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Table Of Contents

1.2.2 Tata Rias Fantasi
1.2.3 Tata Rias karakter
1.3.1. Bahan Tata Rias
1.3.2 Peralatan Tata Rias
1.4.1.1 Perencanaan
1.4.1.2 Persiapan Tempat
1.4.1.3 Persiapan Bahan dan Peralatan
1.4.1.4 Persiapan Pemain
1.4.2 Desain
1.4.3.1 Tata Rias Korektif
1.4.3.2 Tata Rias Fantasi
1.4.3.3 Tata Rias Karakter
2.1.1 Mencitrakan Keindahan Penampilan
2.1.2 Membedakan Satu Pemain Dengan Pemain Yang Lain
2.1.3 Menggambarkan Karakter Tokoh
2.1.4 Memberi Ruang Gerak Pemain
2.1.5 Memberikan Efek Dramatik
2.2.1 Busana Sehari-hari
2.2.2 Busana Tradisional
2.2.3 Busana Sejarah
2.2.4 Busana Fantasi
2.3.1.1 Bahan Alami
2.3.1.2 Tekstil
2.3.1.3 Busa
2.3.1.4 Spon
2.3.1.5 Kulit
2.3.2 Peralatan Tata Busana
2.4.1 Menganalisis Naskah
2.4.2 Diskusi Dengan Sutradara dan Tim Artistik
2.4.3 Mengenal Tubuh Pemain
2.4.4 Persiapan Pengadaan dan produksi
2.4.5 Persiapan Pementasan
2.4.6.1 Desain Ilustrasi
2.4.6.2 Desain Produksi
2.4.7.1 Teknik Draperi
2.4.7.2 Teknik Padu Padan
2.4.7.3 Teknik Produksi
3.1 Fungsi Tata Cahaya
3.2.2 Reflektor dan Refleksi
3.2.3 Lensa
3.2.4.1 Floodlight
3.2.4.2 Scoop
3.2.4.3 Fresnel
3.2.4.4 Profile
3.2.4.5 Pebble Convex
3.2.4.6 Follow Spot
3.2.4.7 PAR
3.2.4.8 Efek
3.2.4.9 Practical
3.2.5.1 Bar dan Boom
3.2.5.2. Stand
3.2.5.3 Clamp dan Bracket
3.2.6.1 Filter
3.2.6.2 Barndoor
3.2.6.3 Iris
3.2.6.4 Donut
3.2.6.5 Gobo
3.2.6.6 Snoot
3.2.7 Dimmer dan Kontrol
3.3.1 Pencampuran Warna
3.3.2 Refleksi Warna Cahaya
3.4.1 Penyinaran Aktor
3.4.2 Penyinaran Area
3.5.1 Mempelajari Naskah
3.5.2 Diskusi Dengan Sutradara
3.5.3 Mempelajari Desain Tata Busana
3.5.4 Mempelajari Desain Tata Panggung
3.5.8 Plot Tata Cahaya
3.5.9 Gambar Desain Tata Cahaya
3.5.10 Penataan dan Percobaan
3.5.11 Pementasan
4.1.1.1 Arena
4.1.1.2 Proscenium
4.1.1.3 Thrust
4.1.2 Bagian-bagian Panggung
4.2.1 Suasana dan Semangat Lakon
4.2.2 Periode Sejarah Lakon
4.2.3 Lokasi Kejadian
4.2.4 Status dan Karakter Peran
4.2.5 Musim
4.3.1 Garis
4.3.2 Bentuk
4.3.3 Warna
4.3.4 Cahaya
4.4.1 Mempelajari Naskah
4.4.2 Diskusi Dengan Sutradara
4.4.3 Menghadiri Latihan
4.4.4 Mempelajari Panggung
4.4.5 Membuat Gambar Rancangan
4.4.6 Penyesuaian Akhir
4.4.7 Membuat Maket
4.4.8 Pengerjaan
5.1.1 Teknik Miking
5.1.2 Teknik Balancing
5.1.3 Teknik Mixing
5.1.4 Teknik Reccording
5.2 Fungsi Tata Suara
5.3.1 Live
5.3.2.1 Rekaman Basah
5.3.2.2 Rekaman Kering
5.4.1.1 Tipe Mikrofon
5.4.1.2 Karakteristik Mikrofon
5.4.2 Audio Mixer
5.4.3 Audio Player / Recorder
5.4.4 Audio Equalizer
5.4.5 Expander / Compresor dan Limiter
5.4.6 Power Amplifier
5.4.7 Audio Speaker Monitor
5.5.1 Persiapan
5.5.2 Penataan
5.5.3. Pengecekan
5.6 Perawatan Peralatan Audio
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05_tata_artistik

05_tata_artistik

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Published by Syarif Hidayat

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Published by: Syarif Hidayat on Jan 31, 2011
Copyright:Attribution Non-commercial

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06/02/2013

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