1 2
LS – GIRL under spotlight against MCU – Desk scattered with
black curtain
We want the audience to see our
protagonist completely so they
can start to build a relationship
3 4
CU – Girl’s eyes crying against black
curtain
We want the audience to see she’s
bruised and battered, developing the
relationship
5 6
ECU – Girl’s eye against black curtain
The audience is staring her in the
eye, truly feeling her pain now
Polaroids
Credit - ‘Written by Joshua Clarke’
The photos show her life previous
to the events of the film
CU – Steamy shower screen
Credit ‘Directed by Matthew Wallis’
She’s getting ready for a night out
CU – Knife block with hand reaching
for knife
Credit – ‘Camerawork by Holly
Sandford’
It creates tension and makes the
audience feel that something bad will
happen
 7 8

CU – Girl’s face, lightly bruised and
scratched against black curtain
Now the audience is being removed
from the girl slightly, they’re feeling
uneasy
ECU – Notebook with design and
text ‘Loves Ryan’
Credit – ‘Set Design – Sam Beckett’
It shows she has a boyfriend and is
in love with him

9 10

CU – Girl screaming against black

curtain ECU to MLS – Girl screaming
We want the audience to see the pain Graphic match from girl screaming
and agony in her face against black curtain to girl under
street lamp on dark road

11 12

MCU – Girl running along road at MCU – Girl taking off shoes
night She’s doing everything she can to
Helps the audience feel the pace at keep up with the car
which she’s running
13 14

ECU – Girl running in mirror MS – Girl getting into car

This shot helps to show the girls We want to see the whole car and
struggle to keep up with the car and the girl getting in
shows her as being more distant

15 16

MS – Car driving off and being ES – External of house

followed (J-Cut to next shot with sound of
We need to see that one car is phone ringing)
following the other Sets the scene that we are going
inside a nice house

17 18

ES – Bedroom with girl asleep on MCU – Girl waking up and grabbing

sofa and phone vibrating on desk head
We want to see the whole bedroom, We want the audience to connect and
and that the girl and phone are feel her pain without seeing her face
together
19 20

ECU – Phone on desk MCU – Girl looking at phone

We want to see the phone ringing We want to see that the girl is looking
at the phone, confused

21 22

MLS – Girl leaving bedroom MLS – Girl entering bathroom

We want to see the girl leaving the We want to see the girl leaving the
room, as if she is leaving the audience room, as if she is leaving the audience

23 24

CU – Girl dropping phone CU – Girls face in mirror, battered

We want to see the phone being and bruised
dropped through shock We want to see how battered and
bruised her face is from close-up
25
MS – Girl scrambling to retrieve her
phone from the floor
We need to see how confused and
scared the girl is, how much she’s
fumbling on the floor
27
MCU – Girl on phone going straight to
voicemail
We want to see her using the phone,
but also the panic and terror in her
face
29
MCU – Girl on phone going straight to
voicemail
We want to see her using the phone,
but also the panic and terror in her
face
26
MCU – Girl dialing number
We want to see her using the phone,
but also the panic and terror in her
face
28
MCU – Girl staring at phone then
dialing number
We want to see her using the phone,
but also the panic and terror in her
face
30
MCU – Girl staring at phone then
dialing number
We want to see her using the phone,
but also the panic and terror in her
face
31 32

MCU - Girl staring at phone

MCU – Girl on phone going straight to
voicemail
We want to see her using the phone,
but also the panic and terror in her
face
We want to see her using the phone,
but also the panic and terror in her
face

33

WITHHELD

Fade to black with title

Creates suspense and tension