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GonzáLez, Uri (2007) - Poststructural Modes of Analytical Thought

GonzáLez, Uri (2007) - Poststructural Modes of Analytical Thought

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Published by: urisala on Nov 15, 2007
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Poststructural Modes of Analytical Thought 
Revising the Ideas of Author,Unity and Text in the Analysis of Modern Music
Uri González (# 0617105)Onderzoeksmaster Theorie der Muziek Supervisor: Michiel Schuijer2
nd
Reader: Jacques Boogaart Universiteit van AmsterdamOctober 2007 
 
Poststructural Modes of Analytical Thought -
1
 
Table of Contents
INTRODUCTION 3
 
From Structuralism to Poststructuralism 4
 
Scope and Structure 7
 
PART I: MUSIC ANALYSIS AT STAKE 9
 
The Problem of Subjectivity and Music 9
 
The Death of the Author 9
 
The Postmodern
 Subject 
11
 
Towards a Reconcilement with Authorial Intention 12
 
The Lookout for Formal Coherence 15
 
Unity-Based Analysis Burdened 15
 
Some Historical Context: Analysis and Organic Unity 17
 
The Resettlement of Musical Unity 19
 
 Musical Work and Text 22
 
 Notation as Reduction 23
 
The Linguistic Turn: Pluralities of Meaning 25
 
 Analytic Discourse as a Metalanguage 26
 
Semiological Analysis 27
 
The Semiological Tripartition 27
 
The Problem of the Neutral
 
Level: a Remnant of Structural Analysis? 28
 
PART II: THE POLYHEDRIC AUTHOR 32
 
Hèctor Parra’s Music 32
 
Introduction 32
 
Biographical Sketch 32
 
Parra’s Creative Research 33
 
Epistemological Foundation: Color Modulation as “Visual Rhythm” 33
 
The Design of the Rhythmic Units 35
 
 
Poststructural Modes of Analytical Thought -
2
 From the Micro to the Macrostructure 39
 
Back to the Center 44
 
Beyond Formalism into the Subjective 44
 
The Rebirth of the Author 47
 
Unity, Organicism and Truth 49
 
CONCLUSION 54
 
BIBLIOGRAPHY AND SOURCES 57
 

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