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DARS’A--PURN.AM
DARS’A PURN.AMĀSA
ĀSA ALTAR
R.N. IYENGAR
JAIN UNIVERSITY, BANGALORE
V.H. SATEESHKUMAR
BAYLOR UNIVERSITY,
UNIVERSITY USA
2/19/2011 RN IYENGAR‐BANGALORE 1
Darsha‐purnamāsa Ishti also called DP‐Yaga has direct astronomical
connection with the Moon.
Darsha=New Moon
Darsha=New Moon
Purnamāsa=Full Moon
The ritual is ordained to be observed under the Shrauta system which is
ll d d h d l
very well recorded in the Vedic Kalpa texts.
WE SEE THAT DP‐ISHTI WAS NOT ONLY A YAJNA/YAGA BUT WAS TAKEN
WE SEE THAT DP‐ISHTI WAS NOT ONLY A YAJNA/YAGA BUT WAS TAKEN
TO BE PRESCRIBED BY THE RIGVEDA AND THE YAJURVEDA. THE
MANTRAS USED IN DP APPEAR IN THE KYV , TAITTIRIYA BRAHMANA
TEXT EXTENSIVELY.
BUT WHAT ABOUT THE RIGVEDIC CONNECTION?
THIS IS THE FOCUS OF THE PRESENT INVESTIGATION
R. SHAMA SASTRY (REF: VEDIC CYCLE OF ECLIPSES 1938) HAS POINTED
OUT THAT DP RITES ARE LINKED WITH THE CALENDAR.
SHATAPATHA BR. (XI.1.2.10) REFERS TO THE DP RITES AND THE
DIFFERENCE BETWEEN SOLAR AND LUNAR YEARS.
“
“…..PERFORM FM & NM SACRIFICES FOR 15 YEARS. IN THESE THERE ARE
&
360 FM & NM. THERE ARE 360 NIGHTS IN A YEAR. HE GAINS THESE
NIGHTS (IN 15 YEARS). IF HE PERFORMS DP‐YAGA FOR ANOTHER 15
( )
YEARS, HE GAINS A YEAR ITSELF. “
THE LUNAR YEAR WAS 360 TITHI LONG. THE SOLAR YEAR WAS 371/372
THE LUNAR YEAR WAS 360 TITHI LONG THE SOLAR YEAR WAS 371/372
TITHI LONG. THE DIFFERECE WAS 12 TITHIS WHICH MAKE UP
12 X 30=360 THAT IS ONE FULL LUNAR YEAR IN THIRTY YEARS. AFTER
SUCH 30 YEARS THE TWO CYCLES WERE EXPECTED TO COINCIDE THIS
SUCH 30 YEARS THE TWO CYCLES WERE EXPECTED TO COINCIDE . THIS
IS CALLED THE DĀKSHAYAN.IYA MENTIONED ALSO IN THE KĀTYĀYANA
S’RAUTA.
HENCE WE HAVE EVIDENCE THAT LONG TIME OBSERVATION OF MOON
WAS NECESSARY AND INFACT CORRELATED WITH DP‐SACRIFICES.
2/19/2011 RN IYENGAR‐BANGALORE 3
DP--VEDI
DP
or
ANTARVEDI
COMPILED
BY
Pt. V.R. PARANJAPE
PROFESSOR OF
PURVA-MIMĀMSA,
SANSKRIT COLLEGE,
MYSORE
2/19/2011 RN IYENGAR‐BANGALORE 4
CONSTRUCTION OF DP‐VEDI AS PER THE S’ULBA SUTRAS
East
A 48 D
EW=96 angula
FIRST AN ISOSCELES
ABCD=5376 sq
ABCD=5376 sq
TRAPEZIUM
angula
SYMMETRICALLY LAID
OUT ABOUT E‐W
OUT ABOUT E W LINE
LINE
Nothing special !
IS
CONSTRUCTED.
But this is
64 C
reduced in a very
B
West peculiar
deliberate
deliberate
fashion.
2/19/2011 RN IYENGAR‐BANGALORE 5
WITH C&D FIXED POINT F
IS CHOSEN SUCH THAT
DF=CF=CD
PERPENDICULAR TO CD
PERPENDICULAR TO CD.
AN ARC OF A CIRCLE
WITH CENTRE AT E IS
DRAWN PASSING
F
THROUGH C AND D. THIS
IS REPEATED ON THE
NORTHERN SIDE. ALSO
ON THE OTHER TWO
SIDES TO GET THE
SIDES TO GET THE
PECULIAR DOLL SHAPED
FIGURE. WHY THIS SHAPE
AND REDUCTION IN
AND REDUCTION IN
AREA? DC‐DF=CF
2/19/2011 RN IYENGAR‐BANGALORE 6
THE DP‐VEDI IS CALLED ANTARVEDI IN THE SHROUTA PRAYOGA OR
PRACTICAL BOOKS.
THIS IS BETWEEN THE AHAVANIYA AND THE GāRHAPATYA ALTARS.
THIS IS BETWEEN THE AHAVANIYA AND THE GāRHAPATYA ALTARS
AHAVANIYA IS TO THE EAST ABOVE THE DP‐VEDI.
GāRHAPATYA IS TO THE WEST BELOW THE DP‐VEDI.
VEDIC SYMBOLISM
THIS SYMBOLISM PROVIDES THE CLUE THAT THE DP‐VEDI IS SOME TYPE
OF REPRESENTATION FOR THE MOON HENCE THE FIGURE IS CALLED
OF REPRESENTATION FOR THE MOON. HENCE THE FIGURE IS CALLED
DĀRSHIKI OR DARS.A‐PURN.AMĀSA VEDI IN THE SULBA TEXTS.
WHAT PHYSICALLY OBSERVABLE SKY PICTURE COULD HAVE LEAD THE
ANCIENTS TO THIS REPRESENTATION OF THE MOON?
2/19/2011 RN IYENGAR‐BANGALORE 7
Āhavaniya
DP VEDI
Dakshinagni
Garhapatya
2/19/2011 RN IYENGAR‐BANGALORE 8
AREA OF THE DP‐VEDI
AN IMPORTANT PRINCIPLE BEHIND VEDIC ALTARS IS THEIR SHAPE AND
AN IMPORTANT PRINCIPLE BEHIND VEDIC ALTARS IS THEIR SHAPE AND
THE AREA.
AREA EQUIVALENCE PLAYED A ROLE IN CIRCLING THE SQUARE AND
SQUARING THE CIRCLE. THIS LEAD TO APPROXIMATE VALUES OF
IRRATIONAL NUMBERS π , √2 AND √3.
The length of the side CD is 96⅓ units, which is slightly more than the
height of the trapezium. The area cut out on the four sides of the
trapezium can be found to be 2261 units.
i b f d b 2261 i
However in the Vedic period the priests handled these irrational
numbers rather approximately and perhaps computed the area of the
pp y p p p
arc by dividing it into squares and triangles.
The best of the ancient approximations were
π = 3.0885 and √3 = 26/15 (Ref: Sen and Bag)
Hence the area they implied to remove from the trapezium
Hence the area they implied to remove from the trapezium
was equal to 2032 square units making the area of the altar
to be 3345 units.
2/19/2011 RN IYENGAR‐BANGALORE 10
There is one unknown step here in that we do not know
whether the priests took the length of CD as 96 or more
correctly as 96⅓. Probably they took the correct value since
the so called Pythagorean relation was already known to
them.
them
However in the former case the area of the DP
However in the former case the area of the DP‐altar
altar would
would
have been 3334 units. The above two numbers are the best
estimates of the area of the DP‐altar of the Vedic period.
This result is remarkable since the average of the two values
h
happens to be 3339, a number stated twice in the R
t b 3339 b t t d t i i th Rgveda for d f
invoking a special agni called SAUCIKA‐AGNI by a group of
deities called VIŚVEDEVĀH for a celestial sacrifice linked with
deities called VIŚVEDEVĀH for a celestial sacrifice linked with
the MOON.
2/19/2011 RN IYENGAR‐BANGALORE 11
TWO OF THE HYMNS USED IN THE DP‐RITES ARE ALSO FROM THE
SAUCIKA HYMNS OF THE RIGVEDA 10TH BOOK
IN THE RITUAL NO FIRE IS LIT ON THE DP‐VEDI.
IT IS SPECIALLY CREATED FOR INVOKING THE PITRS (ANCESTOR
(
DEITIES), AND VIŚVEDEVĀH . DARBHA GRASS IS SPREAD FOR THE
INVOKED DEITIES CALLED BARHISHADA.
THE ABOVE POINTS PROVIDE A WAY TO UNDERSTAND THE
DP‐VEDI IN THE DP‐RITUAL
DP‐VEDI IN THE DP‐RITUAL
AND ITS ASTRONOMICAL BACKGROUND GOING BACK TO THE RIGVEDA .
SAUCIKA HYMNS (RV 10.51, 52, 53) ARE ABOUT AGNI, VIŚVEDEVĀH , &
SOMA THAT IS MOON
2/19/2011 RN IYENGAR‐BANGALORE 12
Hymn (10.51) is in the form of a conversation between devāḥ and agni, where in
(v.2), agni wonders ‘how many gods have clearly beheld my form’. There is also an
allusion, like in RV (3.9) considered previously, to agni hiding in secret places. The
legend outlined in the hymn is briefly as follows. Agni had three elder brothers who
were doing the work of carrying sacrificial offerings to gods. The three died due to
the harsh vasat sounds uttered during the sacrifices. Hence the youngest fire known
as Saucīka fearing the same treatment will befall him was hiding in waters, till
S īk f i h ill b f ll hi hidi i ill
viśvedevāh found him and requested him to come out and help in carrying sacrificial
offerings to gods.
VIŚVEDEVĀH COUNTED AS
2/19/2011 RN IYENGAR‐BANGALORE 3339 IN THIS HYMN13
agni mentions aśvins as the adhvaryus and samidh or moon as the Brahman in the
yajna. Quite cryptically this samidh is offered as oblations to aśvins. The Vedic
tradition does not identify aśvins with any specific celestial object but is quite clear
that samidh should be equated with soma and the moon. The next verse (v.3)
alludes to counting of days or nights, where the reference is to one who springs to
life month by month and each day (aharahar jāyate māsi māsi). The conclusion that
this should be a reference to moon is unavoidable. Agni being honoured by 3339
hi h ld b f i id bl A i b i h d b 3339
gods is the theme of the last verse (v.6) of this hymn.
Agni has arrived with the life (TIME) given to him by the gods
Agni
(10 53)
(10.53): has arrived with the life (TIME) given to him by the gods
and has made our offerings to the gods auspicious. We have obtained
(UNDERSTOOD) the secret of the sacrifice.
The poet is describing a lunar eclipse, since moon as per the previous
g
verse was the sacrificial offering. Moon was also the Brahman who in
Vedic parlance is the presiding officer during a sacrifice. The word also
means one who had grown big indicating a full moon. The life given to
AGNI by the gods can be guessed to be connected with the number
AGNI by the gods can be guessed to be connected with the number
3339. This secret of AGNI who was the tongue of gods for drinking soma
2/19/2011 RN IYENGAR‐BANGALORE 14
was known to the composer.
Agni is asked by VD to follow the sun protecting the luminous path,
which is a poetic but unmistakable reference to the ecliptic. The deities
eligible to partake soma are asked to arrive in a chariot that is
eight cornered or is bound eight fold.
Hymn (10 55)
Hymn (10.55)
He is woken up from his slumber running his course with many around him.
He who died yesterday is living today. (V.5)
The next verse (v.6) is even more cryptic mentioning the arrival of the ancient
red bird which has no nest to rest (arunah suparnah anīdah).
If the
th poetic
ti language
l i disentangled
is di t l d the
th context
t t is
i off a celestial
l ti l eventt in
i which
hi h
moon is seen and an apparition of red colour also appears. Mention of the red
colour of moon makes a strong case for taking this hymn to be describing a total
lunar eclipse.
p
the night sky is described when moon’s colour turned red due to the
arrival of saucīkāgni brought
2/19/2011
in by viśvedevāh numbering 3339. 15
RN IYENGAR‐BANGALORE
TRADITIONALLY RV HYMNS ARE MEANT TO BE INTERPRETED
IN THREE WAYS
ADHIYAJNA, ADHIDAIVA & ADHYATMA.
ADHIYAJNA: SACRIFICIAL, RITUAL MEANING
ADHIDAIVA:
ADHIDAIVA: MEANING AS GODS, CELESTIALS
MEANING AS GODS, CELESTIALS
ADHYATMA: PHILOSOPHICAL, ESOTERIC, MYSTIC
SOMA IN THE ADHIDAIVA MEANING IS THE MOON
Candramā vai somo devānāmannam tā
pournamāsyāmabhisunvanti (Śa. Br. 11.1.5.3)
Brahmanda purana
bhaksārtham amrtam somah pournamāsyām upāsate |
ekām
k rātrīm
t suraih
ih sarvaih
ih pitr
it bbhih
hih sarsiibhih
bhih saha
h ||
somasya krsna-paksādau bhāskarābhimukhasya tu |
praksīyante pitr-devaih pīyamānāh kalā-kramāt
trayaśca trimśataścaiva trayah
trayah-trimśat tathaiva ca |
trayaśca tri-sahasrāśca devāh somam pibanti vai ||
ityetaih pīyamānasya krsnā vardhanti vai kalāh |
ksayanti
ks ayanti tasmāt śuklāśca krsnā
krsnā āpyāyayanti ca || (I-
(I 23.66
23 66-69)
69)
Moon is approached by all the deities, manes and rsis for a night on Full moon, for
partaking amr
p g ta. From the beginning of the dark fortnight, parts of moon facing sun,
g g f f g ,p f f g ,
decrease being drunk by pitr‐devatās digit by digit.
Three hundred and three, then thirty‐three and again three thousand and three gods
drink soma. (33+303+3003=3339)
Being drunk this way, the dark digits increase with corresponding decrease in the
2/19/2011 RN IYENGAR‐BANGALORE 17
bright digits.
The count started on a Full Moon to proceed till amāvāsya
and stopped till the next Full Moon, to repeat again in the
same fashion with gaps in the bright fortnight.
This number is the count of tithis in the dark fortnights
This number is the count of tithis in the dark fortnights
summed up as 3339 sequentially for a special purpose.
If both the fortnights were to be included, this count would
be 6678 tithis.
Now, at the rate of thirty tithis per lunation, this long count is
equal to 222.6 lunations, which in round figures is the eclipse
cycle of 223 synodic months.
l f 223 di th
Vedic months were lunar but the year was solar. It is known
from the Vedāńga Jyotisaa one solar year was taken to have
from the Vedāńga Jyotis one solar year was taken to have
371 tithis.
2/19/2011 RN IYENGAR‐BANGALORE 18
RV number 3339, which is half of 6678, is a proxy for 18
solar years.
Agni, viśvedevāh, yajna
and somapāna described in
some places of RV are symbols or metaphors for
explaining the celestial phenomenon of similar lunar
eclipses.
THE MODEL OF SOMA‐PĀNA REPRESENTS UNCANNY SCIENTIFIC
NATURALISM.
MOON BECOMES VISIBLE IN THE MORNING ALSO IN THE BRIGHT
FORTNIGHTS WHEN OBSERVATION IS DIFFICULT.
It happens
h soon after
ft the
th sunsett on the
th Full
F ll Moon
M day
d and
d
then delayed everyday by about 50 minutes.
On 18th Sept 2024 a lunar
2/19/2011 RN IYENGAR‐BANGALORE 22
eclipse is possible
DP YĀGA IN PROGRESS
OBSERVE THAT THERE IS
NO FIRE IN THE ANTARVEDI
ONLY DARBHA GRASS IS
2/19/2011 SPREAD.
RN IYENGAR‐BANGALORE 23
SUMMARY
Ā
DP‐RITES ARE CALLED YAJN~A BY ĀPASTAMBA A CELEBRATED
AUTHORITY ON VEDIC RITUALS. HE ASSIGNS THE
PRESCRIPTION OF THE DP RITES TO RIGVEDA AND THE
PRESCRIPTION OF THE DP‐RITES TO RIGVEDA AND THE
YAJURVEDA.
FORTUNATELY DP‐RITES ARE OBSERVED BY SOME PERSONS
TO THIS DAY AND HENCE THE DP‐ALTAR CONSTRUCTION AND
SHAPE HAS AN UNBROKEN TRADITION.
THE ASTRONOMICAL SIGNIFICANCE BEHIND THE ALTAR AND
THE ASTRONOMICAL SIGNIFICANCE BEHIND THE ALTAR AND
THE RITUAL IS NOT EXPLAINED IN ANY TEXT EXCEPT FOR
VAGUE REFERENCES ALLUSIONS METAPHORS
VAGUE REFERENCES, ALLUSIONS, METAPHORS….
2/19/2011 RN IYENGAR‐BANGALORE 24
THE YAJURVEDIC TEXTS WHICH PROVIDE DETAILS OF THE
DP-RITES DO NOT ASCRIBE ANY SPECIAL ASTRONOMICAL
SYMBOL TO THE DP-VEDI.
DP VEDI
2/19/2011 RN IYENGAR‐BANGALORE 26
2/19/2011 RN IYENGAR‐BANGALORE 27