5.1 Incidentals

Note: Ignore the numbers at the end of each scene. They were used asmarkers to help time a full 60 minute episode w/comms. Also, this waswritten before the news that flashbacks and forwards won't be usedanymore. Somehow, I doubt they won't be used anymore, but in my futureepisodes I plan on doing something a little different as well. I have written 4so far and i don't want to change the content. I have a total of 17. I hopeyou enjoy and please leave comments!Season 5 Episode 1

"Incidentals"

1) -FLASH- INT. OF SWAN STATION.

Mass chaos has already ensued and everything is going massively crazy much like it did before the hatch imploded. We see many of the same things that we saw almost exactly thesame when the Swan Station was imploding in Season 2.(a trick on the viewer to think they are re-watching what they already saw). Then, we see several Dharma Employeesrunning around trying to contain the incident, but it is getting out of control. The differencein the setting from what has been seen before is that the computer room isn't built and there is a massive machine in the middle of the room. It appears to be a reactor that isspilling out mass quantities of light and attracting metallic objects including computers. Thelights are flickering and a rabbit is seen in the corner followed by a second rabbit. Unknownman comes in, mid 30's Male Dark Hair British Accent, the room from the door:

Unknown Man:

What the hell is going on?!

Casey:

Someone changed the setting on the valve and now the charge isn't regulating itself!

Unknown Man:

So, what does that mean? What is going to happen??

Casey:

I don't think you want to kn.....

Before she can finish her statement a washing machine hits her in the head and she isknocked to the ground dead.

Unknown Man:

Holy! Casey! Casey!

He holds Casey in his arms as various objects are flying around him endangering his life. Just then a man comes in:

Dr. Marvin Candle:

Get out of here now! NOW!

Unknown Man:

But Casey!

Dr. Marvin Candle:

Now, now! Man,get out of here!

A metal pipe flies past Marvin and as it does it takes his arm off that he is using to wavethe unknown man to get out of there. The unknown man sees this and runs out of the roomand out of the Swan and into the jungle. He continues to run until he comes across ayoungBen in the jungle wearing some kind of protective suit.

4) -CONT FLASH- EXT. JUNGLE OUTSIDE OF THE SWAN STATION. NIGHT.(1979).

Unknown Man:

Ben, bloody hell. What are you doing out here? Don't you see what is going on?

Young Ben:

I'm sorry.

Unknown Man:

For what?! Did you have something to do with this?

Young Ben:

Charles, no matter what happens, it was the only way.

Someone screams in the background and as Charles looks then turns back to Ben, Ben isgone. There is an immense bright light in the background and then the camera pansupwards and then the entireview of the island.The light is much larger than before and thesoundis incredibly amazing.The flash stops for a second then an even bigger flash happensand then stops-flash ends-.

LOST

(4:30 including 'previously')

--Commercial Break--

2) EXT. LONDON OUTSIDE THE TOWER BRIDGE WHERE WE LEFT OFF SUN AND WIDMOREIN SEASON 4 FINALE. DAY. (LONDON)

The camera begins on Charles' left eye and slowly pans out to where we can see hiswhole face, and then we see the angle of him watching Sun walk away. He looks down at her card and then looks back up at her. He briskly walks towards her.

Charles Widmore:

Ms. Paik... wait a moment.

Sun:

Kwon. It's Kwon.

Charles Widmore:

My apologies. What, in regards to this business, are you referring to?

Sun:

Why, Mr. Widmore, don't play coy with me. You know exactly what I am referring to. Weboth have a common interesteven if the reasons behindit are very different.

Charles Widmore:

Please, let's talk somewhere more private. Meet me at this address at 4 o'clock.

Sun:

How can I trust that this isn't a trick?

Charles Widmore:

I am a gentleman, Ms. Kwon. And British, (smallchuckle) we hold our word.

Sun takes the card out of his hand.

Charles Widmore:

Oh, and Sun, please, come alone.

Sun gives a somewhat startled look that he used her first name. She turns and walksoff. Charles watches her for a slight second then walks back to the restaurant where he just came from.

Charles Widmore:

Gentlemen, I am very sorry, but I am going to have to miss the theatre with you tonight.Something has come up and I need to take care of it.

Charles waves them off and signals for a woman to follow him outside of the restaurant and they walk a few feet. The woman has reddish brown hair and is dressed very businesswith glasses and a conservative look about her. She isAmerican andis in her mid-30's.

Charles Widmore:

Listen, Christine, I need you to follow that woman and report back to me every 15 minuteswith whom she speaks with and where she goes.

Christine: