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Lighting For Digital Video and Television

Lighting For Digital Video and Television

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Published by kristiutz
If you’re fairly new to television, video, and digital movie production, youmay not really have a sense of why lighting is so important. After all, today’scameras are so light sensitive you can often get away without any additionallighting. The only thing you don’t understand is why sometimes your shotsare overexposed or contrasty; and you may not be able to gure out why oneshot will look like a Hollywood lm and the next will look like a really badYouTube video.If, on the other hand, you’re more experienced in television and event videoproduction, you may understand a lot about the basic issues of controlling contrast and exposure—but would nd it challenging to light a realistic night scene or simulate natural lighting in a living room for a dramatic movie. Thesesituations are very different from at studio lighting and a classic three-point interview setup.
If you’re fairly new to television, video, and digital movie production, youmay not really have a sense of why lighting is so important. After all, today’scameras are so light sensitive you can often get away without any additionallighting. The only thing you don’t understand is why sometimes your shotsare overexposed or contrasty; and you may not be able to gure out why oneshot will look like a Hollywood lm and the next will look like a really badYouTube video.If, on the other hand, you’re more experienced in television and event videoproduction, you may understand a lot about the basic issues of controlling contrast and exposure—but would nd it challenging to light a realistic night scene or simulate natural lighting in a living room for a dramatic movie. Thesesituations are very different from at studio lighting and a classic three-point interview setup.

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Categories:Topics, Art & Design
Published by: kristiutz on Mar 20, 2011
Copyright:Attribution Non-commercial

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