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Table Of Contents

About the Logic Studio Documentation
AdditionalResources
ES E
Getting to Know the ES E Interface
Using the ES E Oscillators
Using the ES E LFO
Using the ES E Filter
Using the ES E Envelope
Using the ES E Output Parameters
Extended ES E Parameters
ES M
Getting to Know the ES M Interface
Using the ES M Oscillator
Using the ES M Filter and Filter Envelope
Using the ES M Level Envelope and Output Controls
Extended ES M Parameters
ES P
Getting to Know the ES P Interface
Using the ES P Oscillators
Using the ES P LFO
Using the ES P Filter
Using the ES P Envelope and Level Controls
Using the Integrated ES P Effects
Extended ES P Parameters
Setting ES1 Oscillator Waveforms
Using the ES1 Sub-Oscillator
Driving the ES1 Filter to Self-Oscillation
Using the Envelope to Control the ES1 Amplifier
Using the ES1 Router
Using the ES1 LFO
Using the ES1 Mod Envelope
ES2 Architecture and Features
Getting to Know the ES2 interface
Using the ES2 Oscillators
Getting to Know the ES2 Oscillators
Oscillator on/off button
Using the ES2’s Basic Oscillator Waveforms
Using Pulse Width Modulation in the ES2
Using Frequency Modulation in the ES2
Using Ring Modulation in the ES2
Using Digiwaves in the ES2
Using Noise in the ES2 (Oscillator 3 Only)
Emulating Detuned Analog Synthesizer Oscillators in the ES2
Emulating Stretch Tuning in the ES2
Adjusting the ES2 Oscillator Start Point
Synchronizing the ES2 Oscillators
Choosing the ES2 Keyboard Mode (Poly/Mono/Legato)
Setting a Glide (Portamento) Time in the ES2
Determining a Bend Range in the ES2
Choosing a Series or Parallel Filter Configuration in the ES2
Filter Blend: Cross-Fading Between the ES2 Filters
The Impact of Filter Blend on the ES2 Signal Flow
Setting Filter 2’s Slope in the ES2
Using the ES2 Filter Cutoff and Resonance Parameters
Overdriving the ES2 Filters
Modulating Filter 2’s Frequency in the ES2
Thickening the ES2’s Sound with Sine Level
Getting to Know the ES2’s Modulation Router
Using Via Sources to Control ES2 Modulation Intensity
Using ES2 LFO Waveforms
Using LFO 1’s Envelope Generator in the ES2
Setting LFO 2’s Rate in the ES2
Getting to Know the ES2 Envelopes (ENV 1 to ENV 3)
Getting to Know ENV 2 and ENV 3 in the ES2
Using the Envelope 2 and 3 Sustain Parameters in the ES2
Getting to Know the ES2’s Vector Envelope
Vector Envelope Control of the ES2’s Planar Pad and Triangle
Setting the ES2 Vector Envelope Solo Point
Setting the ES2 Vector Envelope Sustain Point
Using the ES2’s Planar Pad
ES2 Modulation Target Reference
ES2 Modulation Via Source Reference
ES2 Tutorial: Creating Sounds
ES2 Tutorial: Using Templates to Create Sounds
Using the ES2 Wheelrocker Setting
Using the ES2 Crescendo Brass Setting
EFM1
Setting the EFM1 Tuning Ratio
Choosing a Different EFM1 Modulator Waveform
EVB3Features
EVB3
morphing process. See Saving EVB3 Drawbar Registrations While Morphing
Setting an EVB3 Morph Range
Saving EVB3 Drawbar Registrations While Morphing
About Stretch Tuning
MIDI Control of the EVB3 Wah Wah Effect
Rotor Speaker Speed
Setting the EVB3 Microphone Parameters
Using a Single-Channel Controller with the EVB3
Transposing the EVB3 by Octaves
EVB3MIDIControllerAssignments
Learning EVB3 MIDI Controller Assignments
assignment
EVB3 MIDI Mode: HS
EVD6
Stretch Tuning in Acoustic Instruments
Using the EVD6 Wah Wah Effect
Using Wah Ctrl, Velo Curve, and Damper Ctrl in the EVD6
EVP88
Using the EVP88 Equalizer
Using the EVP88 Drive Effect
Using the EVP88 Phaser Effect
Using the EVP88 Tremolo Effect
Using the EVP88 Chorus Effect
Using the EVP88 Extended Parameters below)
UsingtheEVP88ExtendedParameters
Rhodes
Wurlitzer Piano
Hohner Electra Piano
EVOC 20 PolySynth
How Does a Vocoder Work?
Getting to Know the EVOC 20 PolySynth Interface
EVOC 20 PolySynth Sidechain Analysis Parameters
EVOC 20 PolySynth’s Input Signal
A Short Primer on Formants
Setting the Number of EVOC 20 PolySynth Filter Bank Bands
EVOC 20 PolySynth (U/V) Detection Parameters
EVOC 20 PolySynth Synthesis Section Parameters
EVOC 20 PolySynth Oscillator Parameters
Common EVOC 20 PolySynth Oscillator Parameters
Dual Mode EVOC 20 PolySynth Oscillator Parameters
FM Mode EVOC 20 PolySynth Oscillator Parameters
EVOC 20 PolySynth Noise Generator Parameters
EVOC 20 PolySynth Tuning and Pitch Parameters
EVOC 20 PolySynth Envelope Parameters
EVOC 20 PolySynth Global Parameters
EVOC 20 PolySynth Formant Filter Parameters
and Shift
Using EVOC 20 PolySynth Formant Stretch and Shift
EVOC 20 PolySynth Modulation Parameters
EVOC 20 PolySynth Output Parameters
Getting the Best Results with the EVOC 20 PolySynth
Editing the EVOC 20 PolySynth Analysis and Synthesis Signals
Avoiding Sonic Artifacts in the EVOC 20 PolySynth
EVOC20BlockDiagram
• Getting to Know the External Instrument Interface (p. 241)
External Instrument
Using the EXS24 mkII Options Pop-Up Menu Commands
Adjusting EXS24 mkII Global Parameters
Choosing the EXS24 mkII Keyboard Mode
Using the EXS24 mkII Crossfade (Xfade) Parameters
Layering EXS24 mkII Zones
Using the EXS24 mkII Pitch Parameters
Working with EXS24 mkII Filter Parameters
Using EXS24 mkII Filter Cutoff and Resonance Parameters
Overdriving the EXS24 mkII Filter
EXS24 mkII Output Parameters
Working with EXS24 mkII Modulation
Getting to Know the EXS24 mkII Modulation Router
Using EXS24 mkII Via Sources to Control Modulation Intensity
An EXS24 mkII Modulation Example
EXS24 mkI Modulation Paths
Getting to Know the EXS24 mkII LFOs
Using EXS24 mkII LFO Waveforms
Using the EXS24 mkII Envelope Generator of LFO 1
Setting the EXS24 mkII LFO Rate
Getting to Know the EXS24 mkII Envelopes (ENV 1 and ENV 2)
An Overview of the EXS24 mkII Instrument Editor
Creating EXS24 mkII Instruments, Zones, and Groups
Creating EXS24 mkII Zones
Quickly Creating Multiple Zones in the EXS24 mkII
Creating EXS24 mkII Groups
Editing EXS24 mkII Zones and Groups
Common EXS24 mkII Zone and Group Editing Commands
Common EXS24 mkII Zone and Group Selection Commands
Common EXS24 mkII Zone and Group Sorting Commands
Showing and Hiding EXS24 mkII Zone and Group Parameters
Setting EXS24 mkII Zone Parameters
Using the EXS24 mkII Zone Loop Parameters
Setting EXS24 mkII Group Parameters
Hi Hat Mode: Using the EXS24 mkII Poly Parameter
Using the EXS24 mkII Advanced Group Selection Parameters
Remapping of Pitch Bend and Modulation Wheel Events in the EXS24 mkII
Graphical Editing of EXS24 mkII Zones and Groups
Saving, Renaming, and Exporting EXS24 mkII Instruments
Editing Samples in the EXS24 mkII Sample Editor
Updating Edited EXS24 mkII Zone Information
Working with the EXS24 mkII Sample Editor Loop Commands
Using an External Instrument Editor with the EXS24 mkII
Importing EXS24 mkII Sampler Instruments
Importing SoundFont2, SampleCell, DLS, and Gigasampler Files
Converting ReCycle Files to EXS Instruments
instrument
Converting AKAI Files with the EXS24 mkII
EXS24 mkII AKAI Convert Window Parameters
Copying EXS24 Sampler Instruments to Your Hard Drive
Backing Up EXS24 Sampler Instruments
Setting EXS24 mkII Sampler Preferences
Configuring EXS24 mkII Virtual Memory
Advanced EXS24 mkII RAM Management
Using the VSL Performance Tool in EXS24 mkII
Klopfgeist
Sculpture
Using Sculpture’s String Parameter Sliders (Morphable)
Sculpture Disturb and Damp Table (Objects 2 and 3)
Choosing Sculpture’s Keyboard Mode (Poly/Mono/Legato)
Setting Sculpture’s Glide (Portamento) Time
UsingSculpture’sWaveshaper
Using Sculpture’s Body EQ
Controlling Other Body EQ Models in Sculpture
Getting to Know Sculpture’s LFOs
Using the Sculpture LFO Envelope Generator
Using Sculpture’s Envelope Display
Sculpture Envelope Parameters
Looping Sculpture Envelopes
Recording Sculpture Envelopes
Randomizing Morph Points in Sculpture’s Morph Pad
Using the Sculpture Morph Envelope Parameters
Recording Morph Envelopes in Sculpture
Sculpture Tutorial: Getting Started with Sound Creation
Sculpture Tutorial: Creating Basic Sounds
Sculpture Tutorial: Modulations
Advanced Sculpture Tutorial: Programming Electric Basses
Advanced Sculpture Tutorial: Programming Synthesized Sounds
Recording an Envelope in Sculpture
Morphing Sounds in Sculpture
Ultrabeat
Importing Entire EXS Instruments into Ultrabeat
Using Oscillator 1 in Ultrabeat
Using Oscillator 1’s Phase Oscillator Mode in Ultrabeat
Using Oscillator 2 in Ultrabeat
Using Ultrabeat’s Sample Mode
Loading Samples into Ultrabeat Oscillator 2
Using the Ultrabeat Material Pad
GettingtoKnowtheUltrabeatFilterandDistortionSection
Choosing the Ultrabeat Filter Type (LP, HP, BP, BR)
Setting the Ultrabeat Filter Slope
Using Ultrabeat’s Filter Cutoff Parameter
Using Ultrabeat’s Filter Resonance Parameter
Using Ultrabeat MIDI Controllers A-D
Using Ultrabeat’s LFO Waveform Cycles Parameter
Editing Ultrabeat’s Envelopes Graphically
Using Ultrabeat’s Pattern Parameters
Using Ultrabeat’s Swing Function
Using Accents in Ultrabeat
Switching the Ultrabeat Step Grid to Full View
Using Ultrabeat’s Parameter Offset Shortcut Menu Commands
commands
Ultrabeat Tutorial: Introduction
• Ultrabeat Tutorial: Creating Kick Drums
• Ultrabeat Tutorial: Creating Snare Drums
Ultrabeat Tutorial: Creating Kick Drums
Ultrabeat Tutorial: Creating Snare Drums
Ultrabeat Tutorial: Creating Toms and Tonal Percussion
Ultrabeat Tutorial: Creating Hi-Hats and Cymbals
Ultrabeat Tutorial: Creating Metallic Sounds
Ultrabeat Tutorial: Creating Extreme Sounds
Ultrabeat Tutorial: Programming in Building Blocks
GarageBand Instruments
GarageBandInstrumentFeatures
GarageBandBass
GarageBandDigitalStepper
GarageBandElectricClav(inet)
GarageBandElectricPiano
GarageBandGuitar
GarageBandHorns
GarageBandPiano
GarageBandStrings
GarageBandTonewheelOrgan
GarageBandTunedPercussion
GarageBandVoice
Common Synthesizer Waveforms
Reshaping Waveforms
Filters
Envelopes in the Amplifier Section
The Attack, Decay, Sustain, and Release (ADSR) Envelope Controls
Modulation
Modulation Routing
Using the LFO to Modulate Sounds
Global Controls
Frequency Modulation (FM) Synthesis
Component Modeling Synthesis
Wavetable, Vector, and Linear Arithmetic (LA) Synthesis
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Logic Studio Instruments (en)

Logic Studio Instruments (en)

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Published by: drsparfunk on Feb 17, 2011
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