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  • Gehry, F. Hotel at Marques de Rlscal. in M. Rappolt & R. Violette (Eds.) (2004) - Gehry Draws (Pp. 242-251) .

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    Josef Heinrich
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    Gehry, F. Hotel at Marques de Rlscal. In M. Rappolt & R. Violette (Eds.) (2004). Gehry Draws (pp. 242-251).

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    5 views10 pages

    Gehry, F. Hotel at Marques de Rlscal. in M. Rappolt & R. Violette (Eds.) (2004) - Gehry Draws (Pp. 242-251) .

    Uploaded by

    Josef Heinrich

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 10

    Hotel at Marques de Rlscal

    Elciego (Alava), Spain

    Design: commenced 1999


    Construction: commenced 2003
    Status: expected completion 2006
    Number of drawings illustrated: 8

    The building IS approached through vine­ The entry plaza leads to a reception area The exterior of the building consists
    Located in Elciego, in the Rioja, the winery
    and a bar set along the edge of a small fundamentally of a series of rectilinear
    of Vi nos Herederos del Marques de Riscal yards and the winery's nineteenth-century
    area of the vineyards. An outdoor terrace elements clad in Spanish limestone and
    is one of the oldest in the region. Although production facilities. It is raised on
    columns, In order to create a small entry leads to a pool, while a covered walkway a series of curvilinear elements clad in
    traditional Rioja wineries are not open to
    plaza and to take advantage of the extending from the building allows visitors gold and pale pink titanium panels, and
    the public, Marques de Riscal commis­
    breathtaking views of the vineyards, the to experience the views. Distributed in mirror-finish stainless-steel panels.
    sioned the design of a small building that
    San Andres Church, and the surrounding throughout the three upper levels of the
    would provide a unique visitor experience
    town and region. building are fourteen guest bedrooms, a
    as part of a plan to redefine and invigorate
    wine-tasting room, a 172-seat restaurant,
    its public image.
    a private dining room, and outdoor dining
    terraces, as well as conference facilities.

    M14.01
    03.11.99

    M14.02
    04.20.99

    M14.03
    07.02.99

    l4l

    '43
    I

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    Cl
    ..
    ..
    o
    ..

    ...

    ----
    .

    
    I spend a lot of tin1e selecting the n1aterials, the details, and the way a project is going to be built:
    the expression. It's about the feeling, the perception of the building as a sensibility. If you want
    to be involved with the visual world and make things that are visual, then you have to look at
    everything. I spend all n1Y time looking at things and learning about them. There was a period
    when I used to look into Iny wastepaper basket and fantasize buildings and forms. FG

    'jO

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