HoneyDripperBlues
S
t.Louishadmanyfirst-ratebluespianoplayersinthe1920'sand30's,butthebestofallwasthe"HoneyDripper,"RooseveltSykes.Hewasastrongsinger,apowerfulpianoplayer,andagentleandnobleman,whohadaprofoundinfluenceonthebluesmenofhisownandsucceedinggenerations.ThestoryofRooseveltSykes,unlikethatofmany
YESTERDAY'S
otherbluesmen,isnotoneofboozing,fighting,chasingwomen,andserv-ingtimeinjail,butoneofquietandsteadfastdedica-tiontothismusic.RooseveltwasborninHelena,Ar-kansas,onJanuary31,1906.Threeyearslater,hisfamilymovedtoSt.Louis.However,Rooseveltreturnedev-erysummertostaywithhisgrandfatherwhohadafarmoutsideofHelena.
It
wastherethatyoungRooseveltgothisfirsttasteoftheblues.Wheneverbegotachance,hewouldsneakawayfromhisfarmchorestolistentothebluesmenwhocongregatedattheDixieDrugstoreinHe-lena.OneinparticularthatRooseveltlaterrecalledashavinginfluencedhisplayingstylewasanold-time,stomp-downbluespianistcalledJesseBell.Rooseveltlearnedtoplayhisgrandfa-ther'sparlororganandwasoftencalledontoplayforprogramsatchurchandschool.Hesaidthathegotthenickname"HoneyDripper"because,whenateacherwasn'taround,hewouldstartplayingtheblues,andthekidswouldgatheraroundlikebeestohoney.However,themorecommonlyheardversionisthathewascalledthe"HoneyDripper"because,asayoungman,hewasanotoriousladykiller.BackinSt.Louis,Rooseveltstartedbangingaroundthepianoplayersin"DeepMorgan,"thered-lightdistrict.UnderthetutelageofLeeGreen,akeyfigureintheSt.Louisbluesscene,RooseveltwasabletoblendthecountrysoundsoftheDeltathathehadbeardinHelenawiththemoresophisticatedswingingragtimerhythmsoftheSt.LouispianoplayerstocreateabluessoundthathashadanimpactonpianistsfromMemphisSlimtoFatsDomino.NotonlywasRooseveltindemandasasoloperformer,buthealsogainedtherespectofothermusiciansforhissympa-theticaccompaniments.Heneverused
2•
APRIL1991
another-musiciari'sperformancetodis-playhisownvirtuosity,butinsteadwouldplaysoastosupportandcomplementtheotherartist.Becauseofthis,hewasfea-turedonhundredsofrecordingsbybluesartistsinthe1930'sand'40's.JesseJohnson,theownerofamusicstorethatwasapopularhangoutforbluesmusiciansandatalentscoutforOkehRecords,arrangedforRoosevelt'sfirstrecordingsession.InJuneof1929,hewent
to
NewYorkandrecordedthe"44Blues,"aversionofLittleBrotherMontgom-ery's"VicksburgBlues."Thiswasthestartofalongandproductiverecordingcareerthatspannedthenextfivedec-ades.Usingavarietyofpseudonyms,Rooseveltrecordedforseveralotherla-belswhileundercontracttoOkeh.In1933,hemovedtoChicagotofur-therhisrecordingcareer.LesterMelrose,amusicpublisher,andmaybethefore-mostbluespromoterandenthusiastofalltime,becamehismanager.In1935,Roosev-eltsignedacontractwithDeccaand,forthenextfiveyears,onehitfollowedan-other.HewassopopularthattheWorldWarIIshellacrationing,whichwasdev-astatingtothecareersofsomanyothersuccessfulbluesmusicians,didnotstopRoosevelt'sstringofreleases.Hetouredthecountrywithatwelve-piecebandcalledtheHoneyDrippers.OnlytheretirementofLesterMelroseandtheemergenceofthatobstreperousstepchildoftheblues,"RockandRoll,"couldputadamperonRoosevelt'scareer.Afterthewithdrawalofmajorrecordlabelsfromthebluesfield,RooseveltwasabletorecordforsmallerlabelssuchasRegalandImperial,buttheydidn'tpro-motehimasMelrosehad.HedisbandedtheHoneyDrippers,butcontinuedtoperformasasoloact.Afteranextensivetwo-yeartourofEnglandandEuropefrom1964through1966("Yesterday'sBlues"sawRooseveltSykesperforminFrank-furt,Germany,in1966),RooseveltleftChicagoforNewOrleans.HecontinuedtoperforminNewOrleans'clubsaswellasplayonthecoffeehouseandfolkfestivalcircuitthroughoutthe1970's.Eventu-ally,hesettledinGulfport,Mississippi,wherehedidalotoffishinguntilhisdeathin1983.•
PrimarySources:
1.
WilliamBarlow,
LookingupatDown.
Philadelphia:TempleUniversityPress.2.GilesOakley,
TheDevil'sMusic.
Lon-don:ArielBooks.3.PaulOliver,
BluesOfftheRecord.
TurnbridgeWells,Kent,England:TheBatonPress.
April1991
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