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Table Of Contents

1.1.1 Objective
1.1.3 TechniqueandMusic
1.2.1 ThePracticeRoutine
1.2.2 FingerPositions
1.2.6 ShorteningDifficultPassages: Segmental(Bar-by-Bar)Practice
1.2.7 HandsSeparatePractice: AcquiringTechnique
1.2.8 TheContinuityRule
1.2.11 ParallelSets
1.2.18 Fingering
1.2.21 BuildingEndurance,Breathing
1.2.23 DamperPedal
1.2.25 HandsTogether: Chopin’sFantaisieImpromptu
1.2.26 Summary
1.3.1.3 Staccato
1.3.2 Cycling(Chopin’sFantaisieImpromptu)
1.3.3.1 Trills
1.3.3.2 Tremolos(Beethoven’s“Pathétique”,1stMovement)
1.3.4.1 HandMotions
1.3.4.3 BodyMotions
1.3.5.1 Scales
1.3.5.2 Arpeggios
1.3.6 Memorizing
1.3.6.3 MemorizingandMaintenance
1.3.6.4 HandMemory
1.3.6.6 ReinforcingtheMemory
1.3.6.7 PracticingCold
1.3.6.8 SlowPlay
1.3.6.9 MentalTiming
1.3.6.10 EstablishingPermanentMemory
1.3.6.11 Maintenance
1.3.6.13 HumanMemoryFunction
1.3.6.15 Summary
1.3.7 Exercises
1.3.7.6 PracticingJumps
1.3.7.9 PracticingforSpeed
1.3.8 Outlining(Beethoven’sSonata#1)
1.3.10.1 ColdHands
1.3.10.2 Illness
1.3.10.3 MostInjury
1.3.10.4 EarDamage
1.3.11 SightReading
1.3.13.1 AudioRecording
1.3.13.2 Camcorders
1.3.14.2 BenefitsandPitfallsofPerformances/Recitals
1.3.14.3 PreparingforPerformances/Recitals
1.3.14.5 CasualPerformances
1.3.14.6 PreparationPracticeRoutines
1.3.14.7 DuringtheRecital
1.3.14.8 ThatUnfamiliarPiano
1.3.14.9 AftertheRecital
1.3.16 Teaching
1.3.16.2 TeachingYoungsters
1.3.17.2 ElectronicPianos
1.3.17.6 PianoCare
1.3.19.1 LearningtheRules
1.3.21 ThePsycology
i
1.4.6 FutureResearchTopics
TuningYourPiano
2.1 Introduction
2.3 TuningTools
2.4 Preparation
2.5 GettingStarted
2.6.2 KirnbergerII
2.6.3 EqualTemperament
2.7.1 HammerVoicing
2.7.2 PolishingtheCapstans
3.1 Introduction
3.5.2 Inability-to-RunDream
3.5.3 Late-to-ExamsorGetting-LostDream
3.5.5 ControllingtheDreams
3.6.1 Emotions
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fondamental of piano

fondamental of piano

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Published by Olga Anna Furchì

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Published by: Olga Anna Furchì on Mar 24, 2011
Copyright:Attribution Non-commercial

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05/13/2013

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