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Jacques Derrida - Opening lines

Jacques Derrida - Opening lines

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Published by: xib8307 on Apr 15, 2011
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Jacques Derrida
‘Of the very many books on Derrida that have already appeared, Marian Hobson’smust surely count as one of the most challenging and the most stimulating. Her owntext interacts with those which she discusses in ways that are truly illuminating of both – not least in the very fact and nature of their interaction. Hobson displays aremarkable sense for the main deeply underlying themes of the philosophical-cum-literary tradition within and through which Derrida is working, themes which continueto work themselves out in his – and indeed her – writing.’Alan Montefiore, Emeritus Fellow of Balliol College, Oxford‘In this exceptionally sophisticated book, Marian Hobson has done what no otherbook to date on Derrida has done: to explore the relation of argument to the mode of writing. By exhibiting the patterns of organizations, filaments of construction,micromovements, circuits of argumentation, which constitute the undercurrent of hiswritings from which, like the tips of icebergs, Derrida’s coinages of individual terms,positions, and determined arguments, including “deconstruction”, emerge to bethematized, Hobson succeeds in demonstrating the rigor of Derrida’s work, moreprecisely, the unheard kind of consistency that characterizes it. Above all, this superbstudy on the question of language in Derrida, and Derrida’s language, by emphasizinghis writerly strategy of sketching links, reinforcing connections between words, themes,arguments, and providing for extensions into other texts, shows Derrida’s work tostage incalculable possibilities of connection from whence future commentaries areallowed to proceed.’Rodolphe Gasché, Eugenio Donato Professor of Comparative Literature,State University of New York at Buffalo
Marian Hobson
is Professor of French at the University of London, Queen Mary andWestfield College. She is the author of 
The Object of Art 
(1982) and co-editor of 
 Reappraisalsof Rousseau
(1980) and
 Rousseau et le dix-huitième siècle
(1993).
 
Critics of the Twentieth Century
General Editor: Christopher Norris
University of Wales, Cardiff 
Northrop Frye
The theoretical imagination
 Jonathan Hart 
A. J. Grimas and the Nature of Meaning
 Ronald Schleifer 
Christopher Caudwell
 Robert Sullivan
Figuring Lacan
Criticism and the cultural unconscious
 Juliet Fower MacCannell
Harold Bloom
Towards historical rhetorics
Peter de Bolla
Julia Kristeva
 John Lechte
Geoffrey Hartmen
Criticism as answerable style
G. Douglas Atkins
Introducing Lyotard
Art and politics
 Bill Readings
Ezra Pound as Literary Critic
K.K. Ruthven
F. R. Leavis
 Michael Bell
Deleuze and Guattari
 Ronald Bogue
Postmodern Brecht
A re-presentation
 Elizabeth Wright 
The Ecstasies of Roland Barthes
 Mary Bittener Wiseman
Paul Ricouer
S. H. Clark 
Jürgen Habermas
Critic in the public sphere
 Robert C. Holub
William Empson
Prophet against sacrifice
Paul H. Fry
Antonio Gramsci
Beyond Marxism and postmodernism
 Renate Holub
Kenneth Burke
Rhetoric and ideology
Stephen Bygrave
Roman Jakobson
Life, language, art
 Richard Bradford 

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