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IBLIOGRAPHY

ITERARY

HEORY

, C

RITICISM

AND

HILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel G

ARCÍA

ANDA

(University of Zaragoza, Spain)

ARRATIVE

LOSURE

; E

NDINGS

Abbott, H. Porter.

The Cambridge Introduction to Narrative.

Cambridge: Cambridge UP, 2002.* (Closure).Armstrong, Nancy. "Character, Closure, and Impressionist Fiction."

Criticism

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Boston.com

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The Sopranos).

http://www.boston.com/ae/tv/articles/2007/06/11/the_end/?page=12007Bernstein, Michael André.

Foregone Conclusions: Against Apocalyptic History.

(Contraversions: Critical Studies inJewish Literature, Culture, and Society, 4. A Centennial Book).Berkeley: U of California P, 1994.*Booth, Alison.

Famous Last Words: Changes in Gender and Narrative Closure

. Charlottesville: University Press of Virginia, 1993.Brooks, Peter. "Freud's Masterplot: Questions of Narrative."

YaleFrench Studies

55/6 (1977): 280-300._____.

Reading for the Plot: Design and Intention in Narrative.

Oxford: Clarendon Press; New York: Alfred A. Knopf, 1984.*Chatman, Seymour. "Plot." In Chatman,

Reading Narrative Fiction

.New York: Macmillan, 1993. 20-57.* (Definition; Closed andopen plots; Story-Time and Discourse-Time; Narrative Orderand Duration).Compagnon, Antoine. "Le lecteur." In Compagnon,

Le démon de lathéorie: Littérature et sens commun.

Paris: Seuil, 1998. 2000.147-76.* (genre, resistance, implied reader, open works).Corcoran, Paul.

Awaiting Apocalypse.

Houndmills: Macmillan; NewYork: St. Martin's, 2000.* (Time, apocalypse, endings, closure,history, waiting).1

Descargues, Madeleine. "Sterne, Nabokov and the Happy(Non)Ending of Biography." In

Laurence Sterne in Modernismand Postmodernism.

Ed. David Pierce and Peter de Voogd.Amsterdam: Rodopi, 1996. 167-78.*Douglas, J. Yellowlees. "'How Do I Stop This Thing?' Closure andIndeterminacy in Interactive Narratives." In

Hyper/Text/Theory.

Ed. George P. Landow. Baltimore: Johns Hopkins UP, 1994.159-88.*Dunn, Francis.

Tragedy's End: Gestures of Closure in EuripideanDrama.

Oxford: Oxford UP, forthcoming 1994.DuPlessis, Rachel Blau. "Endings and Contradictions." In

NarrativeDynamics: Essays on Time, Plot, Closure, and Frames.

Ed.Brian Richardson. Columbus: Ohio State UP, 2002. 282-89.*Eco, Umberto.

Opera aperta: forma e indeterminazione nelle poetichecontemporanee.

Milano: Bompiani, 1962. 2nd ed. 1967._____.

The Open Work.

New York: Hutchinson, 1989._____.

The Open Work.

Trans. Anna Cangogni. Cambridge (MA):Harvard UP, 1989._____.

L'Œuvre ouverte.

Paris: Seuil, 1965. (Rpt. Seuil-Points)._____.

Obra abierta.

Barcelona: Ariel, 1979. 1990._____.

Obra abierta.

Barcelona: Planeta, 1984._____. "From Internet to Gutenberg." 1996.http://www.hf.ntnu.no/anv/Finnbo/tekster/Eco/Internet.htm2006-06-15Eikhenbaum, Boris. "O. Henry and the Theory of the Short Story."1925. In

Readings in Russian Poetics: Formalist and Structuralist Views.

Ed. Ladislav Matejka and KrystynaPomorska. Ann Arbor: U of Michigan P, 1978. 227-70.

Fins de romans: Aspects de la conclusion dans la littérature anglaise.

Caen: Presses Universitaires de Caen, 1994.García Landa, José Ángel. "Samuel Johnson's

Rasselas:

The Duplicityof Choice and the Sense of an Ending."

Revista Canaria deEstudios Ingleses

19/20 (1989-1990): 75-99.*http://webpages.ull.es/users/rceing/Back.html#Nos.%2019-20,%20NOVIEMBRE%201989/ABRIL%2019902004-11-20_____. "Samuel Johnson's

Rasselas:

The Duplicity of Choice and theSense of an Ending." iPaper at

Academia.edu

23 April 2010.*http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/165189/Samuel-Johnson-s-2

RASSELAS--The-Duplicity-of-Choice-and-the-Sense-of-an-Ending2010_____. "Samuel Johnson's

Rasselas:

The Duplicity of Choice and theSense of an Ending." Online PDF at

Social Science ResearchNetwork

23 April 2010.*http://ssrn.com/abstract=15948192010_____. "'Silence Once Broken': Metalenguaje y clausura narrativa enBeckett." In

Miscel.lània homenatge Enrique García Díez.

Ed.Angel López García and Evangelina Rodríguez Cuadros

Universitat de Valencia / Consellería de Cultura, Educació iCiència de la Generalitat Valenciana, 1991. 117-28.*_____. "Silence Once Broken: Metalenguaje y clausura narrativa enBeckett." Online edition in the author's website:http://www.unizar.es/departamentos/filologia_inglesa/garciala/ publicaciones/silence.html2006-09-29_____. "'Silence Once Broken': Metalenguaje y clausura narrativa enBeckett." Online PDF in

Zaguán

9 Oct. 2009.*http://zaguan.unizar.es/record/41722009_____. "'Silence Once Broken': Metalenguaje y clausura narrativa enBeckett." iPaper at

Academia.edu