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Class 28_Alchemy: The Human Project

Class 28_Alchemy: The Human Project

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Published by chelslaw
Class 28 Commercial (over 2500 sq ft.)
Class 28 Commercial (over 2500 sq ft.)

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Categories:Topics, Art & Design
Published by: chelslaw on Feb 25, 2011
Copyright:Attribution Non-commercial

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02/25/2011

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original

 
 
M . ON
 
[ WALLFINISHES ][ METALLICTILE FINISHES ][ UPHOLSTERY ][ TRANSLUCENT CONCRETE ]
[
CUSTOM . BARSTOOL
 
]
ALCHEMY 
wiLL
 
bE
 
A
 
MuLti
-
usE
 
spACE
 
MEAnt 
 
to
 
dispLAY 
 
And
 
inspirE
 
CrEAtivitY 
-
An
 
EdgY 
 
RETAIL BOUTIQUE
 
tHAt 
 
CAn
 
bE
 
trAnsforMEd
 
into
 
A
 
FASHION RUNWAY 
 
vEnuE
-
ALong
 
witH
 
A
 
CAFE BAR
 
And
 
LOUNGE
 
ArEA
. i
 
wiLL
 
AttrACt 
 
CrEAtivE
 
Minds
;
sHoppErs
,
dEsignErs
,
And
 
soCiALitEs
 
ALikE
.
HE
 
runwAY 
 
wiLL
 
ACt 
 
As
 
An
 
EXHIBITIONplace
 
forup
-
And
-
CoMing
 
dEsignErs
 
to
 
sHowCAsE
 
tHEir
 
CoLLECtions
-
woMEn
'
s
 
And
 
MEn
'
s
 
CLotHing
,
sHoEs
,
And
 
ACCEssoriEs
-
wHiCH
 
wiLL
 
tHEn
 
bE
 
dispLAYEd
 
And
 
soLd
 
on
 
tHE
 
sALEs
 
fLoor
. d
rEssing
 
rooMs
 
wiLL
 
doubLE
 
As
 
CHAnging
 
rooMs
 
for
 
ModELs
 
And
 
LigHt 
-
wEigHt 
 
MovEAbLE
 
sHELving
 
wiLL
 
opEn
 
up
 
tHE
 
storAgE
 
spACE
 
to
 
CrEAtE
 
A
 
bACk
 
stAgE
 
work
 
ArEA
. t 
HE
 
sELf
-
sErviCE
 
bAr
 
wiLL
 
bE
 
A
 
Hip
 
spot 
 
to
 
grAb
 
A
 
quiCk
 
CAppuCCino
 
wHiLE
 
browsing
 
tHE
 
sHop
 
or
 
EvEn
 
offEr
 
A
 
MoodY 
 
LoungE
 
for
 
LoCALs
 
to
 
gAtHEr
 
for
 
soCiAL
 
And
 
CrEAtivE
 
COLLABORATION
.
 
 
ALCHEMY 
is
 
A
 
spACE
 
CHARGED
 
witH
 
CrEAtivitY And
 
inspirEd
 
bY 
 
tHE
 
FUSION of SCIENCE,FASHION and the HUMAN FORM
-
EACHpossEssing
 
orgAniC
 
ELEMEnts
,
fundAMEntAL
 
struCturE
,
And
 
CrEAtivE
 
ConCEption
.
HE
 
dEsign
 
is
 
MEAnt 
 
to
 
CAusE
 
CHEMICAL ACTIONS
 
And
REACTIONS
As
 
its
 
pHYsiCAL
 
struCturE
 
is
 
trAnsforMEdfroM
 
onE
 
funCtion
 
to
 
tHE
 
nExt 
 
in
 
An
 
EquAtion
 
of
 
tECHniCAL
 
AEstHEtiC
 
And
 
ArtistiC
 
prECision
.b
oLd
 
METALLIC
,
gLAss
,
And
 
HigH
-
gLoss
 
finisHEspAirEd
 
witH
 
sLEEk
 
gEoMEtriC
 
LinEs
 
ACCEntuAtEtHE
 
orgAniC
 
sHApEs
,
MAtEriALs
,
AndCrEAtivE
 
proCEssEs
 
of
 
tHE
 
pEopLE
,
produCts
,
And
 
idEAs
 
Existing
 
witHin
.
 
ON
 
 
O . DON
 
TRANSFORMATION . CREATIVITY . EXHIBITION . COLLABORATION . THE
[ FASHION RUNWAY ][ CAFE BAR LOUNGE ]
 
[ CUSTOM SALES DISPLAY ][ SHOE SALES FLOOR ]
[ POLISHEDCONCRETE ]
 
[
FURNITURE . SELECTIONS
 
]
 
 
  
A
LCHEMY 
 
is
 
to
 
bE
 
LoCAtEdwitHin
 
An
 
Existing
 
voLuME
 
ofA
 
HISTORIC BUILDING
 
on
iA
s
An
g
ALLo
,
in
 
tHE
 
CitY 
 
CEntEr
 
of
f
LorEnCE
, i
tALY 
. t 
HE
 
vACAnt 
 
spACE
 
wAsprEviousLY 
 
oCCupiEd
 
bY 
 
An
 
intErnAtionAL
 
sCHooLof
 
CuLinArY 
 
Arts
 
And
 
is
 
situAtEd
 
on
 
tHE
 
ground
 
LEvEL
 
of
 
A
 
tHrEE
 
storY 
 
buiLding
 
CoMpLEx
.    r
EsidEntiAL
 
ApArtMEnts
 
ArE
 
LoCAtEd
 
on
 
tHE
 
first 
 
And
 
sECond
 
LEvELs
 
AbovE
 
witH
 
An
OPEN COURTYARD
 
visibLE
 
froM
 
witHin
 
tHE
 
spACE
 
And
 
A
 
vAriEtY 
 
of
 
LoCAL
 
sHops
,
CAfEs
,
And
 
A
 
bookstorE
 
surround
 
tHE
 
350 SQUAREMETER
 
rEtAiL
 
boutiquE
L
oCAtEd
 
on
 
tHE
 
nortHErn
 
sidE
 
of
 
FLORENCE'S CITY CENTER
,A
LCHEMY 
 
sits
 
witH
 
its
 
storEfront 
 
on
iA
 s
An
g
ALLo
,
A
 
strEEt 
 
wHiCH
 
Cuts
 
dirECtLY 
 
tHrougH
 
soME
 
of
 
tHE
 
CitY 
'
s
 
MAjor
 
AttrACtions
 
bu
 
ExtEnds
 
ou
 
bEYond
 
tHE
 
bEAtEn
 
pAtH
 
of
 
tourisM
.
HE
 
ArEA
 
bustLEs
 
MostLY 
 
witH
 
LOCAL
 
foot 
 
trAffiC
 
bu
 
ALso
 
AttrACts
 
tHosE
 
tourists
 
wHo
 
ArE
 
Curious
 
EnougH
 
to
 
wondEr
 
bEYond
 
tHE
 
sigHts
. A
nEArbY 
i
tALiAn
u
nivErsitY 
 
MEAns
 
A
 
YOUNGandCREATIVE
 
Crowd
 
popuLAtEs
 
And
 
suppLiEs
 
riCH
 
vivACitY 
 
to
 
tHE
 
surrounding
 
businEssEs
.
 OON 
 
[
fLoor
 
pLAn
 
not 
 
to
 
sCALE
]
[ ACCESSORY DISPLAY WALL ]
FUSION OF SCIENCE, FASHION AND THE HUMAN FORM . ORGANIC . 
CCA'A'B' B
STORAGE/STAFF ROOMSHOE SALES FLOORDRESSING ROOMSRUNWAY/SALES FLOORSALES FLOORCAFE BAR & LOUNGEACCESSORIES SALES FLOORACCESSORIES SALES FLOORVESTIBULE ENTRANCESTAFF RESTROOMRESTROOMS
. METALIC. FLEXIBILITY .

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