The Cicadas' Cry
T
HE
TRAIN
rushes along the remnants of the old river. Buttoned up sararimen swayand grimace in the afternoon rush hour and tiny school children in white pithhelmet-like hats amble on and off the train at every station. They all look full of life and darkness, all with jet hair and smooth cheeks. I lean, tired, on the doorand eventually disembark at a little busy station in the suburban commercialborough of Koganei. The Tokyo eventide slams me in the face with all its heatand perfume. I cross the platform, down the stairs, and pass through the gates likeone of a million complacent cattle. From the station I make my way past thesweatshop drone of the pachinko parlor and gradually into a more verdantterritory, lined less with ramen shops and parked bicycles and more with familyhomes and trees. It's here that they catch up to me, those old cicadas.Under the hot summer sun, already listing in the sky, I remember themhanging lazily in the trees, singing a melancholy song. With each step I think backon times long past, summers played to the cicada's cry—resonant and electrical. Iremember long intense bike rides around the old neighborhood, green neat lawnsof one of Chicago's boroughs—the Ukrainian village. I remember how afterplaying tag on the jungle gym at Western play-lot I would always be overtaken bythis feeling of heat and sweat—a soiled thirst in the warm summer evening, as thecicadas sang their last song, giving it up to the grasshoppers on their fiddles andthe katydids. Fireflies would be about, roaming the thick air currents stirred up bycars droning by. And from somewhere in the distance I could hear firecrackersand after a time smell their scent. I rested on cold concrete steps—my friends and
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