American & European Paintings & Prints

SKINNER
American & European Paintings & Prints

Sale 2547B May 20, 2011 Boston
364
including Photography & Sculpture
specialists in charge
Robin S. R. Starr Kathy Wong Elizabeth C. Haff

Department Director 508.970.3297 508.970.3258
508.970.3259
American & European Paintings & Prints Department - 508.970.3206

General Inquiries: paintings@skinnerinc.com
auction 2547B
Friday, May 20, 2011
Prints & Photography at 12 noon
Paintings & Sculpture at 4 p.m.
63 Park Plaza
Boston, Massachusetts
preview
Wednesday, May 18, 2011 12 to 5 p.m.
Thursday, May 19, 2011 12 to 8 p.m.
Friday, May 20, 2011 9 to 10:30 a.m.
absentee bidding
Tel: 617.874.4318
Fax: 617.350.5429
Online: www.skinnerinc.com
general inquiries
View all lots online at www.skinnerinc.com
617.350.5400
cover : 576 ( detail ) ; frontispiece : 364 ; back cover : 484

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table of contents
1 Auction & Specialist Information
2 Web Site & Online Bidding
4-5 Sale & Event Announcements
7 Prints & Photography – Lots 1-262
109 Paintings & Sculpture – Lots 300-617
314 Glossary of Terms
315 Artist Index
320 Conditions of Sale
321 Absentee Bid Form
322 Company Directors & Specialty Departments
323 Administrative Staff & Client Services
324 Map & Driving Directions
325 Parking & Accommodations
326 Dining
327 Catalogue Subscription Form
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Upcoming Auction

September 9th, 2011
Boston, MA
Alexander Calder (American, 1898-1976), Shoe with Split Heel, 1946, painted sheet metal, Calder Foundation Application No. A18642.
Consignment Deadline:
July 1st, 2011
For more information please contact our
Paintings & Prints department at 508.970.3206 or email paintings@skinnerinc.com
www.skinnerinc.com
4
SKINNER presents a
Fine Art Gallery Walk
Presented by Robin Starr,
Director of Skinner’s Paintings Department
Thursday, May 19, 2011
5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park Plaza
Boston, MA
R.S.V.P. 617.350.5400
Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinner’s

May 20th auction of American & European Paintings & Prints
5
Session I
Prints & Photography
Lots 1-262
to be sold Friday, May 20th, 2011 at 12 noon

1.
Josef Albers (American, 1888-1976)
The Critic and the Visual Arts, 1967, edition of 100, published by
Ives-Sillman, New Haven (Danilowitz, 166). Signed and dated “Albers
65” in pencil l.r., numbered “24-100” in pencil l.l., publisher’s drystamp
l.r., titled within the matrix. Color screenprint on paper, sheet size 40 x
29 3/4 in. (101.5 x 75.5 cm), unmatted, unframed.
Condition: Minor soiling, minor creases to corners.
Provenance: Estate of an arts benefactor, New York.

$300-500
2.
Richard Anuszkiewicz (American, b. 1930)
III, from the SEQUENTIAL Portfolio, 1972, edition of 200, published

by Sanmore Editions, New York. Signed, numbered, and dated
“ANUSZKIEWICZ 97/200 1972” in pencil l.r., titled in pencil l.l. Color
screenprint on paper, image size 25 7/8 x 19 in. (65.5 x 48.2 cm),
framed.
Condition: Gentle rippling, not examined out of frame.

$300-500
online bidding at www.skinnerinc.com 9

4
4.
Karel Appel (Dutch, 1921-2006)
Deux Personnages, 1969. Signed and dated “appel 69” in pencil l.r.,
3 inscribed and numbered “E.A II/XV” in pencil l.l. Color lithograph on
cream paper, image size 19 5/8 x 25 1/4 in. (49.7 x 64.0 cm), framed.
Condition: Margins over an inch with deckled edges, subtle toning/
staining, not examined out of frame.
Provenance: A Massachusetts estate.

3. $500-700
Karel Appel (Dutch, 1921-2006)
Nu, c. 1963, edition of 50. Signed “Appel” in pencil l.r., numbered 5.

“7/50” in pencil l.l. Color lithograph on Arches paper with watermark, Karel Appel (Dutch, 1921-2006)
image size 29 x 21 1/8 in. (73.5 x 53.5 cm), framed.
Condition: Subtle toning and rippling, not examined out of frame. Untitled, edition of 160. Signed “appel” in pencil (within the image) l.c.,
$600-800 numbered “100/160” in pencil (within the image) l.l. Color lithograph on
paper, sight size 21 x 29 in. (53.3 x 73.5 cm), framed.
Condition: Not examined out of frame.
$400-600
10 additional information and photos at www.skinnerinc.com

6 7
6.
Arman (American/French, 1928-2005)
Le masque à gaz, 1971, edition of 300. Signed “Arman” in pencil l.r.,

numbered “110/300” in pencil l.l. Lithograph in purple and gold on
paper, image size 25 3/8 x 19 3/8 in. (64.3 x 49.0 cm), framed.
Condition: Deckled edges, subtle rippling, gentle staining to the edges
of the sheet, not examined out of frame.

$300-500
7.
John Taylor Arms (American, 1887-1953)
La Chiesa, Borgio, 1926, edition of 106 plus proofs (Fletcher, 178).

Signed and dated “John Taylor Arms-1926” in pencil l.r., signed and
dated within the plate. Etching on paper, plate size 6 1/8 x 4 3/8 in.
(15.5 x 11.3 cm), framed.
Condition: Foxing, pale mat burn, not examined out of frame.
$250-300
8.
John Taylor Arms (American, 1887-1953)
Mont-Saint-Michel, 1926, edition of 100 plus proofs (Fletcher, 182).

Signed and dated “John Taylor Arms-1926-” in pencil l.r., signed and
dated within the plate. Etching on paper, plate size 15 x 11 3/4 in.
(38.0 x 29.5 cm), framed.
Condition: Subtle toning, not examined out of frame.
$200-250

9
9. 10.
John Taylor Arms (American, 1887-1953) Tadashi Asoma (American/Japanese, b. 1923)
Lot of Two Warship Views: Battle Wagon-U.S.S. Alabama Outfitting Figure in Interior, edition of 150. Signed “ASOMA” in pencil l.r.,
at Norfolk Navy Yard, Crane Ship Kearsarge Alongside, 1942 numbered “76/150” in pencil l.l. Color screenprint on paper, image
(Fletcher, 376); and Destroyers in Wet Basin at Federal Shipbuilding size 28 x 28 in. (71.0 x 71.0 cm), framed.
and Drydock Company, South Kearney, N.J. U.S.S. Radford, Quick, Condition: Not examined out of frame.
Mervine, 1942 (Fletcher, 377). Both signed and dated “John Taylor $200-300
Arms 1943” in pencil l.r. and numbered in Roman numerals in pencil l.l.
Etchings with aquatint on paper, plate sizes approximately 11 x 17 3/4
in. (27.8 x 45.0 cm), framed. 11.
Condition: Subtle mat burn, not examined out of frames. Mario Avati (French, 1921-2009)
$500-700
La Bouteille de vin d’Alsace, 1957, edition of 50. Signed and dated
“AVATI 1957” in pencil l.r., numbered and titled “39/50...” in pencil l.l.
Etching with aquatint on paper, plate size 17 1/2 x 23 3/4 in. (44.4 x
60.3 cm), matted, unframed.
Condition: Margins approximately 1 inch with deckled edges, minute
nicks to edges.
$200-250
10 11

13
13.
Will Barnet (American, b. 1911)
Circe, 1979, edition of 300. Titled, numbered, and signed “...261/300

Will Barnet” in pencil beneath the image. Color lithograph on paper,
12
circular format, image diameter 27 in. (68.5 cm), framed.
$1,000-1,500
12.
Enrico Baj (Italian, 1924-2003)
14.
Le maillot rouge, from BAJ CHEZ PICASSO, 1969, edition of 100 Leonard Baskin (American, 1922-2000)
(Petit, 233). Signed “Baj” in pencil l.r., numbered “48/100” in pencil l.l.
Color etching on foil mounted on paper, image size 21 3/8 x 12 5/8 in. Mantegna at Eremtiani, 1952 (Fern & O’Sullivan, 181). Signed
(54.2 x 32.0 cm), framed. “Baskin” in pencil l.r., inscribed “artists proof” in pencil l.l. Woodcut on
Condition: Wrinkling to foil, not examined out of frame. paper, image size 14 1/4 x 23 1/2 in. (36.1 x 59.5 cm), framed.
$300-500 Condition: Staining, subtle toning, not examined out of frame.
$300-350
14

16
15
15.
Leonard Baskin (American, 1922-2000)
Football, 1959 (Fern & O’Sullivan, 388). Signed “Leonard Baskin” in

pencil l.r. Woodcut on tissue, image size 17 x 12 3/4 in. (43.0 x 32.3
cm), matted, presented with the original paper folder.
Condition: Margins 1 1/2 inches or more with deckled right edge,
pressed creases to lower margin, toning, foxing.
$300-500
16.
Andrea Mantegna, Italian, 1431-1506, from ETCHINGS OF TEN

FAVORITE ARTISTS, 1962, published by Delphic Arts, New York,
1963, edition of 50 (Fern & O’Sullivan, 431). Signed “Baskin” in pencil
l.r., titled in pencil l.l., numbered “47/50” in pencil l.c. Etching with
aquatint in red and black on paper, plate size 17 3/4 x 14 3/4 in. (45.0
x 37.4 cm), unmatted, unframed.
Condition: Margins 3 inches or more with deckled edges, minor
handling creases.
$300-500
17.
Pedro Cajete, 1972, edition of 160 (Fern & O’Sullivan, 611). Signed
“Baskin” in pencil l.r., inscribed “AP” in pencil l.l., titled and dated within
the matrix. Lithograph on paper, image size 31 1/2 x 22 1/4 in. (79.9 x
56.4 cm), framed.
Condition: Subtle rippling, not examined out of frame.
$500-700
17

18
18. 20.
Leonard Baskin (American, 1922-2000) Frank Weston Benson (American, 1862-1951)
Thistle Ornament, edition of 80. Signed “Baskin” in pencil l.r., titled in Lot of Two Prints: Blue Heron, 1915, published state, edition of 50
pencil l.l., numbered “30/80” in pencil l.c. Woodcut in green and black (Paff, 39); and Incoming Geese, 1917, published state, edition of 136
on tissue paper, image size 23 1/4 x 32 in. (59.0 x 81.3 cm), unmatted, (Paff, 114). Both signed “FrankWBenson.” in pencil l.l. and numbered in
unframed. pencil l.r. Etchings on paper, plate sizes approximately 6 x 4 in. (15.0 x
Condition: Minor handling creases. 10.0 cm), unmatted, unframed.
$300-500 Condition: Both with creasing, hinging tape and/or residue to some
corners, nicks and tears to margins of Heron.
19. Provenance: Descended within the family of Mr. and Mrs. Robert
Frank Weston Benson (American, 1862-1951) Morse of Boston.
$600-800
Blue Bills, 1912, published state, edition of 50 (Paff, 11). Signed
“FrankWBenson.” in pencil l.l., numbered “48/50” in pencil l.r., initialed
within the plate. Etching on paper, plate size 5 7/8 x 7 1/4 in. (14.8 x
18.3 cm), framed.
Provenance: Descended within the family of Mr. and Mrs. Robert

Morse of Boston.
$800-1,200
19 20

21.
Frank Weston Benson (American, 1862-1951)
The Fishermen, 1915, published edition of 18 (Paff, 50). Signed

“FrankW.Benson.” in pencil l.l., numbered “1/50” in pencil l.r. Etching
on Shogun paper with watermark, plate size 7 7/8 x 6 in. (19.9 x 15.0
cm), framed.
Condition: Margins 1 1/8 inches or more with deckled edges,
unpressed crease to sky u.l. plus additional minor handling creases,
staining and thinning to sheet at corner u.l., minor soiling to margins.

Morse of Boston.
N.B. This composition is based on Benson’s painting titled Calm

Morning of 1904, currently in the collection of the Museum of Fine Arts,
Boston. The composition depicts the artist’s three children—Elisabeth,
George, and Eleanor—fishing off of the shores of North Haven Island,
Maine.
$3,000-5,000
21
22.
Portsmouth Harbor, 1916, published state, edition of 11 (Paff, 97).

Signed “FrankWBenson.” in pencil l.l., numbered “6” in pencil l.r.,
initialed and dated within the plate. Etching on paper, plate size 7 1/4 x
6 in. (18.2 x 15.0 cm), framed.
Condition: Staining to lower margin and just into image, gentle rippling,
not examined out of frame.

Morse of Boston.
$1,000-1,500
22

23
23. 25.
Frank Weston Benson (American, 1862-1951) Frank Weston Benson (American, 1862-1951)
Goose and Teal, 1917, published state, edition of 150 (Paff, 125). Flying Ducks, 1919, published state, edition of 235 (Paff, 160). Signed
Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 6 x 7 “FrankWBenson.” in pencil l.l., initialed and dated within the plate.
7/8 in. (15.0 x 19.9 cm), framed. Etching on paper, plate size 8 7/8 x 6 7/8 in. (22.5 x 17.3 cm), framed.
Condition: Margins over 1/4 inch, unobtrusive toning, gentle rippling, Condition: Not examined out of frame.
$600-800 Provenance: Descended within the family of Mr. and Mrs. Robert
Morse of Boston.
$800-1,200
24.
Redheads, 1917, third published state of three, edition of 40 (Paff,

127). Signed “FrankWBenson.” in pencil l.l., numbered “68” in pencil l.r.
Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (18.2 x 15.0 cm), framed.
Condition: Toning, not examined out of frame.

Morse of Boston.
$600-800
24 25

26.
Yellowlegs No. 2, 1919, published state, edition of 150

(Paff, 162). Signed “FrankWBenson.” in pencil l.l., label
from the Guild of Boston Artists on the reverse. Drypoint on
paper, plate size 7 7/8 x 9 7/8 in. (19.8 x 25.0 cm), framed.
Condition: Unobtrusive mat burn, not examined out of
frame.
Provenance: Descended within the family of Mr. and Mrs.

Robert Morse of Boston.
$800-1,200
26
27.
Over Sunk Marsh, 1920, published state, edition of 150

(Paff, 188). Signed “FrankWBenson.” in pencil l.l. Drypoint
on paper, plate size 6 x 7 7/8 in. (15.2 x 20.0 cm), framed.
Condition: Foxing, subtle rippling, not examined out of
frame.
Provenance: Descended within the family of Mr. and Mrs.

Robert Morse of Boston.
$800-1,200
27
28.
Rising Geese, 1924, published state, edition of 150 (Paff,

238). Signed “FrankWBenson.” in pencil l.l. Drypoint on
Condition: Several fox marks, not examined out of frame.
$700-900
28

29
29. 30.
Frank Weston Benson (American, 1862-1951) Frank Weston Benson (American, 1862-1951)
The Long Journey, 1926, published state, edition of 150 (Paff, 254). Dory Fisherman, 1927, published state, edition of 150 (Paff, 267).
Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 9 Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 7
3/4 x 11 3/4 in. (24.6 x 29.8 cm), framed. 3/4 x 9 3/4 in. (19.5 x 24.5 cm), framed.
Condition: Gentle toning to margins, subtle rippling, not examined out Condition: Subtle toning, not examined out of frame.
of frame.
Provenance: Descended within the family of Mr. and Mrs. Robert Morse of Boston.
Morse of Boston. $1,500-2,000
$800-1,200
30

31 32
31.
Paul Émile Berthon (French, 1872-1909)
Sa Très Gracieuse Majesté La Reine Wilhelmine, 1901 (Arwas, 61).

Signed within the matrix. Chromolithograph on paper, image/sheet size
15 1/4 x 13 3/4 in. (38.5 x 34.8 cm), in a period frame.
Condition: Minute surface abrasions near the lower corners, not
examined out of frame.
$250-300
32.
George Biddle (American, 1885-1973)
Cat Fish Row, 1936, edition of 500, published by the American Artists
Group (Pennigar, 112). Signed within the matrix, identified and with
publisher’s stamp on the reverse. Lithograph on paper, image size 9
1/2 x 12 in. (24.0 x 30.4 cm), framed.
Condition: Margins over 1 inch with two deckled edges, tape staining/
residue to upper corners.
$150-200
33.
Lee Bontecou (American, b. 1931)
Untitled, 1967, proof outside of the edition of 144, published by

Universal Limited Art Editions, West Islip, New York (Sparks, 10).
Signed and dated “Bontecou 1967” in pencil l.r., inscribed “artist’s
proof 6-9” in pencil l.l., publisher’s drystamp l.l. Etching and aquatint in
black and brown on paper, plate size 26 1/4 x 17 1/8 in. (66.5 x 43.3
cm), framed.
$800-1,200
33

35
34
34.
Georges Braque (French, 1882-1963)
Frontispiece, from LA NUIT LA FAIM, 1960, total edition of 163,

published by Adrien Maeght, Paris (Vallier, 154). Signed “G. Braque”
in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on paper,
image size 8 1/4 x 5 1/2 in. (20.8 x 13.9 cm), framed.
Condition: Unobtrusive toning, not examined out of frame.

$1,500-2,000
35.
Page 26, from LA NUIT LA FAIM, 1960, total edition of 163, published
by Adrien Maeght, Paris (Vallier, 154). Signed “G. Braque” in pencil l.r.,
inscribed “H.C.” in pencil l.l. Color lithograph on paper, image size 9
3/8 x 6 1/8 in. (23.7 x 15.5 cm), framed.

$800-1,200
36.
Verre et Pichet (Maeght, 1009). Signed “G. Braque” in pencil l.r.,

inscribed “H.C.” in pencil l.l., Maeght drystamp l.l. Color lithograph on
paper, image size 10 3/4 x 9 in. (27.3 x 22.8 cm), framed.
$700-900
36

38
37
37.
Bernard Buffet (French, 1928-1999)
Mademoiselle X, from MON CIRQUE, 1968, edition of 120. Signed

“Bernard Buffet” in ink l.c., numbered “34/120” in pencil l.l. Color
lithograph on paper, image size 27 1/4 x 18 7/8 in. (69.1 x 47.8 cm),
framed.
Condition: Margins approximately 1/2 inch with two deckled edges,
subtle toning, not examined out of frame.
$400-600
38.
George Elbert Burr (American, 1859-1939)
Windswept Spruces (Seeber, 131). Signed “© George Elbert Burr” in

pencil l.l., titled in pencil l.r., initialed and with copyright mark within the
plate. Etching on paper, plate size 6 7/8 x 5 3/8 in. (17.4 x 13.5 cm),
framed.
Condition: Toning, scattered fox marks, not examined out of frame.
$300-500
39.
George Elbert Burr (American, 1859-1939)
Desert Night, edition of 40 (Seeber, 187). Signed and inscribed “©

George Elbert Burr Del. et Imp.” in pencil l.l., numbered “No 23/40”
in pencil l.r., monogrammed and with copyright mark within the plate.
Aquatint on paper, plate size 9 5/8 x 7 3/8 in. (24.4 x 18.6 cm), framed.
Condition: Toning, unpressed vertical crease, not examined out of
frame.
$300-500
39

40
40.
Paul Cadmus (American, 1904-1999)
Two Boys on a Beach, No. 1, 1938, edition of 75. Signed “Paul

Cadmus” in pencil l.r., initialed within the plate. Etching on paper with a
“J WHATMAN” watermark, plate size 5 1/4 x 7 1/8 in. (13.3 x 18.0 cm),
unmatted, unframed.
Condition: Margins over 1 1/2 inches with deckled upper edge, hinged
with brown paper tape to a supporting mat, unobtrusive mat burn,
annotations to lower margin.
$4,000-6,000
41.
Alexander Calder (American, 1898-1976)
Untitled (Mountain Landscape), edition of 75. Signed “Calder” in

pencil l.r., numbered “11/75” in pencil l.l. Color lithograph on paper,
image size 27 1/2 x 21 3/4 in. (69.7 x 55.1 cm), framed. Condition:
Deckled edges, not examined out of frame.

$500-700
41

43
42.
42 Alexander Calder (American, 1898-1976)
Untitled (Helix), edition of 150. Signed “Calder” in pencil l.r., numbered

“58/150” in pencil l.l. Color lithograph on paper, image size 26 1/4 x 15
1/2 in. (66.5 x 39.3 cm), framed.
Condition: Minor handling creases, not examined out of frame.

$400-600
43.
Untitled (Spades, Hearts, Diamonds, Clubs), edition of 90. Signed

“Calder” in pencil l.r., numbered “73/90” in pencil l.l. Color lithograph
on cream paper, image size 22 1/2 x 29 1/2 in. (57.0 x 74.8 cm),
framed.
Condition: Deckled edge, right hinge broken or disadhered, not
$700-900
44.
Untitled (City and Pyramids), edition of 100. Monogrammed within

the matrix, numbered “67/100” in pencil l.r., drystamp l.l. Screenprint
in red, yellow, and black on cream wove paper, image size 23 1/4 x 17
1/2 in. (59.0 x 44.4 cm), unmatted, unframed.
Condition: Hinged to a supporting sheet, tear (approximately 1 1/4
inches) along left edge near lower corner, unobtrusive staining (primarily
l.r.).
$300-500
44

45
45.
David Young Cameron (Scottish, 1865-1945)
Still Water, 1906, third or fourth state of four (Rinder, 381). Signed
“D.Y. Cameron.” in pencil l.r., titled in pencil l.l. Drypoint on paper, plate
size 6 x 12 1/8 in. (15.0 x 30.7 cm), framed.
Condition: Pale fox marks, not examined out of frame. 46
$300-500
46.
Rafael Canogar (Spanish, b. 1935), Martin Chirino (Spanish, 47.
b.1925), Manolo Millares (Spanish, 1926-1972), Manuel Rivera Leonetto Cappiello (French, 1875-1942)
(Spanish, 1927-1994), Antonio Saura (Spanish, 1930-1998), and
Manuel Viola (Spanish, 1919-1987) Je ne fume que le nil, 1912, printed by Vercasson, Paris. Signed and
identified within the matrix. Color lithographic poster on paper, sheet
EL PASO/A Portfolio of Six Images, 1960, edition of 50. Each image size 47 x 62 1/2 in. (119.4 x 158.8 cm), framed.
signed in pencil l.r. and numbered “3/50” in pencil l.l., identified on the Condition: Margins approximately 1 inch, minor nicks to edges, minor
colophon page. Lithograph on Fabriano paper with watermark, sheet scattered creasing, pale staining (visible primarily to margins), not
sizes 27 3/4 x 19 3/4 in. (70.4 x 50.2 cm), presented in the original examined out of frame.
portfolio cover (worn). $2,000-2,500
Condition: Water staining.
N.B. The lot is accompanied by a copy of the exhibition pamphlet.

$800-1,200
47

48.
Bernard Cathelin (French, 1919-2004)
Les Mexicaines, edition of 125. Signed “Cathelin” in pencil l.r.,

numbered “5/125” in pencil l.l., identified on a label from Findlay
Galleries, New York, affixed to the backing. Color lithograph on paper,
$200-300
49.
Marc Chagall (French/Russian, 1887-1985)
King David, plate 67 from BIBLE, 1956, total edition of 295 (Cramer,
29). Signed in the plate. Etching on paper, plate size 12 3/8 x 9 1/2 in.
(31.4 x 24.0 cm), framed.
Condition: Rippling, mat burn, not examined out of frame.
$400-600
50.
After Marc Chagall (French/Russian, 1887-1985)
Ville de Nice-Galerie des Ponchettes, 1970, printed by Charles Sorlier

and published by Mourlot, Paris. Identified within the matrix. Color
lithographic poster on paper, sight size 29 1/2 x 19 5/8 in. (74.8 x 49.8
cm), framed.
48 Condition: Subtle toning, not examined out of frame.
$500-700
49 50

51.
Samuel V. Chamberlain (American, 1895-1975)
Lot of Three Landscape Views: The Cypresses,

Siracusa, c. 1925, edition of 61 plus proofs (Chamberlain
& Kingsland, 18); The Poplars, edition of 25 (Chamberlain
& Kingsland, 33); and The Saplings, the only second state
impression (Chamberlain & Kingsland, 108). The last two
signed “Samuel Chamberlain” in pencil l.r. and inscribed l.l.
Drypoints on paper, plate sizes to 7 5/8 x 10 3/8 in. (19.2 x
Condition: Margins 1 inch or more with some deckled
edges, annotations to lower margins, subtle soiling, staining
to some margins, loss to corner u.r. of Poplars.
Provenance: Through the family of the artist.

$200-250
51
52.
The Customs Tower-Boston, edition of about 7

(Chamberlain & Kingsland, 85). Signed “Samuel
Chamberlain” in pencil l.r. Drypoint on laid papier verdâtre
with a partial watermark, plate size 5 1/2 x 7 7/8 in. (14.0 x
Condition: Margins approximately 1 inch with a deckled
lower edge, scattered foxing, annotation to lower margin.
N.B. Ninety-three of the 100 impressions pulled of this

image were destroyed in 1930.
$150-200
52
53.
The Curving Canyon, New York, edition of approximately

60 plus proofs (Chamberlain & Kingsland, 86). Unsigned.
Drypoint on papier verdâtre, plate size 8 3/4 x 6 in. (22.0 x
15.0 cm), unmatted, unframed.
Condition: Margins 1/2 inches with a deckled left edge,
subtle soiling, annotations to lower margin.

$150-200
53

54.
Lot of Early Two States of Dentelles Gothiques-Clamecy, the only

first and second state impressions (Chamberlain & Kingsland, 92). Both
signed “Samuel Chamberlain” in pencil l.r. and inscribed l.l. Drypoints
on paper, plate sizes 15 x 10 1/4 in. (38.0 x 26.0 cm), matted,
unframed.
Condition: Margins approximately 1 inch with most edges deckled,
both with several fox marks and soiling to margins.

$200-250
55.
Senlis from a Crow’s Nest, the only impression of the first state
(Chamberlain & Kingsland, 110). Signed by Narcissa G. Chamberlain
in pencil l.r., inscribed “Only First State” in pencil in the artist’s hand
l.l. Drypoint on paper, plate size 13 7/8 x 11 1/8 in. (35.2 x 28.2 cm),
matted, unframed.
Condition: All but the right edge deckled, subtle soiling, annotations to
lower margin, minor handling creases.

$150-200
56.
Manhattan Twilight, 1935, seventh state of nine (Chamberlain &

Kingsland, 111). Signed “Samuel Chamberlain” in pencil l.r., inscribed
“Seventh State 1/2” in pencil l.l. Drypoint on paper, plate size 13 1/4 x
9 1/2 in. (33.4 x 24.3 cm), matted, unframed.
54 Condition: Margins 1 inch or more, annotations and subtle soiling to
lower margin.

$200-250
55 56

57.
Christo and Jeanne-Claude (American, b. 1935)
Project for the École Militaire, Paris, 1970, edition of 300

(Schellmann/Benecke, 31). Signed “Christo” in pencil c.r.,
numbered “255/300” in pencil c.l. Color lithograph on paper,
Condition: Deckled edges to two sides, mild staining to
edges, not examined out of frame.

$400-600
58.
Christo and Jeanne-Claude (American, b. 1935)
Project for the Arc de Triomphe, Paris, 1970, edition of

300 (Schellmann/Benecke, 32). Signed “Christo” in pencil
c.r., numbered “21/300” in pencil c.r. Color lithograph on
paper, image/sheet size 19 x 26 in. (48.0 x 66.0 cm), framed.
Condition: Deckled edges to three sides, mild staining to
edges, not examined out of frame.

$400-600
57
58

60
59
59.
Roland Francis Cosimini (American, b. 1898)
Bacchante. Signed “Roland F. Cosimini” in pencil l.r., titled in pencil

l.l. Color woodcut on paper, image size 10 3/8 x 7 7/8 in. (26.3 x 19.9
cm), framed.
Condition: Areas of bloom or similar, crease or tear to lower margin,
subtle toning, rippling, not examined out of frame.
$250-300
60.
Miguel Covarrubias (Mexican, 1904-1957)
The Lindy Hop, 1936, published by American Artists Group.

Unsigned, stamped on the reverse. Lithograph on paper, image size 13
x 9 7/8 in. (33.0 x 25.0 cm), framed.
Condition: Margins over 1 1/2 inches with a deckled left edge, subtle
toning, surface deformation beneath image, tape residue to upper
corners (primarily to the reverse), narrow stickers spaced along edges
on the reverse.
$400-600
61.
Edward Julius Detmold (British, 1883-1957)
Summer Solstice, edition of 12. Signed “E.J. Detmold” in pencil l.r.,

initialed and numbered “E.J.D. imp: 7/12” in pencil l.l. Color etching
with aquatint on paper, plate size 21 x 12 7/8 in. (53.1 x 32.7 cm),
matted, unframed.
Condition: Margins over 1 inch, scattered foxing, handling creases,
paper tape to edges of sheet.
$1,000-1,500
61

62
62.
Arthur Wesley Dow (American, 1857-1922)
Shore of the Creek, c. 1905. Unsigned. Relief print in light and dark
brown on Japan paper, image size 4 x 7 1/4 in. (10.0 x 18.3 cm),
unmatted, unframed.
Condition: Subtle toning.
$400-600
63.
André Dunoyer de Segonzac (French, 1884-1974)
Femme se fardant, 1927, second state of two (Loiré & Cailler, 181).
Inscribed and signed within the plate. Etching on paper, plate size 7
3/8 x 5 1/4 in. (18.5 x 13.3 cm), framed.
$250-350
64.-65.
No lots.
63

67
66
66.
Max Ernst, illustrator (German, 1891-1976)
Mr. Knife, Miss Fork, by René Crevel, published by Le Soleil Noir,

Paris, 1931, from the edition of 200, containing nineteen photograms
(Leppien, 13). Identified on the title page, further identified and
numbered “71” in ink on the colophon. Sheet sizes 7 x 4 1/2 in. (17.7 x
11.3 cm), embossed cloth binding with slipcover (wear/losses).
Condition: Binding loose, subtle toning to pages.
$700-900
67.
La Brebis Galante, by Benjamin Peret, published in 1949 by Éditions

Premières, Paris, edition of 300, containing three etchings plus twenty-
one pochoir illustrations (Leppien, 28). Signed “Max Ernst” in ink and
numbered “167” opposite the title page. Sheet sizes 9 1/4 x 7 1/2 in.
(23.4 x 19.0 cm), paper bound.
Condition: Very minor wear, staining to edges of pages.
Provenance: Arthur H. Minters, Booksellers New York, 1966.

$800-1,200
68.
Les Chiens ont Soif, by Jacques Prévert, 1964, total edition of 320
including two color etchings and twenty-five color lithographs (Leppien,
A9). The etchings both signed “max ernst” in pencil l.r., the book
identified and numbered “121” on the colophon page. Sheet sizes 17
1/4 x 12 3/8 in. (43.7 x 31.4 cm), presented in the original clamshell
portfolio box.
68
$2,000-2,500

69.
Le musée de l’homme suivi de la pêche au soleil levant, edited by

Galerie Alexandre Iolas, Paris 1965, from the edition of 99, containing
two color aquatints (Leppien, 103). Both prints signed or initialed in
ink, identified on the title page, further identified and number “76” on
the colophon. Sheet sizes 10 1/4 x 7 1/8 in. (26.0 x 18.0 cm), cloth
binding with slipcover (staining).
Condition: Good.
$700-900
70.
Max Ernst (German, 1891-1976)
A l’intérieur de la vue: L’oeuf, 1972, edition of 100, published by

Georges Visat, Paris (Leppien, A38). Signed “max ernst” in pencil l.r.,
numbered “22/100” in pencil l.l. Color etching with aquatint on paper,
plate size 13 1/4 x 10 1/2 in. (33.5 x 26.5 cm), framed.
Condition: Toning, breaks to paper along plate mark, not examined out
of frame.

$300-500
69
71.
Romain de Tirtoff, called Erté (Russian, 1892-1990)
Sampson and Delilah, 1980, edition of 300. Signed “Erté” in pencil

l.r., numbered “247/300” in pencil l.l. Color screenprint with embossing
on paper, image size 15 x 20 3/8 in. (38.0 x 51.7 cm), framed.
$200-250
70 71

72
72.
M.C. (Maurits Cornelis) Escher (Dutch, 1898-1972)
Belvedere, 1958, edition of 107 (Bool et al., 426). Signed and

numbered “MCEscher No 66/107 IV” in pencil l.l., initialed and dated
within the matrix. Lithograph on paper with figural and “Holland”
watermarks, image size 18 1/8 x 11 5/8 in. (46.0 x 29.4 cm), framed.
Condition: Margins 2 1/4 inches or more, subtle toning within area of
mat window, hinged along upper edge.
$8,000-12,000

73.
Henri Fantin-Latour (French, 1836-1904)
Frontispiece: Verité, 1885, published by Lemercier & Cie, Paris

(Hédiard 56 ii/ii). Dedicated and signed “a O. Scholderer H. Fantin”
in pencil l.r. Lithograph on chine collé, image size 18 1/4 x 12 7/8 in.
(46.3 x 32.5 cm), framed.
Condition: Margins over 1/2 inch foxing (almost exclusively to the
support), not examined out of frame.
$150-200
74.
Clark Fay (American, 1894-1956)
Sailor and His Girl-Bar Scene, c. 1935. Unsigned. Lithograph

on chine collé, image size 24 x 16 7/8 in. (60.4 x 42.8 cm), matted,
unframed.
Condition: Staining and foxing (primarily to supporting sheet),
annotations along the lower edge.
$200-250
75.
Conrad Felixmüller (German, 1897-1977)
Bildnis Max Liebermann, 1926, total edition of approximately 70

(Söhn, 366). Signed and dated “CFelixmüller 26.” in pencil l.r., titled in
pencil l.c., inscribed “Holzschnitt” in pencil l.l., monogrammed within the
block. Woodcut on paper, image size 19 5/8 x 15 3/4 in. (49.8 x 40.0
cm), matted, unframed.
73 Condition: Staining to edges, annotation to the reverse.
$1,000-1,500
75
74

76.
Aaron Fink (American, b. 1955)
Violin, 1990, edition of 50. Signed and dated “Aaron Fink ‘90” in pencil
l.r., numbered “21/50” in pencil l.l., artist’s coffee cup drystamp l.r.,
scallop shell drystamp l.l. Color aquatint on cream paper, plate size 19
7/8 x 9 7/8 in. (50.4 x 25.0 cm), framed.
Condition: Wide margins with deckled edges, subtle rippling, not
$300-350
77.
Günther Förg (German, b. 1952)
FOUR ETCHINGS Portfolio, 1988, edition of 12 plus proofs, published

by Edition Julie Sylvester, New York. Each signed and dated “Förg 88”
in pencil l.r., numbered “10/12” in pencil l.l., and with printer’s drystamp
l.r., identified on colophon page. Etchings with aquatint on paper, sheet
sizes 17 5/8 x 13 1/8 in. (44.7 x 33.3 cm), presented in the original
portfolio.
Condition: Good.
$700-900
78.
Léonard Tsuguharu Foujita (French/Japanese, 1886-1968)
Nue allongée, from FEMMES, 1930, edition of 100 (Buisson vol. II,
30-75). Signed “Foujita” in pencil l.r., numbered “51/100” in pencil
l.l. Etching with color aquatint on paper, plate size 14 1/2 x 21 7/8 in.
(36.8 x 55.5 cm), framed.
Condition: Staining, gentle rippling, not examined out of frame.
$3,000-4,000
76
78
77

79
79.
Helen Frankenthaler (American, b. 1928)
Ponti, 1973, edition of 21 plus proofs (Harrison, 43).

Signed and dated “Frankenthaler ‘73” in pencil l.r.,
numbered “2/21” in pencil l.l., identified on a label from
the Harcus Krakow Gallery, Boston, on the backing.
Aquatint in rose/brown, orange, cream, and green on
paper, plate size 19 1/2 x 27 5/8 in. (49.4 x 70.0 cm),
framed.
Condition: Margins 1 inch or more, fading to rose areas,
$1,500-2,000
80.
Naum Gabo (British/Russian, 1890-1977)
Opus Four (The Lyrebird), 1950, edition of over 32

(Williams, p. 56). Signed “Gabo” in pencil (twice) l.r.,
inscribed “N4 op.4” in pencil l.l., inscribed in lower
margin. Woodcut in brown on paper, image size 6 1/4 x
5 3/8 in. (15.8 x 13.5 cm), framed.
Condition: Mat burn, foxing, toning, not examined out
of frame.
$700-900
80

81
82
81.
Sears Gallagher (American, 1869-1955)
Best Friends at the Shore. Signed “Sears Gallagher.” in pencil l.l.

Etching on paper, plate size 7 7/8 x 11 1/8 in. (19.8 x 28.2 cm), framed.
$800-1,200
82.
Emil Ganso (American, 1895-1941)
The Bathers, c. 1932, printed 1951, from the edition of 200 (Smith,
R-8B). Signed by the artist’s wife “Ganso F.G.” in pencil l.r. Wood
engraving on cream textured paper, image size 7 3/8 x 4 1/2 in. (18.6 x
11.3 cm), framed.
Condition: Subtle mat burn, not examined out of frame.
$150-200
83.
Emil Ganso (American, 1895-1941)
Studio Mirror, c. 1936, published by American Artists Group (Smith,

R-77B). Signed and dated (in reverse) within the block. Chiaroscuro
wood engraving in umber and olive on paper, image size 14 3/8 x 9 3/8
in. (36.5 x 23.7 cm), framed.
Condition: Margins over 1 inch, minor soiling.
83
$150-200

84.
Alberto Giacometti (Swiss, 1901-1966)
Cheval galopant, from POMME ENDORMIE, 1961, edition

of 23 (Lust, 129). Signed “Alberto Giacometti” in pencil l.r.
Lithograph on Japan paper, image size 9 x 8 in. (22.7 x 20.3
cm), framed.
$2,000-3,000
84
85.
Alberto Giacometti (Swiss, 1901-1966)
Bouquet et pomme, from POMME ENDORMIE, 1961, edition

of 23 (Lust, 134). Signed “Alberto Giacometti” in pencil l.r.
Lithograph on Japan paper, image size 10 1/4 x 8 3/8 in. (26.0 x
21.2 cm), framed.
$2,000-3,000
85

87
87.
R.C. Gorman (American, 1932-2005)
86 Woman with Pima Basket, 1987, edition of 200. Signed and

dated “R.C. Gorman 1987” in pencil (within the image) l.l., numbered
“116/200” in pencil (within the image) l.r. Color lithograph on paper,
image/sheet size 27 1/2 x 37 7/8 in. (69.8 x 96.0 cm), framed.
86. Condition: Deckled edges, not examined out of frame.
Alberto Giacometti (Swiss, 1901-1966) $1,200-1,800
Nu assis, 1965, edition of 100, published by Gemini Ltd., Los Angeles

(Lust, 53). Unsigned. Lithograph on paper, image size 24 x 17 1/2 in. 88.
(60.9 x 44.4 cm), framed. R.C. Gorman (American, 1932-2005)
Condition: Margins 3 inches or more, toning, not examined out of
frame. Woman with Poppies, 1988, edition of 225. Signed and dated “R.C.
Gorman 1988” in pencil (within the image) l.l., numbered “221/225” in
Provenance: Estate of Eleanor Kanegis Levin, Gloucester, pencil (within the image) l.r. Color lithograph on paper, image/sheet
Massachusetts. size 27 x 36 in. (68.5 x 91.3 cm), framed.
$700-900 Condition: Deckled edges, not examined out of frame.
$1,200-1,800
88

89
89. 90.
Adolph Gottlieb (American, 1903-1974) Francisco José De Goya y Lucientes (Spanish, 1746-1828)
Imaginary Landscape I, 1971, edition of 90, published by Marlborough Subir y Bajar, plate 56 from LOS CAPRICHOS, 1799, first edition
Graphics, New York (AAA, 69). Signed and dated “Adolph Gottlieb (Harris, 91). Titled and numbered within the plate. Etching with
1971” in pencil l.l., numbered “83/90” in pencil l.r. Color aquatint on aquatint on paper, plate size 8 1/2 x 6 in. (21.5 x 15.2 cm), framed.
paper, plate size 17 1/2 x 23 7/8 in. (44.4 x 60.4 cm), framed. Condition: Margins over 1/4 inch, gentle rippling, not examined out of
Condition: Margins over 1/2 inch, subtle rippling to sheet, not frame.
examined out of frame. $500-700
$1,800-2,200
91.
Francisco José De Goya y Lucientes (Spanish, 1746-1828)
Dos Grupos de Picadores, plate 32 from TAUROMAQUIA, a

posthumous edition (Harris, 235). Numbered within the plate. Etching
with aquatint on laid paper, plate size 9 5/8 x 13 5/8 in. (24.3 x 34.5
cm), framed.
Condition: Margins over 1 inch, gentle toning.
$300-350
91
90

92
92. 94.
Frederick Landseer Maur Griggs (British, 1876-1938) William Lee Hankey (British, 1869-1952)
Cockayne, 1936-37, edition of 30, fourth state of six (Comstock, 55iv). Maternite, 1917. Signed and inscribed “W Lee.Hankey inv del et imp”
Signed “F.L. Griggs” in pencil l.r., initialed within the plate, annotated in pencil and with artist’s drystamp l.c., monogrammed within the plate.
along lower edge and on mat. Etching on heavy laid paper, plate size 8 Drypoint on paper, plate size 10 x 7 7/8 in. (25.4 x 20.0 cm), framed.
1/8 x 10 3/4 in. (20.5 x 27.0 cm), matted, unframed. Condition: Mat burn, pale staining and fox marks, not examined out of
Condition: Margins over 3/4 inches with deckled edges to two sides, frame.
several fox marks, scattered pale staining, soiling. $200-300
$250-300
93.
William Gropper (American, 1897-1977)
Lot of Two Genre Scenes: The Card Players, 1936, edition of 100;
and On the Move, 1937. The latter signed and dated within the matrix.
Lithographs on paper, image sizes to 9 1/8 x 12 7/8 in. (23.0 x 32.5
cm), framed.
Condition: Not examined out of frames.
$200-250
93 94

95
95. 96.
William Lee Hankey (British, 1869-1952) Keith Haring (American, 1958-1990)
Le Repos, c. 1926, edition of 100. Signed “W. Lee Hankey...” in pencil Chocolate Buddha 1, 1989, edition of 90 plus proofs, published by
and with drystamp l.c., monogrammed within the plate. Drypoint on F.B. Editions, Paris. Numbered, signed, and dated “40/90 K. Haring
paper, plate size 9 3/4 x 11 5/8 in. (24.7 x 29.5 cm), matted, unframed. ‘89...” in pencil l.r. Lithograph in blue and brown on paper, image size
Condition: Margins approximately 1 1/2 inches, annotations to lower 19 1/4 x 25 1/8 in. (48.8 x 63.3 cm), framed.
margin and verso, minor soiling to margins. Condition: Gentle rippling, not examined out of frame.
$2,000-3,000
Provenance: The Blanton Museum of Art, Austin, Texas.
$300-500
96

97
97. 98.
Keith Haring (American, 1958-1990) Keith Haring (American, 1958-1990)
Chocolate Buddha 2, 1989, edition of 90 plus proofs, published by Chocolate Buddha 4, 1989, edition of 90 plus proofs, published by
F.B. Editions, Paris. Numbered, signed, and dated “40/90 K. Haring F.B. Editions, Paris. Numbered, signed, and dated “40/90 K. Haring
‘89...” in pencil l.r. Lithograph in orange and brown on paper, image ‘89...” in pencil l.r. Lithograph in orange and brown on paper, image
size 19 3/8 x 25 1/8 in. (49.2 x 63.8 cm), framed. size 19 1/4 x 24 3/4 in. (48.8 x 62.8 cm), framed.
Condition: Gentle rippling, not examined out of frame. Condition: Gentle rippling, not examined out of frame.
$2,000-3,000 $2,000-3,000
98

99
99.
Keith Haring (American, 1958-1990)
Chocolate Buddha 5, 1989, edition of 90 plus proofs, published by

F.B. Editions, Paris. Numbered, signed, and dated “40/90 K. Haring
‘89...” in pencil l.r. Lithograph in blue and brown on paper, image size
19 1/8 x 25 1/8 in. (48.5 x 63.3 cm), framed.
$2,000-3,000
100.
Erich Heckel (German, 1883-1970)
Mädchenkopf, 1919, second state of two (Dube, 144 II). Signed and
dated “Erich Heckel 19” in pencil l.r., annotated in the lower margin and
on the reverse. Etching on wove paper, plate size 11 7/8 x 7 7/8 in.
(30.0 x 20.0 cm), matted, unframed.
Condition: Margins approximately 3 inches.
$1,500-2,500
100

101.
Paul César Helleu (French, 1859-1927)
Mademoiselle Ellen Helleu, c. 1896, edition probably of around

10. Signed “Helleu” in pencil l.l. and in red pencil l.r., identified on a
fragmentary label from Frederick Keppel, New York, on the backing.
Drypoint on paper, plate size 9 1/8 x 8 3/4 in. (23.2 x 22.0 cm), framed.
Condition: Toning, mat burn, several fox marks, not examined out of
frame.
$1,000-1,500
102.
La Duchesse de Marlborough, c. 1901 (Montesquiou, VIII). Signed

“Helleu” in pencil l.l. Drypoint on paper, plate size 21 3/8 x 13 1/4 in.
(54.2 x 33.5 cm), framed.
Condition: Unobtrusive toning, staining to figure’s left cheek, not
$600-800
103.
Le Noeud Bleu, c. 1905, edition of 80 (Montesquiou, XL). Signed

101
“Helleu” in pencil l.l. Drypoint in blue, red, brown, and black on paper,
$600-800
102 103

104 106
104.
Joseph Hirsch (American, 1910-1981)
Boston Tea Party, edition of 125. Signed “Joseph Hirsch” in pencil l.r.,
numbered “19/125” in pencil l.l. Color lithograph on paper, image size
28 x 19 in. (71.0 x 48.2 cm), unmatted, unframed.
Condition: Margins 2 inches or more, minor handling creases.
$200-250
105.
David Hockney (British, b. 1937)
Serenade, from THE BLUE GUITAR, 1976-77, edition of 200 plus

proofs, Petersburg Press, London. Signed “David Hockney” in pencil
l.r., numbered “40/200” in pencil l.l. Color etching with aquatint on
$2,000-3,000
106.
David Hockney (British, b. 1937)
A Moving Still Life, from THE BLUE GUITAR, 1976-77, edition of 200
plus proofs, Petersburg Press, London. Signed “David Hockney” in
pencil l.r., numbered “40/200” in pencil l.l. Color etching with aquatint
on paper, plate size 13 5/8 x 16 3/4 in. (34.5 x 42.2 cm), framed.
$2,000-3,000
105

107 108
107. 108.
Karl Hofer (German, 1878-1955) Bryan Hunt (American, b. 1947)
Beim Lesen, c. 1924. Monogrammed or inscribed “CH” in pencil l.r. FIVE NIGHTS/A Portfolio, 1988, edition of 15, published by Crown
Drypoint on paper, plate size 8 1/2 x 7 in. (21.5 x 17.5 cm), framed. Point Press, San Francisco. Each image numbered, titled, signed,
Condition: Margins 1 inch or more, not examined out of frame. and dated “13/15...Bryan Hunt 88” in pencil, each with printer’s and
$1,000-1,500 publisher’s drystamps l.r. Aquatints on wove paper, sheet sizes 23
x 18 7/8 in. (58.3 x 47.8 cm), presented in the original clamshell box
(warping).
Condition: Good.
$800-1,200
109.
Louis Icart (French, 1888-1950)
Thaïs, 1927 (Holland et al., 312). Signed “Louis Icart” in pencil l.r.,
indistinctly inscribed in pencil l.l., artist’s printing press drystamp l.l.,
titled and dated within the plate. Color etching and aquatint with
coloring on paper, oval format, plate size 16 3/4 x 21 1/8 in. (42.5 x
53.5 cm), framed.
$400-600
109

110.
Louis Icart (French, 1888-1950)
La Belle au bois dormant, 1927 (Holland et al., 323).

Signed “Louis Icart” in pencil l.r., inscribed “EA” in pencil
l.l., artist’s printing press drystamp l.l., identified within
publication text within the plate. Etching with aquatint and
coloring on paper, oval plate size 15 1/2 x 19 1/2 in. (39.3
x 49.5 cm), framed.
$400-600
110
111.
Jasper Johns (American, b. 1930)
Untitled (Ruler) II, 1969, edition of 15 plus proofs (Field,

126). Numbered, signed, and dated “12/15 J Johns
1969” in pencil l.r. Etching and aquatint on paper, plate
size 29 x 19 3/4 in. (73.5 x 50.0 cm), framed.
Condition: Wide margins with deckled edges, extremely
pale scattered foxing, subtle rippling, not examined out of
frame.
$6,000-8,000
111

112.
After Jasper Johns (American, b. 1930)
Margo Leavin Gallery, Los Angeles, March 18-April

29, 1978. Identified within the matrix, and on a label from
the Obelisk Gallery, Boston, on the backing. Color offset
lithograph on paper, image/sheet size 44 x 54 3/4 in. (111.6 x
139.0 cm), framed.
$600-800
112
113.
After Wassily Kandinsky (Russian, 1866-1944)
Untitled, c. 1919, edition of 300, published by Maeght

Editeur, Paris. Monogrammed and dated within the matrix,
publisher’s drystamp l.l. Color lithograph on paper, image
size 13 3/8 x 18 in. (34.0 x 45.7 cm), framed.

$250-300
113
114.
Luigi Kasimir (Austrian, 1881-1962)
Rooftops in Winter. Signed “Luigi Kasimir” in pencil l.r.

Color etching with aquatint on paper, plate size 9 5/8 x 10
3/8 in. (24.4 x 26.3 cm), framed.
$200-250
114

115
115. 116.
Alex Katz (American, b. 1927) Alex Katz (American, b. 1927)
Boy with Branch II, 1975, edition of 60, published by Brooke Ada with Orange Hat, from the ALEX AND ADA Portfolio, 1990,
Alexander, New York, and Marlborough Graphics, Inc., New York edition of 150, published by Gaultney-Klineman Art, printed by Styria
(Maravell, 80). Numbered and signed “46/60 Alex Katz” in pencil Studios. Signed and numbered “Alex Katz 62/150” in pencil (within
(within the image) l.l., identified on a label from Harcus Krakow Rosen the image) l.l. Color screenprint on paper, image/sheet size 18 x 36 in.
Sonnabend Gallery, Boston, on the reverse. Color aquatint on paper, (45.7 x 91.4 cm), framed.
image/sheet size 24 x 40 in. (60.9 x 101.5 cm), framed. Condition: Deckled edges, not examined out of frame.
Condition: Deckled edges top three sides, not examined out of frame. $2,000-4,000

$1,500-2,000
116

117.
Ellsworth Kelly (American, b. 1923)
Vivian Beaumont Theater, Lincoln Center, 1965, edition of 100

before lettering (Axsom, IIe). Numbered and signed “13/100 Kelly” in
pencil l.r. Color lithograph on paper, image size 30 3/4 x 23 1/4 in.
(78.0 x 59.0 cm), framed.
Condition: Fox marks, soiling and/or staining, not examined out of
frame.

$300-500
118.
Eugene Kingman (American, 1909-1975)
The Feathered Serpent, 1936, edition of 30. Signed and dated

“Eugene Kingman 1936 EYK” in pencil l.r., titled in pencil l.c., inscribed
“E. 30” in pencil l.l., signed within the matrix. Lithograph on paper,
$300-500
119.
Marguerite Kirmse (American, 1885-1954)
Lot of Two Images: Mischief and Soft Shoulder. Both signed

“Marguerite Kirmse” in pencil l.r. and titled in pencil l.l. Etchings on
paper, plate sizes to 7 3/4 x 12 1/4 in. (19.5 x 31.0 cm), framed.
117
Condition: Unobtrusive toning, foxing to the former and staining to the
latter, not examined out of frames.
$300-350
119
118

121
120.
Ronald Brooks Kitaj (American, 1932-2007)
120
The Spirit of the Ghetto. Studies of the Jewish Quarter in New
York, 1978, edition of 25. Signed and numbered “Kitaj 17/25” in pencil
l.r., identified within the matrix. Color screenprint on oatmeal paper,
Condition: Margins over 3 1/2 inches with deckled edges, staining to
lower and left margins, not examined out of frame.
$500-700
121.
Alice Geneva “Gene” Glasier Kloss (American, 1903-1996)
Indian Summer. Signed “Gene Kloss” in pencil l.r., titled in pencil l.l.
Etching on paper, plate size 7 7/8 x 11 in. (19.8 x 27.8 cm), framed.
$1,000-1,500
122.
Charles Edouard Jeanneret, called Le Corbusier (French/Swiss,
1887-1965)
Unité-No. 2, 1953, edition of 130 plus proofs. Monogrammed within

the plate, numbered “XII/XXX” in pencil l.l. Color aquatint on paper,
Provenance: Nielson Gallery, Boston.

$1,500-2,500
122

123.
Henri Eugene Le Sidaner (French, 1862-1939)
La Ronde, c. 1898, published by L’Estampe Moderne.

Signed within the matrix, signed or inscribed “Le Sidaner”
in ink on the supporting sheet, publisher’s drystamp to
supporting sheet. Lithograph or collotype in deep blue on laid
paper with circular watermark, 9 3/4 x 13 1/2 in. (24.7 x 34.2
cm), framed.
Condition: Sheet adhered to a supporting sheet at the
corners, toning to supporting sheet and annotation on verso.
$800-1,200
124.
Roy Lichtenstein (American, 1923-1997)
123
As I Opened Fire.../A Triptych, 1966, large open edition
(Corlett, App. 5). Unsigned, identified in text on the reverse of
each sheet. Offset color lithographs on paper, sheet sizes 25
1/4 x 20 3/4 in. (64.0 x 52.6 cm), unmatted, unframed.
Condition: Very minor handling marks and creases.
$700-900
125.
Louis Lozowick (American, 1892-1973)
Quarry and Shrine, alternatively titled The Shrine, Buchanan,

New York, 1937, edition of 10 (Flint, 149). Signed and dated
“LOUIS LOZOWICK ‘37” in pencil l.r., numbered “4/10” in
pencil l.l., monogrammed within the matrix. Lithograph on
paper, image size 14 x 18 in. (35.5 x 45.7 cm), matted,
unframed.
Condition: Margins approximately 1 inch with deckled edges,
puncture to lower margin, subtle rippling and toning.
$500-700
125
124

126
126.
Alexandre Lunois (French, 1863-1916)
Le Repos des danseuses, edition of 80 (André, p. 224). Unsigned,

127
numbered “no 61...” in pencil l.r. Color lithograph on tissue, image size
10 3/8 x 13 1/2 in. (26.3 x 34.2 cm), matted, unframed.
Condition: Minor rippling. 128.
$500-700 René Magritte, illustrator (Belgian, 1898-1967)
Aube à l’antipode, by Alain Jouffroy, published in 1966 by Le Soleil

Noir, Paris, from the edition of 17, accompanied by a portfolio of seven
etchings, plus illustration bound into the volume (Kaplan & Baum, 6-12).
127. Each etching signed “Magritte” in pencil l.r. and numbered “17/77” in
Alan Magee (American, b. 1947) pencil l.l., volume identified on the titled page, further identified and
numbered “17” on the colophon. Sheet sizes 7 3/8 x 5 1/2 in. (18.7 x
Firecrackers, edition of 275. Signed “Alan Magee” in pencil l.r., 13.9 cm), in a paper binding housed in a clamshell box with cut-out and
numbered “28/275” in pencil l.l. Color offset lithograph on paper, image an encased multiple.
size 21 7/8 x 16 in. (55.5 x 40.5 cm), framed. Condition: Gentle toning to etchings.
$250-350 Provenance: Wittenborn & Co., New York, 1967.
$800-1,200
128

131
129 129.
Man Ray (American, 1890-1976)
Sheila, from LA BALLADE DES DAMES HORS DU TEMPS, 1970,

total edition of 95, published by Leon Amiel & Société Internationale
d’Art XX Siècle (Anselmino, 60-O). Signed “Man Ray” in pencil
l.r., inscribed “E.A.” in pencil l.l. Etching with aquatint in colors on
Condition: Pale mat toning, not examined out of frame.

$200-250
130.
Robert Mangold (American, b. 1937)
Five Color Frame, 1985, edition of 200 plus proofs, published by

Crown Point Press, Oakland, California. Numbered, signed, and
inscribed (in Japanese characters) “165/200 R. Mangold...” in pencil
l.l., publisher’s drystamp l.r. Color woodcut on paper, image size 20
7/8 x 17 1/2 in. (53.0 x 44.4 cm), framed.
Condition: Paper loss to corner l.r., gentle rippling, not examined
out of frame.
$1,500-2,500
131.
John Marin (American, 1870-1953)
Sailboat, 1932, edition of about 200 (Zigrosser, 155). Signed and

dated within the plate. Etching on wove paper, plate size 6 7/8 x 9
1/4 in. (17.5 x 23.4 cm), framed.
Condition: Deckled edges to three sides, affixed to mat along
upper and left edges with sticker/label “hinges,” minor creases to
impression (perhaps printing flaws).
$600-800
130

132
132. 133.
Reginald Marsh (American, 1898-1954) Roberto Matta (Chilean, 1911-2002)
Coney Island Beach, 1935, edition of about 200, published by the Cherche Eve, 1971-72, edition of 100 plus proofs (Sabatier, 257).
American Artists Group, 1936 (Sasowsky, 159). Unsigned, identified in Signed “Matta” in pencil l.r., numbered “93/100” in pencil l.l. Color
text and with AAG stamp on the reverse. Etching on paper, plate size 9 etching with aquatint on paper, plate size 22 1/2 x 16 1/4 in. (57.0 x
x 12 in. (22.8 x 30.4 cm), framed. 41.2 cm), framed.
Condition: Margins 1 3/4 inches or more, crease with breaks to surface Condition: Rippling, not examined out of frame.
within image l.l., staining (primarily to margins), nicks and tears to edges $700-900
of sheet.
$250-350
134.
Roberto Matta (Chilean, 1911-2002)
Plate 4, from FOG GOG MAGOG, 1971, possibly from a later edition
of 100 (see Sabatier, 254). Signed “Matta” in pencil l.r., numbered
“85/100” in pencil l.l., drystamp l.l. Color lithograph on paper, image
size 18 1/2 x 24 1/2 in. (46.9 x 62.1 cm), framed.
Condition: Deckled edges, toning and light struck, masking tape to
corners on the reverse.

$400-600
133 134

136
136.
Lilian May Miller (American, 1895-1943)
Autumn Evening, Korea, 1928. Signed and dated “Lilian Miller 1928”
in ink within the image l.r., titled in ink l.l., monogrammed within the
block. Color woodcut on paper, image size 8 1/2 x 17 in. (21.5 x 43.0
cm), framed.
135 Condition: Margins approximately 3/8 inches, not examined out of
frame.
$200-300
135.
William C. McNulty (American, b. 1889) 137.
Joan Miró (Spanish, 1893-1983)
The Whirlpool, c. 1930. Signed “Wm C McNulty” in pencil l.r., titled in
pencil l.l. Drypoint on paper, plate size 13 5/8 x 7 1/4 in. (34.5 x 18.3 Soleil noyé II, 1962, edition of 75 plus proofs (Dupin, 349). Signed
cm), framed. “Miró.” in pencil l.r., numbered “16/75” in pencil l.l. Color aquatint on
Condition: Subtle toning, not examined out of frame. paper, plate size 8 5/8 x 23 1/4 in. (21.8 x 58.8 cm), framed.
$300-500 Condition: Margins over 4 inches with deckled edges, gentle rippling,

$1,200-1,800
137

138 139
138.
Image from FLUX DE L’AIMANT, 1964, edition of 75 (Dupin, 382).

Initialed “M.” in pencil l.r., numbered “41/75” in pencil l.l. Drypoint in
black with aquatint in teal on paper, plate/sheet size 19 x 23 in. (48.2 x
58.3 cm), framed.
Condition: Subtle toning and/or fading, not examined out of frame.
Provenance: Through the family of Eleanor Kanegis Levin, co-owner of

Kanegis Gallery in Boston from 1953 to 1961, and the Retina Gallery in
Cambridge from 1968 to 1971.
$1,000-1,500
139.
Plate from LE VENT PARMI LES ROSEAUX, 1971, from the edition
of 15 (Dupin, 548). Signed “Miró.” in pencil l.r., numbered “9/15” in
pencil l.l. Color aquatint on Japan paper, sheet size 13 1/4 x 10 1/4 in.
(33.5 x 26.0 cm), framed.
Condition: Deckled edges, gentle rippling, not examined out of frame.

$800-1,200
140.
La Boîte alerte, 1959, edition of 200 (Mourlot, 195). Signed “Miró.” in

pencil l.r., numbered “92/200” in pencil l.l. Color lithograph on paper,
image size 7 1/2 x 5 in. (18.8 x 12.6 cm), framed.
140 Provenance: Estate of an arts benefactor, New York.

$600-800

141 142
141. 142.
Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983)
Plate from BOUQUET DE RÊVES POUR NEILA, 1967, from the Ronde Du Nuit, 1970, edition of 75 (Mourlot, 672). Signed “Miró.” in
edition of 25 (Mourlot, 466). Signed “Miró.” in pencil l.r., numbered pencil l.r., numbered “71/75” in pencil l.l. Color lithograph on Rives
“5/25” in pencil l.l. Color lithograph on Japan paper, image size 6 1/4 x paper with watermark, image/sheet size 24 1/8 x 35 3/8 in. (61.2 x 89.7
9 1/4 in. (15.8 x 23.4 cm), framed. cm), framed.
Condition: Gentle rippling, not examined out of frame. Condition: Deckled edges to two sides, not examined out of frame.
Provenance: Estate of an arts benefactor, New York. Provenance: Estate of an arts benefactor, New York.
$600-800 $1,200-1,800
143.
La Japonaise, 1971, edition of 150 plus proofs (Mourlot, 829). Signed

“Miró.” in pencil l.r., numbered “XV/XXX” in pencil l.l. Color lithograph
on paper, image/sheet size 14 x 19 1/2 in. (35.5 x 49.4 cm), framed.
Condition: Deckled edges to two sides, gentle rippling, staining near
right edge, not examined out of frame.

$800-1,200
143

144 145
144. 145.
Henry Moore (British, 1898-1986) Robert Motherwell (American, 1915-1991)
Eight Reclining Figures with Architectural Background, 1963, Gauloises bleues, 1968, edition of 75 plus proofs (Belknap & Terenzio,
edition of 65 plus proofs (Cramer et al., 44). Signed and dated “Moore 33). Signed “Motherwell” in pencil l.r., numbered “44/75” in pencil l.l.
63.” in pencil l.r., inscribed “Artist’s Proof.” in pencil l.l. Color lithograph Aquatint with collage on paper, plate size 10 x 5 3/8 in. (25.3 x 13.5
on paper, image size 17 1/2 x 13 in. (44.4 x 33.0 cm), framed. cm), framed.
Condition: Subtle toning, mat burn, not examined out of frame. Condition: Margins 1 inch or more, not examined out of frame.
$400-600
$700-900
146.
Kenneth Noland (American, 1924-2010)
Twin Planes, 1969, edition of 200, published by Sarah Lawrence Art

Press and Chiron Press, New York. Numbered, signed, dated, and
stamped “2/200 K Noland 5/5/69” in blue ballpoint on the reverse.
Color screenprint on canvas mounted onto paperboard, image sheet
size 6 1/4 x 58 7/8 in. (15.8 x 149.4 cm), hinged to support and
presented under Plexiglas.
Condition: Subtle wear to edges.

$1,000-1,500
146

147.
Emil Nolde (German, 1867-1956)
Frau N (Frau Ada Nolde), 1911, final state of three, edition of about 20
(Schiefler, I165iii). Signed “Emil Nolde.” in pencil l.r., titled in pencil l.c.,
annotated along the lower edge. Etching with aquatint on paper, plate
size 9 x 7 1/8 in. (23.0 x 18.2 cm), matted, unframed.
Condition: Margins over 6 inches with deckled edges, minor nicks and
crease to edges (primarily along the right edge), subtle soiling, cockling
to edges.
$8,000-12,000
148.
Jules Pascin (French, 1885-1930)
Cinderella Arriving at the Ball, c. 1929, edition of 40. Numbered and

signed “23/40 pascin” in pencil l.r., signed within the plate. Soft ground
etching with color on paper, plate size 10 x 13 7/8 in. (25.4 x 35.2 cm),
framed.
Condition: Margins 1/2 inch or more, subtle toning, not examined out
of frame.
$300-500
149.
Joseph Pennell (American, 1860-1926)
Rose Window, Beauvais, 1907, edition probably of about 30 (Wuerth,

477). Signed “JosPennell imp.” in pencil l.c. Etching on laid paper,
plate size 11 x 8 5/8 in. (27.8 x 21.8 cm), matted, unframed.
Condition: Margins over 1/2 inch with deckled edges, soiling (primarily
147 to margins and on verso), minor nicks to edges, annotations to lower
margin and verso.
$250-300
148
149

150
150.
Pablo Picasso (Spanish, 1881-1973)
Peintre et modèle tricotant, plate 4 from LE CHEF-D’OEUVRE

INCONNU, 1927, from the edition of 240 (Cramer, 20). Unsigned.
Etching on Rives paper with watermark, plate size 7 1/2 x 11 in. (19.0 x
27.7 cm), framed.
Condition: Margins approximately 1 inch with deckled edges, subtle
mat burn.
$3,000-5,000
151.
Sculpteur, Modèle et Sculpture assise, plate 40 from LA SUITE

VOLLARD, 1933, total edition of 260 (Bloch, 146). Signed “Picasso” in
pencil l.r. Drypoint on paper, plate size 12 1/2 x 7 1/4 in. (31.7 x 18.4
cm), framed.
Condition: Margins over 1/2 inch, not examined out of frame.
$6,000-8,000
151

152.
Modèle et sculpture surréaliste, from LA SUITE

VOLLARD, 1933, total edition of 310 (Bloch, 187). Signed
“Picasso” in pencil l.r., identified on a label from the Obelisk
Gallery, Boston, on the backing. Etching on paper, plate size
10 1/2 x 7 1/2 in. (26.5 x 19.0 cm), framed.
Condition: Margins 1/2 inch or more, several fox marks,
subtle rippling, not examined out of frame.
$4,000-6,000
152
153.
Image from CARMEN, 1949, total edition of 320 (Cramer,

52). Signed or inscribed “Picasso” in pencil l.r., numbered
“30/300” in pencil l.l. Engraving on paper, image size 8 5/8 x
7 1/8 in. (21.8 x 18.0 cm), framed.
$800-1,200
153

154.
Tête, 1963, edition of 50 (Bloch, 1105). Signed

“Picasso” in pencil l.r., numbered “31/50” in pencil
l.l., signed and dated within the matrix. Linocut in
black and tan on paper, image size 25 x 20 5/8 in.
(63.5 x 52.5 cm), framed.
Provenance: Nielsen Gallery, Boston.

$8,000-10,000
154
155.
Wood-owl Woman, 1951, edition of 500 (Ramie,

119). Both inscribed and stamped “EDITION
PICASSO” on the underside, stamped “MADOURA”
on the underside. Turned vase of earthenware clay
with white enamel and black glazes, ht. 11 3/4 in.
(29.8 cm).
Condition: Minor soiling, minor glazing
imperfections.
Provenance: Through the family of Eleanor Kanegis

Levin, co-owner of Kanegis Gallery in Boston from
1953 to 1961, and the Retina Gallery in Cambridge
from 1968 to 1971.
$2,500-3,500
155

156
156. 157.
After Pablo Picasso (Spanish, 1881-1973) Robert Rauschenberg (American, 1925-2008)
Colombe au soleil, 1962, published by the Congrès Mondial pour le Tampa Clay Piece, 1972. Signed and inscribed “RAUSCHENBERG
Désarmement Général et la Paix, edition of 200. Signed “Picasso” in CHANGE INC PROOF 72” in marker or similar on the reverse, label
pencil l.r., numbered “122/200” in pencil l.l., signed and dated within from the Graphicstudio, University of Southern Florida, Tampa, on the
the matrix. Color lithograph on paper with “de Mandeure” watermarks, reverse, Graphicstudio and a second stamp on the reverse. Ceramic
image size 20 3/4 x 23 1/4 in. (52.6 x 59.0 cm), framed. with screenprinted decals, 14 3/8 x 16 in. (36.4 x 40.5 cm).
Condition: Possible fading, not examined out of frame. Condition: Minor soiling.
Provenance: From a historic home on Martha’s Vineyard, Edgartown, Provenance: Purchased from Change, Inc., New York, 1977.
Massachusetts. $1,800-2,200
$1,500-2,500
157

158.
Odilon Redon (French, 1840-1916)
Et partout ce sont des colonnes de basalte... la lumière tombe des

voûtes, from TENTATION DE SAINT-ANTOINE (TROISIÈME SÉRIE),
1896 (Mellerio, 136). Unsigned. Lithograph on paper, image size 9 1/2
x 7 3/8 in. (24.0 x 18.8 cm), framed.
Condition: Subtle soiling, rippling, not examined out of frame.
$300-500
159.
Rembrandt van Rijn (Dutch, 1606-1669)
The Death of the Virgin, 1639, an 18th century impression (Hind, 161;
Bartsch/White & Boon, 99 iii/iii). Signed and dated within the plate,
collector’s stamp (basket of flowers) on the reverse. Etching on laid
paper with a cornucopia watermark, sheet/image size 15 1/8 x 12 1/4
in. (38.2 x 31.0 cm), unmatted, unframed.
Condition: Trimmed within the plate mark (blank space at the bottom
of the composition also trimmed away), repair to corner u.l., several
thinned spots, glue/residue to the reverse.
$500-700
160.
Tim Rollins and K.O.S. (American, b. 1955)
158 A Journal of the Plague Year, 1988, edition of 100. Numbered and
signed “37/100 TR + KOS...” on the reverse, identified on a label from
the Barbara Krakow Gallery, Boston, on the backing. Blood painted
book page, sheet size 6 3/4 x 5 in. (17.0 x 12.5 cm), framed.
Condition: Rippling, not examined out of frame.
$500-700
159 160

161
161. 162.
James Rosenquist (American, b. 1933) Niki de Saint Phalle (French, 1930-2002)
Towel, Star, Sunglasses, 1977, from the proof edition of 23 (Glenn, Nana aux fleurs, c. 1971, edition of 300. Signed “Niki de Saint Phalle”
118). Signed and dated “James Rosenquist 1977” in pencil l.r., in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper,
numbered and titled “18/23 AP...” in pencil l.l. Etching and aquatint image size 24 x 19 in. (60.9 x 48.2 cm), framed.
with pochoir and hand-coloring on paper, plate size 17 3/4 x 36 in. Condition: Deckled edges to two sides, scattered fox marks, not
(45.0 x 91.4 cm), framed. examined out of frame.
Condition: Margins 2 inches or more with deckled edges, subtle
rippling, not examined out of frame. Provenance: Estate of an arts benefactor, New York.
$400-600
$2,000-3,000
163.
Niki de Saint Phalle (French, 1930-2002)
Rêve d’une jeune fille, c. 1971, edition of 300. Numbered and signed
“116/300 Niki de Saint Phalle” in pencil (within the image) l.r. Color
lithograph on paper, image/sheet size 19 x 25 3/4 in. (48.0 x 65.3 cm),
framed.
Condition: Deckled edges to two sides, scattered fox marks, not

$400-600
162 163

164
164. 166.
Kiyoshi Saito (Japanese, 1907-1997) Karl Schmidt-Rottluff (German, 1884-1976)
Village in Autumn. Signed “Kiyoshi Saito” in ink (within the image) and Alter Mann, 1908 (Schapire, L41). Signed and dated “Schmidt-Rottluff
with chop l.r. Color woodcut on paper, image size 10 1/4 x 15 1/4 in. 1908” in pencil l.l. Lithograph on paper, image size 15 5/8 x 13 1/4 in.
(26.0 x 38.5 cm), framed. (39.6 x 33.5 cm), matted, unframed.
Condition: Not examined out of frame. Condition: Subtle toning and staining, minor rippling, annotation to the
$200-250 reverse.
$1,000-1,500
165.
Guillermo Silva Santamaria (Colombian, 1921-2007)
Lot of Four Images from LA ANGUSTIA Suite, 1961. Each titled,

signed, and dated “...G. Silva S. 1961” in pencil l.l. Color etchings with
aquatint on paper, plate sizes to 11 1/2 x 12 1/2 in. (29.1 x 31.6 cm),
matted, unframed.
Condition: Wide margins, minor soiling.
$200-250
165 166

167 168
167.
Ferdinand Schmutzer (Austrian, 1870-1928)
Richard Strauss, c. 1923, edition of 50. Signed “F. Schmutzer” in

pencil (within the image) l.r., numbered “41/50” in pencil l.l. Etching
with soft ground on paper, plate size 20 3/8 x 16 3/8 in. (51.8 x 41.5
cm), framed.
Condition: Water staining along the lower edge, unobtrusive toning, not
$250-300
168.
Karl Schrag (American, 1912-1995)
Big Tree and Distant Figures, 1983, edition of 30. Signed and dated
“Karl Schrag. 1983.” in pencil l.r., titled in pencil l.l., numbered “12/30”
in pencil l.c., identified on a label from AAA on the backing. Etching in
yellow and black on paper, plate size 17 5/8 x 23 3/4 in. (44.7 x 60.2
cm), framed.
$300-500
169.
David Alfaro Siqueiros (Mexican, 1896-1974)
El Guardián de la Paz, 1945. Signed “DASiqueiros” in pencil l.r.,

inscribed “E/E” in pencil l.l. Lithograph on paper, image size 11 3/4 x 9
Condition: Toning, staining to edges and lower margin, corrugation
staining to the reverse, scattered fox marks, hole to right margin near
edge.
$200-250
169

171
170 170.
John French Sloan (American, 1871-1951)
Woman with Hand to Chin, c. 1913, from the 1969 edition of 150 plus
proofs (Morse, 165). Signed and inscribed “John Sloan per HFS–1969”
in pencil by Helen Farr Sloan l.r., inscribed “150 proofs” in pencil l.l.
Etching on paper, plate size 6 1/4 x 3 1/4 in., framed.
Condition: Rippling, not examined out of frame.
$300-500
171.
Raphael Soyer (American, 1899-1987)
Woman with Locket, 1969, edition probably of 100 (Gettings, 108).

Signed “Raphael Soyer” in pencil l.r., numbered “48/100” in pencil l.l.
Lithograph on paper, image size 15 3/8 x 11 3/8 in. (39.0 x 28.8 cm),
framed.
Condition: Pale toning, several pinpoint fox marks, not examined out of
frame.
$300-500
172.
Jakob Steinhardt (Israeli, 1887-1968)
Youth, 1950, total edition of 30 (Kolb, 281). Signed and dated “Jakob
Steinhardt 1950” in pencil l.r., numbered “1/10” in pencil l.l. Color
woodcut on paper, image size 18 1/2 x 12 3/4 in. (46.9 x 32.3 cm),
framed.
$300-500
172

173.
Frank Stella (American, b. 1936)
Limanora, from IMAGINARY PLACES, 1994, edition of

75 plus proofs, published by Tyler Graphics, Ltd., Mount
Kisco, New York. Numbered, signed, and dated “46/75
F. Stella ‘94” in pencil l.l., publisher’s drystamp l.l. Color
lithograph, etching, aquatint, and relief on paper, sheet size
24 x 21 1/8 in. (61.0 x 53.5 cm), framed.
$3,000-5,000
173
174.
Harry Sternberg (American, 1904-2002)
Blast Furnace #1, 1937, edition of 250, published by

Associated American Artists, New York (Moore, 147).
Signed “H Sternberg” in pencil l.r. Etching with aquatint
on paper, plate size 11 3/4 x 8 3/8 in. (29.8 x 21.3 cm),
framed.
$250-300
174

175
175. 177.
Harry Sternberg (American, 1904-2002) Donald Sultan (American, b. 1951)
Steel Mills, c. 1937, edition of 75. Signed and dated within the plate. Two Buttons, 1996, edition of 75, published by the Tamarind Institute,
Etching with aquatint on paper, plate size 8 x 9 in. (20.3 x 22.8 cm), Albuquerque. Titled, dated, and initialed “...Oct 16 1996 DS” along
framed. the left edge, numbered “10/75” in pencil l.r., publisher’s and printer’s
Condition: Margins over 1 1/4 inches with deckled edges to three drystamp l.l. Color lithograph on wove paper, image/sheet size 15 1/4
sides, subtle toning, annotated on the reverse. x 11 in. (38.6 x 27.9 cm), unmatted, unframed.
$200-250 Condition: Good.
N.B. A copy of the publisher’s documentation accompanies the lot.

176. $500-700
William Strang (Scottish, 1859-1921)
Fried Fish, 1912. Signed “Wm Strang fec. DS.” in pencil l.r., signed
and inscribed “David Strang, imp Final St.” in pencil l.l., signed and
dated within the plate. Etching on paper, plate size 13 7/8 x 17 7/8 in.
(36.4 x 45.3 cm), unmatted, unframed.
Condition: Subtle staining.
$400-600
176
177

178
178. 180.
Julius Tanzer (American, d. 1963) Giovanni Domenico Tiepolo (Italian, 1727-1804), After Giovanni
Battista Tiepolo (Italian, 1696-1770)
Interior, Harlem River. Signed “Julius Tanzer” in pencil l.r., titled in
pencil l.c. Lithograph on paper, image size 9 1/2 x 11 in. (24.0 x 27.8 Turco di Spalle, from RACCOLTA DI TESTE, LIBRO SECONDO, c.
cm), framed. 1772-73 (DeVesme, 162; Rizzi, 206 i/ii). Unsigned. Etching on paper,
Condition: Subtle toning and soiling, not examined out of frame. plate size 4 7/8 x 3 5/8 in. (12.2 x 9.2 cm), matted, unframed.
$300-500 Condition: Margin approximately 1/8 inch, laid down (right corner
disadhered).
$400-600
179.
Frits Thaulow (Norwegian, 1847-1906)
Winter in Norway. Signed “Frits Thaulow” in pencil l.r., numbered

“112.” in pencil l.l., Georges Petit Editeurs drystamp l.l. Color etching
with aquatint on paper, plate size 19 3/8 x 23 1/2 in. (50.0 x 59.5 cm),
framed.
Condition: Toning, foxing, not examined out of frame.
$1,500-2,000
179
180

182
181
181. 182.
Lesser Ury (German, 1861-1931) Victor Vasarely (French/Hungarian, 1906-1997)
Rauchender Zeitungleser vor zugezogenem Fenstervorhang, c. Kanta “Zoeld” Violet/Yellow, 1971, edition of 8, published/printed by
1920, edition of 30 (Rosenbach, 73). Numbered and signed “24/30 Editions Pyra AG, Zürich. Signed “Vasarely” in white ink or similar l.r.,
L. Ury.” in pencil l.l. Lithograph on paper, image size 9 1/4 x 8 3/4 in. titled, dated, numbered, and signed on publisher’s label on the reverse.
(23.4 x 22.2 cm), unmatted, unframed. Luran plastic in colors on metal sheet, 39 1/2 x 39 1/2 in. (100.3 x
Condition: Laid down, subtle toning, mat burn. 100.3 cm), framed.
$250-350 Condition: Minor surface abrasions.

$800-1,200
183.
Victor Vasarely (French/Hungarian, 1908-1997)
Untitled (Sphere in Purple and Gold), edition of 250. Signed

“Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color
screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.8 x 49.8 cm),
framed.

$300-500
183

184 185
184. 185.
Victor Vasarely (French/Hungarian, 1908-1997) Victor Vasarely (French/Hungarian, 1908-1997)
Untitled (Multicolored Sphere with Polka Dots), edition of 250. Untitled (Spheres in Blue-gray and Maroon), edition of 250.
Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color
screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.8 x 49.8 cm), screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.6 x 49.6 cm),
framed. framed.
Condition: Foxing, not examined out of frame. Condition: Mat burn, not examined out of frame.
Provenance: Estate of an arts benefactor, New York. Provenance: Estate of an arts benefactor, New York.
$300-500 $300-500
186.
Victor Vasarely (French/Hungarian, 1908-1997)
Untitled (Two Spheres in Green and Rose), edition of 250. Signed

“Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color
screenprint on paper, image size 19 7/8 x 19 in. (50.4 x 48.1 cm),
framed.

$300-500
186

187 188
187.
Bram van Velde (Dutch, 1895-1981)
Untitled, 1972, edition of 120, printed by Pierre Badey, Paris (Mason,

82). Signed “Bram van Velde” in pencil l.r., numbered “76/120” in
pencil l.l. Color lithograph on paper, image size 23 1/4 x 16 1/2 in.
(59.0 x 41.8 cm), framed.

$300-500
188.
Roger Vieillard (French, 1907-1990)
Lot of Two Images: La maison nocturne, edition of 60; and La

maison du poete, edition of 60. Both signed “Roger Vieillard” in pencil
l.l., titled and numbered in pencil l.r., and dedicated “à Hervé Lazard...”
in pencil l.c. Etchings on paper, plate sizes to 16 5/8 x 11 7/8 in. (42.0
Condition: Wide margins with deckled edges, Nocturne with staining,
foxing, and nicks to edges.
$400-600
189.
Jacques Villon (French, 1875-1963)
Lot of Two States of La pédicure, 1907, an early (unidentified) state,

and the published state with an edition probably of 50 (Ginestet/
Pouillon, E 195). Both signed “Jacques Villon” in pencil l.r. Etchings
with aquatint on paper, plate size 9 1/4 x 6 1/2 in. (23.5 x 16.5 cm),
one matted, unframed.
Condition: Margins over 1 inch, soiling, staining, and printing flaw to
early state.
189
$1,500-2,000

190.
John Walker (British, b. 1939)
Image from the PASSING BELLS Portfolio, 1998, edition

of 20, published by Tyler Graphics, Mount Kisco, New York.
Signed and dated “Walker 98” in pencil l.r., numbered “4/20”
in pencil l.l., publisher’s drystamp l.r. Etching and aquatint
on heavy wove paper, plate size 10 x 8 in. (25.4 x 20.3 cm),
hinged to a supporting mat.
Condition: Deckled edges.
$800-1,200
190
191.
Andy Warhol (American, 1928-1987)
Cow, 1966 (Feldman & Schellmann, II.11). Signed in the

matrix. Color screenprint on wallpaper, image size 46 x 28
Condition: Minor handling marks and creases, tear to upper
edge.
$1,500-2,000
191

192.
Lincoln Center Ticket, 1967, edition of 500 (Feldman & Schellmann,

II.19). Unsigned, identified within the matrix, tag from the Atlantic
Richfield Company Art Collection affixed to frame. Color screenprint on
paper, sight size 44 x 23 3/8 in. (111.8 x 59.4 cm), framed.
Condition: Gentle rippling, minute creases within image, not examined
out of frame.
$1,000-1,500
192
193.
Andy Warhol Exhibition Catalogue, 1983-84, published by Gendai

Hanga Center, Tokyo, containing one original screenprint. Identified on
the title page. 11 1/4 x 8 1/2 in. (28.5 x 21.5 cm), cloth bound.
Condition: Wear to cover.
$500-700
193

194.
Shraga Weil (Israeli, b. 1918)
Song of Songs, 1968, edition of 150. Signed “Shraga

Weil” in pencil l.r., numbered “110/150” in pencil l.l.,
identified on a label from the Pucker/Safrai Gallery,
Boston, on the backing. Color screenprint on paper,
$200-250
194
195.
Stow Wengenroth (American, 1906-1978)
Housewife’s Garden, 1931, edition of 54 (Stuckey, 9).

Signed “Stow Wengenroth” in pencil l.r. Lithograph on
paper, image size 9 5/8 x 12 1/4 in. (24.5 x 31.0 cm),
framed.
Condition: Foxing, unobtrusive toning, not examined out
of frame.
$400-600
195
196.
Stow Wengenroth (American, 1906-1978)
Bridge, Eastport, No. 2, 1932, edition of 50 (Stuckey,

26). Signed “Stow Wengenroth” in pencil l.r., titled in
pencil l.c. Lithograph on paper, image size 9 3/4 x 13
in. (24.7 x 33.0 cm), matted, unframed.
Condition: Margins over 2 inches with deckled edges,
staining (primarily to side margins), creases and nicks to
corners of sheet.
$500-700
196

197
197. 198.
Stow Wengenroth (American, 1906-1978) Stow Wengenroth (American, 1906-1978)
Lower Fifth Avenue, 1959, printer’s proof outside of the edition of Lobster Buoys, 1964, edition of 40 (Stuckey, 293). Signed “Stow
40 (Stuckey, 256). Signed “Stow Wengenroth” in pencil l.r., inscribed Wengenroth” in pencil l.r., inscribed “Ed/40” in pencil l.l. Lithograph
“Printer’s proof-” in pencil l.l. Lithograph on paper, image size 10 1/8 x on paper, image size 9 5/8 x 15 7/8 in. (24.3 x 40.2 cm), matted,
15 7/8 in. (25.7 x 40.2 cm), matted, unframed. unframed.
Condition: Margins 1 1/4 inches or more with deckled edges to three Condition: Margins over 1 1/4 inches with deckled edges to two sides,
sides, pale mat and light staining, annotation to lower margin, gentle pale mat and light staining, annotation to lower margin, gentle rippling.
rippling. $300-500
$2,000-2,500
198

199
199. 200.
James Abbott McNeill Whistler (American, 1834-1903) James Abbott McNeill Whistler (American, 1834-1903)
Old Westminster Bridge, 1859, second state of two (Kennedy, 39). Limehouse, 1859, third state of three (Kennedy, 40). Signed and
Signed and dated within the plate. Etching on paper, plate size 3 x 8 dated within the plate. Etching on paper, plate size 5 x 8 in. (12.6 x
in. (7.5 x 20.3 cm), framed. 20.3 cm), framed.
Condition: Margins over 1/2 inch, toning and foxing, not examined out Condition: Toning, mat burn, not examined out of frame.
of frame. $1,500-2,500
Provenance: A Rhode Island estate.

$2,000-3,000
200

201
201.
James Abbott McNeill Whistler (American, 1834-1903)
The ‘Adam and Eve’ Old Chelsea, second state of two (Kennedy,
175). Butterfly monogram within the plate. Etching on paper, plate
Condition: Toning, several pale fox marks, laid down and sandwiched
between facing and supporting mats, surface deformation to image c.l.
$1,000-1,500
202.
James Abbott McNeill Whistler (American, 1834-1903)
Clock-Tower, Amboise, (Kennedy, 394). Monogrammed in pencil l.l.,

monogrammed within the plate. Etching on paper, plate size 7 x 5 in.
(17.7 x 12.6 cm), framed.
Condition: Trimmed to or just within the plate mark (with a “tab”
around the monogram), toning and foxing, not examined out of frame.
Provenance: A Rhode Island estate.

$3,000-4,000
202

203
203.
Grant Wood (American, 1891-1942)
March, 1939, edition of 250, published by Associated American Artists,

New York (Czestochowski/catrais.org, Wood 18; Cole, 14). Signed
“Grant Wood” in pencil l.r., identified on a label from AAA on the
backing. Lithograph on paper, image size 8 7/8 x 11 1/2 in. (22.5 x
28.0 cm), framed.
$2,000-3,000
204.
Paul Wunderlich (German, 1927-2010) and Karin Székessy
(German, b. 1939)
MODELLE/A Portfolio of Nine Works, 1968, edition of 80. Each

image signed and numbered in pencil. Three color lithographs by
Wunderlich and six photolithographs by Székessy, sheet sizes 25 3/4 x
19 3/4 in. (65.3 x 50.2 cm), presented in the original portfolio cover.
Condition: Subtle toning, several corners with minor creases.
Provenance: Purchased from Peter Deitsch, New York, 1968.

$800-1,200
204

205.
Andrew Wyeth (American, 1917-2009)
Canada, 1976, edition of 300, published by the

Metropolitan Museum of Art, New York. Numbered
and signed “99 Andrew Wyeth” in ink l.l., identified
within the matrix, publisher’s drystamp l.r. Color
collotype on paper, image size 22 3/4 x 28 1/2 in.
(57.7 x 72.3 cm), framed.
$500-700
205
206.
Fence Line, 1976, edition of 300, published by the

Metropolitan Museum of Art, New York. Numbered
and signed “134 Andrew Wyeth” in ink l.l., identified
within the matrix, publisher’s drystamp l.r. Color
collotype on paper, image size 21 1/2 x 29 3/4 in.
(54.5 x 75.5 cm), framed.
Provenance: Ex-collection of Joseph E. Levine

(1905-1987).
$700-900
206
207.
Christina’s Teapot, 1976, edition of 300, published

by the Metropolitan Museum of Art, New York.
Numbered and signed “134 Andrew Wyeth” in ink l.l.,
identified within the matrix, publisher’s drystamp l.r.
Color collotype on paper, image size 22 3/4 x 28 1/2
in. (57.7 x 72.3 cm), framed.
Provenance: Ex-collection of Joseph E. Levine

(1905-1987).
$700-900
207

208.
Anne Youkeles (Austrian/American, b. 1920)
Star Story, c. 1971, edition of 50. Signed “Anne

Youkeles” in pencil l.r., titled in pencil l.l., inscribed
“APII Ed.50” in pencil l.c. Color screenprinted paper
construction with embossing, image size 12 1/2 x 12 1/2
in. (31.6 x 31.6 cm), framed.

$200-250
208
209.
Jack Youngerman (American, b. 1926)
The 50th Year, The New School 1969, edition of 144

before lettering. Initialed and dated “JY 69” in pencil
(within the image) l.r., numbered “10/144” in pencil (within
the image) l.l. Color screenprint on paper, sight size 34
3/4 x 25 in. (88.2 x 63.4 cm), framed.
$300-500
209

210.
Ossip Zadkine (French/Russian, 1890-1967)
The Lovers, 1964, edition of 210. Signed and dated “O. Zadkine
1964” in pencil l.r., numbered “88/210” in pencil l.l. Color lithograph on
paper, image size 22 3/4 x 16 3/4 in. (57.6 x 42.4 cm), framed.
Condition: Toning, possible fading, not examined out of frame.
$300-500
210
211.
Anders Zorn (Swedish, 1860-1920)
The Letter, 1913, second state of two (Asplund, 254). Signed “Zorn”
in pencil l.r., signed and dated within the plate. Etching printed in sepia
on laid paper, plate size 6 1/4 x 4 5/8 in. (15.8 x 11.7 cm), framed.
$500-700
211

212 213
Photography 213.
Walter Chappell (American, 1925-2000)
212.
Dr. William Abraham Bell (American, 1841-1920) White Tree, Canyon de Chelly, 1967. Signed “WALTER CHAPPELL”
in pencil (on the mount) l.r., titled and dated in an inscription on the
Cañon of Kanab Wash, Colorado River, Looking South, plate 4 from reverse of the mount. Gelatin silver print, image/sheet size 9 7/8 x 11
the EXPLORATIONS & SURVEYS WEST OF THE 100th MERIDIAN; 3/4 in. (25.0 x 29.8 cm), framed.
EXPEDITION OF 1872. Identified within the text surrounding the Condition: Good.
image, stamp and inscription from the Southwest Museum, Inc., on the
reverse. Albumen print on paperboard, sheet size 19 7/8 x 16 in. (50.4 Provenance: From the collection of Austin Lamont, by family descent.
x 40.5 cm), framed. $300-500
Condition: Toning, mat burn, soiling, unobtrusive scattered rubs to
surface of image, scattered tape residue, rubs and thinning along the
edges, annotations to margins, creases and nicks to edges of board.
Provenance: From the collection of Austin Lamont, by family descent.

$300-500
214.
Linda Connor (American, b. 1944)
Lot of Three Images: Spiral, Canyon de Chelly, Arizona, 1982;

My Hand with My Birth Mother’s, 1987; and Petroglyphs and Star
Trails, Sonora, Mexico, 1991. Each titled, dated, and signed “...Linda
S. Connor” in pencil on the reverse. Gelatin silver prints, sheet/image
sizes to 10 x 12 in. (25.5 x 30.0 cm), unmatted, unframed.
Condition: Minor handling creases, rippling, and wear to corners.

$150-200
214

215 216
215. 216.
Linda Connor (American, b. 1944) Linda Connor (American, b. 1944)
Lot of Three Views of Historic Places: Machu Pichu, Peru, 1984; Lot of Two Images of Hawaii: Lava Entering the Ocean, Hawaii,
In the Shadow of the Pyramid, Egypt, 1989; and Hagia Sophia, 1991; and Stones, Kau Desert, Hawaii, 1991. Both titled, dated,
Istanbul, Turkey, 1992. Each titled, dated, and signed “...Linda S. and signed “...Linda S. Connor” in pencil on the reverse. Gelatin silver
Connor” in pencil on the reverse. Gelatin silver prints, sheet/image prints, sheet/image sizes to 10 x 12 in. (25.5 x 30.0 cm), unmatted,
sizes 10 x 12 in. (25.5 x 30.0 cm), unmatted, unframed. unframed.
Condition: Minor handling creases, rippling, and wear to corners. Condition: Minor handling creases and wear to corners (almost
exclusively to Stones).
$150-200 Provenance: From the collection of Austin Lamont, by family descent.
$150-200
217.
Bruce Dale (American, 20th/21st Century)
Edwin Land and Harold Edgerton. Signed “Photo by Bruce Dale”

in ink on the mount l.l., signed “Edwin Land” and “Harold Edgerton
MIT” in ink on the mount beneath their images, stamped “NATIONAL
GEOGRAPHIC SOCIETY ©” within the image l.l. Chromogenic print,
image/sheet size 6 7/8 x 10 in. (17.3 x 25.4 cm), unmatted, unframed.
Condition: Minute rubs to edge of sheet.
$500-700
217

218 219
218.
William E. Dassonville (American, 1879-1957)
The Condensing Tower, c. 1925. Signed “W. E. Dassonville” in pencil

l.r. Gelatin silver or platinum print, image size 10 3/4 x 9 in. (27.3 x
22.8 cm), framed.

$300-500
219.
William E. Dassonville (American, 1879-1957)
Eucalyptus Trees and San Francisco Skyline, c. 1925. Signed “W.E

Dassonville” in pencil l.r. Gelatin silver or platinum print, image size 9 x
10 7/8 in. (22.8 x 27.5 cm), framed.
Condition: Light struck, not examined out of frame.

$300-500
220.
Roy DeCarava (American, b. 1919)
Couple Dancing, 1956, edition of 50. Signed and dated “ROY

DECARAVA 1956” in pencil l.r., numbered “15/50” in pencil l.c.
Photogravure on cream paper, plate size 12 1/2 x 8 1/8 in. (31.6 x 20.5
cm), unmatted, unframed.
Condition: Deckled edges.
$1,000-1,500
220

221.
Harold Eugene Edgerton (American, 1903-1990)
Wes Fesler Kicking a Football, c. 1934, a later printing. Signed

“HAROLD EDGERTON MIT” in pencil on the reverse. Gelatin silver
print, image size 11 1/2 x 9 5/8 in. (29.2 x 24.4 cm), unmatted,
unframed.
Condition: Subtle rippling.
$1,500-2,000
222.
Milk Drop Coronet, 1957, printed c. 1980, edition probably of 60.

Numbered and signed “9/60 [crossed out]/HAROLD EDGERTON” in
pencil on the reverse. Dye transfer print, image size 14 x 11 in. (35.5 x
Condition: Tape along upper edge, handling creases, 3/8 inch tear to
upper margin.
$1,500-2,000
223.
221
Bullet Piercing an Apple, 1964, printed c. 1980, edition of 60.

Numbered and signed “9/60 HAROLD EDGERTON” in pencil on the
reverse. Dye transfer print, image size 9 7/8 x 12 in. (25.0 x 30.4 cm),
unmatted, unframed.
Condition: Tape along upper edge, minor handling creases.
$2,500-3,500
222 223

225
224
224. 225.
Harold Eugene Edgerton (American, 1903-1990) Harold Eugene Edgerton (American, 1903-1990)
Lot of Two Images of Propellers. One stamped “HAROLD E. Bullet Through Apple. Unsigned. Color photograph, sight size 7 1/4
EDGERTON AUG 2, 1981 M.I.T...” on the reverse. Gelatin silver prints, x 9 7/8 in. (18.4 x 25.0 cm), framed.
image sizes 9 1/2 x 7 5/8 in. (24.0 x 19.3 cm), unmatted, unframed. Condition: Minor handling creases, minor printing imperfection or
Condition: Subtle rippling and handling creases, minor creases/wear retouch to image l.r., not examined out of frame.
to several corners.
$800-1,200 N.B. An Ektachrome from 1983 showing Edgerton with a group of
friends and admirerers accompanies the lot.
$2,000-3,000
226.
The Flip. Signed “HAROLD EDGERTON” in pencil on the reverse.

Gelatin silver print, image size 17 5/8 x 13 7/8 in. (44.6 x 35.3 cm),
unmatted, unframed.
Condition: Minor surface rubs (primarily to the middle third of the
composition), subtle rippling.
$2,000-3,000
226

227
227. 229.
Harold Eugene Edgerton (American, 1903-1990) Harold Eugene Edgerton (American, 1903-1990)
Bullet Through Queen of Hearts. Signed “HAROLD EDGERTON” in Lot of Three Images of Tennis Balls in Motion: Tennis Impact;
felt tip or similar within the image l.r. Color photograph, sight size 7 1/4 Racket and Impact; and Skip King How Many Balls? Each signed
x 9 7/8 in. (18.4 x 25.0 cm), framed. “HAROLD EDGERTON” in ballpoint on the reverse, the first two
Condition: Minor handling creases, not examined out of frame. stamped “H.E. EDGERTON M.I.T...” on the reverse. Gelatin silver
$2,000-3,000 prints, image sizes approximately 9 1/2 x 7 5/8 in. (24.0 x 19.3 cm),
unmatted, unframed.
Condition: Subtle rippling and handling creases (more prevalent to
228. Tennis), minor creases/wear to several corners, the first two with
Harold Eugene Edgerton (American, 1903-1990) cropping marks and ink annotations to margins.
$1,000-1,500
Cutting the Card Quickly. Signed “HAROLD EDGERTON” in pencil on
the reverse. Gelatin silver print, image size 14 3/8 x 18 3/8 in. (36.4 x
Condition: Minor rippling and handling creases, minor wear to corners,
rubs/flaws from the negative visible in the print.
$1,500-2,000
228 229

230.
Gisèle Freund (French, 1912-2000)
Virginia Woolf, 1939, probably a later printing. Signed “Gisèle Freund”

in felt tip or similar l.r., artist’s drystamp to image l.r. C-print, image size
11 3/4 x 7 7/8 in. (29.8 x 19.8 cm), framed.
Provenance: Purchased from the Harcus Krakow Gallery, Boston,

1979.
$1,000-1,500
230
231.
Gisèle Freund (French, 1912-2000)
Henri Matisse, 1948, probably a later printing. Signed “Gisèle Freund”

in felt tip or similar l.r., artist’s drystamp to image l.r., identified on a
label from the Harcus Krakow Gallery, Boston, on the backing. C-
print, image size 11 3/4 x 7 7/8 in. (29.8 x 19.8 cm), framed.
Provenance: Purchased from the Harcus Krakow Gallery, Boston,

1979.
$1,000-1,500
231

232
232.
Lee Friedlander (American, b. 1934)
Cherry Blossom Time in Japan, 1986, edition of 50 plus proofs,

gravures printed by Thomas Palmer, published by Haywire Press. Each
image signed “Lee Friedlander” in pencil l.r., numbered “32/50” in
pencil l.l., and with the artist’s stamp on the reverse. Photogravures on
paper, sheet sizes 15 x 20 1/2 in. (38.0 x 52.0 cm), cloth-bound and
presented in the original cloth-covered folio book.
Condition: Very subtle wear.
$12,000-18,000

233
233. 234.
Laura Gilpin (American, 1891-1979) Nan Goldin (American, b. 1953)
From the D.H. Lawrence Ranch, New Mexico, 1971. Signed and Lynette and Donna at Marion’s Restaurant, NYC 1991, edition of
dated “Laura Gilpin 1971” on the mat. Gelatin silver print, sight size 10 100 printed for Mother Jones. Titled, dated, and signed “...Nan Goldin”
3/8 x 13 1/4 in. (26.3 x 33.5 cm), framed. in felt tip on the reverse, stamped and numbered “51 of 100” on the
Condition: Minor imperfection to the image (presumably from the reverse. Cibachrome print, image/sheet size 11 x 14 in. (27.8 x 35.5
negative), not examined out of frame. cm), unmatted, unframed.
Condition: Good.
Provenance: From the collection of Austin Lamont, by family descent. $1,000-1,500
$400-600
234

235.
Milton H. Greene (American, 1922-1985)
Marilyn Monroe, an image from THE BLACK

SITTING, 1960, printed in the 1970s. Signed
“Milton H. Greene” in pencil l.r., numbered
“152/300” in pencil l.l. Photo-offset on cream
paper, image size 40 x 30 in. (101.5 x 76.2
cm), framed.
Condition: Subtle rippling, minor creases to
corners, not examined out of frame.
$1,500-2,500
235
236.
John K. Hillers (American, 1843-1925)
Pueblo of Wolpi, One of the Moki Towns,

Arizona, c. 1879. Identified within the print,
indistinctly inscribed in ink l.l. Albumen print
mounted onto grey paper, image/sheet size 9
7/8 x 12 7/8 in. (25.0 x 32.5 cm), framed.
Condition: Mounted onto paperboard,
rippling, staining to grey sheet, minor surface
rubs.
Provenance: From the collection of Austin

Lamont, by family descent.
$250-300
236

237 238
237. 238.
John K. Hillers (American, 1843-1925) William Henry Jackson (American, 1843-1942)
East Fork de Chelley [sic] River, Arizona. Identified within the image. Lot of Eight Views of the American West: Castle Gate Price Canon,
Albumen print mounted onto card, image/sheet size 13 1/8 x 9 7/8 in. Utah, Phantom Curve D. & R.G. R.R., The Royal Gorge, Currecanti
(33.3 x 24.9 cm), matted, unframed. Needle Black Canon, Chipeta Falls Black Canon, Garden of the
Condition: Pale staining, toning, losses and mold growth to mount. Gods and Pikes Peak, and Black Canon of the Gulch. Each titled
$800-1,200 within the image, all but Needle stamped “W.H. JACKSON & CO. ...” on
the reverse. Albumen prints mounted to card, card sizes 4 1/2 x 7 in.
Condition: Fading, some with minor rubs, wear to cards.
$800-1,000
239.
Gertrude Kasebier (American, 1852-1934)
Portrait of Miss Minnie Ashley, from CAMERA WORK 10, 1905.

Unsigned. Photogravure on laid tissue adhered to a supporting
sheet at three corners, image size 8 3/4 x 6 7/8 in. (22.2 x 17.3 cm),
unmatted, unframed.
$500-900
239

240
240.
René Magritte (Belgian, 1898-1967)
Plate 6 from LA FIDÉLITÉ DES IMAGES, 1976, edition of 100.

Numbered, inscribed, and initialed “11/100 VI...” in pencil beneath the
image, identified on a label from the Obelisk Gallery, Boston, on the
backing. Gelatin silver print, image size 3 1/4 x 4 1/4 in. (8.4 x 10.9
cm), framed. 242
Condition: Good.
N.B. Louis Scutenaire (1905-1987) was a central figure of Belgian

Surrealism, and a close friend of René Magritte. In 1976 Scutenaire put
together a group of images reflecting his friend’s photographic work 241.
shot between approximately 1925 and 1955. He titled the group La René Magritte (Belgian, 1898-1967)
Fidélité des images.
$300-400 Plate 16 from LA FIDÉLITÉ DES IMAGES, 1976, edition of 100.
Numbered, inscribed, and initialed “11/100 XVI...” in pencil beneath the
image, identified on a label from the Obelisk Gallery, Boston, on the
backing. Gelatin silver print, image size 3 1/8 x 3 1/8 in. (7.9 x 7.9 cm),
framed.
Condition: Good.
$300-400
242.
Nadar Studio (French, 19th Century)
Lot of Two Portraits: Louis Pasteur (1822-1895), 1878; and Jobert

de Lambasle. Both identified beneath image on the mount and on
the reverse of the mount, the latter autographed by the sitter in pencil
on the reverse. Albumen prints, image/sheet sizes to 5 3/4 x 4 1/8 in.
Condition: Toning, unobtrusive surface abrasions (more so to the
latter).
$2,000-2,500
241

243
243. 245.
Timothy H. O’Sullivan (American, 1840-1882) Stephen Shore (American, b. 1947)
South Side of Inscription Rock, N.M., plate 14 from the Foothill Rd., Beverly Hills, California 9/10/74, printed in 1976. Titled,
GEOGRAPHICAL & GEOLOGICAL EXPLORATIONS & SURVEYS signed, and dated “STEPHEN SHORE ‘76” in felt tip on the reverse.
WEST OF THE 100th MERIDIAN; EXPEDITION OF 1873. Identified Chromogenic print, image/sheet size 10 x 8 in. (25.3 x 20.3 cm),
within the text surrounding the image, duplicate stamp from the Library unmatted, unframed.
of Congress on the reverse. Albumen print on paperboard, sheet size Condition: Minute wear to the corners of the sheet.
13 1/2 x 17 1/2 in. (34.3 x 44.4 cm), framed. $800-1,200
Condition: Toning, mat burn, soiling, rubs and thinning along the edges
(most of the way around).

$400-600
244.
Tod Papageorge (American, b. 1940)
Hollywood Hills, 1975. Titled and signed “...Tod Papageorge” in pencil

on the reverse. Gelatin silver print, image size 10 7/8 x 15 7/8 in. (27.5
x 40.3 cm), matted, unframed.
Condition: Wear to lower edge, subtle surface abrasion to image l.r.,
printing flaw to image l.c.
$1,000-1,500
244 245

246
246. 248.
Stephen Shore (American, b. 1947) Aaron Siskind (American, 1903-1991)
Sutter St. + Crestline Rd., Fort Worth, Texas 6/3/76, printed in 1976. Gloucester 16A, 1944, probably a later printing. Signed “Aaron
Titled, signed, and dated “STEPHEN SHORE ‘76” in felt tip on the Siskind” in pencil on the reverse. Gelatin silver print, image size 17 7/8
reverse. Chromogenic print, image/sheet size 8 x 10 in. (20.3 x 25.4 x 13 1/2 in. (45.3 x 34.2 cm), unmatted, unframed.
cm), unmatted, unframed. Condition: Minute wear to edges and some corners.
Condition: Minute wear to the corners and edges of the sheet. $2,000-3,000
$800-1,200
247.
Aaron Siskind (American, 1903-1991)
Gloucester 1, 1944, possibly a later printing. Signed “Aaron Siskind”

in felt tip l.r., titled and dated “...1944” in felt tip l.l. Gelatin silver print,
image size 15 7/8 x 22 3/8 in. (40.3 x 56.7 cm), unmatted, unframed.
Condition: Minute wear to edges and some corners, annotations on
the reverse, minor handling creases.
$2,000-3,000
247 248

249.
Feet (F199), 1957, probably a later printing.

Signed “Aaron Siskind” in pencil on the reverse.
Gelatin silver print, image size 12 x 13 3/8 in.
Condition: Minute wear to edges and some
corners, annotations on the reverse.
$1,500-2,000
249
250.
Rome 150, 1973. Signed “Aaron Siskind”

in pencil on the mount l.r., titled and dated in
pencil on the mount l.l. Gelatin silver print,
image/sheet size 15 x 14 1/2 in. (38.0 x 36.8
cm), framed.
$2,500-3,500
250

251.
Vera Cruz 96, 1973. Titled, dated, and signed “...

Aaron Siskind” in pencil on the reverse. Gelatin silver
print, image size 14 7/8 x 14 5/8 in. (37.7 x 37.0 cm),
unmatted, unframed.
Condition: Minute wear to edges and some corners.
$1,000-1,500
251
252.
Puruchucco (Peru) 16, 1981. Signed “Aaron Siskind”

in felt tip l.r., titled and dated “...1981” in felt tip l.l.
Gelatin silver print, image size 14 5/8 x 14 1/4 in. (37.0
Condition: Minute wear to edges and some corners,
annotations on the reverse.
$1,000-1,500
252

253 255
253.
Lou Stoumen (American, 1917-1991)
Times Square, 1939. Signed “Lou Stoumen” in pencil on the mat l.r.,
titled and dated on the mat. Gelatin silver print, image/sheet size 19
7/8 x 15 7/8 in. (50.4 x 40.3 cm), matted, unframed.
Condition: Tape, tape residue, and losses to edges.

$800-1,200
254.
Rei Taka (American, 20th/21st Century)
Still Life #62, c. 1992, edition of 15. Probably signed on the reverse,
identified in an inscription on the backing. Platinum print, sight size 21
1/2 x 16 3/4 in. (54.5 x 42.5 cm), framed.
$800-1,200
255.
Deborah Turbeville (American, b. 1938)
Mary Martz, 1980. Signed “Deborah Turbeville” in felt tip or similar l.r.,
identified in an inscription on the backing. Gelatin silver print, image
254 Condition: Gentle rippling, not examined out of frame.
$800-1,200

256.
Deborah Turbeville (American, b. 1938)
Versailles, 1980. Signed “Deborah Turbeville” in felt tip or similar

on the mount l.r., identified in an inscription on the backing.
Chromogenic print, image/sheet size 9 5/8 x 11 3/8 in. (24.3 x
28.8 cm), framed.
Condition: Gentle rippling, minute nicks to corners, not examined
out of frame.
$1,000-1,500
256
257.
Bradford Washburn (American, 1910-2007)
A Beautiful Afternoon, Mt. McKinley, Alaska, 1977. Signed

“Bradford Washburn” in pencil on the reverse. Gelatin silver
print, image size 14 1/4 x 18 3/8 in. (36.0 x 46.5 cm), unmatted,
unframed.
Condition: Minor wear to corners, annotation to the reverse,
pinpoint printing flaws.
$1,500-2,500
257
258.
Bradford Washburn (American, 1910-2007)
Untitled (Glacier and Crater Lake). Signed “Bradford

Washburn” in pencil on the reverse. Gelatin silver print, image
size 14 5/8 x 18 5/8 in. (37.0 x 47.2 cm), unmatted, unframed.
Condition: Minor wear to corners, annotation to the reverse.
$1,500-2,500
258

259
259. 260.
Bradford Washburn (American, 1910-2007) Bradford Washburn (American, 1910-2007)
Untitled (Rocky Spire and Moon). Signed “Bradford Washburn” in Untitled (Glacial Valley). Signed “Bradford Washburn” in pencil on the
pencil on the reverse. Gelatin silver print, image size 14 1/2 x 18 5/8 in. reverse. Gelatin silver print, image size 13 3/4 x 18 in. (34.8 x 45.7 cm),
(36.7 x 47.3 cm), unmatted, unframed. unmatted, unframed.
Condition: Minor wear to corners, annotation to the reverse, printing Condition: Minor wear to corners, annotation to the reverse.
flaws (visible primarily to sky). $1,500-2,500
$1,500-2,500
260

261
261. 262.
Bradford Washburn (American, 1910-2007) Joseph Flack Weiler (American, fl. 1965-present)
Untitled (Mountain Range). Signed “Bradford Washburn” in pencil Ocean’s Edge, Bass Rocks, Gloucester. Signed “Joseph Flack
on the reverse, inscribed “A/P I” in pencil on the reverse. Gelatin Weiler” in pencil on the mat, titled in an inscription on the reverse.
silver print, image size 14 1/2 x 18 1/2 in. (36.7 x 47.0 cm), unmatted, Gelatin silver print, sight size 9 3/4 x 14 1/2 in. (24.6 x 36.7 cm),
unframed. framed.
Condition: Minor wear to corners, annotation to the reverse, printing Condition: Not examined out of frame.
flaws (visible primarily to sky). $150-200
$1,500-2,500
End of Session I
262

108
Session II
Paintings & Sculpture
Lots 300-617
to be sold Friday, May 20th, 2011 at 4 pm

300
300.
Manner of Andrea Schiavone (Italian, c. 1500-1563)
Noli Me Tangere
Unsigned, bears a presentation plaque.
Oil on canvas, 14 1/2 x 35 1/2 in. (36.7 x 90.2 cm), framed.
Condition: Lined, retouched, rippling, old paint losses,
surface imperfections.
$1,000-1,500
301.
Austrian/Moravian School, 19th Century
The Virgin Appearing to Souls in Purgatory

Unsigned.
Oil on canvas, with a trefoil-arched top, trimmed and laid on
plywood, 61 3/4 x 40 3/8 in. (157.0 x 102.5 cm), unframed.
Condition: Paint losses, flaking, abrasions, rippling,
craquelure, areas of delamination from support, surface
grime.
N.B. Although the painting is currently unframed, the lot

includes sections of its former frame.
$1,800-2,200
301
110
302
302.
Italian School, 18th Century
Vulcan’s Forge
Unsigned, inscribed in pencil and with a collector’s stamp
on the reverse.
Graphite on blue-primed paper, 6 3/4 x 9 3/16 in. (17.1 x
23.3 cm), unframed.
Condition: Creases, losses, abrasions, sheet laid down
on paperboard support.
Provenance: Ex-collection Dan Fellows Platt [1873-

1938], Englewood, New Jersey (Lugt Supplement,
ZOGGB).
$800-1,200
303.
Italian School, 17th Century
The Sacrifice of Isaac

Unsigned.
Oil on canvas on an oval stretcher, 17 1/2 x 13 3/4 in.
(44.5 x 35.0 cm), framed.
Condition: Lined, retouch, stable craquelure, old losses
and abrasions, skinning.
$1,500-2,000
303

304.
Manner of Jan Lievens (Dutch, 1607-1674)
Portrait of a Gentleman in a Turban

Unsigned.
Oil on canvas, 12 3/4 x 10 3/4 in. (32.0 x 27.4 cm),
framed.
Condition: Lined, retouch, craquelure.
Provenance: A private Massachusetts collection.

$5,000-7,000
305.
Dutch School, 19th Century
A Crowd of Revelers
Unsigned.
framed.
Condition: Patch reinforcements, old repairs, retouch,
craquelure, abrasions, surface grime.
$2,500-3,500
304
305

306
306.
Manner of David Teniers the Younger (Flemish, 1610-1690)
Peasants Dancing Outside a Village Gate

Unsigned.
Oil on canvas, 39 1/4 x 51 in. (100.0 x 129.5 cm), framed.
Condition: Lined, retouch, craquelure, possible skinning, varnish
inconsistencies, surface grime.
N.B. The 1640s and 1650s marked a change in the style and subjects
of David Teniers the Younger, who moved away from his earlier
depictions of peasants in dark interiors in favor of open-air scenes
depicting feasts and festivals, often set in front of an inn or other
buildings. The works became increasingly idyllic and picturesque,
reflecting the growing Arcadian preferences of his patrons.
$10,000-15,000

307
307.
Max Joseph Haenger (German, 1874-1941)
Still Life with Peacock and Pheasants

Signed “M. Haenger” l.r., identified on a presentation plaque.
Oil on panel, 4 5/8 x 6 7/8 in. (11.7 x 17.5 cm), framed.
Condition: Minor retouch.
$1,000-1,500

308
308.
Manner of Melchior de Hondecoeter (Dutch, 1636-1695)
Still Life with Peacock and Fowl

Unsigned, inscribed “Property of Elmina B. [Brewster] Sewall” on a label on the reverse and “Mrs. Brewster #1”
on the stretcher.
Oil on canvas, 17 x 27 5/8 in. (43.2 x 70.2 cm), framed.
Condition: Lined, retouch, craquelure, minor losses.
Provenance: A private Connecticut collection.
N.B. Elmina Brewster Sewall (1911-2005) was a lifelong animal lover and advocate. As a young adult, Sewell
owned a kennel that was amongst the first breeders of Sussex spaniel show dogs in the United States.1 She
was also an accomplished amateur equestrienne, stable owner, and member of the Watertown Hunt Club.2
In her later years, she devoted herself to the care and rescue of animals, including racing greyhounds. She
co-founded the Animal Welfare Society of West Kennebunk, Maine, in 1967, where she served as president for
seventeen years.3
1. http://www.animalpeoplenews.org/05/5/tsg.humanobits5.05.htm
2. “Miss Elmina Brewster, Equestrienne, Wed to Marshall C. Sewell in New Haven Home,”
The New York Times, April 8, 1938, p. 22.
3. http://www.sewellgenealogy.com/p50.htm
$1,000-1,500

309.
British School, 17th Century Style
Portrait of a Gentleman in a Blue Cloak

Unsigned, with a label from the Weston Catalogue, 1889, on the
back of the frame.
Condition: Lined, retouch, craquelure, surface imperfections.
$1,500-2,500
309
310.
British School, 18th Century
Portrait of a Gentleman in an Elegant Red Coat Holding a

Letter
Unsigned.
Condition: Lined, paint losses, abrasions, craquelure.
$1,000-2,000
310

311
311.
Discourse Under the Trees

Unsigned, with an inventory label from Spink, London, and a label from
the Cleveland Museum of Art on the stretcher.
Condition: Lined, retouch, scuffing, abrasions, fine craquelure.
Provenance: Christie’s East, November 20, 1984, Lot 105.

$1,200-1,800

312.
Manner of Sir Peter Lely (British, 1618-1680)
Portrait of a Young Lady

Unsigned.
Oil on canvas, 30 x 25 in. (76.0 x 63.5 cm), framed.
Condition: Lined, retouch, craquelure, scuffing, frame abrasions.
$1,000-1,500
312
313.
Manner of Sir Thomas Lawrence (British, 1769-1830)
Portrait of a Young Lord, thought to be Anthony, 7th Earl of

Shaftesbury, K.G. (1801-1885)
Unsigned, bears a presentation plaque.
Condition: Lined, scattered retouch, craquelure.
Provenance: Possibly A. De Gany, Paris, prior to 1929, to

Collection of Arthur Ruck, London; acquired from the John
Levy Gallery, New York, by Mrs. B.F. Jones, Sewickley Heights,
Pennsylvania; Parke-Bernet Galleries, December 4 and 5, 1941,
The Eminent Collection of Paintings formed by the late Mrs. B.F.
Jones, Jr., Cat. 73; through to the Estate of Anne P. Owsley.
Literature: W. Roberts, Anthony, 7th Earl of Shaftesbury, K.G. by

Sir Thomas Lawrence, P.R.A., privately printed pamphlet, c. 1929,
with essay dated “London, Oct. 10th, 1929.”
N.B. A copy of the above referenced pamphlet accompanies the

lot.
$1,200-1,800
313

314.
The Rose Ribbon/Portrait of a Lady

Unsigned, with a detached partial label on a scrap of
canvas inscribed “The poet Cowper’s Mu...” affixed to the
frame backing, and with a label from T. Mathias & Son, The
Depository, Putney [London], affixed to the stretcher.
Condition: Lined, retouch, abrasions, fine craquelure.
$800-1,200
314
315.
Dutch School, 17th Century Style
Portrait of a Richly Attired Lady

Unsigned.
Condition: Lined, retouched, paint loss, scattered abrasions,
fine craquelure, possible skinning.
$1,500-2,000
315

316
316. 317.
Achille Vertunni (Italian, 1826-1897) Continental School, 19th Century
Peasants Traveling in an Ox-drawn Wagon in the Campagna Panorama with Peasant Family at Rest
Signed and inscribed “A. Vertunni/Roma” l.c. Unsigned.
Oil on canvas, 24 1/4 x 43 1/8 in. (61.5 x 109.5 cm), in a period frame. Oil on canvas laid on board, 25 3/4 x 32 1/2 in. (65.0 x 82.7 cm),
Condition: Puncture u.l., tear l.r., scattered retouch, craquelure, surface framed.
grime. Condition: Scattered retouch, craquelure, surface grime.
$7,000-9,000 $1,000-1,500
317

318.
Dutch School, 17th/18th Century
Italian Landscape
Unsigned.
Condition: Lined, retouch, skinning, fine stable craquelure.
Provenance: Parke-Bernet Galleries, Inc., Sale #1805, Lot

293, February 8, 1958, where it was sold as Simon van der
Does (Dutch, c. 1653-c. 1718).
$3,000-5,000
318
319.
Achille Vertunni (Italian, 1826-1897)
Lot of Two Landscapes: Hillside Ruins and Aqueduct in

the Roman Campagna
Signed and inscribed “A. Vertunni/Roma” l.r. and l.l.
respectively.
Both oil on canvas, sizes approximately 28 3/4 x 20 3/4 in.
(73.0 x 52.7 cm), in period frames.
Condition: Minor retouch, frame abrasions, surface grime.
$6,000-8,000
319

320
320. 321.
School of Georges Michel (French, 1763-1843) August Albert Zimmermann (German, 1808-1888)
Landscape with Chalky Cliffs Mountain View by a Lake

Unsigned. Signed and inscribed “A. Zimmermann München” l.r.
Oil on canvas mounted to panel, 8 x 11 1/2 in. (20.3 x 29.3 cm), Oil on panel, 8 7/8 x 15 in. (22.5 x 38.1 cm), framed.
framed. Condition: Minor craquelure.
Condition: Mounting bubble with craquelure from partial delamination $1,500-2,000
u.l. quadrant, old repairs, surface imperfections, fine craquelure, heavily
varnished.
$700-900
321

322
322.
Friedrich Ludwig Hofelich (German, 1842-1903)
Alpine Glacier
Signed “...Hofelich/München” l.r., identified on a presentation plaque,
with a canvas stencil from “...WIMMER.../GALLERY OF FINE ART/
MÜNICH” on the reverse.
Condition: Scattered retouch, varnish inconsistencies, craquelure.
N.B. Hofelich was born in 1842 in Leipzig, Germany. In 1860 he went

to Petersburg to learn the art of the Xylograph, in which his brother was
also trained. He lived modestly and was known for his library of books,
which he used to further educate himself. He was also known to have
studied music and languages. In 1865, Hofelich traveled to Berlin,
Dresden and Leipzig to study art. In 1868 he moved to the country
outside of Salzburg then traveled around Europe. He finally established
himself in Munich where he remained for the rest of his life.
$7,000-9,000

323
323.
Manner of Adam Frans van der Meulen (Flemish, 1632-1690)
The Hunting Party

Inscribed “Van der Meulen” on the reverse.
Condition: Canvas trimmed and lined, retouch, skinning, fine
craquelure.
$7,000-9,000
324.
Paul (Louis Narcisse) Grolleron (French, 1848-1901)
Soldiers in Conversation on a Country Lane

Signed “P. Grolleron” l.r.
Condition: Craquelure, yellowed varnish, surface grime.
$800-1,200
324

325
325.
James Alexander Walker (British, 1841-1898)
Cavalrymen Ascending a Hill

Signed “J A Walker” l.l.
Condition: Lined and stretched on a wood panel, retouch, paint losses,
craquelure, surface grime.
$20,000-30,000

326

326.
Carl Spitzweg (German, 1808-1885)
Der Briefträger, c. 1870

Signed with artist’s cipher l.r., canvas stenciled “Malerleinwand Fabrik/A. Schutzmann/
MÜNCHEN” on reverse, inscribed “H.M. MOON” in ink on the stretcher.
Condition: Scalloping to right tacking margin, craquelure.
Provenance: Through the collection of James A. Schalk, Cincinnati, Ohio; private Cincinnati
collection.
N.B. We wish to thank Dr. Jens Christian Jensen for his expertise on the basis of
transparencies, a copy of his opinion accompanies the lot. The following is abridged and
translated from his German expertise:
The present work appears to be the final version of Der Briefträger, which has been known
heretofore through a preliminary oil on paperboard study (Wichmann, 515), and an intermediate
oil on canvas study (Wichmann, 516). As the largest and most carefully detailed version of Der
Briefträger known, it follows the three-step work process (i.e. preliminary oil study, intermediate
oil study, final “sales” version) commonly used by Spitzweg, and was likely commissioned for a
specific buyer.
It is painted on A. Schutzmann canvas, which Spitzweg used almost exclusively for his final
“sales” pictures, as it was an excellent quality and expensive support.
The discovery of the present work gives context to the studies of Der Briefträger. Compared to
the intermediate study, this final version shows not only enriched details and a larger format, but
also a concentrated and rich color differentiation, as is characteristic of his major works.
The subject of the painting is an enchanting depiction of the excitement of receiving a letter. The
anticipation and curiosity that Spitzweg creates in the composition transforms what would be a
typical genre scene into a psychological drama.
$70,000-90,000

327
327.
Pietro Torrini (Italian, 1852-1920)
Abbey Monks’ Choir

Signed “Pietro Torrini” u.l.
framed.
$2,500-3,500
328.
Samuel Prout (British, 1783-1852)
Well at Coblence
Unsigned, identified in an inscription on the reverse
on the mat and on a label from Gainsborough
Galleries, Calgary and Alberta, on the frame backing
paper.
Watercolor on paper/board, 6 1/2 x 5 in. (16.6 x 12.7
cm), framed.
Condition: Toning, subtle rippling, paper tape to
edges on the reverse.
$700-900
328

329.
Walter Gay (American, 1856-1937)
Groom Polishing Riding Boots

Signed, inscribed, and dated “Walter Gay Paris 88” l.r.
Condition: Retouch, varnish inconsistencies, surface imperfections
and grime.
$800-1,200
330.
Walter Dendy Sadler (British, 1854-1923)
New Place, Lingfield

Signed and dated “W. Dendy Sadler May. 87” l.r., titled l.l., also
identified on the liner.
Condition: Craquelure, surface grime.
$2,000-3,000
329
330

331
331.
Hans Dahl (Norwegian, 1849-1937)
Peasant Girl in a Mountain Landscape

Signed “Hans-Dahl.” l.r., identified on a presentation plaque, inscribed
“Hans Dahl/Berlin...” in pencil on the stretcher and frame.
Oil on canvas, 20 1/4 x 32 1/4 in. (51.5 x 81.8 cm), in a period frame.
Condition: Fine craquelure, yellowed varnish, surface grime.
$3,000-5,000

332.
Attributed to Ludwig Knaus (German, 1829-1910)
Portrait of a Boy with a Puppet

Unsigned.
$1,500-2,000
332
333.
Wilhelm Friedenberg (German, 1845-1911)
Children Walking in a Snowy Landscape

Signed and dated “W. Friedenberg. 73.” l.r.
Condition: Patch reinforcement, repaired tear c.l., craquelure, canvas
deformation, surface grime.
$2,000-3,000
333

334
334.
Anglo/American School, 19th Century
A Walk by the Trout Pond, Autumn

Unsigned, with a label from Doll & Richards, Boston, on the back of the
frame.
Condition: Lined, retouch, craquelure, possible overcleaning, surface
grime.
$1,000-1,500
335.
Alfred de Knyff (French, 1819-1885)
Cows at Pasture
Stamped “Vente de Knyff” l.r., with fragmentary labels affixed to the
reverse.
Condition: Retouch, minor abrasions beneath frame liner, minor varnish
inconsistencies.
$700-900
335

336
336.
James Edwin Meadows (British, 1828-1888)
Near South Weald, Essex

Signed and dated “Jm. E. Meadows. 1866” l.l., identified on labels,
including one from Vose Galleries of Boston, affixed to the stretcher.
Condition: Minor retouch, fine craquelure, minor surface grime.
$4,000-6,000
337.
No lot.

338
338. 339.
Dutch School, 18th Century Style H.H. Roelse (Continental, fl. 1850)
Animated Harbor View with Coastal Craft A Paviljoenpoon in a Stiff Breeze, other Ships in the Distance
Unsigned. Signed and dated “H H Roelse 1850” l.r., inscribed “H H Roelse Fecit
Oil on canvas, 17 1/2 x 25 1/2 in. (44.4 x 64.8 cm), framed. 1850/West Kapelle” on the reverse.
Condition: Lined, retouch, skinning, craquelure, minor abrasions/losses Watercolor, graphite, and ink on paper, sight size 15 3/4 x 20 3/4 in.
along frame liner, minor surface grime. (40.0 x 52.5 cm), framed.
Provenance: Sotheby’s, Summers Place, Billingshurst, West Sussex,
Oil Paintings and Watercolours, August 25, 1999, Sale B09796, Lot Provenance: Christie’s Amsterdam, Maritime: Including a Selection of
291. Globes, September 12, 2000, Sale 2471, Lot 176.
$800-1,200 $700-900
339

340
340. 341.
School of Jan (Johannes) Christianus Schotel (Dutch, 1787-1838) Continental School, 19th Century
A Stiff Breeze Ketches Off the Dutch Coast

Signed or inscribed “JC Schotel” l.r. Signed and dated “C.C. Kunneman...1852” l.r., with a label from
Oil on canvas, 13 x 16 1/2 in. (33.0 x 41.9 cm), framed. Collings Bros., Bromley, Kent, affixed to the reverse.
Condition: Lined, retouch, signature partially reinforced l.r., craquelure. Oil on panel, 14 x 20 in. (35.7 x 50.8cm.), framed.
Condition: Craquelure, alligatoring, minor abrasions along frame liner,
Provenance: Christie’s Amsterdam, Pictures, Watercolours and minor surface grime.
Drawings, June 19, 2001, Sale 2510, Lot 29.
$2,500-3,500 Provenance: Christie’s London, South Kensington, Maritime, May 24,
2001, Sale 9110, Lot 600 (as “C.C. Kunesman”).
$1,500-2,500
341

342
342. 343.
British School, 19th Century British School, 19th Century
A Ship in Rough Seas A Ship in Distress

Unsigned, bears presentation plaque. Unsigned.
Oil on paperboard, 6 x 8 in. (15.3 x 20.2 cm), framed. Oil on panel, 11 x 14 3/8 in. (27.9 x 36.5 cm), framed.
Condition: Bowing to the support, small losses l.l. and at each corner, Condition: Crack to panel u.r., scattered retouch, fine craquelure.
yellowed varnish, surface grime.
Provenance: Sotheby’s Arcade, New York, Old Master and 19th
Provenance: By descent in the family of George Arliss (British, 1868- Century European Paintings, Drawings and Sculpture, January 8, 1998,
1946). Sale 1598, Lot 243.
$800-1,200 $700-900
343

344
344.
Abraham Hulk Sr. (British, 1813-1897)
Lot of Two Works: Sailing Boats in a Calm and Sailing Boats off the
Coast in a Stiff Breeze
Each signed indistinctly l.r.
Condition: Fine craquelure, surface grime, Breeze with losses and
flaking to u.l. and l.l. quadrants.
Provenance: Christie’s Amsterdam, Maritime including a Selection of

Globes, September 12, 2000, Sale 2471, Lot 182.
$5,000-7,000

345
345. 346.
Circle of James Edward Buttersworth (British, 1817-1894) Carl Bille (Danish, 1815-1898)
A Cutter and Other Shipping Near a Lighthouse A Masted Ship in Stormy Waters
Unsigned, with a label from The Rowley Gallery, Ltd., London, affixed to Signed and dated “Carl Bille 1877” l.l.
the frame reverse. Oil on canvas, 17 1/4 x 26 3/4 in. (43.8 x 67.9 cm), framed.
Oil on canvas, 19 1/2 x 23 1/2 in. (49.5 x 59.5 cm), framed. Condition: Minor surface grime.
Condition: Retouch, craquelure, minor surface grime.
Provenance: Sotheby’s, Summers Place, Billingshurst, West Sussex,
Provenance: Sotheby’s, London, Olympia, The Marine Sale, June 18, June 12, 2001, Sale B01044, Lot 1543.
2003, Sale W03851, Lot 21. $600-800
$2,500-3,500
346

347
347.
Thomas Clarkson Oliver (American, 1827-1893)
Ships Under a Luminist Sky

Signed and dated “Clark Oliver/1888” l.r.
Condition: Retouch, surface grime, stretched with Boston tabs,
prevalent craquelure.
$3,000-5,000

348
348.
Gregor von Bochmann the Elder (German, 1850-1930)
Shore View with Fisherfolk, Ketch, and Horse Cart

Signed “G. Bochmann” l.r.
Oil on canvas, 29 3/4 x 39 1/2 in. (75.5 x 100.2 cm), in a period frame.
Condition: Fine craquelure, minor abrasions, surface grime.

$25,000-35,000

349
349.
Edward Moran (American, 1829-1901)
Waves Crashing on a Rocky Shore

Signed and dated “Edward Moran 1870” l.l.
Condition: Lined, repaired tear u.l. quadrant, retouch, varnish inconsistencies, fine craquelure.
N.B. Edward Moran was born into an artistic family, and first received drawing instruction at the age of seven.1
As a young adult, he apprenticed under the landscape painter Paul Weber and marine painter James Hamilton of
Philadelphia, both whom influenced his style and encouraged him to open his own studio.2 Edward and his artist
brother Thomas both shared a home and studio from 1855 to 1859, and in 1862, Edward returned to London for
further training at the Royal Academy.3 Edward exhibited his seascapes and maritime views at academies both at
home and abroad, garnering acclaim. In the early 1870s, Edward moved to New York, where he remained for the rest
of his life.
1. Nancy Siegel, “Moran, Edward,” In Grove Art Online, Oxford Art Online, http://www.oxfordartonline.com/subscriber/article/grove/art/T2090530
2. Hugh W. Coleman, “Passing of a Famous Artist, Edward Moran,” Brush and Pencil, Vol. 8, No. 4 (July, 1901), p. 191, http://www.jstor.org/
stable/25505656
3. G.W.S., “American Painters. Edward Moran,” The Art Journal (1875-1887) New Series, Vol. 6, (1880), pp. 257-259, http://www.jstor.org/
stable/20569565
$40,000-60,000

350
350. 351.
Edward Moran (American, 1829-1901) Edmund Darch Lewis (American, 1835-1910)
Sail on the High Seas at Dusk Sailboats off the Coast

Signed “Edward Moran” l.l. Signed and dated “Edmund D. Lewis 1905” l.r.
Oil on canvas, 18 1/8 x 30 1/8 in. (46.0 x 76.5 cm), framed. Watercolor and gouache on paper, sheet size 22 1/8 x 34 1/4 in. (56.2
Condition: Lined, retouch, signature partially reinforced, craquelure. x 86.5 cm), framed.
$10,000-15,000 Condition: Toning, minor abrasions, abrasions to edges of sheet on the
reverse.
$500-700
351

352.
Grath Wielin (Australian, 19th/20th Century)
With The Peary Expedition...

Signed “GRATH WIELIN” l.r., titled in an inscription
on the frame.
Condition: Old repairs, wear along tacking edges,
fine craquelure, yellowed varnish, surface grime.
$1,000-1,500
352
353.
Edmund Darch Lewis (American, 1835-1910)
Along the Beach, Possibly a Cape May, New

Jersey, View
Signed and dated “Edmund D. Lewis 1905” l.r.
Watercolor on paperboard, sight size 9 1/4 x 20
1/4 in. (23.5 x 51.4 cm), framed.
$800-1,200
353
354.
Walter Franklin Lansil (American, 1846-1933)
Morning, Portland Harbor

Initialed and dated “W.F.L. 1880” l.r., titled l.l.
Oil on academy board, 9 1/4 x 11 in. (23.5 x 28.0
cm), framed.
Condition: Scattered retouch, craquelure, surface
grime.
$500-700
354

355
355. 356.
Salvatore Colacicco (Italian, b. 1935) Salvatore Colacicco (Italian, b. 1935)
A Royal Naval Two-Decker Amidst Other Shipping A Royal Naval Three-Decker in the Channel
Signed “Salvatore Colacicco-” l.l., with a brief biography affixed to the Signed “Salvatore Colacicco-” l.l.
reverse. Oil on panel, 20 x 30 in. (50.8 x 76.2 cm), framed.
Oil on panel, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Good.
Condition: Good.
Provenance: Christie’s South Kensington, Maritime and Naval Battles
Provenance: Christie’s South Kensington, Maritime and Naval Battles including The Nyria M. Dawson Collection of Important Works by
including The Nyria M. Dawson Collection of Important Works by Montague Dawson, November 17, 2004, Sale 9970, Lot 670 (1 of 2).
Montague Dawson, November 17, 2004, Sale 9970, Lot 670 (1 of 2). $1,000-1,500
$1,000-1,500
356

357
357.
Charles Porter Sismore (Continental, 20th Century)
American Vessels Exchanging Salutes off the Liverpool Waterfront

Signed “Charles Porter Sismore” l.l., identified on a presentation plaque,
with a label from James Wray Picture Conservation, Ipswich, England,
on the reverse.
Condition: Craquelure, minor retouch, minor surface grime.
Provenance: Christie’s, London, South Kensington, Maritime, May 24,

2001, Sale 9110, Lot 567.
$2,000-3,000

358
358. 359.
Michael J. Whitehand (British, b. 1941) Salvatore Colacicco (Italian, b. 1935)
Shamrock, Britannia, and Lulworth Racing off Isle of Wight, with The Schooner Yacht Glory Racing off the Isle of Wight
Lulworth Behind Needles Signed “Salvatore Colacicco-” l.l.
Signed and dated “M. WHITEHAND 93” l.l., titled, inscribed, and signed Oil on panel, 24 x 35 3/4 in. (61.0 x 90.7 cm), framed.
“...PAINTED JULY 93 M. WHITEHAND” on the reverse. Condition: Subtle varnish inconsistencies.
Condition: Craquelure. Provenance: Christie’s, London, South Kensington, Maritime, June 19,
2002, Sale 9390, Lot 619.
Provenance: Christie’s, London, South Kensington, Maritime and Naval $1,000-1,500
Battles, November 9, 2000, Sale 8931, Lot 665.
$3,500-4,500
359

360
360. 361.
John J. Holmes (British, 20th/21st Century) Michael J. Whitehand (British, b. 1941)
Cicely, Endeavor and Yankee Shamrock Racing Britannia

Signed “John J. Holmes.” l.r., inscribed “Cicely Endeavor Yankee 1935” Signed “M J WHITEHAND” l.l., titled, signed, and dated “...BY M. J.
on the stretcher. WHITEHAND (2001)” on the reverse.
Acrylic on canvas, 31 1/2 x 39 1/4 in. (80.0 x 99.7 cm), framed. Oil and graphite on canvas, 19 3/4 x 30 in. (50.2 x 76.2 cm), framed.
Condition: Good. Condition: Good.
Provenance: Sotheby’s Olympia, The Marine Sale, December 16, Provenance: Sotheby’s Olympia, The Marine Sale, September 25,
2002, Sale W02819, Lot 182. 2001, Sale W01600, Lot 153.
$1,000-1,500 $1,500-2,500
361

362.
George Clare (British, 1835-1900)
Still Life with Grapes, Peach, Plums, and Raspberries

Signed “George Clare” l.r.
Oil on canvas, 9 x 7 in. (22.5 x 17.8 cm), in a period frame.
Condition: Minor losses, craquelure.
$1,500-2,000
362
363.
George Henry Story (American, 1835-1923)
Man in a Straw Hat

Initialed “G.H.S.” l.r., with a label from Margrieve of New York
on the reverse.
Oil on artist board, sight size 9 3/8 x 7 1/2 in (23.8 x 19.0 cm),
framed.
Condition: Minor retouch, surface grime.
$1,000-1,500
363

364
364.
Robert Spear Dunning (American, 1829-1905)
Still Life with Root Vegetables

Signed and dated “R S Dunning 1858” l.r.
Oil on canvas, 17 x 24 1/8 in. (43.2 x 61.2 cm), in a period frame.
Condition: Lined, craquelure, minor varnish inconsistencies, minor abrasions along frame liner.
Provenance: Formerly on loan to a New England cultural institution from a private New England collection.
N.B. Robert Spear Dunning, co-founder of the Fall River School of still life painting, was raised in Fall River from the age of five. At
the young age of fifteen, he apprenticed with James Roberts in Tiverton, Rhode Island, and at the age of twenty, enrolled in the
National Academy of Design where he studied with Daniel Huntington. Upon completing his studies, he returned to Fall River in 1852.
Dunning founded the Fall River School with the opening of his studio on Fall River’s Main Street in 1853. By 1865, he narrowed his
genre to still lifes, earning accolades and patrons for his lush, meticulously detailed arrangements. He became a master of reflective
surfaces. His arrangements were most frequently composed of ripened fruit, often with one cut open, flowers, and opulent Victorian
objects set on a highly polished table top. His success, and that of other artists of the area, was further bolstered by the influx of
wealth to Fall River following the Civil War, when the city rose to prominence as the largest producer of cotton cloth in the world.
It was an unusual choice for Dunning to feature root vegetables—onions, potatoes, carrots, and turnip, the makings of a soup or stew,
ready for cooking in the brass pot—set upon a stuccoed brick surface. Dunning elevated the humble status of these vegetables with
his meticulous craftsmanship, yet still portrayed them as the honest ingredients of a meal to be made. With the subtle light, restrained
palette, and minimal background detail, the painting, in terms of both subject matter and style, was much in harmony with the work
of Jean-Baptist Siméon Chardin (French, 1699-1779), whose works were very influential among American still life painters of the 19th
century.
Dunning’s work was exhibited at the National Academy of Design, the American Art Union, the Boston Art Club, and the Providence
Art Club, and is in the collections of numerous museums including the National Museum of American Art.
$70,000-90,000

365
365.
Attributed to Thomas Sully (American, 1783-1872)
Portrait of a Young Woman with a Fur Stole and a Gold Chain

Unsigned, inscribed indistinctly “...son/..lack Velvet dress” in ink and
incised “Mrs. Cuthbertson” on the stretcher.
Condition: Lined, retouch, craquelure, frame abrasions.
Provenance: A New England estate.

$1,500-2,000

366.
Frank Hector Tompkins (American, 1847-1922)
In the Alley/A Little Girl with Kittens

Signed and dated “F. H. Tompkins. 1896.” l.r.
Oil on academy board, 12 1/4 x 9 1/4 in. (31.0 x 23.4 cm),
framed.
Condition: Minor retouch, scattered abrasions, slight bowing to
support.
$2,200-2,800
366
367.
American School, 19th Century
Mother and Child

Unsigned.
$800-1,200
367

368
368.
Alexander Pope (American, 1849-1924)
Hunting Dog with a Grouse

Signed and dated “ALEX- POPE -87-” l.r.
Oil on canvas, 30 x 24 in. (75.7 x 60.5 cm), in a carved frame.
Condition: Retouch, craquelure, mild surface grime, stretched with
Boston tabs.
$10,000-15,000

369
369. N.B. Mary Jane Peale, whose inscription appears on the reverse of
Rembrandt Peale (American, 1778-1860) the lot presented here, was the daughter of Rubens Peale and niece
of Rembrandt Peale. Following the Peale family tradition, Mary Jane
First Sketch, Portrait of Charles Harmer, c. 1850 was also an artist, and it is known that she studied with her uncle,
Unsigned, inscribed “First Sketch for Portrait of Charles Harmer/ Rembrandt. The portrait sketch at hand is recorded in Mary Jane
Purchased from Uncle Rembrandt/by Mary J. Peale” and identified on a Peale’s “List of Paintings I Own,” a manuscript from 1884 (#28) that is
partial label on the reverse. in the Peale-Sellers Manuscript Collection at the American Philosophical
Oil on canvas mounted to a panel, 20 1/2 x 16 3/8 in. (52.0 x 41.5 cm), Society in Philadelphia (B/P31/52c). The portrait sketch is also listed in
framed. the Peale catalogue raisonné files of Dr. Carol Soltis, with a photograph
Condition: Retouch, fine craquelure, surface imperfections, frame bearing a Kennedy Galleries label on the reverse and an inventory
abrasions. number, A10638. This same inventory number appears on the partial
label on the reverse of the sketch, as cited above. The completed
Provenance: Mary Jane Peale; Mrs. Andrew Weisenberg (great- portrait of Charles Harmer, measuring 30 x 25 inches, signed and dated
granddaughter of Rubens Peale); Kennedy Galleries, 1967. “R. Peale/1850,” is in a private collection. Rembrandt Peale made
portraits of other members of the Harmer family, including a portrait of
Miss Harmer (An Ideal Head), illustrated in Antiques Magazine, v. 87,
no. 4 (April 1965), 406, and one of William Harmer, also dated 1850,
both in private collections.
$15,000-20,000

370
370. 370A.
William Mason Brown (American, 1828-1898) John William Hill (American, 1812-1879)
In Essex Co. New Jersey Drover and Cattle Crossing a Wooden Bridge
Signed “WMBrown” l.r., titled on a label affixed to the stretcher. Signed “J. W. Hill.” l.l.
Oil on canvas, 12 x 18 in. (30.5 x 45.5 cm), framed in a liner (under Watercolor and gouache on paper, sight size 9 1/8 x 13 1/4 in. (23.1 x
glass). 33.7 cm), framed.
Condition: Retouch, frame abrasions, mild surface grime. Condition: Subtle rippling, not examined out of frame.
$6,000-8,000 $2,000-3,000
370A

371
371. 372.
William Partridge Burpee (American, 1846-1940) William Mason Brown (American, 1828-1898)
Hudson River View with a Woman and Child on the Banks Sunset Over the Marsh Lands
Signed and dated “WBurpee 1868” l.r. Signed “WMBrown” l.r., titled on a label affixed to the stretcher.
Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed. Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed in a liner (under
Condition: Retouch, craquelure, surface grime. glass).
$2,500-3,500 Condition: Small area of pigment adhesion to the glazing l.l., retouch,
pigment fluorescence, frame abrasions, not examined out of frame.
$5,000-7,000
372

373
373.
Thomas Hill (American, 1829-1908)
The Hunter, c. 1875

Signed “T. Hill” l.r., identified on a label from the M.H. de Young Memorial Museum, San Francisco,
affixed to the reverse.
Oil on paper mounted onto board, 12 5/8 x 18 1/16 in. (32.2 x 45.9 cm), framed.
Provenance: Ex-collection The Fine Arts Museums of San Francisco.
N.B. Born in England, Thomas Hill came to the United States in 1844, settling first in Taunton,
Massachusetts. Painting in Massachusetts and New Hampshire, Hill remained in the east until 1861,
when, for health reasons, he moved his family to San Francisco. In California Hill developed his
passion for painting the grand expanses of Yosemite, where he would later build a studio in 1883.
During his career, Hill returned periodically to the East to paint. In 1875 he made a summer excursion
to visit Boston and to sketch in the White Mountains. A number of paintings from that trip, which bear
a strong connection to the painting at hand, are illustrated in the catalogue Direct from Nature, The Oil
Sketches of Thomas Hill (Yosemite National Park, California: Yosemite Association in association with
Crocker Art Museum, Sacramento, Calif., ©1997), by Janice T. Driesbach with an essay by William H.
Gerdts.
$10,000-15,000

374
374.
Asher Brown Durand (American, 1796-1886)
New England Hills/A Vermont Landscape

Incised date “August 3d 1859” l.c., identified on a presentation plaque,
stenciled “ROB’T FULLERTON/ART DEALER” and inscribed “Cecilia
29...28205” on the reverse.
Condition: Retouch, areas of skinning, not examined out of frame.
Provenance: Christie’s New York, December 6, 1985, Sale 6052

[CECILIA], Lot 29; Vose Galleries of Boston, 1986; private New England
collection.
Literature: Christie, Manson & Woods International Inc., Important

American Paintings and Sculpture of the 18th, 19th and 20th Centuries,
December 6, 1985 [exh. cat.].
N.B. A copy of the Vose Galleries of Boston sales receipt accompanies

the lot.
$20,000-30,000

375.
Benjamin Champney (American, 1817-1907)
Wooded Landscape with Pond

Signed “B. Champney.” l.l.
Oil on panel, 10 x 6 in. (25.5 x 15.3 cm), mounted to a presentation
panel, unframed.
Condition: Possible old retouch, surface imperfections, varnish
inconsistencies, surface grime.
$1,000-1,500
375
376.
Casimir Clayton Griswold (American, 1834-1918)
View of a River in Spring

Signed “C.C. Griswold” l.l.
$1,000-1,500
376

377
377.
Edward Stieglitz (American, 1833–1909)
Autumn Landscape, Probably Lake George, New York

Signed and dated “Ed. Stieglitz. 1901.” l.l., inscribed “Mr. E. Stieglitz” in
pencil on the stretcher.
Condition: Craquelure, minor surface grime, minor losses and tack
holes along top frame liner.
Provenance: Gift from Alfred Stieglitz and/or Georgia O’Keeffe to

Percy Hall, (assistant and driver at Oaklawn, the Stieglitz family estate),
Warrensburg, New York; by family descent to a private New York
collection.
$5,000-7,000

378
378.
Attributed to John Joseph Enneking (American, 1841-1916)
Woodland Flowers
Signed faintly l.r.
Condition: Lined, retouch, craquelure, surface grime.
$2,500-3,500
379.
Attributed to John Joseph Enneking (American, 1841-1916)
Hanging Bass
Unsigned, inscribed “Painted by/John J. Enneking” on the reverse.
Oil on panel, 24 x 13 7/8 in. (61.0 x 35.0 cm), framed.
Condition: Surface grime.
$600-800
379

380.
Scott Leighton (American, 1849-1898)
Three Cart Horses Watering at a Stream

Signed “Scott Leighton” l.l.
Condition: Lined, retouch.
$700-900
381.
Benjamin Champney (American, 1817-1907)
Three-Panel Floor Screen Painted with Floral Motifs of Ferns,

Laurel, and Elderberry
Unsigned, inscribed “B. Champney/No. Conway...” on the reverse.
Oil on panel, each approximately 48 x 17 3/4 in. (122.0 x 45.0 cm), set
in a hinged black wood screen.
Condition: Splits, losses, abrasions, surface grime, one section
detached from the other two.
$5,000-7,000
380
381

382
382. 383.
Alexander Wüst (American, 1837-1876) Robert Crannell Minor, Sr. (American, 1839-1904)
Evening Landscape Midnight on the Mount of Olives

Signed and dated “Alex. Wüst 68” l.r. Signed “MINOR” l.r., titled and inscribed “...Robt. C. Minor” in pen on
Oil on canvas, 14 x 27 1/2 in. (35.5x 70.0 cm), framed. the reverse.
Condition: Lined, retouch, stable craquelure. Oil on academy board, 12 x 7 3/4 in. (30.5 x 19.7 cm), framed.
$4,000-6,000 Condition: Retouch, minor abrasions along frame liner, craquelure.
$800-1,200
383A.
Franklin Benjamin DeHaven (American, 1856-1934)
Near Willington, Conn.

Signed “DeHaven.” l.l., titled, signed, and inscribed “...DeHaven N.A.” in
pencil on the reverse.
Oil on panel, 7 5/8 x 11 1/2 in. (19.4 x 29.2 cm), in an Arts & Crafts
style frame.
Condition: Retouch, fine craquelure.
$700-900
383 383A

384
384. 385.
Charles Henry Miller (American, 1842-1922) John William Hill (American, 1812-1879)
Evening Glow on the Lake Path Through the Trees to the Church
Signed “C.H. Miller. N.A.” l.r. Signed “J. W. HILL” l.l., with a label from Henry Schultheis Company,
Oil on canvas, 19 x 31 in. (48.3 x 78.7 cm), framed. New York, affixed to the stretcher.
Condition: Lined, retouch, craquelure. Oil on canvas, 19 1/4 x 22 in. (48.9 x 55.9 cm), framed.
$1,000-1,500 Condition: Abrasion to u.r. and l.r. quadrants, craquelure, surface
grime.
$2,000-3,000
385

386.
Arthur Burdett Frost (American, 1851-1928)
Jes tak’ yo’ coat off..., An Illustration for Scribner’s

Magazine, September, 1915
Signed “A. B. FROST.” l.r., titled and inscribed “4 in
vignettes/..../As Long As You’s Single Dere’s Hope” in pencil
l.c., identified on a typed note from Latendorf Bookshop,
New York (detached).
Ink wash and whiting on paper, 19 1/2 x 14 3/4 in. (49.5 x
37.5 cm), framed.
Condition: Toning, soiling and wear to the edges, sheet
affixed to window mat with masking tape, remnants of old
mounting to the reverse.
Literature: Una Hunt, “As Long as Yo’s Single Dere’s Hope,”

Scribner’s Magazine, Vol. 58, No. 3 (New York: Charles
Scribner’s Sons, 1915-09), pp. 314-324, ill. p. 317.
$3,000-5,000
386
387.
George Jarvis (British, fl.1874-1890)
Sir George Harvey Reading “The Morning Post”

Signed and dated “Geo. Jarvis 1883” l.l., identified on a
presentation plaque, inscribed “Geo. JARVIS -1883-No. 64”
on the reverse.
Condition: Lined, craquelure, minor retouch, tack holes to
corners.
$800-1,200
387

388
388.
Harold Matthews Brett (American, 1880-1955)
Quiet Evening
Signed “H.M. Brett” l.r., identified on a presentation plaque.
$2,000-2,500
389.
No lot.

390
390.
Paul Blondeau (French, 19th/20th Century)
Venetian Scene
Signed “Paul Blondeau” l.l., inscribed “In Venice/Exhibited in the Paris
Salon 1911” on the reverse, identified on a label from Frost & Reed,
Ltd., London, affixed to the stretcher.
Oil on paperboard, 32 x 25 1/2 in. (81.3 x 64.8 cm), framed.
$1,200-1,800

391
391.
Eugene Grivaz (French, 1852-1915)
Boarding the Gondola

Signed “E. Grivaz” l.r.
Watercolor on paper/board, sight size approximately 17 1/2 x 13 in.
(44.4 x 32.9 cm), in an elaborate frame.
$800-1,200

392
392.
Sefredo Caldini (Italian, 19th Century)
Venetian View
Signed “Caldini” l.l.
Oil on canvas, 21 5/8 x 15 in. (54.9 x 38.1 cm), unframed.
Condition: Patch reinforcement, retouch, small puncture u.l.,
craquelure, minor abrasions.
$1,500-2,000

393
393.
Félix Ziem (French, 1821-1911)
Le Môle et la Piazetta, inondation

Signed “Ziem” in ink l.l., with a label from Adolphe Beugniet, Paris, on
the back of the support.
Watercolor on paper, sheet size 12 5/16 x 8 15/16 in. (31.2 x 22.8 cm),
framed.
Condition: Sheet laid down on paperboard, stain u.l., small abrasion l.l.,
toning, scattered foxing, bowing to the support.
N.B. The Association Félix Ziem, represented by M. Mathias Ary Jan

and David Pluskwa, has confirmed the authenticity of this work. It will
be reproduced in the forthcoming catalogue raisonné.
$1,000-1,500

394
394. 395.
Giuseppe Carelli (Italian, 1858-1921) Carle John Blenner (American, 1862-1952)
Gulf of Naples with Mount Vesuvius Morro Castle, Havana Cuba

Signed “G. Carelli” l.l. Dedicated and signed “To Dr. E. Hafford/Carle J. Blenner” l.l., titled on
Oil on panel, 7 1/2 x 13 1/4 in. (19.1 x 33.7 cm), framed. the reverse.
Condition: Minor surface grime, subtle varnish inconsistencies. Oil on canvasboard, 8 x 10 in. (20.3 x 25.4 cm), in a period frame.
$1,000-1,500 Condition: Minor loss l.l., minor surface grime.
$1,200-1,500
395

396
396.
Ernest Wadsworth Longfellow (American, 1845-1921)
Italian Coastal View

Initialed “E.W.L.” l.l.
Condition: Retouch, repaired tear, fine craquelure.
$1,000-1,500

397
397.
Otto Tilche (German, 19th/20th Century)
The Banks of the Nile

Signed “O. Tilche” l.r., titled in pencil on the reverse.
Watercolor on paper, 11 1/2 x 19 3/8 in. (29.2 x 49.2 cm), framed.
Condition: Paper restoration u.l., minor toning, tape hinged to window
mat.
$1,000-1,500

398
398.
Anglo/Indian School, 19th Century
View of a Procession with Rider in a Howdah

Signed indistinctly l.l.
Watercolor and graphite on paper, sheet size 11 1/8 x 8 1/4 in. (28.2 x
21.0 cm), framed.
Condition: Partial skinning to signature l.l., tack holes to corners,
toning, glued to backing mat.
Provenance: A private New England collection.

$7,000-9,000

399
399. 400.
Charles Partridge Adams (American, 1858-1942) Angel De Service Espoy (American, 1879-1963)
The Spanish Peaks, Colorado, c. 1905 Meadow Landscape with Poppies and Cattle/A California View
Signed “Charles Partridge Adams.” in pen l.l. Signed “A. Espoy” l.l.
Watercolor on paper, sheet size 5 7/8 x 9 in. (14.9 x 22.9 cm), Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), in a period frame.
unframed. Condition: Craquelure, minor losses, minor abrasions.
Condition: Laid onto mat board, tack holes to corners, window mat $3,000-5,000
residue along top edge, toning.
Provenance: Estate of N. David Scotti, Providence, Rhode Island.
N.B. We wish to thank Steve Andreas, Charles Partridge Adams

Catalogue Raisonné, for his assistance with cataloguing the lot.
$800-1,200
400

401
401.
Robert Lewis Reid (American, 1862-1929)
View of the Broadmoor Hotel (from Cheyenne Mountain)

Signed and dated “Robert Reid/1919” l.l., titled on a label affixed to the reverse.
Oil on panel, 11 3/4 x 15 7/8 in. (29.9 x 40.3 cm), in a Newcomb Macklin frame, designed by Stanford White.
Condition: Frame abrasions, surface grime, bowing to the support.
Provenance: Purchased from a private collection, Leyden, Massachusetts.
N.B. Noted American Impressionist Robert Reid was born in Stockbridge, Massachusetts. He studied at the School of the
Museum of Fine Arts, Boston, and at the Art Students League in New York, before heading to Paris to the Academie Julian in
the fall of 1885. Returning to the United States in 1889, Reid settled in New York to paint and teach. Shortly thereafter in 1892,
he began the major public mural commissions which would distinguish his career. In 1898 Reid joined with several other artists,
including Childe Hassam and John Twachtman, to found “The Ten,” a loosely-knit group of Impressionists that exhibited together
annually until 1919. Reid continued to paint canvases throughout his career, and he exhibited regularly at the National Academy
of Design, where he became a full Academician in 1906. Reid’s easel paintings tended to feature single figures, often a young
woman holding flowers, set in a landscape or garden, or later dressed in a kimono in an interior setting, but the artist also painted a
full range of subjects including landscapes and nudes. The small landscape at hand is dated 1919, about the time Reid relocated
to Colorado Springs where he helped to found the Broadmoor Art Academy. Its frame is a manufactured version (compo) of a
Stanford White design that was produced by the Newcomb-Macklin Company c. 1920.
$12,000-18,000

402
402.
Gerald Sargent Foster (American, 1900-1987)
Arctic Regions
Signed and inscribed “G.S. Foster/...” l.l.
Condition: Lined, retouch, craquelure, surface grime.
Provenance: Christie’s New York, September 30, 1982, Lot 168.

$1,500-2,500
403.
Svend Rasmussen Svendsen (American, 1864-1945)
Winter Glow
Signed “SVEND SVENDSEN” l.r., with a label from Poulsen Galleries,
Pasadena and Newport Beach, California, affixed to the stretcher.
Condition: Lined, retouch, minor abrasions, minor surface grime.
$800-1,200
403

404
404.
Czeslaw Wasilewski, known as Ignacy Zygmuntowicz (Polish,
1875-c. 1947)
Moose Hunters’ Camp in Winter

Signed “I. Zygmuntowicz” l.r.
Condition: Craquelure, scattered abrasions, surface grime.
$2,000-3,000

405.
Ferdinand Burgdorff (American, 1881-1975)
Landscape/A Southwestern Mesa View

Signed and dated “Ferdinand Burgdorff 1923”
l.r., identified on a label affixed to the reverse.
Oil on canvasboard, 14 x 16 in. (35.6 x 40.6
cm), in a period frame.
Condition: Minor surface grime and abrasions.
Provenance: John H. Garzoli, San Francisco; to

the estate of an arts benefactor, New York.
$1,500-2,000
405
406.
George Turland Goosey (Anglo/American,
1877-1947)
Carmel Mission Calif./A View of San Carlos

Borromeo de Carmelo
Signed “Geo. Turland” l.r., identified on an
exhibition label (see below) affixed to the
reverse.
Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm),
framed.
Condition: Lined, retouch, craquelure, subtle
canvas deformations.
Exhibitions: Laguna Beach Art Association

Exhibition, October to November, 1940.
$1,500-2,500
406

407
407.
Charles Arthur Fries (American, 1854-1940)
The Painted Gorge at Torrey Pines, (No. 853), 1919

Signed “C.A. Fries” l.l., numbered and titled “#853...” on the reverse.
Condition: Craquelure.
Literature: Petersen, Martin E., Second Nature: Four Early San Diego
Landscape Painters, Munich: Prestel, 1991 (illus.).
Exhibitions: Second Nature: Four Early San Diego Landscape Painters,

San Diego Museum of Art, June 1 to August 18, 1991.
$6,000-8,000

408
408.
Charles Marion Russell (American, 1864-1926)
Smoking Up
Signed “C. M. Russell.” within the cast l.r., marked “ROMAN BRONZE
WORKS. N.Y.” l.l.
Bronze with green patina, 12 1/8 x 10 1/2 x 6 1/4 in. (30.8 x 26.7 x
15.9 cm).
Condition: Minor surface dust.
Provenance: Acquired by Clark University English Professor and author

Dr. Loring Holmes Dodd (American, 1879-1968); gift to his godson, c.
1968; private New England collection by family descent.
N.B. This title was originally modeled and cast in 1904.

$15,000-25,000

409.
An Enemy that Warns

Signed and ciphered “C M Russell [Buffalo Skull]
and marked “R.B.W.” within the cast on the reverse,
inscribed “R B 102” within the cast on the underside
and “R.B.W.” l.r.
Bronze with dark brown patina, 5 1/8 x 8 x 6 in. (13.0
x 20.3 x 15.2 cm).
Condition: Surface dust.
Provenance: Acquired by Clark University English

Professor and author Dr. Loring Holmes Dodd
(American, 1879-1968); gift to his godson, c. 1968;
private New England collection by family descent.
N.B. This title was originally modeled in 1921, and

cast c. 1922-1928.
$20,000-25,000
409
410.
Weapons of the Weak

Signed and ciphered “C M Russell [Buffalo Skull]” and
marked “ROMAN BRONZE WORKS N-Y-” within the
cast on the reverse.
Bronze with dark brown patina, 5 3/4 x 5 7/8 x 5 1/2
in. (14.6 x 14.9 x 14.0 cm).
Provenance: Acquired by Clark University English

Professor and author Dr. Loring Holmes Dodd
(American, 1879-1968); gift to his godson, c. 1968;
N.B. This title was originally modeled in 1921, and

cast c. 1922-1928.
$20,000-25,000
410

411 412
411.
Augustus B. Shute (American, d. 1910)
Lot of Two Illustrations of Native American Subjects

Both signed “A.B. SHUTE” l.r.
Gouache en grisaille on paperboard, sizes to 16 x 11 in. (40.5 x 28.0
cm), framed.
Condition: Subtle toning, acid burns to the reverse, one with a small
abrasion u.c., both affixed to window mats along top edges.
$1,000-1,500
412.
Clayton Sumner Price (American, 1874-1950)
Nearing the End of a Long Day’s Ride

Signed “C. S. PRICE” l.l.
Oil on canvas laid on paperboard, 8 1/4 x 6 in. (21.0 x 15.3 cm),
framed.
$1,000-1,500
412A.
Cyrus Edwin Dallin (American, 1861-1944)
Appeal to the Great Spirit

Signed and dated “© C.E. Dallin 1913” within the cast l.r., and stamped
“91/750 GORHAM FOUNDERS” on the base l.r.
Bronze with dark brown patina, 8 3/4 x 8 1/2 x 5 1/2 in. (22.2 x 21.6 x
14.0 cm), mounted to a wooden plinth.
Condition: Break to one side of horse’s bit.
$5,000-9,000
412A

413
413.
Cyrus Edwin Dallin (American, 1861-1944)
The Scout
Signed and dated “© C.E.D. 1910” within the cast to the top of the
base, stamped “GORHAM CO. Q488 9” to side of base at left.
Bronze with dark brown patina, 33 x 22 3/4 x 7 1/2 in. (83.8 x 57.8 x
19.1 cm).
Provenance: Purchased by A. Wayne McNiff, Taunton, Massachusetts;

bequeathed to the present owner, Massachusetts.
N.B. A copy of the book by Rell G. Francis, Cyrus E. Dallin: Let Justice
Be Done, accompanies the lot.
$8,000-10,000

414.
Paul Starrett Sample (American, 1896-1974)
The Trophy
Signed “Paul Sample” l.r., identified on a label from the Galleries of
Associated American Artists, New York, affixed to the backing.
Watercolor on paper, sheet size 20 1/8 x 15 5/8 in. (51.0 x 39.6 cm),
framed.
Condition: Foxing, toning, paper tape remnants in corners.
$3,500-5,500
415.
Paul Starrett Sample (American, 1896-1974)
The Trout Stream, Early Spring

Signed “PAUL SAMPLE” l.r., identified on the artist’s label and a label
from Vose Galleries of Boston, affixed to the backing.
Watercolor on paper, sight size 13 1/2 x 19 1/4 in. (34.3 x 48.9 cm),
framed.
$2,500-3,500
414
415

416
416.
Pintails in Flight over a Marsh

Signed and dated “F.W. Benson ‘23” l.l.
Gouache and graphite on paperboard, sheet size 20 5/8 x 14 1/2 in.
(52.4 x 17.1 cm), framed.
Condition: Laid onto backing mat, subtle mat burn, tape hinged to
window mat.

Morse of Boston.
$20,000-30,000

417.
Frederick Judd Waugh (American,
1861-1940)
Marshland Landscape
Signed “Waugh” on the reverse.
Oil on panel, 9 3/4 x 13 5/8 in. (24.7 x
34.7), framed.
Condition: Retouch, fine craquelure,
bowing to the support.
$1,500-2,000
417
418.
Ferdinand Burgdorff (American, 1881-
1975)
The Evening Star—Cypresses and

Starlight
Signed and dated “Ferdinand Burgdorff
1918” l.r., identified on a label from
Newport Harbor Art Museum, Newport
Beach, California, affixed to the reverse.
Watercolor on paper, sight size 11 1/2
x 13 1/2 in. (29.2 x 34.3 cm), framed
(under glass).
Provenance: John H. Garzoli, San

Francisco; to the estate of an arts
benefactor, New York.
$1,500-2,500
418

419.
Ferdinand Burgdorff (American, 1881-1975)
Sunset/A California Coastal View with

Cypress
Signed and dated “Ferdinand Burgdorff 1919”
l.l., inscribed “F. Burgdorff/Garzoli Collection”
on the backing, and with a partial label from
Newport Harbor Art Museum, Newport Beach,
California, affixed to the backing.
Watercolor and graphite on paper, sight size 11
3/4 x 11 3/4 in. (29.8 x 29.8 cm), in a period
frame (under glass).
Provenance: John H. Garzoli, San Francisco; to

the estate of an arts benefactor, New York.
$1,200-1,800
419
420.
Gustave Adolph Wiegand (American, 1870-
1957)
View through the Oaks at Dusk

Signed “-Gustave Wiegand-” l.r., stamped
“Schutzmann” on the reverse.
framed.
Condition: Patch reinforcements, retouch,
craquelure.
$2,500-3,500
420

421.
Jesse Carl Hobby (American, 1871-1938)
Early Autumn
Signed “Jess Hobby” l.r.
Oil on Masonite, 15 3/4 x 20 in. (40.0 x 50.8 cm), framed.
$800-1,200
421
422.
Antonio Cirino (American, 1889-1983)
Montgomery’s Covered Bridge, Vermont

Signed “A. CIRINO” l.l., identified on the artist’s label, and
signed, titled, and inscribed “...ANTONIO CIRINO...” in the
artist’s hand on the reverse.
Oil on canvasboard, 13 x 15 in. (33.0 x 38.1 cm), unframed.
Condition: Strip extension along top edge to the composition,
probably by the artist.
$1,000-1,500
422
423.
William Frederick Paskell (American, 1866-1951)
Autumn Valley
Signed “Wm. Paskell” l.l.
Condition: Old retouch, craquelure, surface grime.
$800-1,200
423

424
424. Exhibitions: Albany Institute of History and Art, Albany, New York,
Marion Huse (American, 1896-1967) 3rd Upper Hudson Annual Exhibition, 1938, no. 21, First Prize Award;
New Gallery, Boston, Massachusetts, Paintings by Marion Huse, 1938;
Along the Taconic Trail, 1938 Albany Institute of History and Art, Marion Huse Barstow, 1946, no. 4;
Signed “Marion Huse” l.l., titled in ink on the stretcher, identified on a Publick House, Sturbridge, Massachusetts, Marion Huse, 1949, no. 21;
typed label affixed to the stretcher and on a label from the Brockton Art George Walter Vincent Smith Art Museum, Springfield, Massachusetts,
Museum, Brockton, Massachusetts, affixed to the backing. Marion Huse, A Memorial Exhibition, 1968, no. 2; Brockton Art
Oil on canvas, 29 3/4 x 40 1/4 in. (75.7 x 102.7 cm), framed. Museum/Fuller Memorial, Brockton, Massachusetts, Marion Huse, An
Condition: Retouch, craquelure, surface grime. Artist’s Evolution, June 2–August 25, 1985, cat. 39; Danforth Museum
of Art, Framingham, Massachusetts, American Women Artists, 1920–
Provenance: By descent in the artist’s family to the Fuller Museum 1950, April 28–June 30, 1993.
of Art (Gift of the artist’s husband, Dr. Robert Barstow), Brockton,
Massachusetts, to the New Britain Museum of American Art. Literature: Marion Huse, An Artist’s Evolution, Exhibition Catalogue
(1985: Brockton, Massachusetts, Brockton Art Museum/Fuller
Memorial), cover illustration, cat. 39, p. 53 (illus.).
$1,000-1,500

425.
Around the Bend

Signed “A. CIRINO” l.r., identified on
the artist’s label affixed to the stretcher,
titled and also signed “...A. CIRINO” in
pencil on the stretcher.
Oil on canvas, 20 1/8 x 24 in. (51.1 x
61.0 cm), unframed.
Condition: Minor losses to edges,
craquelure.
$1,500-2,000
425
426.
Dale Philip Bessire (American, 1892-
1974)
Cloud Shadows
Signed “DALE BESSIRE” l.l., titled,
dated, and signed “...1932. DALE
BESSIRE, NASHVILLE, IND.” on the
stretcher.
Oil on canvas, 24 1/4 x 30 1/4 in. (61.6
x 76.8 cm), framed.
Condition: Surface grime, craquelure.
$1,000-1,500
426

427
427.
Frank Earle Schoonover (American, 1877-1972)
Will Eshbachs Farm—Bushkill

Unsigned, inscribed “2299/Bushkill./Oct. 1941/Will Eshbachs Place”
and identified on a fragmentary label from The Pennsylvania Academy
of the Fine Arts, 137th Annual Exhibition of Painting and Sculpture,
January 25 to March 1st, 1942, affixed to the reverse.
Oil on canvas, 28 x 32 in. (71.1 x 81.3 cm), unframed.
Condition: Losses/flaking, surface grime.
Provenance: From the artist to Mrs. Sarah (Feeney) Wilson, Wilmington,

Delaware, 1943; private New England collection.
N.B. Three letters, including two signed by the artist, accompany the
lot.
$3,000-5,000

428
428.
Emile Albert Gruppé (American, 1896-1978)
Spring Thaw
Signed “Emile A. Gruppé” l.l., inscribed “...Mrs. Howe...” in pencil on the
stretcher.
Condition: Strip lined, craquelure.
$8,000-12,000

429
429.
Aldro Thompson Hibbard (American, 1886-1972)
Late Afternoon at Rawsonville, Vermont

Signed “A.T. Hibbard” l.l., inscribed and titled “Painting by A.T. Hibbard
N.A...” on the backing.
Oil on canvas mounted to board, 16 1/2 x 19 1/4 in. (41.9 x 48.9 cm),
framed.
Condition: Fine craquelure.
Provenance: Acquired from a Rockport Art Association sale, c. 1927;

$8,000-12,000

430
430. 431.
Ernest Albert (American, 1857-1946) Frank Swift Chase (American, 1886-1958)
Stream in Winter Winter Landscape

Signed “ERNEST ALBERT” l.l. Signed “Frank Swift Chase” l.r., with a label inscribed “MRS. E. IVES
Watercolor on paper, 21 x 25 1/4 in. (53.5 x 64.0 cm), framed. BARTHOLET/ART CONSULTANT...” affixed to the backing.
Condition: Rippling, toning to edges and to the reverse. Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.
$1,000-1,500 Condition: Mounted to Masonite, craquelure.
$1,000-1,500
431

432
432.
Morning, South Woods

Signed “A.T. Hibbard” l.r., identified on a label affixed to the reverse.
Condition: Mounted to paperboard, surface grime.
$6,000-8,000

433
433. 433A.
Antonio Cirino (American, 1889-1983) Walter Koeniger (American, 1881-1943)
Two Bridges in Lincoln, Rhode Island Traces of Snow

Signed “A. CIRINO” l.r., identified on the artist’s label, and titled and Signed and dated “WKoeniger 16” l.l.
inscribed “...A. CIRINO...” in the artist’s hand on the backing. Oil on fiberboard, 12 x 16 in. (30.5 x 40.6 cm), framed.
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed. Condition: Loss to board l.l. corner and c.r., retouch, craquelure, minor
Condition: Minor losses along edges, craquelure. abrasions along frame liner, minor surface grime.
$2,000-2,500 $800-1,200
433A

434
434.
Anna Mary Robertson, called Grandma Moses (American, 1860-1961)
A Blanket of Snow, 1945

Signed “MOSES.” l.c., identified on labels from James Vigeveno Galleries, Los Angeles, The
Columbus Museum, Columbus, Georgia, and the artist’s label affixed to the backing.
Oil on Masonite, 15 3/4 x 20 in. (40.0 x 50.8 cm), framed (under Plexiglas).
Condition: Good.
Literature: Otto Kallir, Grandma Moses, New York: Harry N. Abrams, Inc., 1973, p. 298 (no.
539); Grandma Moses Record Book, p. 37 (No. 1059).
Exhibitions: Loan to the permanent collection, The Columbus Museum, Columbus, Georgia,
July 20, 1991 to July 31, 1992.
N.B. We wish to thank Jane Kallir of Galerie Saint Etienne for her assistance with cataloguing
the lot. Copyright © Grandma Moses Properties Co., New York. All reproduction rights
reserved.
$30,000-50,000

435
435.
Randall Deihl (American, b. 1946)
Mass Pike Landscape

Initialed and inscribed “RD #6” on the reverse, identified on a label from
Pucker/Safrai Gallery, Boston, on the reverse.
Oil and graphite on Masonite, 12 x 14 in. (30.5 x 35.6 cm), framed.
Condition: Good.
$1,000-2,000

436
436.
Neil G. Welliver (American, 1929-2005)
Untitled [Winter Landscape], 1974

Signed “Welliver” l.r., inscribed “NEIL WELLIVER #30” on the stretcher
and identified on a label from Fischbach Gallery, New York, on the
reverse.
Condition: Minor craquelure.
$5,000-7,000

437
437.
Anna Sophie Gasteiger (German, 1878-1954)
Autumn Landscape by a Lake

Signed “A. Gasteiger.” l.r.
Oil on canvas, 26 3/4 x 38 1/2 in. (67.9 x 97.8 cm), unframed.
Condition: Scattered losses, minor surface grime.
$800-1,200

438
438. 439.
Elliot Bouton Torrey (American, 1867-1949) Horace Brown (American, 1876-1949)
Autumn Landscape with Lake Rushing Waters

Signed “Elliott Torrey” l.l. Signed “Horace Brown” l.r., titled and inscribed on the stretcher,
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. identified on a label from The Pennsylvania Academy of Fine Arts, One
Condition: Lined, prevalent craquelure. Hundred and Forty-first Annual Exhibition of Painting and Sculpture,
$800-1,200 January 26 through March 3, 1946, affixed to the frame.
Oil on canvas, 32 x 40 in. (81.5 x 101.6 cm), in an Newcomb-Macklin
Co. frame.
Condition: Paint losses, flaking, craquelure with lifting, surface grime.
$800-1,200
439

440.
Arthur F. Musgrave (American, 1878-
1969)
Chamisa
Signed “A. F. Musgrave” l.r., titled and
signed in pencil and with a stamp from
the M N M Art Gallery’s Open Door
Exhibition on the reverse, identified on a
presentation plaque.
Oil on canvas board, 19 3/4 x 23 7/8 in.
(50.2 x 60.7 cm), framed.
Condition: Good.
$5,000-7,000
440
441.
George Loftus Noyes (American, 1864-
1954)
Maple Sugar House, Putney, Vermont

Titled and signed “...G.L. Noyes” on the
reverse.
Oil on artist board, 16 x 20 in. (40.6 x
50.8 cm), framed.
$2,000-2,500
441

442.
Corot in New England

Signed “A CIRINO” l.l., identified on labels
Oil on Masonite, 8 x 10 in. (20.3 x 25.4 cm),
unframed.
Condition: Minor surface abrasions.
$700-900
443.
Marion Huse (American, 1896-1967)
442
Saturday Morning
Signed “Marion Huse” l.r., identified on an
exhibition label affixed to the back of the
frame.
framed.
Condition: Scattered retouch, minor paint
losses, craquelure.
Provenance: By descent in the artist’s family

to the Fuller Museum of Art (Gift of the artist’s
husband, Dr. Robert Barstow), Brockton,
Massachusetts, to the New Britain Museum
of American Art.
Literature: Exhibition catalogue, Marion

Huse, An Artist’s Evolution (Brockton:
Brockton Art Museum/Fuller Memorial, 1985),
43-44, cat. no. 23, illus. p. 44.
Exhibitions: Marion Huse, An Artist’s

Evolution, Brockton Art Museum/Fuller
Memorial, Brockton, Massachusetts, June 2–
August 25, 1985.
N.B. The catalogue entry from the above-

mentioned 1985 retrospective exhibition
locates this scene as a view from the artist’s
studio in North Pownal, Vermont, and dates
the painting c. 1934.
$1,000-1,500
443

444
444. 444A.
Harold Broadfield Warren (American, 1859-1934) Joseph Eliot Enneking (American, 1881-1942)
The Edge of the Wood Rocky Brook

Signed “H. B. WARREN” l.r., identified on a hand-written label from The Signed “J. Eliot Enneking” l.l., titled and inscribed “...J. Eliot Enneking...
Boston Society of Watercolor Painters affixed to the frame backing. Hyde Park, Mass.” on the reverse.
Watercolor on paperboard, sheet size 10 1/2 x 14 3/8 in. (26.7 x 36.7 Oil on canvas board, 12 x 14 in. (30.5 x 35.5 cm), framed.
cm), framed. Condition: Good.
Condition: Toning, bowing to the support, staining to the reverse. $1,000-1,500
$700-900
444A

445
445.
John Fabian Carlson (American, 1874-1945)
Spring in the Forest

Signed and titled “...John F. Carlson” in the artist’s hand and identified
on a label from Vose Galleries of Boston on the reverse.
Oil on canvasboard, 5 3/4 x 8 1/8 in. (14.5 x 20.5 cm), framed.
Condition: Subtle surface grime.
Provenance: Through the artist’s estate.

$4,000-6,000

446
446. 447.
Horace Greeley Hewes (American, 1849-1927) Howard Russell Butler (American, 1856-1934)
A Lane of the Sea Crashing Waves Upon a Rocky Coastline

Signed “H.G. HEWES” l.l., titled, inscribed, and numbered “30” on the Signed “H.R. Butler-” l.r.
reverse. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed (under glass).
Oil on canvas mounted to board, 11 x 14 3/4 in. (27.9 x 37.4 cm), Condition: Yellowed varnish, surface grime, minor losses, craquelure.
framed. $600-800
Condition: Scattered minor retouch, surface grime, slight bowing to the
support.
$300-500
447

448
448.
Charles Paul Gruppé (American, 1860-1940)
Incoming Tide at Bass Rocks, Mass.

Signed “Chas. P. Gruppé” l.r., identified on a presentation plaque, titled
and inscribed on a hand-written label affixed to the back of the frame,
with labels from Pierce Galleries, Inc., Hingham, Massachusetts, and
Irwin Braun, Inc., New York, New York, affixed to the frame backing.
Oil on canvas, 36 3/16 x 40 1/8 in. (91.8 x 102.0 cm), in a period
frame.
Condition: Lined, paint losses, craquelure, surface grime.
$5,000-7,000

449
449.
Motif #1/A Rockport Harbor View

Signed “A.T. Hibbard” l.l., inscribed “2X-70...5-16-20” on the reverse.
Oil on canvas mounted to board, 16 x 19 3/4 in. (40.6 x 50.2 cm),
framed.
Condition: Minor mounting bubbles/disadhesion to support at edges.
Provenance: Given as a gift to the present owner from Mrs. Aldro

(Jackie) Hibbard.
$6,000-8,000

450
450.
Attributed to Jane Peterson (American, 1876-1965)
Motif Number 1/A Rockport Scene

Unsigned.
Condition: Craquelure, subtle rippling.
Provenance: A private Cape Ann, Massachusetts, collection.
N.B. Peterson visited Cape Ann shortly after World War I, painting street and harbor scenes in
the Gloucester area between 1914 and 1919.1 While Rockport’s most famous fishing shack
is not a documented subject in Peterson’s oeuvre, it would have been a known and accessible
landmark to her. Though unsigned, the present work shows some of the qualities in paint
handling and treatment of light often ascribed to Peterson.
1. Kristian Davies, Artists of Cape Ann: A 150 Year Tradition, Rockport: Twin Lights Publishers, Inc., 2001, p. 82.
$30,000-50,000

451
451.
Arthur William Woelfle (American, 1873-1936)
Sailboat at Wharf, Provincetown

Signed “Arthur W. Woelfle” l.l., inscribed and titled “ARTHUR W.
WOELFLE...” on the reverse.
Oil on canvas mounted to board, 24 1/2 x 17 1/8 in. (62.2 x 43.5 cm),
in an Arts & Crafts frame.
Condition: Trimmed tacking margins, craquelure.
$1,000-1,500

452
452.
Charles Gordon Harris (American, 1891-1963)
Clearing Fog/A Harbor Scene

Signed “C GORDON HARRIS” l.r.
Condition: Minor surface grime, minor abrasions.
$2,000-3,000

453
453.
Gordon Dean Smith (American, 1897-1976)
Fishing Boats at Harbor

Signed “Gordon Dean Smith” l.l.
Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed.
Condition: Craquelure, scattered losses, surface grime.
$800-1,200

454
454.
Richard Edward Miller (American, 1875-1943)
After the Hurricane of 1938

Signed “Miller” l.l., also signed and titled “Miller...” on the reverse,
identified on a label from Grand Central Art Galleries, Inc., New York, on
the reverse.
Oil on canvas mounted to panel, 25 x 29 3/4 in. (63.5 x 75.6 cm),
framed.
Condition: Minor flaking/losses, craquelure, surface grime, subtle
varnish inconsistencies.
Provenance: Acquired c. 1940/41 by the uncle of the present owner,

private New England collection.
$15,000-20,000

455
455. 456.
Laurits Sorensen (Danish, 1882-1968) Sandor Bernath (American, 1892-1984)
Schooners in Open Water Lot of Two Racing Yacht Scenes: Passing the Light and Schooner
Signed “Laurits Sorensen” l.r. Signed “Sandor Bernath” l.l. and l.r., respectively.
Oil on canvas, 26 3/4 x 39 in. (67.9 x 99.1 cm), framed. Watercolor on paper/board, sight sizes to 13 7/8 x 15 3/8 in. (35.5 x
Condition: Craquelure. 39.3 cm), framed.
$700-900 Condition: Scattered foxing, not examined out of frames.
$750-1,000
456

457
457. 458.
Sandor Bernath (American, 1892-1984) Charles Henry Grant (American, 1866-1939)
Lot of Three Watercolors of Sailing Yachts: Trimming the Sails, Sailboats in Morning Fog
Setting Out, and Flying the Colors Signed and dated “Chas. H. Grant/1902” l.l.
Trimming and Colors signed “Sandor Bernath” l.l., Setting Out signed Oil on canvas, 14 x 20 in. (35.5 x 50.8 cm), framed.
“Sandor Bernath” l.r. Condition: Scattered retouch, craquelure with areas of lifting.
Watercolor on paper, sight sizes to 17 x 19 in. (43.2 x 48.3 cm), $1,000-1,500
framed.
Condition: Toning, Trimming with subtle rippling, not examined out of
frames.
$1,000-1,500
458

459
459. 460.
Parker S. Perkins (American, 1862-1942) Frederick Knecht Detwiller (American, 1882-1953)
Waves Crashing on Rocks The Moorings

Signed “Parker S. Perkins.” l.r., inscribed faintly “Parker S. Perkins/1 Signed “FKDetwiller” l.l., identified on a presentation plaque,
Broadway/Rock...” on the reverse. monogrammed, inscribed, and dated “...N.H. Maine,/Aug. 11 ‘35” on
Oil on canvas, 20 1/8 x 22 in. (51.0 x 56.0 cm), in a period frame (under the reverse, identified on a handwritten label and on a label from the
glass). Salmagundi Club affixed to the stretcher, and with the artist’s address
Condition: Craquelure, canvas deformation with a tear at the tacking label affixed to the back of the frame.
edge l.r., surface grime. Oil on canvas, 14 1/4 x 21 1/4 in. (36.2 x 54.0 cm), framed.
$1,500-2,500 Condition: Possible retouch to sky, natural pigment fluorescence,
craquelure, minor canvas deformation.
$1,000-1,500
460

461
461.
William Henry Johnson (African/American, 1901-1970)
Coastal Surf
Signed “W.H. Johnson” l.r.
Provenance: Through a Huntington, Long Island, estate.
N.B. The present work likely dates to Johnson’s second Denmark

phase (c. 1932), after Johnson and his Danish artist wife returned from
their three-month stay in Tunisia. His works after this influential trip are
characterized by “a more vibrant palette and a thick, impasted texture”
applied with both brush and palette knife, giving the impression of “wet
clay.”1
1. Steve Turner and Victoria Dailey, William H. Johnson: Truth Be Told, Los Angeles:
Seven Arts Publishing, 1998, p. 26.
$5,000-7,000

462
462. 463.
Henry Martin Gasser (American, 1909-1981) Arthur Vidal Diehl (American, 1870-1929)
The Boatyard Ocean Dunes

Signed “H. GASSER” l.r. Signed and dated “Arthur V. Diehl 1924” l.l., with a label from
Gouache and graphite on paper, 14 3/8 x 21 1/2 in. (36.5 x 54.6 cm), Brianwood Antiques, Ithaca, New York, on the reverse.
framed. Oil on board, 21 x 31 3/4 in. (53.5 x 80.7 cm), framed.
Condition: Not examined out of frame. Condition: Mild surface grime.
$1,000-1,500 $1,000-1,500
463

464
464. 465.
Wayne Beam Morrell (American, b. 1923) Florence Upson Young (American, 1872-1974)
Day at the Beach Dories on the Beach

Signed “WAYNE MORRELL” l.r., inscribed “1975 Front Beach Monogram signature “F.Young” l.l.
Rockport” faintly l.l., with labels from Newman Galleries, Philadelphia, Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.
and The Noyes Museum of Art, Oceanville, New Jersey, on the reverse. Condition: Surface grime.
Oil on panel, 8 x 10 in. (20.3 x 25.4 cm), framed. $800-1,200
Condition: Good.
$500-700
465

466
466.
Laurence Philip Sisson (American, b. 1928)
Winter’s Coronet
Signed “L. Sisson” l.r.
Oil on Masonite, 36 x 48 in. (91.5 x 122.0 cm), framed.
Condition: Good.
$1,500-2,000

467
467.
Laurence Philip Sisson (American, b. 1928)
Gathering Driftwood
Signed and dated “L. Sisson ‘75” l.r., identified on a label from Shore
Gallery, Boston, on the back of the frame.
Oil on Masonite, 21 1/2 x 29 3/8 in. (54.5 x 74.5 cm), framed.
Condition: Good.
Provenance: Purchased from Shore Gallery.

$1,000-1,500

468
468. 469.
Harley Manlius Perkins (American, 1883-1964) John Henry Dowd (American, b. 1938)
Sailboats Racing, c. 1948 Fort Point Channel

Signed “Harley Perkins” l.r., titled and inscribed “...ca. 1948/Harley Signed “-J. Dowd-” l.l., identified on a label affixed to the stretcher.
Perkins-/Ipswich St., Boston” on the paper backing. Oil on linen, 18 x 24 in. (45.7 x 61.0 cm), framed.
Mixed media (oil and graphite) on paperboard, sight size 13 1/4 x 25 Condition: Good.
1/2 in. (33.7 x 64.8 cm), framed. $2,000-3,000
$300-500
469

470
470.
Kenneth Stubbs (American, 1907-1967)
Provincetown
Signed and dated “Kenneth Stubbs 1960” l.r., titled on a label affixed to
the backing.
Tempera on paperboard, 10 1/2 x 16 1/4 in. (26.7 x 41.3 cm), framed.
Condition: Minor surface grime.
$2,000-3,000

471
471. 472.
Robert J. Lie (American, 1899-1980) Christopher Jarvis (British, 20th/21st Century)
The “Eagle,” United States Coast Guard Cadet Training Bark A Yacht Race
Signed and dated “© Lie/1961 N.Y.” l.l., inscribed “R. H. Watts” in ink Signed “CHRISTOPHER I. JARVIS” in pencil l.r.
on the reverse, titled in ink on the stretcher. Watercolor and whiting on paper, sight size 16 1/2 x 23 3/4 in. (42.0 x
Oil on canvas, 29 7/8 x 43 1/4 in. (76.0 x 110.0 cm), framed. 60.7 cm), framed.
Condition: Patch reinforcement, retouch, craquelure, surface grime. Condition: Not examined out of frame.
$1,000-1,500
Provenance: Sotheby’s, Sussex, South-East, Oil Paintings &
Watercolors, European Ceramics & Glass, August 2, 2001, Sale
B00271, Lot 318.
$600-800
472

473
473.
Gordon Hope Grant (American, 1875-1962)
United States Naval Ships at Sea

Signed and dated “Gordon Grant/1944” l.l.
Condition: Retouch, scattered paint losses, mild surface grime.
$3,000-5,000

474
474. 475.
Eldred Clark Johnson (American, b. 1926) James Joseph Brereton (British, b. 1954)
“Red Jacket” Running The Flying Fish

Signed “ELDRED CLARK JOHNSON” l.r. Signed “James Brereton” l.r., titled, signed, and dated “...James
Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. Brereton/1984” on the reverse.
Condition: Good. Oil on canvas mounted to panel, 14 1/4 x 18 1/8 in. (36.2 x 46.0 cm),
framed.
Provenance: Christie’s East, New York, Maritime: Including a Selection Condition: Good.
of Globes and Planetaria, July 31, 2001, Sale 8539, Lot 195.
$1,500-2,500 Provenance: Sotheby’s Sussex, South-East, May 8, 2001, Sale
B01037, Lot 1054.
$2,000-3,000
475

476
476. 477.
Vilhelm Victor Bille (Danish, 1864-1908) Charles Eddowes Turner (British, 1883-1965)
Two-Masted Clipper Ship on the Sea Mayflower II Off Start Point, Devon, England, 1957
Signed “Vilh. Bille” l.r. Signed “C.E. Turner” l.r., titled and dated on a label affixed to the
Oil on canvas, 21 3/4 x 28 1/2 in. (55.2 x 72.4 cm), framed. stretcher, with a label from Frost & Reed, London, and a Winsor &
Condition: Scattered retouch, shrinking craquelure. Newton canvas stencil on the reverse.
$700-900 Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.
Provenance: Christie’s East, New York, Maritime: Including a Selection

of Globes and Planetaria, July 31, 2001, Sale 8539, Lot 187.
$1,000-1,500
477

478

478.
Karl Schmidt-Rottluff (German, 1884-1976)
Hayfield with Storm Clouds

Signed “S. Rottluff” l.r., identified on a loan label from Busch-Reisinger Museum, Harvard
University, Cambridge, Massachusetts, affixed to the backing.
Watercolor on Centaur paper, sheet size 19 3/4 x 28 7/16 in. (50.2 x 72.2 cm), framed.
Condition: Paper tape hinged to backing mat board, subtle mat burn, subtle skinning verso.
Provenance: Anthony’s, Johannesburg, South Africa; collection of Selma H. and Irving M. Sobin,
Boston; by family descent to a private New England collection.
Literature: 20th Century Germanic Art from Private Collections in Greater Boston, Busch-Reisinger
Museum, Harvard University, March 23 to May 1, 1961 [exh. cat.].
Exhibitions: Modern German Sculpture, Painting and Industrial Art, Busch-Reisinger Museum,
Harvard University, June 18 to August 22, 1958 (lent by Selma H. and Irving M. Sobin), loan
no.118.58; 20th Century Germanic Art from Private Collections in Greater Boston, Busch-Reisinger
Museum, Harvard University, March 23 to May 1, 1961 (lent by Selma H. and Irving M. Sobin), loan
no. 49.61.
N.B. Schmidt-Rottluff was a founding member of “Die Brücke,” a group which sought to express
“faith in the future, the strength of youth, the value of directness and authenticity, and the rejection
of the older forces of the establishment” through art.1 Though this group was active only from
1905 to 1911, the radical anti-academic model they championed helped to bring Expressionism
into wide acceptance.
By the time Schmidt-Rottluff received public acclaim for his work, the Nazis were growing in power.
In the years leading up to World War II, the Nazis denounced his work as “degenerate,” seizing it
from German museums and banning him from painting in 1941.2 He resumed art-making after
World War II, returning to Germany from self-imposed exile and teaching at the Hochschule der
Bildenden Künste in West Berlin. In 1957, a year before the present work was exhibited at the
Busch-Reisinger Museum, Schmidt-Rottluff was awarded a civil class “Pour le Merite” medal by the
first German Republican president Theodor Heuss. This order, which originated with the Kingdom
of Prussia, recognizes the highest German achievements in the arts.
1. Lucius Grisebach, “Brücke, Die,” In Grove Art Online, Oxford Art Online, http://www.oxfordartonline.com/subscriber/article/
grove/art/T011659 (accessed April 19, 2011).
2. http://www.bruecke-museum.de/englrottluff.htm
$35,000-55,000

479
479. 480.
Anthony Thieme (American, 1888-1954) René Olivier (French, 19th/20th Century)
Dutch Village Scene in Autumn The Early Morning Jaunt/Village View with Two Children
Signed “AThieme” l.r. Signed and dated “René Olivier/1908” l.r., incised “RO” and decorated
Oil on canvas, 20 x 24 1/8 in. (51.0 x 61.0 cm), framed. with a vine motif on the stretcher.
Condition: Surface grime. Oil on canvas, 14 7/8 x 18 1/8 in. (37.7 x 46.0 cm), framed.
$1,500-2,500 Condition: Scattered retouch, craquelure.
$700-900
480

481
481.
Bernard Schneider-Blumberg (German, 1881-1956)
Insel Reichenau, Mittelzell, 1919

Signed and dated “Schneider-Blumberg 1919” l.l., titled and inscribed
on the reverse.
Oil on canvas board, 23 1/2 x 31 in. (59.5 x 78.7 cm), framed.
Condition: Scattered retouch, paint losses, and abrasions, surface
grime.
N.B. Reichenau Island is located in the Untersee, the western part

of Lake Constance, on the Rhine at the northern foot of the Alps.
Reichenau is the largest of the three Lake Constance islands.
$1,500-2,000

482
482.
Esther Stella Sutro (British, b. 1870)
Roses in Sunlight
Signed “Sutro” l.r., identified on a label from The
Pastel Society, Royal Institute Galleries, London,
affixed to the backing.
Pastel on paper/board, 14 1/2 x 21 in. (36.8 x 53.3
cm), framed.
$800-1,200
483.
Kurt Leyde (American, 1881-1941)
Spanish Garden
Signed, dated, and inscribed “Kurt Leyde Seville...”
l.r.
Oil on canvas, 19 1/2 x 17 in. (49.5 x 43.2 cm),
framed.
Condition: Retouch, craquelure, minor surface
grime.
$1,500-2,000
483

484
484.
Jane Peterson (American, 1876-1965)
Lotus Flower
Signed “Jane Peterson” l.r., titled in pencil on the stretcher. well as exotic locales in Turkey and North Africa, all were inspirations for
Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed. her brush.
Condition: Minor retouch, craquelure, subtle canvas deformation,
weakened tacking edges in corners, mild surface grime. With transatlantic travel curtailed at the time of the First World War,
Peterson looked to America for subject matter. Between 1916 and
Provenance: Purchased from a private Massachusetts collection c. 1920, she did a series of garden paintings while touring the United
1970 by the present Massachusetts owner. States. Although Peterson rarely dated her works, it is thought that
this is the period when she likely executed the painting at hand. The
N.B. Jane Peterson was one of America’s leading Post-Impressionist model is one that the artist used in a handful of paintings from the time.
painters. Educated first at the Pratt Institute and the Art Students The painting is also distinguished by its large size and by its selective
League, Peterson also studied abroad in London, Paris, and Madrid in palette.
the early years of the 20th century. During this time she was exposed
Jane Peterson’s joy in painting gardens is well known. In the Appendix
to avant-garde movements which strongly influenced the development
of his book on Jane Peterson, J. Jonathan Joseph reproduced an
of her personal style. She was an adventurous, independent artist and
article penned by the artist for The Garden Magazine, September 1922,
an intrepid traveler, who worked beside other prominent painters of
where she wrote, “When a friend who knows me well wishes to give
her day, including Joaquin Sorolla, Louis Comfort Tiffany, John Singer
me a real thrill, he has only to whisper, ‘I know of a new garden where
Sargent, Childe Hassam, and Maurice Prendergast.
you may paint.’ I adore gardens! They are the most elusive art of a
nation.”1
Painting in oil, gouache, and watercolor, Peterson explored a great
variety of subjects. New England harbors, beaches, and gardens, the 1. J. Jonathan Joseph, Jane Peterson, an American Artist (Boston, Massachusetts: J.J.
Florida coast, the piazzas and canals of Venice, scenes from Europe as Joseph, 1981), p. 106.
$100,000-150,000

485
487
485. 486.
Joan Jameson (Irish, 1892-1953) Franz Xaver (Xavier) Fuhr (German, 1898-1973)
Castellemare Landscape C, alternately titled Rothenburg II

Signed, titled, and inscribed “JOAN JAMESON...” on the reverse, with Signed “Fuhr” c.r., titled/inscribed “Rothenburg II” in pencil l.l., identified
labels including the 1949 Irish Exhibition of Living Art affixed to the on a label from The Art Institute of Chicago affixed to the backing.
reverse. Ink and watercolor on paper, 17 1/2 x 20 1/2 in. (44.5 x 52.0 cm),
Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. framed.
Condition: Minor losses/flaking, abrasions, canvas deformations. Condition: Toning, not examined out of frame.
Provenance: Through the collection of Mrs. George Skakel, Greenwich, Exhibitions: The Art Institute of Chicago, 11th International Exhibition of
Connecticut. Watercolors 1931, no. 94, (Invited artist).
$1,500-2,000 $1,000-1,500
487.
Abraham Rattner (American, 1893-1978)
L’Eglise de Gallardon
Signed “Rattner” on the reverse, titled on the stretcher, identified on a
label affixed to the stretcher.
Condition: Craquelure, minor surface grime.
Provenance: Sotheby’s Arcade, New York, September 24, 1998, Lot

406.
$2,000-2,500
486

488
488. 489.
Constantine Kluge (French, 1912-2003) Constantine Kluge (French, 1912-2003)
Le Pont Neuf en Automne Le Pont Saint-Michel

Signed “C. Kluge-” l.r., identified on a presentation plaque, with a label Signed “C. Kluge-” l.r., identified on a presentation plaque, with a label
from Wally Findlay Galleries, Palm Beach and Chicago, affixed to the from Wally Findlay Galleries, Palm Beach and Chicago, affixed to the
backing. backing.
Oil on canvas, 32 1/2 x 40 in. (82.6 x 101.6 cm), framed. Oil on canvas, 32 1/4 x 39 1/2 in. (81.9 x 100.3 cm), framed.
Condition: Minor craquelure. Condition: Minor craquelure.
$4,000-6,000 $3,000-5,000
489

490
490.
Southeast Asian School, 20th Century
Market Scene
Signed and dated “...70” l.r.
$800-1,200
491.
Seneque Obin (Haitian, 1893-1977)
Noël
Signed and inscribed “Seneque Obin/cap Haitien.” l.r.,
titled l.c.
Condition: Minor surface abrasions and grime.
$2,000-3,000
491

492
492.
Alexandre Evgenievich Iacovleff (Russian, 1887-1938)
The Melon Eaters

Unsigned, identified on a label from Old Schoolhouse Gallery, Marstons
Mills, Massachusetts, affixed to the backing paper.
Gouache on paper mounted to paperboard, 26 3/8 x 36 in. (67.0 x
91.4 cm), framed.
Condition: Scattered abrasions and paint losses, bowing to the
support.
Provenance: Vose Galleries, Boston; Eldred c. 1966, Sotheby’s New

York: Wednesday, April 22, 2009 [Lot 00058].
$8,000-12,000

493
493. 494.
George Turland Goosey (American, 1877-1947) Augusto Gomes Martins (Portuguese, b. 1922)
Temple Gate, Kobe, Japan Barcos na Areia

Signed “Geo. Turland.” l.l., inscribed “KOBIE [sic] JAPAN 1936” in a Signed, dated, and inscribed “GOMES MARTINS. 63 PORTUGAL” l.l.,
later hand on the reverse. titled on a label affixed to the stretcher, inscribed “GOMES MARTINS.
Oil on paperboard, 12 x 16 in. (30.5 x 40.6 cm), framed. 63/PORTUGAL” on the reverse.
Condition: Minor surface grime. Oil and graphite on canvas, 15 1/2 x 19 1/2 in. (40.0 x 50.0 cm),
$1,200-1,800 framed.
Condition: Minor craquelure, subtle rippling.
$800-1,200
494

495
495. 496.
George Turland Goosey (American, 1877-1947) Armin Buchterkirch (American, 1859-1915)
Figures by the Shore, Tunisia Tropical Sunset, Bahaman Islands

Signed “Geo. Turland.” l.r. Signed “A. Buchterkirch” l.r.
Oil on paperboard, 12 x 16 in. (30.5 x 40.6 cm), framed. Watercolor on paper, sight size 5 7/8 x 10 in. (14.9 x 25.4 cm), framed.
Condition: Minor surface grime. Condition: Not examined out of frame.
$1,200-1,800 $1,500-2,000
496

497
497. 498.
Orlando Rouland (American, 1871-1945) Orlando Rouland (American, 1871-1945)
Passersby on the Street On Fifth Avenue

Signed “Orlando Rouland” l.l. Signed “Orlando Rouland” l.l. and on the reverse, identified on a label
Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed. from the Allied Artists of America (see below) affixed to the reverse.
Condition: Craquelure, minor surface grime. Oil on artist board, 12 x 16 in. (30.5 x 40.6 cm), framed.
$1,500-2,000 Condition: Minor surface grime.
Exhibitions: Allied Artists of America Eighteenth Annual Exhibition, 1931.

$1,500-2,000
498

499
499.
Eugene Francis Savage (American, 1883-1978)
Seaside Market
Signed and dated “E. SAVAGE 42” l.r.
Condition: Mounted to Masonite, minor surface grime.
$12,000-18,000

500
500. 501.
Arthur Clifton Goodwin (American, 1864-1929) Arthur Clifton Goodwin (American, 1864-1929)
View of the Public Garden, Boston Fenway Looking Across the Charles/Harvard Bridge
Purportedly signed on the reverse. Signed faintly “A. C. Good...” in pencil l.r., titled and initialed “...A...G” in
Pastel on paperboard, 13 x 19 in. (33.0 x 48.3 cm), framed. pencil on the reverse, identified on a label affixed to the backing.
Condition: Break and small tear to u.l. quadrant, glued to mat board. Pastel on paperboard, 17 3/4 x 23 3/4 in. (45.1 x 60.3 cm), framed.
Condition: Break and small tear to l.l. quadrant, scattered abrasions.
Provenance: Estate of Helene K. Sargeant, Wellesley Hills, toning.
Massachusetts.
$800-1,200 Provenance: Estate of Helene K. Sargeant, Wellesley Hills,
Massachusetts.
$800-1,200
501

502
502.
Yvonne Jacquette (American, b. 1934)
Nocturnal Aerial View of a City

Signed and dated “Y. Jacquette ‘97” in pencil l.r., signed “Yvonne
Jacquette” on the reverse.
Pastel on paper, 22 1/4 x 30 in. (56.0 x 76.0 cm), unframed.
Condition: Old hinges to the reverse.
$4,000-6,000

503.
Still Life with Carnations

Initialed and dated “J.B. 1896” l.l.
Condition: Retouch, craquelure, minor surface grime.
$1,200-1,800
503
503A.
J. Clayton Bright (American, b. 1946)
Heron
Stamped “BRIGHT© 1998 TALLIX” along the right edge of the tail.
Bronze with verdigris patina, 39 x 37 x 10 in. (99.0 x 94.0 x 25.4 cm).
Condition: Surface grime, with threaded bolts affixed to feet for
mounting.
$400-600
503A

504
504.
Attributed to Andrea de Crescenzo (Italian, 19th Century)
Garden Terrace
Signed “DE CRESCENZO” l.l., inscribed “Villa Regina...” in pencil on the
stretcher.
Condition: Patch reinforcements, retouch, craquelure, surface grime.
$3,000-5,000

505
505.
Louis Julien (Jules) Franceschi (French, 1825-1893)
Bas-Relief with Classical Figures

Signed “Jules Franceschi” u.r.
Patinated wax bas-relief, 9 1/2 x 16 1/2 in. (24.3 x 41.9 cm), framed.
Condition: Scattered surface cracks and rubs, dust and grime in the
interstices.
$1,000-1,500

506
506.
Grigory Gluckmann (Russian/American, 1898-1973)
Femme Nu
Incised signature “GLUCKMANN” l.r., inscribed and titled “Grigory
Gluckmann...27/PARIS XVI/14 Rue de la Cure” on a label affixed to
the reverse, export stamped “DOUANE/[...]/PARIS/CENTRALE” on the
reverse.
Oil on panel, 13 x 16 1/4 in. (33.0 x 41.3 cm), in a D. Matt Inc. frame.
Condition: Fine craquelure, subtle varnish inconsistencies.
$20,000-25,000

507.
William Arber Brown Kirkpatrick (American, b.
1880)
Portrait of a Woman with Red Hair

Signed “W.A.B. Kirkpatrick” l.l.
Condition: Patch reinforcement, craquelure, surface
grime.
$1,200-1,800
507
508.
Emile Albert Gruppé (American, 1896-1978)
Portrait of a Man, Possibly Artist Giragos Der

Garabedian
Signed and dated “Emile A. Gruppe/1931” l.r.
$1,000-1,500
508

509
509.
Ernest Ludvig Ipsen (American, 1869-1951)
Portrait of Milton H. Bird with His Champion Irish Terrier “Kelvin

Colleen,” 1943
Signed and dated “E.L. Ipsen/1943” l.l., identified on a handwritten label
and note affixed to the reverse.
Oil on Masonite, 42 x 32 3/4 in. (106.5 x 83.5 cm), framed.
Condition: Paint losses and flaking, surface grime.
$1,000-1,500

510
510. 511.
Attributed to Maurice Taquoy (French, 1878-1952) Edith Barretto Parsons (American, 1878-1956)
Horses and Hounds in Falling Snow Pair of Bookends Featuring Terriers: Standing Alert and Where is
Signed or inscribed and dated “Maurice Taquoy . 21-” u.r. My Tail?
Ink and gouache on paper, sheet size 5 5/8 x 7 9/16 in. (14.2 x 19.2 Both signed “E.B. PARSONS ©” on the bases, stamped “GORHAM
cm), framed. CO FOUNDERS/QFBI” and “GORHAM CO FOUNDERS/QFGD,”
Condition: Toning, foxing. respectively.
$800-1,200 Bronze, Standing height 5 1/4 in., Tail height 4 1/4 in., bases
approximately 2 1/4 x 7 x 1 in.
Condition: Scattered minor scratches and wear, dirt and areas of
oxidation in the interstices.
$400-600
511

512.
Bruno Ertz (American, 1873-1956)
Bumblebee
Signed and dated “BRUNO ERTZ 1908” in pencil l.r.
Watercolor on paper, sight size 2 3/8 x 1 7/8 in. (6.0 x 4.8 cm), framed.
$400-600
512
513.
William Baxter Palmer Closson (American, 1848-1926)
Portrait of a Spaniel
Signed “Wm. B. Closson” l.l.
Condition: Puncture to u.l. quadrant, craquelure, surface grime.
$1,000-1,500
513

514.
Edward Barnard Lintott (American, 1875-1951)
Salpiglossis
Signed “Lintott” l.l., identified on a presentation
plaque, titled, dated, and signed “...Painted
1934...” on a label affixed to the reverse, stamped
“E.B. LINTOTT” in red on the reverse, titled in
pencil and stamped “E. B. LINTOTT” in red on
the stretcher, and with a partial label from the
Lawrence Rill Schumann Art Foundation, Boston,
affixed to the stretcher.
Oil on canvas, 24 x 19 7/8 in. (61.0 x 50.5 cm),
framed.
Condition: Varnish inconsistencies.
$2,000-3,000
514
515.
Frederick William Harer (American, 1879-1947)
Arts & Crafts Picture Frame

Incised signature “HARER” on the reverse l.c.,
inscribed “...PROWELL/CHARLESTOWN PA” on
the reverse.
Silver leaf carved and tooled wood frame, rabbet
size 18 3/8 x 23 3/8 in. (46.7 x 59.4 cm).
Condition: Minor craquelure.
$1,000-2,000
515

516.
Alexei Harlamoff (Russian, 1840-1925)
Portrait of a Young Girl in Red/A Krasnodar Type

Signed “A. Harlamoff” l.r.
Pastel on paperboard, 20 x 17 3/4 in. (50.8 x 45.1 cm),
framed.
Condition: Blue crop marks to border, mounted to backing
board.

$4,000-6,000
516
517.
Laura Coombs Hills (American, 1859-1952)
Roses and Glass

Signed “Laura Hills” l.l., identified on a label from The Guild
of Boston Artists and inscribed “Roses in a Glass/1946...” on
a label affixed to the backing.
Pastel on paper, sight size 14 3/4 x 11 3/4 in. (37.5 x 29.8
cm), in the original black painted frame.
Provenance: Gift from the artist to Dr. Charles F.A. Hall,

Newburyport, Massachusetts; then by descent to the
present owner.
$4,000-6,000
517

518
518.
N.C. (Newell Convers) Wyeth (American, 1882-1945)
The Collected Paintings, Illustrations and Murals (New York: Crown
The Youth. Master, I Shall Not Fail You., 1915 Publishers, 1972), p. 276; Christine B. Podmaniczky, N.C. Wyeth, A
Signed “N.C. WYETH” u.r., faintly identified on a label from Scribner’s Catalogue Raisonné of Paintings (London: Scala, 2008), I.593, p. 316;
Magazine affixed to the reverse. Brandywine River Museum N.C. Wyeth Catalogue Raisonné, (accessed
Oil on canvas, 24 1/8 x 16 1/8 in. (61.3 x 40.9 cm), framed. March 15, 2011), “The Youth. Master, I shall not fail you.,” [NCW
Condition: Small puncture to l.l. corner, craquelure, varnish Number 1418], www.ncwyeth.org.
inconsistencies, subtle surface grime.
N.B. The present work illustrates a moment of artistic and divine
Provenance: The artist (returned to N.C. Wyeth on September 15, inspiration in the first scene of Phillips’ fictional play, “No.6.,” Italian
1915, per Scribner’s inventory card #32698), purchased c. 1915-1919 painter Andrea Donati has been struggling for ten years to complete his
as a wedding gift to George B. Utter (son of Rhode Island governor masterpiece in the Milan Cathedral, lacking the last two faces he needs
George Herbert Utter) and Katherine L. Wilbar Utter, Westerly, Rhode to symbolize good and evil. Suddenly, a choir boy “with a face of
Island; private collection by family descent. singular beauty” emerges before Donati from the chancel, stepping into
a ray of light from the transept window. Thrilled by this angelic vision,
Literature: Stephen Phillips, “No. 6/A Dramatic Sketch in Three Donati asks the boy to return tomorrow to model for his composition.
Scenes,” Scribner’s Magazine, Vol. LVIII, No. 2, August 1915 (color The youth, flattered to be an artist’s muse, bows humbly and replies
illustration p. 131); Douglas Allen and Douglas Allen, Jr., N.C. Wyeth, “Master, I shall not fail you.”
$20,000-40,000

519
519.
N.C. (Newell Convers) Wyeth (American, 1882-1945)
“Sure, It’s Professor Grid to the life!” he said admiringly, 1910 Literature: Dorothy Canfield, “Portrait of a Philosopher,” Scribner’s
Signed “N.C. W...” (underlined) u.l., identified on a label from Scribner’s Magazine, vol. XLIX, no. 4 (April 1911), b/w illustration, p. 451; Douglas
Magazine affixed to the backing. Allen and Douglas Allen, Jr., N.C. Wyeth, The Collected Paintings,
Oil on canvas, 36 x 28 in. (91.4 x 71.1 cm), framed. Illustrations and Murals (New York: Crown Publishers, 1972), p. 275;
Condition: Lined, retouch, minute paint losses at edges. Christine B. Podmaniczky, N.C. Wyeth, A Catalogue Raisonné of
Paintings (London: Scala, 2008), I.323, p. 216; Brandywine River
Provenance: Charles Scribner’s Sons, New York, to 1919; Mrs. A.N. Museum, N.C. Wyeth Catalogue Raisonné, (accessed March 26, 2011),
Wyeth, Needham, Massachusetts, c. 1919; gift to Alfretta Archibald “‘Sure, it’s Professor Grid to the life!’ he said admiringly.,” 1910, NCW
Butterfield, then by descent within the family. Number 663, www.ncwyeth.org.
$80,000-120,000

520
520.
Beatrix Potter (British, 1866-1943)
A Ewe and Lamb Meet a Duckling invited Gill, along with her sister Rebecca Field, her husband William
Signed and dated “Beatrix Potter/July 28, 1924” l.r., with a label from L.W. Field and their two daughters to visit her in Near Sawrey in
T.W. Norman Co., Boston, and inscribed “Gift to M... from Mary F. Gill/ July. William Field was then the Headmaster of the prestigious Milton
Je. 17, 1943/original drawing by Beatrix Potter given to us by her on Academy. The Field family became an important link for Potter to an
her 58th birthday in her home in Sawrey, Westmoreland [sic], England, unusually distinguished group of artists and intellectuals in the Boston
July 1924” in pen and graphite in Mary F. Gill’s hand on the backing. area all of whom appreciated children’s literature and illustration and
Ink and graphite on laid paper, sight size 7 1/2 x 5 in. (19.1 x 12.7 cm), who visited Beatrix over the next decade. These new acquaintances
framed. were each invited to tea at Castle Cottage, allowed to see Potter’s
Condition: Minor toning, not examined out of frame. portfolios, and in many instances given drawings to take home.
Provenance: Through the collection of Mary F. Gill, Massachusetts. The present drawing belongs to the style of Potter’s later work,
which is loose in form and detail. It was done as a sketch for the
N.B. A New Year’s greeting card with a reproduced image of Jemima, back endpaper of Jemima Puddle-Duck’s Painting Book (1925).
Peter Rabbit, and Tom Kitten dedicated “[From] Beatrix Potter [To] Undoubtedly Beatrix had a duplicate unused drawing of the endpaper
Mary F. Gill/New Year 1935/with good wishes to all at Milton.” in pen in and inscribed it to Gill on the occasion of her visit, which coincided with
Beatrix Potter’s hand, accompanies the lot. Potter’s 58th birthday.
We wish to thank Dr. Linda Lear, Beatrix Potter scholar and author of The National Trust holds a duplicate of this drawing, which is
Beatrix Potter: A Life in Nature, for her assistance with cataloguing the catalogued as a drawing for the back endpaper of Jemima Puddle-
lot and the following information: Duck’s Painting Book under the title “Ewe and Lamb meet a Duckling.”
This exact drawing is reproduced in Beatrix Potter’s Americans:
By 1924, Mary F. Gill, a prominent Boston Unitarian, and Beatrix Potter Selected Letters, edited by Jane Crowell Morse. (1982):142. Linda Lear
had been corresponding for some years as a result of Gill’s activities discusses Potter’s friendship with Mary Gill, the Fields, and the Boston
with “Friendly Links,” an organization promoting intellectual exchange artistic community in Beatrix Potter: a Life in Nature (2007):315ff.
between British and American Unitarians. Potter, a life-long Unitarian, $7,500-8,500

520A.
William James Glackens (American, 1870-1938)
Untitled [Three Figures]

Signed “W. Glackens” l.r.
Conté crayon and graphite on paper, image size 5 1/4 x
5 1/4 in. (13.5 x 13.5 cm), framed.
Condition: Tape hinged to backing mat.
$2,000-2,500
520A
521.
James Montgomery Flagg (American, 1877-1960)
“Her voice was low, warmed with tenderness. I

bent forward, my eyes fixed on her mobile, fugitive
expressions of her face...Master Jack was fast
asleep.”
Signed “JAMES MONTGOMERY FLAGG” l.r., identified
on a label from Barbara Leibowits Graphics, Ltd., New
York, affixed to the backing.
Ink wash and graphite on paper, sight size 25 1/4 x 19
in. (64.1 x 48.3 cm), framed.
Condition: Minor staining to margins.
Literature: Owen Johnson, “The Wasted Generation”

(serial), McClure’s, March 1921, Vol. 53, No. 3, p. 17
(illus).
$400-600
521

522.
Romain de Tirtoff, called Erté (Russian, 1892-1990)
Woman in Gray
Signed “Erté” l.l., stamped “ERTÉ/Romain de Tirtoff...Paris” and
numbered in ink on the reverse.
Ink and gouache on paper, 9 3/8 x 6 3/16 in. (24.0 x 15.6 cm),
unframed.
Condition: Fine craquelure, toning, light soiling to edges, tape and
paper remnants on the reverse.
N.B. This work is thought to be a fashion drawing, c. 1917.

$3,000-5,000
523.
Louis-Marie Jullien (French, 1904-1982)
Nudes in a Landscape
Signed “LMJullien.” l.r.
Watercolor on paper/board, sight size 21 1/2 x 29 7/8 in. (54.6 x 76.0
cm), framed.
Condition: Foxing, subtle toning, not examined out of frame.
$1,000-1,500
522
523

524.
Continental School, 20th Century
Standing Nude/Three-quarter Length

Unsigned, with a label from Wolf’s, Cleveland, Ohio, on the frame
backing.
Condition: Lined, old repairs, retouch, surface grime.
$1,000-1,500
524
525.
Alexandra Exter (Russian, 1882-1949)
Costume Design for Aeschylus’s Tragedy Seven Against Thebes

(Septem Contra Thebas)
Signed “Alex. Exter” l.r., stamped “DOUANES/EXPOSITION/PARIS”
and inscribed “No. 56” in pencil and “...A. Exterova/Sedm pred Theb...
Kostym [Costume]” in ink on a label in Czechoslovakian on the reverse.
Gouache on paper, sheet size 20 1/4 x 12 7/8 in. (51.4 x 32.7 cm),
framed.
Condition: Masking tape hinged to window mat.
Provenance: Through the collection of George Reynolds Freedley (New

York theater critic and founder of the Theater Research Collection of the
New York Public Library at Lincoln Center); Skinner Inc., May 12, 1983,
Sale 898, Lot 120.
$8,000-12,000
525

526.
Gertrude Martin Tonsberg (American, 1902-1973)
Still Life with Primroses and Pears

Signed “Tonsberg” l.r.
$1,000-1,500
527.
Roland Oudot (French, 1897-1981)
Still Life with Apples and Mushrooms

Signed “Roland Oudot” l.l.
framed.
Condition: Lined, retouch.
$1,000-1,500
526
527

528
528.
Maurice Compris (American, 1885-1939)
Still Life with Fruit, Jar, and Figurine

Signed “MCompris” l.l.
$1,200-1,800

529
529.
Henry Hensche (American, 1899-1992)
Portrait of a Seated Female Nude

Signed “HENRY HENSCHE” l.r., with a crayon study of a woman on the
reverse.
Oil on fiberboard, 30 x 24 in. (76.2 x 61.0 cm), framed.
Condition: Losses along edge l.r.
$4,000-6,000

530
530.
Sigismund Ivanowski (American, 1875-1944)
Nude Reclining in a Landscape

Unsigned, stamped “I certify that this painting is/by
SIGISMUND IVANOWSKI/Mr. David Scott Perry/(Grandson)”
in two places on the reverse.
Oil on canvasboard, 12 1/8 x 18 in. (30.7 x 45.9 cm), in a
Paul Carter Goodnow frame.
Condition: Scattered small paint losses u.r.
$400-600
531.
Sigismund Ivanowski (American, 1875-1944)
Figure in the Woods

Signed or inscribed “S. de Ivanowski” l.l., titled and signed
or inscribed “...S. de Ivanowski” on the reverse.
Oil on canvasboard, 16 x 12 in. (40.6 x 30.5 cm), in a Paul
Carter Goodnow frame.
Condition: Good.
$1,000-1,500
531

532
532.
Theophile Alexandre Steinlen (French, 1859-1923)
Study of a Cat
Signed “St. “ c.r., inscribed indistinctly l.l., identified on a label from
Kanegis Gallery, Boston, affixed to the reverse.
Charcoal on paper, 24 3/4 x 19 in. (62.9 x 48.3 cm), framed.
Condition: Paper losses, tears, taped to backing mat, creases, backed
sheet.
Provenance: Estate of Eleanor Kanegis Levin, East Gloucester,

Massachusetts.
N.B. We wish to thank Madame Claude Orset for confirming the

authenticity of the present work.
$6,000-8,000

533
533.
Raoul Dufy (French, 1877-1953)
Modèle hindou, alternatively titled Nude (Odalisque), 1929 Literature: Fanny Guillon-Laffaille, Raoul Dufy, Catalogue Raisonné des
Signed “Raoul Dufy” l.r., inscribed “R. Slatkin” in pencil and with a study Dessins, Volume I, Paris: Marval/Galerie Fanny Guillon-Laffaille, 1991, p.
of a head on the reverse, identified on a label from Charles E. Slatkin 309, no. 770.
Galleries, New York, and with a Fogg Art Museum Temporary Loan
label affixed to the backing. Exhibitions: Santa Barbara Museum, California, 1959; 20th Century
Pen and ink on Arches paper, sheet size 25 5/8 x 19 5/8 in. (65.1 x Master Drawings [traveling exhibition], The Solomon R. Guggenheim
49.8 cm), framed. Museum, New York, November 6, 1963 to January 5, 1964; University
Condition: Mat burn, toning, foxing, paper tape hinged to backing mat. of Minnesota Gallery, Minneapolis, February 3 to March 15, 1964; Fogg
Art Museum, Cambridge, Massachusetts, April 6 to May 24, 1964.
Provenance: Purchased by Selma H. and Irving M. Sobin, Boston, $6,000-8,000
from Charles E. Slatkin Galleries, April 30, 1960; by family descent to a
private New England collection.

534 (front and reverse)
534.
Karen Petersen (American, b. 1942)
Reclining Female Nude

Signed and dated “K. PETERSEN/84” beneath the left leg.
Bronze with brown patina, 6 x 3 1/2 x 3 1/2 in. (15.2 x 9.0
x 9.0 cm).
Condition: Subtle rubs, dust and grime in the interstices.
$800-1,200
535.
Theophile Alexandre Steinlen (French, 1859-1923)
Le Chat
Dedicated, dated, and signed “Pour Marthe Steinlen/cordial
souvenir du vieux cousin/Paris Mars. 1919/St.” l.r.
Graphite on paper, sheet size 10 1/2 x 8 5/16 in. (26.7 x
21.1 cm), framed.
Condition: Laid onto mat board, perforated left margin,
toning.
N.B. We wish to thank Madame Claude Orset for

confirming the authenticity of the present work.
$1,000-1,500
535

536
536.
Raphael Soyer (American, 1899-1987)
The Blue Striped Cushion/Portrait of a Reclining Nude

Signed “RAPHAEL SOYER” l.r.
Mixed media (graphite and watercolor) on paper, 9 1/2 x 13 in. (24.1 x
33.0 cm), framed.
$2,000-2,500

537.
Theresa Ferber Bernstein (American, 1890-2002)
Still Life with China

Signed “Bernstein” l.l.
Condition: Strip lined, craquelure.
$3,000-5,000
537
538.
Alexis Paul Arapoff (American, 1904-1948)
Still Life with Flowers and Candle

Signed “Arapoff” l.l., inscribed “PERTZOFF” in crayon and
“MRS. CONSTANTIN A. PERTZOFF/BEDFORD ROAD/
LINCOLN, MASSACHUSETTS” on a label affixed to the
stretcher.
Tempera on canvas, 38 x 28 in. (96.5 x 71.1 cm), framed.
Condition: Surface grime, craquelure, surface imperfections,
pigment fluorescence.
$1,000-1,500
538

539.
Alexis Paul Arapoff (American, 1904-1948)
Still Life with Flowers and Icon

Signed “Arapoff” c.r. and inscribed “to Olga and Constantin/
for happiness....” within the composition, inscribed “PERTZOFF”
in crayon and “[MRS.] CONSTANTIN A. PERTZOFF/[BEDFORD
ROAD/LINCOLN,] MASSACHUSETTS” on a label affixed to the
stretcher.
Tempera on canvas, 40 x 30 in. (101.6 x 76.2 cm), unframed.
Condition: Surface grime, puncture l.c., pigment fluorescence.
$1,000-1,500
539
540.
Theresa Ferber Bernstein (American, 1890-2002)
Lot of Two Works: Coney Island and Floral Still Life with Book
Both signed “Bernstein” l.r.
Oil and ballpoint pen on paper, sight sizes to 19 1/4 x 14 3/4 in.
(48.9 x 37.5 cm), framed.
Condition: Rippling, not examined out of frames.
Provenance: Purchased from the artist in 1989.
N.B. The title Coney Island was told by the artist to the purchaser
in 1989. The book pictured on the right in the floral still life is The
Poetic Canvas, a collection of Theresa Bernstein’s verse published
in 1989 (Cranbury, New Jersey: Cornwall Books), with a picture of
Theresa Bernstein and William Meyerowitz on the dust jacket.
$500-700
540

541.
Charles Levier (French, 1920-2003)
Fleurs sur la Plage

Signed “Levier” l.l., titled, signed, and inscribed “... Ch. Levier/CLO 94”
on the reverse.
Condition: Retouch, craquelure, varnish inconsistencies, surface grime.
$1,000-1,500
542.
Lodewijk Karel Bruckman (American, 1913-1980)
Berries and Driftwood

Signed, inscribed, and dated “Lodewijk Bruckman/PROVINCETOWN,
MASS 1953” on the reverse.
Condition: Good.
$1,000-1,500
543.
Helen Alton Sawyer (American, 1900-1999)
Clown’s Chair
Signed “Helen Sawyer” l.l., titled and signed in ink on the stretcher,
identified on a typed label affixed to the frame.
Condition: Varnish inconsistencies.
Provenance: Ex-collection Chrysler Museum, Norfolk, Virginia, Alfred

Khouri Memorial Collection, Gift of the Artist, 1963 (Accession number:
541 63.70.29); Stair Galleries, 12/4/2010, Lot 319.
$800-1,200
542 543

544.
Stefano Cusumano (American, 1912-1975)
Orphic Still Life

Signed and dated “S. Cusumano 1948” u.l.
framed.
Condition: Losses, craquelure, surface grime.
$3,000-4,000
544
545.
Lucio Ranucci (Italian, b. 1924)
Musicians
Signed and dated “Ranucci 1974” c.r.
$1,000-1,500
545

546.
Penrhyn Stanlaws (Scottish/American, 1877-1957)
In the Studio
Signed indistinctly l.r., identified on a label affixed to the
stretcher.
Condition: Retouch.
$2,000-2,500
546
547.
H. Boylston Dummer (American, 1878-1945)
Seated Bacchus
Unsigned.
Provenance: The estate of the artist; purchased from The

Marine Arts Gallery, Salem, Massachusetts, 1978; private
collection.
N.B. A letter regarding the Dummer estate accompanies

the lot.
$1,000-1,500
547

548
548.
Dorothy Eaton (American, 1893-1968)
Caller in the Kitchen

Signed and dated “DOROTHY EATON 1961” l.l.,
identified on a label from the National Association of
Women Artists (see below) affixed to the reverse.
Oil on canvas, 20 x 28 in. (50.8 x 71.1 cm), in an Arts &
Crafts frame (purportedly carved by the artist).
Condition: Craquelure, minor surface grime.
Exhibitions: 1961 Annual Exhibition, National Association

of Women Artists, National Academy of Design, New
York City.
$1,500-2,000
549.
Fanny Fleury (French, 1848-1940)
Ballerinas
Signed “F. FLEURY.” l.l.
Condition: Minor retouch, craquelure.
$2,500-3,000
549

550
550.
John Charles Terelak (American, b. 1942 )
The Linebacker/A Portrait of Willie McGinest

Signed “JC TERELAK” l.l.
Condition: Good.
$1,000-1,500

551
551.
John Charles Terelak (American, b. 1942)
New England Patriots Goal Line Stand

Signed “JC TERELAK” l.l., titled on a label affixed to the stretcher.
Condition: Good.
$1,000-1,500

552.
Ronald William Searle (American, b. 1920)
Cat on a Raft
Signed “Ronald Searle” l.l., stamped “Ronald Searle/John Locke
Studios Inc... Drawing...Copyright © Ronald Searle 1986” on the
reverse.
Mixed media (watercolor, ink and graphite) on Vinci paper, 19 x 13 3/4
in. (48.3 x 34.9 cm), unframed.
N.B. The present work was a commissioned but unpublished image

intended for the New York Times by the international ad agency, Bozell
& Jacobs.
$2,500-3,500
553.
Saul Steinberg (American, 1914-1999)
The Number Carrier

Signed and dated “STEINBERG 1962” in pen l.r., stamped “THE NEW
YORKER EDITORIAL DEPARTMENT...” on the reverse.
Ink on paper, sheet size 14 3/8 x 23 in. (36.5 x 58.4 cm), framed.
Condition: Mat burn, masking tape hinged to backing mat, pencil crop
marks l.r. and l.l.
Provenance: Purchased from Obelisk Gallery, January 2, 1968.
Literature: Saul Steinberg, Steinberg: The New World, New York:

Harper and Row, 1965 (illus.).
N.B. A copy of the book Steinberg: The New World and a copy of the
Obelisk Gallery sales invoice accompany the lot.
$1,500-2,000
552
553

554
554.
Saul Steinberg (American, 1914-1999)
Fear of Beauty
Signed and dated “STEINBERG 1960” u.l., stamped “Copyright/by Saul
Steinberg/All rights reserved” and “THE NEW YORKER EDITORIAL
DEPARTMENT...” on the reverse, identified on a label from Obelisk
Gallery, Boston, affixed to the backing.
Ink and crayon on Strathmore paper, sheet size 11 5/16 x 14 3/8 (28.4
x 36.5 cm), framed.
Condition: Taped to linen-covered mat along top edge, subtle acid
burn, trimmed sheet, glue and tape residue verso, pencil crop marks l.l.
and l.r.
Provenance: Purchased from Obelisk Gallery on January 2, 1968.
N.B. A copy of the book Steinberg: The New World, New York:
Harper and Row, 1965, and a copy of the Obelisk Gallery sales invoice
accompany the lot.
$1,500-2,000
555.
Ronald William Searle (American, b. 1920)
Horn of Plenty
Signed “Ronald Searle” l.l., stamped “Ronald Searle/John Locke
Studios Inc... Drawing...Copyright © Ronald Searle 1986” on the
reverse.
Mixed media (watercolor, ink, and graphite) on paper, 19 x 13 3/4 in.
(48.3 x 34.9 cm), unframed.
$2,500-3,500
555

556.
Peter Arno (American, 1904-1968)
The Last Leaf

Signed “Peter/Arno” l.r., with a label from Frederick
Keppel & Company, Inc., New York, on the backing
paper.
Gouache on illustration board, 17 1/2 x 13 1/8 in. (44.5
x 33.4 cm), framed.
Condition: Scattered minor abrasions, toning to sheet.
$600-800
557.
Joe Mathieu (American, 20th/21st Century)
“But, Big Bird, you did help!” said Granny/An

illustration from Get Well, Granny Bird
Unsigned.
Mixed media on paper, sheet size 12 x 17 5/8 in. (30.5 x
44.8 cm), unframed.
Condition: Crease to corners, u.r. and l.r., with crop
marks for page spread.
Provenance: From the collection of the artist.
Literature: Hautzig, Deborah (author) and Joe Mathieu

(illustrator), Get Well, Granny Bird (New York: Random
House/Children’s Television Workshop, 1989), illustration
spread (book not paginated).
N.B. A copy of the book Get Well, Granny Bird

accompanies the lot.
$1,000-1,500
556
557

558
558.
Walt Disney Studios (American, 20th Century)
Five Dwarfs, from Snow White and the Seven Dwarfs

Unsigned, inscribed “Dwarfs” on the mat l.l.
Gouache on celluloid with a painted faux bois background, sight size 8
1/4 x 11 3/8 in. (21.0 x 29.0 cm), framed.
Condition: Rippling to the celluloid, not examined out of frame.
$1,500-2,500

559.
Diego Rivera (Mexican, 1886-1957)
Portrait of a Man in Profile

Signed and dated “Diego Rivera. 49” in pencil l.r., inscribed
“#883” in pencil on the reverse.
Graphite on paper, sheet size 5 5/16 x 3 3/4 in. (13.5 x 9.5 cm),
framed.
Condition: Toning, subtle handing creases, tape residue to the
reverse.
Provenance: Purchased in Mexico City c. 1975, then by

descent to the present owner.
$1,500-2,000
560.
Florencio Molina Campos (Argentine, 1891-1959)
View of a Man on Horseback, 1950

Signed and dated “F. Molina Campos/950” u.l., inscribed “El
Ch... viejo” in pencil on the reverse.
Tempera on paperboard, 12 1/4 x 16 3/4 in. (31.1 x 42.5 cm),
framed.
Condition: Surface grime, minute scattered losses, crease to
u.l. quadrant, u.r. and l.r. corner, subtle bowing, glue residue to
the reverse.
Provenance: By family descent to private a New England

collection c. 1985.
$2,000-2,500
559
560

561
561.
Diego Rivera (Mexican, 1886-1957)
Niño Recostado con Bulto, S.F.

Signed “Diego Rivera” u.l.
Ink and watercolor on Japan paper, sheet size 7 1/4 x 10 3/4 in. (18.3 x
27.5 cm), framed.
Condition: Rippling, tack holes in each corner, hinged to burlap-
covered backing along top edge.
Literature: Rivera, Diego, and Laura Cortés Gutiérrez, Instituto Nacional

de Bellas Artes, Diego Rivera: catálogo general de obra de caballete,
Mexico City, Mexico: Consejo Nacional para la Cultura y las Artes,
Dirección General de Publicaciones, 1989, p. 329, figure 2503.
$20,000-30,000

562
562. 563A.
Jose Luis Cuevas (Spanish, b. 1934) Pedro Coronel (Mexican, 1923-1985)
Autoretreto con Mme. Recamier (Self-Portrait with Mme. Recamier) Torso

Signed, titled, and inscribed “Cuevas...en el...de...” l.r., dated “28-NOV- Signed, dated, and numbered “Pedro Coronel 76 IV/V” l.r.
64” u.r., identified on a detached label from Grace Borgenicht Gallery, Carved basalt, 14 x 5 x 4 in. (35.6 x 12.7 x 10.2 cm), mounted to a
New York. wooden plinth.
Ink on paper, sight size 8 1/4 x 10 1/2 in. (21.0 x 26.7 cm), framed. Condition: Good.
Condition: Toning, not examined out of frame. $3,000-5,000
$1,500-2,000
563.
Michael Burton Mazur (American, 1935-2009)
Two Figures on a Park Bench

Incised signature “MMazur” and “Mazur” on the underside of each
figure.
Bronze with dark brown patina, sizes to 6 x 19 x 6 in. (15.2 x 48.3 x
15.2 cm).
Condition: One figure with detached arm.
$2,000-3,000
563 563A

564.
Kees Verkade (Dutch, b. 1941)
Acrobat
Monogrammed and dated “KV70” on the base.
Bronze with dark brown patina, 10 7/8 x 7 1/2 x
7 1/2 in. (27.6 x 19.1 x 19.1 cm), mounted to a
marble plinth.
$2,000-3,000
565.
Yohanan Simon (Israeli, 1905-1976)
2 Figures in Expectation, 1961

Signed, dated, and inscribed “.../61/Yohanan/
Simon” l.r., signed, titled, and dated on the reverse.
Condition: Mild canvas deformation, stretcher bar
marks, surface grime.
$2,000-3,000
564
565

566.
Continental School, 20th Century
Surrealist Landscape
Signed indistinctly l.r.
Oil on artist board, 28 1/4 x 15 3/8 in. (71.7 x 39.1 cm), framed.
Condition: Scattered small paint losses and abrasions, fine craquelure,
subtle bowing to support, varnish inconsistencies, surface grime.
$1,000-1,500
567.
Julian Edwin Levi (American, 1900-1982)
The Lone Tree

Signed “Julian Levi” l.r., dated “1941” in ink on the reverse, identified
on a label from The Downtown Gallery, New York, and on an exhibition
label from The Corcoran Gallery of Art, both affixed to the back of the
frame.
Oil on canvas, 15 x 21 in. (38.0 x 53.4 cm), in a signed Carl Sandelin
frame.
Condition: Small paint loss to center, craquelure overall with small area
of cupping, stretcher bar marks, surface grime.
Exhibitions: The Corcoran Gallery of Art, Washington, D.C., Nineteenth

Biennial Exhibition/Contemporary American Oil Paintings, 1945, as Tree
Trunk, cat. 68, Lent by Miss Anna Ingersoll, Penllyn, Pennsylvania.
$1,000-1,500
566
567

568
568.
Kinosuke Ebihara (Japanese, 1904-1970)
Corbeaux [Ravens]
Signed and dated “Ebihara 28” l.l., titled and inscribed “39....Ebihara”
on the strainer.
Condition: Surface grime, subtle rippling.
$15,000-20,000

569.
Michiel Theobald Gloeckner (American,
1915-1989)
Untitled [Geometric Abstract]

Monogrammed “MG” l.r., inscribed “Michael
[sic] Gloeckner” on the reverse.
Oil on canvas, 36 1/2 x 42 1/4 in. (92.7 x
107.3 cm), framed.
Condition: Good.
$4,000-6,000
569
570.
Harley Manlius Perkins (American, 1883-
1964)
Painting, possibly a study for Related

Intervals, II, c. 1955
Unsigned, the artist’s card affixed to the
stretcher.
framed.
Condition: Surface grime, minor abrasions.
$400-600
570

571.
Harley Manlius Perkins (American, 1883-1964)
Eclogue
Signed “Harley Perkins” l.l., inscribed, titled, and
signed “Painting in oil...Harley Perkins” on the
reverse.
Oil on canvasboard, 22 x 29 3/4 in. (55.9 x 60.3
cm), unframed.
$400-600
572.
Robert Bruce Tague (American, 1912-1985)
571 Abstract
Unsigned, inscribed “Given to Patricia Marie
Conway by Robert Bruce Tague 1950s” in a later
hand on a label affixed to the stretcher.
unframed.
Provenance: Acquired from the artist by Patricia

Marie Conway, Chicago, Illinois; gift to the
present owner.
$1,200-1,800
573.
Frank Beanland (British, b. 1936)
Blue, Gray and Sand

Titled, inscribed, dated, and signed “...Vence,
March 1973/Frank Beanland...” on the reverse,
identified on a label from Gimpel Fils Gallery,
Ltd., London, affixed to the stretcher.
Oil on canvas, 47 1/4 x 49 1/2 in. (120.0 x 125.7
cm), unframed.
Condition: Good.
Provenance: Estate of an arts benefactor, New

York.
$1,000-1,500
573
572

574.
Phillip Makanna (American, b. 1940)
Four and Twenty Blackbirds

Signed “Makanna” l.l., dated and titled “Philip
Makanna 2/62...” on the reverse, identified on a
label from the Brockton Art Association (see below),
Brockton, Massachusetts, affixed to the strainer.
framed.
Exhibitions: Brockton Art Association Fifth Annual

Show, 1962.
$1,000-1,500
574
575.
Peter Lanyon (British, 1918-1964)
Deep Blue Coast

Signed and dated “Lanyon 61” l.l., titled, signed, and
dated “...Lanyon Oct. 61” on the reverse, identified on
a label from Gimpel Fils Gallery, Ltd., London, affixed
to the strainer.

$3,000-5,000
575

576.
Barbara Hepworth (British, 1903-1975)
Rock Forms, 1961

Signed and dated “Barbara Hepworth 1961” l.l., inscribed, titled,
and dated in the artist’s hand in pencil on the backing board,
identified on a label from Gimpel Fils Gallery Ltd., London,
affixed to the backing board.
Oil and pencil on Masonite, 23 1/4 x 12 in. (59.1 x 30.5 cm),
framed (under glass).
Condition: Mild surface grime, Masonite panel mounted to a
larger Masonite support measuring 27 3/8 x 15 3/8 in. (69.5 x
39.1 cm), surface grime to the support.
Provenance: Purchased by Sam Booth, then by family descent.
Literature: Recorded in Barbara Hepworth’s unpublished

catalogue of her paintings and drawings as “D 451, Rock
Forms, 1961” (Hepworth Estate). Barbara Hepworth, Drawings
from a Sculptor’s Landscape (London: Cory, Adams & Mackay
1966), plate 47 (illus.).
Exhibitions: Barbara Hepworth at Gimpel Fils, London, May–

June, 1961, cat. no. 34.
N.B. The frame of this work is thought to be original, with a

notation in Hepworth’s hand on the back of the secondary
support. Dr. Sophie Bowness writes that, “Such frames were
made by Lanhams, suppliers of painting materials and framers
in St. Ives, and were used as standard by Barbara Hepworth.”
We would like to thank Dr. Sophie Bowness of the Hepworth

Estate for her help preparing this entry.
$20,000-30,000
576

577.
Shanti Dave (Indian, b. 1931)
Tacit, 1963
Signed and dated “Shanti Dave 63” u.r., titled, signed, dated, and
inscribed “...Shanti Dave/63. Roma” on the reverse.
Condition: Minor losses along frame liner, craquelure.

$1,500-2,000
577
578.
John Harrison Levee (American, b. 1924)
3 Janvier 1960
Signed and dated “Levee 60” l.l., also signed and dated “Levee
January III 1960.” on the reverse, and identified on a label affixed to the
stretcher.
Oil and clay on canvas, 78 3/4 x 29 1/2 in. (200.0 x 75.0 cm), framed.

$800-1,200
578

579
579.
José Guerrero (Spanish/American, 1914-1992)
Sin Titulo
Signed “Jose Guerrero” l.l.
Watercolor and crayon on paper, sheet size 17 7/8 x 23 7/8 in. (45.4 x
60.6 cm), framed.
N.B. We wish to thank the Centro José Guerrero for their assistance
with cataloguing the lot. The work will be included in their forthcoming
digital catalogue raisonné.
$7,000-9,000

580
580. 581.
Hisao Domoto (Japanese, b. 1928) Arthur Okamura (Japanese/American, 1932-2009)
Work 1960-14 Ocean Borderings

Signed, titled, and inscribed “Domoto 1960-14 JAPON...” on the Signed and dated “Okamura ‘61” l.r., with labels from Feingarten
reverse, identified on a label affixed to the reverse. Galleries, New York, and The American Federation of Arts, New York,
Oil on canvas, 21 1/2 x 46 in. (54.6 x 116.8 cm), framed. affixed to the backing.
Condition: Losses/flaking l.l., craquelure, surface grime. Gouache on paper, 29 x 41 in. (73.7 x 104.1 cm), framed.
Condition: Craquelure, not examined out of frame.
$700-900 Provenance: The American Federation of Arts Auction, January 24,
1962; to the estate of an arts benefactor, New York.
$800-1,200
581

582
582.
Insho Domoto (Japanese, 1891-1975)
The Shining Waves, c. 1962

Signed “Insho” in Japanese l.r., identified on a label
Mixed media (oil, gold leaf, silver leaf, and graphite) on
Japan paper mounted to plywood, 14 3/8 x 38 1/4 in.
(36.5 x 97.2 cm), framed (under glass).
Provenance: Through Yamada Art Gallery, Kyoto, Japan,

1962; to the estate of an arts benefactor, New York.
$1,500-2,000
583.
Norman Carton (American, 1908-1980)
Abstract
Signed “CARTON” l.l., inscribed and signed “425 Carton”
on the reverse.
framed.
$1,800-2,200
583

584.
Hisao Domoto (Japanese, b. 1928)
Gouache A, 1960
Signed “Domoto” u.r., identified on labels affixed to the backing.
Mixed media on paper, sheet size 19 11/16 x 25 1/2 in. (50.0 x 65.0
cm), framed.

$700-900
584
585.
Hannelore Baron (American, 1926-1987)
Untitled, 1986
Signed and dated on the reverse, according to a label from Barbara
Mathes Gallery, New York, and with exhibition labels (noted below)
affixed to the frame backing.
Mixed media collage, 6 7/8 x 8 3/4 in. (17.4 x 22.2 cm), framed.
Condition: Good, affixed to backing mat at the corners.
Exhibitions: Gallery Schlesinger-Boisanté, Inc., New York, Hannelore

Baron–27 Collages, November 5–December 3, 1986; Herter Art Gallery,
University of Massachusetts, Amherst, Contemporary American Collage
Exhibition, 1960-1985, December 1987–June 1989.
$1,000-1,500
585
586.
Waichi Tsutaka (Japanese, 1911-1995)
Abstract Composition
Signed and dated “Wa. Tsutaka 57” l.c., inscribed in Japanese on the
reverse.
Condition: Areas of craquelure, mild surface grime.
$800-1,200
586

587
587.
John Way [Wei Letang] (Chinese/American, b. 1921)
Abstract Composition
Signed and dated “John Way ‘71” l.r.
Oil and ink on paper, sheet size 19 x 24 in. (48.3 x 61.0 cm),
unframed.
Condition: Good.

$2,000-3,000
588.
Hannelore Baron (American, 1926-1987)
Untitled, 1983
Signed and dated “Hannelore/Baron/3/83” on the reverse,
identified on a label from Senior & Shopmaker Gallery, New
York, on the backing.
Paper, fabric, ink, and pastel on paper, 11 x 8 1/2 in. (27.9 x
21.6 cm), framed.
Condition: Subtle rippling, affixed to backing mat in two
places along top edge and one place along each side, u.r.
and u.l.
$1,000-1,500
588

589.
Klaus Karl Otto Ihlenfeld (German/American, b.
1934)
Untitled
Initialed “KI” on one protrusion.
Welded bronze, approximately 10 1/2 in. (26.7 cm)
diameter.
N.B. Ihlenfeld trained at the Hochschule für

Bildende Künste in West Berlin from 1950 to
1956, and completed graduate work with the
metal sculptor Hans Uhlmann. He first visited the
United States in 1957 for a group show at the
North Carolina Museum of Art, Raleigh, and met
Harry Bertoia the same year. He worked in the
Bertoia Studio for a period, returning to West Berlin
in 1958 to open his own workshop and gallery.
Ihlenfeld visited the United States a second time
in 1960, widely exhibiting and eventually settling in
Pennsylvania.
$1,000-1,500
589
590.
Lester Wiese (American, b. 1928)
Little Dolly, from The Bikini Series

Signed, dated, and numbered “© Wiese ‘81 II/VI”
on the underside.
Bronze, 13 x 13 x 13 in. (33.0 x 33.0 x 33.0 cm),
set on a black marble plinth.
Condition: Minor surface abrasions.

York.
$800-1,200
590

591
591.
Rafael Canogar (Spanish, b. 1935)
Pintura en Azul, 1960 Exhibitions: Jeune École Espagnole. Montauban (Francia), VII Salon du
Signed and dated “Canogar/-60” l.l., inscribed, titled, and also signed Sud-Ouest, Festival du Languedoc, June 19 to July 17, 1960; Peintures
“ROMA...Canogar-1960...” on the reverse. récentes de Rafael Canogar, Galerie Rive Gauche, Paris, from May 4,
Oil on canvas, 28 3/4 x 23 5/8 in. (73.0 x 60.0 cm), framed. 1961.
Condition: Craquelure, minor surface dust/grime.
N.B. The work is no. 1960-033 in the Rafael Canogar Pinturas,
Provenance: Purchased by Mr. and Mrs. Richard W. Goldsmith, Construcciones, Obra Sobre Papel y Esculturas Monumentales,
Raleigh, North Carolina, on a tour of Europe in 1961; by family descent Catalogo Razonado: 1948-2007, compiled by Paloma Esteban Leal and
to a private collection. Rosario Moliner Alonso.
Literature: Françoise Choay, “La Jeune École Espagnole,” Jeune Three publications, including an exhibition catalogue (Canogar, L’Attico,
École Espagnole, VII Salon du Sud-Ouest, Festival du Languedoc, Rome, 1961) and two books (Sam Hunter, ed., European Art Today:
Montauban, France, 1960, p. 2, no. 1 as “Peinture” [exh cat.]; Juan 35 Painters and Sculptors, Minneapolis: Minneapolis Society of Fine
Eduardo Cirlot, “La pintura de Rafael Canogar,” Peintures récentes de Arts, 1959; Juan Eduardo Cirlot, Enrico Crispolti, and Jean Dypreau,
Rafael Canogar, Galerie Rive Gauche, Paris, France, 1961 (illustrated) Canogar, Rome: Edizioni Dell’Attico, 1962) accompany the lot.
[exh. cat.]. $40,000-60,000

592.
Conrad Marca-Relli (American, 1913-2000)
Untitled (M-4-63)
Signed, titled, and inscribed “...MARCA-RELLI...”
on the reverse, three labels including Museum
of Modern Art (MOMA), Marlborough-Gerson
Gallery, and Kootz Gallery, each of New York,
Aluminum collage, 36 x 36 in. (91.4 x 91.4 cm),
framed.
Condition: Minor surface abrasions u.r.
N.B. The MOMA temporary loan label is no.

65.147.
$2,000-3,000
592
593.
Fletcher Benton (American, b. 1931)
Balanced-Unbalanced Steel Watercolor #15,

1985
Signed, dated, and numbered “FLETCHER
BENTON Fletcher...Benton 1985 #25” on the
base.
Welded steel, 37 1/2 x 10 x 29 in. (95.3 x 25.4 x
73.6 cm), on a Plexiglas plinth.
Provenance: A private Boston collection.

$5,000-7,000
593

594.
James Pinkney Havard (American, b. 1937)
B.V.I.
Signed and dated “Havard 78” l.r., titled l.l., also
signed, dated, titled, and inscribed “Havard 78 ©...
No. 492” on the reverse, and identified on a label
from Louis K. Meisel Gallery, New York, on the
stretcher.
Acrylic on canvas, 72 x 36 in. (182.9 x 91.4 cm),
unframed.
Provenance: Christie’s New York, Contemporary

Art, February 14, 1989, Sale 6760; Collection of Lois
Zetter, Carlsbad, California.
$2,000-4,000
594

595
595.
Hannes Beckmann (German/American, 1909-1977)
Nine
Initialed and dated “h.b. 62.” l.l., titled, dated, and signed “...1962.
Hannes Beckmann.” and identified on a label from Kanegis Gallery,
Boston, on the reverse.
Literature: Hannes Beckmann Paintings: Artist-in-Residence,

Beaumont-May Gallery, Hopkins Center Art Galleries, Dartmouth
College, Hanover, New Hamphire, April 10 to May 3, 1970, [exh. cat.]
Exhibitions: Hannes Beckmann Paintings: Artist-in-Residence,

Beaumont-May Gallery, Hopkins Center Art Galleries, Dartmouth
College, Hanover, New Hampshire, April 10 to May 3, 1970.
N.B. A copy of the exhibition catalogue accompanies the lot.

$1,500-2,500

596.
Natvar Prahladji Bhavsar (Indian, b. 1934)
April 9, 1968, alternatively titled Blue Puzzle

Titled and signed “...Natvar Bhavsar” in pencil
l.r., identified on a label from Obelisk Gallery,
Boston, on the backing.
Dry pigment on paper, sheet size 7 x 8 in. (17.8
x 20.3 cm), framed.
Provenance: Purchased from Obelisk Gallery,

January 4, 1969.
N.B. A copy of the Obelisk Gallery sales invoice

accompanies the lot.
$800-1,200
596
597.
Hannes Beckmann (German/American,
1909-1977)
The Wave
Initialed and dated “h.b. 69” l.l., titled, inscribed,
dated, and signed “...1969 Hannes Beckmann”
on the reverse.
Oil on canvasboard, 22 1/4 x 28 1/2 in. (56.5 x
72.4 cm), framed.
Condition: Minor retouch and abrasions.
$1,000-1,500
597

598
598.
Jean-Pierre Vasarely [called Yvaral] (French, 1934-2002)
Instabilité/A Kinetic Construction

Signed, inscribed, titled, and dated “YVARAL/Groupe de recherche
d’art Visuel... 1963-65” on the reverse.
Painted wood and acrylic construction (128 dowels), 15 11/16 x 16
7/16 x 8 3/8 in. (39.8 x 41.8 x 21.3 cm), framed.
N.B. We wish to thank Michèle Vasarely for her assistance with

cataloguing the lot. The present work will be included in the Yvaral
Archives.
$800-1,200

599
599.
Richard Anuszkiewicz (American, b. 1930)
Untitled [Red, Pink, Green]/An Op Art Composition

Unsigned, with a label from The Contemporaries, New York, affixed to
the backing.
Acrylic on paperboard, 15 x 15 in. (38.1 x 38.1 cm), framed (under
glass).
Condition: Minor paint adherence to glass.
N.B. The present work has been authenticated by the artist and will be
included in an upcoming revised edition of his catalogue raisonné. We
wish to thank the artist and Adam Anuszkiewicz for their assistance with
cataloguing the lot.
$1,500-2,500

600.
Georges (Jeankelowitch) Jeanclos (French, 1933-1997)
Hommage à Rachi, 1983

Unsigned.
Unglazed terra-cotta, 17 5/16 x 20 13/16 x 11 in. (44.0 x
53.0 x 28.0 cm).
Condition: Firing cracks.
Provenance: Purchased directly from the artist, a private

Boston collection.
$6,000-8,000
601.
Bob (Robert Louis) Thompson (American, 1937-1966)
Figure in the Landscape

Signed and dated “BThompson ‘64” l.l.
Ink on paper, sight size 14 x 19 3/4 in. (35.6 x 37.5 cm),
framed.
Condition: Subtle handling creases, subtle rippling, minor
toning.
$2,500-3,500
600
601

602
604
602. 604.
Hans Hofmann (German/American, 1880-1966) Kahlil George Gibran (American, 1922-2008)
Untitled Portrait of a Male Torso

Unsigned, estate stamp on the backing, identified on a label from Stamped “K. GIBRAN” on the reverse.
Ameringer Yohe Fine Art, New York, and with a label from Berta Walker Patinated metal, 8 7/8 x 3 3/4 x 3 in. (22.5 x 9.5 x 7.6 cm), mounted to
Gallery, Provincetown, Massachusetts, affixed to the backing. a wooden base.
India ink on paper, 8 3/8 x 10 7/8 in. (21.3 x 27.6 cm), framed. Condition: Minor abrasions.
Condition: Not examined out of frame. $700-900
N.B. The work is #M-0933/296 with The Estate of Hans Hofmann.

$2,000-2,500
603.
Japanese School, 20th Century
Abstract
Signed and dated “KIYOSHI. 73” l.r.
Mixed media on Aussedat et Cie paper, sheet size 25 5/8 x 19 5/8 in.
(65.1 x 49.8 cm), framed.

$500-700
603

605.
Lowell Blair Nesbitt (American, 1933-1993)
Five Lemons, 1978

Titled, dated, inscribed, and signed “...’78.../L.
NESBITT” on the reverse, identified on a label from
Andrew Crispo Gallery, New York, affixed to the
stretcher.
Acrylic on canvas, 26 x 26 in. (66.0 x 66.0 cm),
framed.
$1,000-1,500
605
606.
Untitled [Blue Composition]

Signed and dated “Youngerman 1978” l.r.
Gouache and graphite on paper, 47 x 35 1/2 in.
(119.4 x 90.2 cm), framed.
Condition: Minor losses, subtle rippling.

$1,000-1,500
606

607.
May Yellow
Titled, signed, dated, and inscribed “...
Youngerman 1969...” on the reverse.
framed.
$3,000-5,000
607
608.
Water Lily
Titled, dated, inscribed, and signed “...-’65...L.
NESBITT” on the reverse.
framed.

York.
$1,000-1,500
608

609
609. 610.
Robert R. Bliss (American, 1925-1981) Robert R. Bliss (American, 1925-1981)
Three Figures at the Beach Portrait of a Reclining Boy in Blue

Unsigned. Signed and dated “RBliss 63” l.r., signed and inscribed “RBliss...” on
Oil on canvas, 54 1/4 x 103 in. (137.8 x 261.6 cm), unstretched, the reverse.
unframed. Oil on Masonite, 24 x 72 in. (61.0 x 182.9 cm), framed.
Condition: Trimmed top and bottom tacking margins, craquelure, minor Condition: Minor surface grime.
abrasions. $4,000-6,000
$2,000-2,500
610

611
611.
Gregory Joseph Gillespie (American, 1936-2000)
Double Image in Easthampton, Mass., Studio, 1983

Unsigned on recto, identified on two labels from Forum Gallery, New
York, on the frame backing.
Oil and alkyd with photo collage, 22 1/4 x 20 3/4 in. (56.3 x 53.0 cm),
framed.
Condition: Surface imperfections, vertical cracking to support at
margins.
$10,000-15,000

612
612. 613.
Marcella S. Nelson (American, b. 1955) David H. Ligare (American, b. 1945)
The Conservatory Untitled, from the Thrown Drapery Series

Titled, signed, inscribed, and dated “...Marcella S. Nelson o/c 1989” on Signed and dated “D. Ligare 1977-78” on the reverse.
the reverse. Oil on canvas, 61 x 78 in. (154.9 x 198.1 cm), unframed.
Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed. Condition: Minor surface imperfections.
Condition: Abrasions to l.l. quadrant, minor surface grime.
Provenance: Purchased from Andrew Crispo Gallery, January 19,
Provenance: Estate of an arts benefactor, New York. 1978; present owner by family descent.
$1,000-1,500 $3,000-5,000
613

614
614.
David Gilhooly (American, b. 1943)
Lot of Four Works: Erotic Frogs on Roll, Frog on Roll, FrogTaco, and Chocolate Dipt Ice Cream Cone, from the FrogFood
Series
Frogs signed and dated “Gilhooly 1975,” Frog signed and dated “Gilhooly 75,” FrogTaco signed “Gilhooly” on the fold, Chocolate
signed and dated “GILHOOLY 75” on the cone.
Glazed ceramic, sizes to 7 x 6 x 5 in. (17.8 x 15.2 x 12.7 cm).
Condition: Restored break to end of cone.
N.B. Gilhooly was at the center of an experimental pottery movement, later known as California Funk, while studying at the University
of California, Davis, under Robert Arneson in 1962.
According to Gilhooly, “FrogFood was an idea that started off as the FrogWorld idea of a snapshot or photograph of an artistic act
done on a vacation. The frogs of the FrogWorld would go on a vacation, make themselves into a food sculpture under the direction
of a professional frogartist, and as a souvenir of the occasion, take home a small sculpture. These small sculptures would then be
displayed on a shelf somewhere in the home much like our-world’s photo albums. The frogs would then look at these small pieces
and remember their vacations. A special type of FrogFood (sort of X-rated) was made by honeymooning couples and was an off-
shoot of this original idea.”1
The present works were created in Gilhooly’s first year of the FrogFood series, and may have originally sold through Hansen-Fuller
Gallery, San Francisco. We wish to thank the artist for his assistance with cataloguing the lot.
1. http://www.davidgilhooly.com/04frogfood.htm
$1,500-2,000

615.
Stanley Goldstein (American, b. 1954)
Mark E., 1986

Unsigned on recto, identified on a label from Jeremy Stone Gallery, San
Francisco, on the frame backing.
Oil on paper, 39 1/4 x 27 1/2 in. (99.5 x 70.0 cm), framed.
Condition: Tack holes to corners, mounted to backing mat at corners
and at intervals along edges, not examined out of frame.
Exhibitions: Stanley Goldstein: New Paintings, Jeremy Stone Gallery,

August 12–September 11, 1986.
$1,000-1,500
615
616.
Pelvis and Two Roses

Titled, dated, and signed “...1964/L. NESBITT” on the reverse.

$1,200-1,800
616

617
617.
Terri Priest (American, b. 1928)
Vermeer & Vija Celmins

Signed and dated “T. PRIEST/Jan 2001” on the reverse.
Oil and acrylic on canvas, 40 x 28 in. (101.6 x 71.1 cm), framed.
Condition: Small seam or repair to canvas l.r. edge.
N.B. Terri Priest is known for her play on art historical themes,
borrowing, combining, and reinventing iconic images. In this example,
the artist drew upon Johannes Vermeer’s A Young Woman Standing at
a Virginal and Vija Celmins’ mezzotint Strata. The Vermeer painting is in
the National Gallery of Art, Washington, D.C.
$1,000-1,500
END OF SALE

Glossary of Terms All items in this catalogue are described according to the following table of
terminology. Please note that all statements in this catalogue as to Authorship,
Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking. - In our judgment, the work is by the artist.
Attributed to John Joseph Enneking. - In our judgment, the work may be

ascribed to the artist on the basis of style, but leaves some question as to actual
authorship.
School of John Joseph Enneking. - In our judgment, a work of an unknown

follower executed in the style of the artist and contemporary in period.
Manner of John Joseph Enneking. - In our judgment, a work executed in

the style of the artist by an unknown hand and probably from a later period.
After John Joseph Enneking. - In our judgment, an intended copy of the

work of the artist.
American School, 19th Century. - In our judgment, the work of an

unknown hand that can only be identified as to period and culture.
Other terms:
Bears signature. - In our judgment, the signature not of the artist. This
term is generally used separately, or together with a description of the work as
“attributed to,” “school of,” “manner of,” or “after” the artist.
314
Artist Index
Adams, Charles Partridge .................................................. 399 Butler, Howard Russell ..................................................... 447
Albers, Josef ......................................................................... 1 Buttersworth, James Edward (Circle of) ........................... 345
Albert, Ernest.................................................................... 430
American School, 19th Century ........................................ 367 Cadmus, Paul...................................................................... 40
American School, 20th Century ........................................ 524 Calder, Alexander...........................................................41-44
Anglo/Indian School, 19th Century.................................. 398 Caldini, Sefredo................................................................. 392
Anglo/American School, 19th Century............................. 334 Cameron, David Young ...................................................... 45
Anuszkiewicz, Richard................................................... 2, 599 Campos, Florencio Molina ............................................... 560
Appel, Karel..................................................................... 3,4,5 Canogar, Rafael .......................................................... 46, 591
Arapoff, Alexis Paul .................................................. 538, 539 Cappiello, Leonetto............................................................. 47
Arman................................................................................... 6 Carelli, Giuseppe............................................................... 394
Arms, John Taylor........................................................... 7,8,9 Carlson, John Fabian ........................................................ 445
Arno, Peter ....................................................................... 556 Carton, Norman................................................................ 583
Asoma, Tadashi................................................................... 10 Cathelin, Bernard................................................................ 48
Austrian/Moravian School, 19th Century.......................... 301 Chagall, Marc ............................................................... 49, 50
Avati, Mario........................................................................ 11 Chamberlain, Samuel V. ................................................51-56
Champney, Benjamin ............................................... 375, 381
Baj, Enrico ......................................................................... 12 Chappell, Walter................................................................ 213
Barnet, Will......................................................................... 13 Chase, Frank Swift ............................................................ 431
Baron, Hannelore...................................................... 585, 588 Chirino, Martin .................................................................. 46
Baskin, Leonard .............................................................14-18 Christo and Jeanne-Claude............................................ 57, 58
Beanland, Frank ................................................................ 573 Cirino, Antonio ........................................422, 425, 433, 442
Beckmann, Hannes.................................................... 595, 597 Clare, George ................................................................... 362
Bell, Dr. William Abraham................................................. 212 Closson, William Baxter Palmer......................................... 513
Benson, Frank Weston ...........................................19-30, 416 Colacicco, Salvatore .......................................... 355, 356, 359
Benton, Fletcher................................................................ 593 Compris, Maurice.............................................................. 528
Bernath, Sandor ........................................................ 456, 457 Connor, Linda ...........................................................214-216
Bernstein, Theresa Ferber.......................................... 537, 540 Continental School, 19th Century............................. 317, 341
Berthon, Paul Emile............................................................ 31 Continental School, 19th/20th Century............................ 397
Bessire, Dale Philip ........................................................... 426 Continental School, 20th Century..................................... 566
Bhavsar, Natvar Prahladji................................................... 596 Coronel, Pedro................................................................563A
Biddle, George.................................................................... 32 Cosimini, Roland Francis .................................................... 59
Bille, Carl ......................................................................... 346 Covarrubias, Miguel............................................................ 60
Bille, Vilhelm Victor.......................................................... 476 de Crescenzo, Andrea (Attributed to) ............................... 504
Blenner, Carle John........................................................... 395 Cuevas, Jose Luis............................................................... 562
Bliss, Robert R.......................................................... 609, 610 Cusumano, Stefano............................................................ 544
Blondeau, Paul.................................................................. 390
von Bochmann, the Elder, Gregor .................................... 348 Dahl, Hans........................................................................ 331
Bontecou, Lee .................................................................... 33 Dale, Bruce ...................................................................... 217
Braque, Georges ............................................................34-36 Dallin, Cyrus Edwin................................................412A, 413
Brereton, James Joseph ..................................................... 475 Dassonville, William E............................................... 218, 219
Brett, Harold Matthews .................................................... 388 Dave, Shanti...................................................................... 577
Bright, J. Clayton ...........................................................503A DeCarava, Roy ................................................................. 220
British School, 17th Century Style..................................... 309 DeHaven, Franklin Benjamin ..........................................383A
British School, 18th Century............................. 310, 311, 314 Deihl, Randall................................................................... 435
British School, 19th Century............................. 342, 343, 503 Detmold, Edward Julius ..................................................... 61
Brown, Horace ................................................................. 439 Detwiller, Frederick Knecht............................................... 460
Brown, William Mason ............................................. 370, 372 Diehl, Arthur Vidal............................................................ 463
Bruckman, Lodewijk Karel ................................................ 542 Disney Studios, Walt ........................................................ 558
Buchterkirch, Armin.......................................................... 496 Domoto, Hisao ........................................................ 580, 584
Buffet, Bernard ................................................................... 37 Domoto, Insho ................................................................ 582
Burgdorff, Ferdinand ........................................ 405, 418, 419 Dow, Arthur Wesley ........................................................... 62
Burpee, William Partridge.................................................. 371 Dowd, John Henry............................................................ 469
Burr, George Elbert....................................................... 38, 39 Dufy, Raoul ...................................................................... 533
315
Dummer, H. Boylston....................................................... 547 Goosey, George Turland .................................. 406, 493, 495
Dunning, Robert Spear...................................................... 364 Gorman, R.C................................................................. 87, 88
Durand, Asher Brown........................................................ 374 Gottlieb, Adolph................................................................. 89
Dutch School, 17th Century Style............................. 315, 320 De Goya y Lucientes, Francisco José ............................ 90, 91
Dutch School, 17th/18th Century ................................... 318 Grant, Charles Henry ....................................................... 458
Dutch School, 18th Century Style..................................... 338 Grant, Gordon Hope ........................................................ 473
Dutch School, 19th Century ............................................ 305 Greene, Milton H. ............................................................ 235
Griggs, Frederick Landseer Maur ........................................ 92
Eaton, Dorothy................................................................. 548 Griswold, Casimir Clayton................................................. 376
Ebihara, Kinosuke.............................................................. 568 Grivaz, Eugene.................................................................. 391
Edgerton, Harold Eugene..........................221, 222, 224-229 Grolleron, Paul (Louis Narcisse)........................................ 324
Enneking, John Joseph (Attributed to)...................... 378, 379 Gropper, William................................................................. 93
Enneking, Joseph Eliot ...................................................444A Gruppé, Charles Paul ........................................................ 448
Ernst, Max......................................................................66-70 Gruppé, Emile Albert ............................................... 428, 508
Ertz, Bruno ...................................................................... 512 Guerrero, José................................................................... 579
Erté ............................................................................ 71, 522
Escher, M.C. (Maurits Cornelis).......................................... 72 Haenger, Max Joseph........................................................ 307
Espoy, Angel De Service.................................................... 400 Hankey, William Lee..................................................... 94, 95
Exter, Alexandra................................................................ 525 Harer, Frederick William .................................................. 515
Haring, Keith ................................................................96-99
Fantin-Latour, Henri .......................................................... 73 Harlamoff, Alexei.............................................................. 516
Fay, Clark............................................................................ 74 Harris, Charles Gordon .................................................... 452
Felixmüller, Conrad............................................................. 75 Havard, James Pinkney...................................................... 594
Fernandez, Pierre Armand .................................................... 6 Heckel, Erich ................................................................... 100
Fink, Aaron ........................................................................ 76 Helleu, Paul César .....................................................101-103
Flagg, James Montgomery................................................. 521 Hensche, Henry................................................................ 529
Fleury, Fanny ................................................................... 549 Hepworth, Barbara............................................................ 576
Foster, Gerald Sargent ...................................................... 402 Hewes, Horace Greeley..................................................... 446
Foujita, Léonard Tsuguharu ............................................... 78 Hibbard, Aldro Thompson................................ 429, 432, 449
Franceschi, Louis Julien (Jules).......................................... 505 Hill, John William ..................................................370A, 385
Frankenthaler, Helen .......................................................... 79 Hill, Thomas..................................................................... 373
Freund, Gisèle........................................................... 230, 231 Hillers, John K.......................................................... 236, 237
Friedenberg, Wilhelm ....................................................... 333 Hills, Laura Coombs......................................................... 517
Friedlander, Lee................................................................ 232 Hirsch, Joseph................................................................... 104
Fries, Charles Arthur.......................................................... 407 Hobby, Jesse Carl.............................................................. 421
Frost, Arthur Burdett......................................................... 386 Hockney, David......................................................... 105, 106
Fuhr, Franz Xaver (Xavier) ............................................... 486 Hofelich, Friedrich Ludwig .............................................. 322
Förg, Günther .................................................................... 77 Hofer, Karl ....................................................................... 107
Hofmann, Hans ................................................................ 602
Gabo, Naum........................................................................ 80 Holmes, John J. ............................................................... 360
Gallagher, Sears................................................................... 81 de Hondecoeter, Melchior (Manner of) ............................ 308
Ganso, Emil ................................................................. 82, 83 Hulk Sr., Abraham............................................................ 344
Gasser, Henry Martin ....................................................... 462 Hunt, Bryan ..................................................................... 108
Gasteiger, Anna Sophie ..................................................... 437 Huse, Marion............................................................ 424, 443
Gay, Walter ...................................................................... 329
Giacometti, Alberto........................................................84-86 Iacovleff, Alexandre Evgenievich........................................ 492
Gibran, Kahlil George........................................................ 604 Icart, Louis................................................................ 109, 110
Gilhooly, David ................................................................ 614 Ihlenfeld, Klaus Karl Otto ................................................ 589
Gillespie, Gregory Joseph.................................................. 611 Ipsen, Ernest Ludvig ........................................................ 509
Gilpin, Laura .................................................................... 233 Italian School, 17th Century.............................................. 303
Glackens, William James..................................................520A Italian School, 18th Century.............................................. 302
Gloeckner, Michiel Theobald............................................. 569 Ivanowski, Sigismund ............................................... 530, 531
Gluckmann, Grigory ......................................................... 506
Goldin, Nan ..................................................................... 234 Jackson, William Henry .................................................... 238
Goldstein, Stanley ............................................................. 615 Jacquette, Yvonne.............................................................. 502
Goodwin, Arthur Clifton........................................... 500, 501 Jameson, Joan .................................................................. 485
316
Japanese School, 20th Century ......................................... 603 Martins, Augusto Gomes .................................................. 494
Jarvis, Christopher............................................................. 472 Mathieu, Joe...................................................................... 557
Jarvis, George.................................................................... 387 Matta, Roberto.................................................................. 133
Jeanclos, Georges (Jeankelowitch)..................................... 600 Mazur, Michael Burton..................................................... 563
Jeanneret, Charles Edouard............................................... 122 McNulty, William C.......................................................... 135
Johns, Jasper .................................................................... 111 Meadows, James Edwin .................................................... 336
Johns, Jasper (After) ......................................................... 112 Millares, Manolo................................................................. 46
Johnson, Eldred Clark....................................................... 474 Miller, Charles Henry........................................................ 384
Johnson, William Henry ................................................... 461 Miller, Lilian May ............................................................. 136
Jullien, Louis-Marie .......................................................... 523 Miller, Richard Edward .................................................... 454
Minor, Robert Crannell, Sr................................................ 383
K.O.S................................................................................ 160 Miró, Joan......................................................................... 137
Kandinsky, Wassily (After)................................................. 113 Moore, Henry................................................................... 144
Kasebier, Gertrude ............................................................ 239 Moran, Edward ........................................................ 349, 350
Kasimir, Luigi.................................................................... 114 Morrell, Wayne Beam........................................................ 464
Katz, Alex.................................................................. 115, 116 Moses, Grandma................................................................ 434
Kelly, Ellsworth................................................................. 117 Motherwell, Robert .......................................................... 145
Kingman, Eugene ............................................................. 118 Musgrave, Arthur F........................................................... 440
Kirkpatrick, William Arber Brown...................................... 507
Kirmse, Marguerite ........................................................... 119 Nadar Studio..................................................................... 242
Kitaj, Ronald Brooks ........................................................ 120 Nelson, Marcella S............................................................. 612
Kloss, Alice Geneva “Gene” Glasier................................... 121 Nesbitt, Lowell Blair.......................................... 605, 608, 616
Kluge, Constantine ................................................... 488, 489 Noland, Kenneth .............................................................. 146
Knaus, Ludwig (Attributed to).......................................... 332 Nolde, Emil ...................................................................... 147
de Knyff, Alfred ................................................................ 335 Noyes, George Loftus ....................................................... 441
Koeniger, Walter.............................................................433A
O’Sullivan, Timothy H. .................................................... 243
Lansil, Walter Franklin....................................................... 354 Obin, Seneque .................................................................. 491
Lanyon, Peter ................................................................... 575 Okamura, Arthur .............................................................. 581
Lawrence, Sir Thomas (Manner of)................................... 313 Oliver, Thomas Clarkson................................................... 347
Le Corbusier..................................................................... 122 Olivier, René .................................................................... 480
Le Sidaner, Henri Eugene ................................................ 123 Oudot, Roland ................................................................. 527
Leighton, Scott ................................................................ 380
Lely, Sir Peter (Manner of)................................................ 312 Papageorge, Tod .............................................................. 244
Levee, John Harrison ....................................................... 578 Parsons, Edith Barretto...................................................... 511
Levi, Julian Edwin ............................................................ 567 Pascin, Jules ...................................................................... 148
Levier, Charles .................................................................. 541 Paskell, William Frederick ................................................. 423
Lewis, Edmund Darch............................................... 351, 353 Peale, Rembrandt.............................................................. 369
Leyde, Kurt ...................................................................... 483 Pennell, Joseph ................................................................. 149
Lichtenstein, Roy............................................................... 124 Perkins, Harley Manlius..................................... 468, 570, 571
Lie, Robert J..................................................................... 471 Perkins, Parker S................................................................ 459
Lievens, Jan (Manner of)................................................... 304 Petersen, Karen.................................................................. 534
Ligare, David H................................................................ 613 Peterson, Jane............................................................ 450, 484
Lintott, Edward Barnard.................................................... 514 Picasso, Pablo............................................................ 150, 156
Longfellow, Ernest Wadsworth.......................................... 396 Pope, Alexander ............................................................... 368
Lozowick, Louis ............................................................... 125 Potter, Beatrix .................................................................. 520
Lunois, Alexandre.............................................................. 126 Price, Clayton Sumner....................................................... 412
Priest, Terri ...................................................................... 617
Magee, Alan ..................................................................... 127 Prout, Samuel ................................................................... 328
Magritte, René.................................................. 128, 240, 241
Makanna, Phillip................................................................ 574 Ranucci, Lucio.................................................................. 545
Man Ray ........................................................................... 129 Rattner, Abraham.............................................................. 487
Mangold, Robert .............................................................. 130 Rauschenberg, Robert ...................................................... 157
Marca-Relli, Conrad.......................................................... 592 Redon, Odilon ................................................................. 158
Marin, John ...................................................................... 131 Reid, Robert Lewis ........................................................... 401
Marsh, Reginald ............................................................... 132 Rivera, Diego ........................................................... 559, 561
317
Rivera, Manuel.................................................................... 46 Tanzer, Julius.................................................................... 178
Robertson, Anna Mary ..................................................... 434 Taquoy, Maurice (Attributed to) ...................................... 510
Roelse, H.H. .................................................................... 339 Teniers the Younger, David (Manner of)........................... 306
Rollins, Tim...................................................................... 160 Terelak, John Charles................................................ 550, 551
Rosenquist, James.............................................................. 161 Thaulow, Frits................................................................... 179
Rouland, Orlando...................................................... 497, 498 Thieme, Anthony ............................................................. 479
Russell, Charles Marion..............................................408-410 Thompson, Bob (Robert Louis)........................................ 601
Tiepolo, Giovanni Domenico ........................................... 180
Sadler, Walter Dendy ........................................................ 330 de Tirtoff, Romain ...................................................... 71, 522
de Saint Phalle, Niki.......................................................... 162 Tompkins, Frank Hector .................................................. 366
Saito, Kiyoshi..................................................................... 164 Tonsberg, Gertrude Martin............................................... 526
Sample, Paul Starrett................................................. 414, 415 Torrey, Elliot Bouton........................................................ 438
Santamaria, Guillermo Silva............................................... 165 Torrini, Pietro .................................................................. 327
Saura, Antonio..................................................................... 46 Tsutaka, Waichi ................................................................ 586
Savage, Eugene Francis ..................................................... 499 Turbeville, Deborah................................................... 255, 256
Sawyer, Helen Alton.......................................................... 543 Turner, Charles Eddowes.................................................. 477
Schiavone, Andrea (Manner of)......................................... 300
Schmidt-Rottluff, Karl .............................................. 166, 478 Ury, Lesser ....................................................................... 181
Schmutzer, Ferdinand ....................................................... 167
Schneider-Blumberg, Bernard............................................ 481 van der Meulen, Adam Frans (Manner of)......................... 323
Schoonover, Frank Earle.................................................... 427 van Rijn, Rembrandt.......................................................... 159
Schotel, Jan (Johannes) Christianus (School of)................. 340 Vasarely, Jean-Pierre.......................................................... 598
Schrag, Karl....................................................................... 168 Vasarely, Victor................................................................. 182
Searle, Ronald William .............................................. 552, 555 van Velde, Bram ............................................................... 183
de Segonzac, André Dunoyer ............................................. 63 Verkade, Kees ................................................................... 564
Shore, Stephen.......................................................... 245, 246 Vertunni, Achille....................................................... 316, 319
Shute, Augustus B. ........................................................... 411 Vieillard, Roger................................................................. 188
Simon, Yohanan................................................................ 565 Villon, Jacques .................................................................. 189
Siqueiros, David Alfaro...................................................... 169 Viola, Manuel ..................................................................... 46
Siskind, Aaron............................................247-249, 251, 252
Sismore, Charles Porter..................................................... 357 Walker, James Alexander.................................................... 325
Sisson, Laurence Philip.............................................. 466, 467 Walker, John..................................................................... 190
Sloan, John French ........................................................... 170 Warhol, Andy.................................................................... 191
Smith, Gordon Dean ........................................................ 453 Warren, Harold Broadfield................................................ 444
Sorensen, Laurits............................................................... 455 Washburn, Bradford ..................................................257-261
Southeast Asian School, 20th Century............................... 490 Wasilewski, Czeslaw........................................................... 404
Soyer, Raphael........................................................... 171, 536 Waugh, Frederick Judd...................................................... 417
Spitzweg, Carl................................................................... 326 Way, John ........................................................................ 587
Stanlaws, Penrhyn.............................................................. 546 Wei, Letang ...................................................................... 587
Steinberg, Saul ......................................................... 553, 554 Weil, Shraga...................................................................... 194
Steinhardt, Jakob............................................................... 172 Weiler, Joseph Flack ......................................................... 262
Steinlen, Theophile Alexandre .................................. 532, 535 Welliver, Neil G. ............................................................... 436
Stella, Frank ..................................................................... 173 Wengenroth, Stow......................................................195-198
Sternberg, Harry................................................................ 174 Whistler, James Abbott McNeill.................................199-202
Stieglitz, Edward............................................................... 377 Whitehand, Michael J................................................ 358, 361
Story, George Henry......................................................... 363 Wiegand, Gustave Adolph................................................. 420
Stoumen, Lou................................................................... 253 Wielin, Grath .................................................................... 352
Strang, William ................................................................. 176 Wiese, Lester .................................................................... 590
Stubbs, Kenneth ............................................................... 470 Woelfle, Arthur William..................................................... 451
Sully, Thomas (Attributed to)............................................ 365 Wood, Grant .................................................................... 203
Sultan, Donald.................................................................. 177 Wunderlich, Paul............................................................... 204
Sutro, Esther Stella ........................................................... 482 Wyeth, Andrew ..........................................................205-207
Svendsen, Svend Rasmussen............................................... 403 Wyeth, N.C. (Newell Convers).................................. 518, 519
Wüst, Alexander ............................................................... 382
Tague, Robert Bruce......................................................... 572
Taka, Rei .......................................................................... 254 Youkeles, Anne.................................................................. 208
318
Young, Florence Upson..................................................... 465
Youngerman, Jack............................................. 209, 606, 607
Yvaral................................................................................ 598
Zadkine, Ossip................................................................... 210

Ziem, Félix ....................................................................... 393
Zimmermann, August Albert............................................. 321
Zorn, Anders..................................................................... 211
Zygmuntowicz, Ignacy ..................................................... 404
319
Skinner, Inc. - Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and
Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed
the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a
lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the
purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of
the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If
any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and
the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three
days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after
deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank
authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check
until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the
drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of
all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without
limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)
offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to
pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such
purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within
the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that
include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of
licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute
cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.
Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and
other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of
Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus
10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%
of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,
through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or
reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The
copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this
catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our
prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or
choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in
connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any
federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or
hereafter have to the venue of any such suit.
Revised September 29, 2009
320
Absentee Bid Form
Sale Title Sale Date
First Time Bidder? YES NO Customer #
Name (Please Print) Business Name
Address check if change in address
City State Zip Code
Phone # Alternate # e-mail
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a
convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are
executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Signature (Required) Date
Lot # Description Bid Price
FOR OFFICE USE

Marlborough Boston Phone Fax Mail Person Employee:
SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9
2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0
w w w. s k i n n e r i n c . c o m
Board of Directors Chairman of the Board - Nancy R. Skinner
Richard Albright
John Deighton
Barnet Fain
Stephen L. Fletcher
Karen M. Keane
Administration
President/Chief Executive Officer - Karen M. Keane
Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives,
Stuart G. Slavid, Stuart P. Whitehurst
Expert
American & European Paintings & Prints - Robin S.R. Starr
Departments Assistants: Kathy Wong, Elizabeth C. Haff
American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton
Assistants: LaGina Austin, Karen Langberg, Chris Barber
American Indian & Ethnographic Art - Douglas Deihl
Asian Works of Art - James F. Callahan
Assistant: Tianyue Jiang
Books & Manuscripts - Stuart P. Whitehurst
Deputy Director: Sara C. Wishart
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Classic Automobiles & Motorcycles - Jane D. Prentiss
Couture - Kerry Shrives
Discovery Sales - Kerry Shrives
Assistants: Garrett J. Sheahan, Harry B. McNabb, Melissa Riebe
European Furniture & Decorative Arts - Stuart G. Slavid;
Assistants: Sara C. Wishart, Leah Skowron
Fine Wines - Marie Keep
Assistant: Laura V. Sweeney
SKINNER, INC. Jewelry - Victoria Bratberg
Auctioneers and Assistants: John Colasacco, Julie Khouri
Appraisers of Antiques Judaica - Kerry Shrives
and Fine Art Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture -
Jane D. Prentiss
63 Park Plaza Museum & Collections Services - Martha Hamilton
Boston, MA 02116 Musical Instruments - David Bonsey
617.350.5400 Oriental Rugs & Carpets - Gary Richards
Fax 617.350.5429 Science, Technology & Clocks - Robert C. Cheney
Assistant: Chris Barber
274 Cedar Hill Street Silver - Sara C. Wishart
Marlborough, MA 01752 Toys & Dolls - Kerry Shrives
508.970.3000 Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,
Fax 508.970.3100 Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,
Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,
www.skinnerinc.com Stuart P. Whitehurst
322
Exhibitions & Marlborough: Warehouse Manager - Jonathan Dowling, 508.970.3280
Property Manager - Samuel Combs, 508.970.3262
Property Distribution
Boston: Kerryn Murphy, 617.874.4329
Property Distribution Manager - Jessica R. Lincoln, 617.874.4308
Finance Department Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable - Kathleen Hayes, 508.970.3268
Credit Supervisor - Joe Monteyro, 508.970.3266
Subscriptions Marlborough: Karen Skinner, 508.970.3240
Service Departments Appraisal & Auction Services - Patricia Walker King, Shannon M. Ames,
Cory Shea
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Jessica Turner
Catalogue Production - Pamela Van de Houten, Kristina Harrison
Consignment Services - Megan J. Blomgren, Carol Zeigler
Customer Relations - Carol McCaffrey
Institutional Relations - L. Emerson Tuttle
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry Shrives
Assistants: Timothy Shaughnessey, Melissa Riebe
Managing Director - Marie C. Keep
Marketing & Public Relations - Kate de Bethune, Karen Skinner,
Kathryn Gargolinski
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius
Receptionists - Marlborough: Carol Tran
Boston: Hadley Bridgman
Transportation - Eric Jones
Assistant: Mark McCaffrey
323
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA
Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland
Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the
ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left
onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
324
PARKING
INDOOR PARKING GARAGES The Taj Hotel Parking Garage Motor Mart Garage
2 Newbury Street 26 Park Plaza
City Place Parking Garage Located three blocks from Skinner, (Same building as Legal Sea Food)
Transportation Building valet drop-off and pick-up Up to 1 hr/$8, 1 to 2 hrs/$12,
12 Charles Street Up to 24 hrs/$42 2-3 hrs/$16, 3-12 hrs/$20, 12-24
Located at the end of Park Plaza hrs/$31, weekends up to 3 hrs/$8
Underground multi-level garage
All day–closes at 2:30am Back Bay Garage
First hr/$5, after 2 hrs/$14 222 Berkeley Street OUTDOOR PARKING LOTS
(entrance off St. James) (recommended for trucks)
AllRight Parking One block from Skinner
Boston Common Garage All day/$35, evening Pin Stripe Parking
Located on Charles Street, on the (5pm-7am)/$10 Arlington Street
Common, two blocks from Skinner 617-338-7984
1 hr/$6, up to 24 hrs/$25, All day/$14, after 6pm and
Evenings (4pm-10am)/$10 Radisson Hotel Parking Garage weekends/$10, overnight/$15
Stuart Street (near intersection of
The Four Seaons Hotel Charles)
Parking Garage Two blocks from Skinner Billy’s Parking
200 Boylston Street 1-2 hrs/$12, 2-3 hrs/$16, 3-12 222 Stuart Street
Adjacent to Skinner, valet drop-off hrs/$18, 12-24 hrs/$31 617-423-7781
and pick-up, up to 24 hrs/$30 8am-5pm/$18, after 5pm/$20
BOSTON HOTELS BOSTON HOTELS WITH SKINNER

CORPORATE RATES
Boston Harbor Hotel Nine Zero Hotel The Back Bay Hotel Eliot Hotel
70 Rowe’s Wharf 90 Tremont St. (formerly Jurys) 370 Commonwealth Ave.
Boston, MA 02110 Boston, MA 02108 350 Stuart Street Boston, MA 02215
Tel: 800-654-2000 617-772-5800 Boston, MA 02116 Tel: 617-267-1607
Fax: 617-345-6799 Tel: 617-532-3800
Radisson Hotel
Fairmont Copley Plaza 200 Stuart Street Beacon Hill Hotel & Bistro The Park Plaza
138 St. James Avenue Boston, MA 01740 25 Charles Street 64 Arlington Street
Boston, MA 02116 Tel: 617-482-1800 Boston, MA 02114 Boston, MA 02116
Tel: 617-267-5300 Fax: 617-451-2750 Tel: 617-723-1133 Tel: 617-457-7488
Fax: 617-375-9648 Fax: 617-426-2000
The Ritz-Carlton,
Boston Common The Colonnade
Four Seasons 120 Huntington Avenue
200 Boylston Street 10 Avery Street
Boston, MA 02111 Boston, MA 02116
Boston, MA 02116 Tel: 617-424-7000
Tel: 617-351-2036 Tel: 617-912-3315
Fax: 617-912-3375 Fax: 617-424-0968
The Liberty Hotel Taj Boston

215 Charles St. 15 Arlington St.
617-224-4000 617-536-5700
Marriott Copley Place Westin-Copley Plaza

110 Huntington Avenue 10 Huntington Avenue
Tel: 800-228-9290 Tel: 800-228-3000
Fax: 617-236-5885 Fax: 617-424-7483
325
RESTAURANTS
FINE DINING Scampo McCormick and Schmick’s Seafood

The Liberty Hotel Restaurant
215 Charles St. 36 Columbus Ave
Aujourd’hui 617-536-2100 617-482-3999
Four Seasons Hotel, 200 Boylston Street Lydia Shire’s latest restaurant, featuring Fresh seafood offerings that change
(between Arlington & Charles Streets) Italian fare produced in an open kitchen daily.
617-351-2071 upstairs at the Liberty Hotel.
New American.
Summer Shack
Troquet 50 Dalton St.
140 Boylston St. 617-867-9955
Dante
617-695-9463 Jasper White serves well-executed seaside
Royal Sonesta Hotel
French restaurant and wine bar perched favorites in a casual Back Bay setting.
5 Cambridge Parkway
at the edge of the Boston Common and
617-806-4200
the theatre district.
Mediterranean restaurant with great
views of the Charles River and Boston
INEXPENSIVE
skyline. Via Matta
79 Park Plaza Au Bon Pain
617-422-0008 26 Park Plaza (across the street from
Davio’s Elegant Italian fare and beautiful wines Skinner) or 431 Boylston Street (at
75 Arlington St. in a vibrant dining room - the best of Berkeley Street)
617-357-4810 Italy in Boston’s Back Bay creates an 617-338-8948
Northern Italian steak house. unforgettable experience. Casual café offers quick service.
MODERATE Davio’s To Go
Grill 23 & Bar 10 St. James Galleria Atrium
161 Berkley Street (Stuart Street) 617-357-4810
617-542-2255 Aquitaine Casual Italian take-out lunch spot with
Great steak, seafood, wine list, and 569 Tremont Street daily special pastas, soups, and salads.
service. 617-424-8577
Parisian bistro style fare.
Flash’s
310 Stuart St.
L’Espalier The Bristol Lounge at Four Seasons 617-574-8888
774 Boylston St. Hotel American comfort food served with
617-262-3023 200 Boylston St. classic cocktails in a casual setting.
French dining in an elegant townhouse 617-338-4400
with a wonderful prix-fixe menu. Breakfast, lunch, and dinner served in an
elegant yet comfortable lounge setting Parish Café
with views of the Boston Public Garden. 361 Boylston St.
617-247-4777
No. 9 Park American restaurant with seasonal
9 Park St. East Ocean City outdoor seating features sandwiches
617-742-9991 25-29 Beach St. created by renowned local chefs.
Barbara Lynch’s bistro showcases 617-542-2504
inspired French and Italian influenced Outstanding Chinese food restaurant
food and wine on Beacon Hill. highlighting seafood dishes with a full- Piattini
service bar. 226 Newbury Street
617-536-2020
Italian wine bar with an eclectic menu;
Radius
Lala Rokh on Beacon Hill specializes in Italian-style tapas.
85 High St.
97 Mt. Vernon Street
617-426-1234
617-720-5511
Features a modern French menu
Authentic regional Persian cuisine, The Upper Crust
focusing on seasonal ingredients
hand-selected wine list, knowledgeable 20 Charles Street
accompanied by a thoughtful wine list.
waitstaff. 617-723-9600
Gourmet thin crust pizza.
326
SKINNER catalogue subscription form
Prices effective JULy 1, 2010. Catalogue subscription price includes quarterly brochure. Subscription effective
one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)
Quarterly Brochure No charge No charge

Included with catalogue subscription
American Furniture & Decorative Arts $120 $143
European Furniture & Decorative Arts $120 $143
American & European Paintings & Prints $120 $143
Fine Jewelry $120 $143
20th Century Furniture & Decorative Arts $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets $18 $25
American Indian & Ethnographic Art $60 $73
Fine Books & Manuscripts $30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks $60 $73
Fine Wines $60 $73
All Above Departments $750 $915

subtotal
ma residents 6.25% sales tax
total
MasterCard/VISA # Exp. Date
Signature Check enclosed
Name___________________________________________ Business Name
Mailing Address _____________________________________________________
City_______________________________ State________ Zip______________
email address________________________________________________ Tel: ( ) _____________________________
Please enclose payment with subscription form and mail or fax to:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
The Wayside Inn
Antiques
SAVE THE DATE
May 13-15, 2011

Show
A benefit show and sale for The Wayside Inn Historic Site,
a 501(c)3 non-profit Massachusetts Historic Landmark
on the National Register of Historic Places.
Benefit Preview Party

and Reception
Friday, May 13, 6:30pm to 9:00pm
$125 by advance registration, $150 at the door
General admission
Saturday, May 14 and Sunday, May 15
$10 - 10am to 5pm
 
SKINNER
Visit the official show website at www.TheWaysideInnAntiquesShow.org for more information about the Wayside Inn Historic Site, directions,
sponsorship opportunities, show guide advertising, and links to dealer websites. For questions please phone Guy LeBlanc at (978) 440-9630.
Longfellow’s WAYSIDE INN • 72 Wayside Inn Road • Sudbury, Massachusetts 01776 • P: 978 443 1776 • F: 978 443 6449 • www.wayside.org
Show Manager - Diana H. Bittel Facilities Manager - Ralph DiSaia
Participating Dealers:
A Bird In Hand Antiques, Florham Park, NJ / Mark and Marjorie Allen, New Hampton, NH / J. Austin Jeweler, Amherst, MA / Diana H. Bittel, Bryn Mawr,
PA / Blue Heron Fine Art, Cohasset, MA / Mr. and Mrs. Jerome Blum, Lisbon, CT / Joan R. Brownstein, Newbury, MA / Childs Gallery, Boston, MA / The
Cooley Gallery, Old Lyme, CT / Cunha- St. John Antiques, Essex, MA / Dawn Hill Antiques, New Preston, CT / Colette Donovan, Merrimac, MA / Peter
H. Eaton Antiques, Newbury, MA / Funston Antiques, Sudbury, MA / Georgian Manor Antiques, Fairhaven, MA / James and Nancy Glazer American
Antiques, Bailey Island, ME / Good & Forsythe, Columbus, OH / Samuel Herrup Antiques, Sheffield, MA / Jewett-Berdan Antiques, Newcastle, ME / James
M. Kilvington, Inc., Dover, DE / King Thomasson Antiques, Inc., Asheville, NC / Kelly Kinzle Antiques, New Oxfod, PA / Greg K. Kramer & Co, Robesonia,
PA / James M. Labaugh Antiques, Pound Ridge, NY / Nathan Liverant and Son, LLC., Colchester, CT / Jane McClafferty Antiques, Bloomfield, CT / Judith
and James Milne, New York, NY / Newsom & Berdan Antiques, Thomasville, PA / Hilary and Paulette Nolan, Falmouth, MA / Oriental Rugs, Ltd., Old
Lyme, CT / Janice Paull, Portimao, Portugal / The Philadelphia Print Shop, Ltd., Philadelphia, PA / Raccoon Creek Antiques, Oley, PA / Russack & Loto
Books, LLC., Northwood, NH / Sallea Antiques, Inc., New Canaan, CT / Rick Scott, San Francisco, CA / William Schwind Antiques, Yarmoith, ME / Silver
Plus, New York, NY / Elliott & Grace Snyder Antiques, Egremont, MA / Stephen-Douglas Antiques, Rockingham, VT / Sylvia Antiques, Nantucket, MA /
Jeffrey Tillou Antiques, Litchfield, CT / Jonathan Trace, Portsmouth, NH / Earle D. Vandekar of Knightsbridge, Maryknoll, NY / Walker-Cunningham Fine
Art, Boston, MA / Washington Square Gallery, Ltd., Philadelphia, PA
SKINNER
SKINNER

American & European Paintings & Prints - Skinner Auction 2547B

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SKINNER

Robin S. R. Starr Kathy Wong Elizabeth C. Haff

American & European Paintings & Prints Department - 508.970.3206

cover : 576 ( detail ) ; frontispiece : 364 ; back cover : 484

Preview Auctions Online Bid Live Online with SkinnerLive!

Find Items with Lot Alert Read the Skinner Blog

1 Auction & Specialist Information

2 Web Site & Online Bidding

4-5 Sale & Event Announcements

7 Prints & Photography – Lots 1-262

109 Paintings & Sculpture – Lots 300-617

314 Glossary of Terms

315 Artist Index

320 Conditions of Sale

321 Absentee Bid Form

322 Company Directors & Specialty Departments

323 Administrative Staff & Client Services

324 Map & Driving Directions

325 Parking & Accommodations

327 Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Copyright © Skinner, Inc. 2011

5 Almeida Avenue, East Providence, R.I., USA

American & European Paintings & Prints

Thursday, May 19, 2011

5:30 p.m. Reception/6:00 p.m. Gallery Walk

Gallery Walk held in conjunction with a preview of Skinner’s

to be sold Friday, May 20th, 2011 at 12 noon

Provenance: Estate of an arts benefactor, New York.

III, from the SEQUENTIAL Portfolio, 1972, edition of 200, published

Provenance: Estate of an arts benefactor, New York.

online bidding at www.skinnerinc.com 9

Provenance: A Massachusetts estate.

Nu, c. 1963, edition of 50. Signed “Appel” in pencil l.r., numbered 5.

10 additional information and photos at www.skinnerinc.com

Le masque à gaz, 1971, edition of 300. Signed “Arman” in pencil l.r.,

Provenance: Estate of an arts benefactor, New York.

La Chiesa, Borgio, 1926, edition of 106 plus proofs (Fletcher, 178).

Mont-Saint-Michel, 1926, edition of 100 plus proofs (Fletcher, 182).

online bidding at www.skinnerinc.com 11

12 additional information and photos at www.skinnerinc.com

Circe, 1979, edition of 300. Titled, numbered, and signed “...261/300

online bidding at www.skinnerinc.com 13

Football, 1959 (Fern & O’Sullivan, 388). Signed “Leonard Baskin” in

Andrea Mantegna, Italian, 1431-1506, from ETCHINGS OF TEN

14 additional information and photos at www.skinnerinc.com

Provenance: Descended within the family of Mr. and Mrs. Robert

online bidding at www.skinnerinc.com 15

The Fishermen, 1915, published edition of 18 (Paff, 50). Signed

Provenance: Descended within the family of Mr. and Mrs. Robert

N.B. This composition is based on Benson’s painting titled Calm

Portsmouth Harbor, 1916, published state, edition of 11 (Paff, 97).

Provenance: Descended within the family of Mr. and Mrs. Robert

16 additional information and photos at www.skinnerinc.com

Redheads, 1917, third published state of three, edition of 40 (Paff,

Provenance: Descended within the family of Mr. and Mrs. Robert

online bidding at www.skinnerinc.com 17

Yellowlegs No. 2, 1919, published state, edition of 150

Provenance: Descended within the family of Mr. and Mrs.

Over Sunk Marsh, 1920, published state, edition of 150

Provenance: Descended within the family of Mr. and Mrs.

Rising Geese, 1924, published state, edition of 150 (Paff,