual Matrix – An Anthroposophical Reading 2archetypes and themes I encountered through my anthroposophical insights – and they were clearlyfulfilled. I am not of the opinion that these insights, some of which will be discussed in this paper, areparticular to spiritual science; this is simply the process by which the insights came to me. What isstriking, however, is the extent to which an anthroposophical reading of the Matrix trilogy results in aclear and coherent depiction of the background context of which the images, sequences, themes,characters, and plot elements are manifestations.Ultimately, my goal in this paper is twofold: to introduce and show how an anthroposophicalcontext can help make sense of the movie in accord with the aforementioned methods, while trying toilluminate some aspects of the inner structure, thematic elements, and so forth, which are deserving of acontextualization which makes explicit, in particular, their spiritual content and context. The actualmethod employed and its results will become apparent as we progress, and its success or failure willnecessarily be judged by each individual depending upon each reader’s own situation and capacities.

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Alchemy

The question, of course, is: What is the Matrix? Although asked by Neo in the first Matrixmovie, it is precisely

our

question, and like any good question, it can be addressed at multiple levelssimultaneously. Historically, individuals working deeply in the alchemical traditions were continuallycalled to expand their soul life so that questions, posed through a process of experiments, could resonatesimultaneously on multiple levels. The purification of base metals into gold was more than a purelyphysical transmutation; it was an external trace or symbol of a process of inner transformation whichwas necessary for the alchemist’s external experiments to be not only successful, but meaningful. Suchadepts synthesized the various stages of the process into an archetypal template that could be used as asort of decoding device when dealing with any process of transformation. One such template took aformulation based in the subtle qualities lying behind the substances of Earth, Water, Air, and Fire. This‘elemental cycle’ from Earth through Water, Air, and Fire back to a new Earth, provides a usefularchetype for understanding the multiple levels at which our original question can be addressed. Whatfollows is by no means exhaustive or exclusive, but rather is simply a way to contextualize somepossible approaches to the fundamental question in order that the particular approach I take may beclarified.

Earth:

The

facts

, foundation, and beginning point – the Earth – lies in the Matrix movies

as

movies.They are at one level pieces of entertainment designed by particular people for a particularaudience, full of characters, events, fantastic visual effects, and so forth, existing on film reels, computerhard drives, and in the memories of many people. At this level, an almost infinite laundry list of detailsconcerning the ‘overt facts’ could be expressed. The entire content of the movie inasmuch as it exists aspure image and sound are the primary Earth facts. Obviously this is only one aspect; what we need is alittle water to get our Earth into motion.

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I assume that the reader of this essay has, at the very least, watched the complete trilogy of Matrix movies.