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Ho C Ha'!aJIOM Bropoaaapoaoa BOHAbl (Coerraaenasre Illrarsr BCTymlJIH B nee B )1.eI<a6pe 1941 rona) B KHHOnpOI13- BO~CTBe B03HI1KJIH onpeneneuusre TPY,lJ;HOCTI1, xoropue nocrenes HO npxsena K CHmKeI-fl.UO KaLJeCTl3a Ii KOJ1HlleCTBa q,11nbMOB, Bf<J[IOIftUI MlO311KJIbi. Cnazr aarpoxyn aecs 1ll0Y- 6113Hec Bo06111e H CeHLJaC 3TO nerxo 3aMeTMTb B perpocrrexTime, H60 ecnu B3HTb aa Bbl6op, nanpauep, TblCSlIfY caxsrx M3BeCTHblX "BeLfH03eJIeHbIX" necen sa 50 J1eT (1927 -1977), TO OKa:lKeTC$I, "ITO 60nee TpeTI1 113 HI1X nOSlBHllHCb Ha CBeT I1MeHHO B 30-e ,0~hJ, a B 40"e - JIl1ll1b LJeTBepTaSl 'laCTb.

Bo BpeM.SI BOMH1>I aMepMI<aHCKa.Sl3I<OHOMI1Ka uaxonarracs na nozrsesre, ueHbl 6blJIH 3aMopmKeHbl, 6e3pa60nlLta rrpaKTI1QeCKI1 OTCYTcTBOBaJTa, a sapnnara poena, ocofieaao na BOeHHblX rrpennpasrasx, OAHal<O, rorna He TaK MRoro 6blJ10 MeeT pa3BneQeHMM, .B KOTOPblX JllO.!U1 MOrJII1 6bJ ncrparsrrt, IDflIIHHe L(eHbr!1, 11 OL(HHM 113 HeMHOfHX 06we.aocTynHblx arTpaKL(110HOB 6hlJI san I<HHOTeaTpa, rne OC06blM cnpOC0M ny6JHfKl1 B Te ronsr 1l0JIb30BaJTHCb WYMHble KOMe.ll.lHI If ceuTI1MeHTaJIbHble Me:l10~paMbl.

TeM He MeHee, BhIllYCI< MY3hJKallbHhiX <pJ.UThMOB XOTSI 11 COKpaTHJ1CSI, HO He npexpaurancs, K TOMY )KeB 40-e csoero rraxa B KHHO 1I0CTI1f1I11 TaKl1e HOBble TaJIaHTJIHBble "3Be3,Ubl" [0)1- mmy.a:a, KaK Berra rpei£6n M PI1Ta X3IfBOPT, ,lJ,)I{I1H Kenna M MHKKI1 PYHI1, npOlIOJDKaJIl1 CHHMaTbC.SI <lJpe.1l. ACTep, ):()J(y,n;11 I'apneaa M 611Hr Kpoc611, KOTOPblH KaK pas caoero eJlI1HCTaeaaoro "Ocxapa" rronyxan sa 1~)J1JIbM 1944 rona "H~y CBO- 11M nYTeM" ("Going My Way", pexaccep I1eo MaKK3pl1) sa pOJIb CBSJ"lUeHHH!(a.

Ilocne OK'OH"laHHll BOHHbI B aMepHI<aHCKOM I<HHOI1H;ZzyCTpl1l1 npOlf301I1JII1 3Ha'lHTeITbHble nepeueasr. Buauane Hacrpoenae 6b!JI0 3M<popl1'",e~KMM, a JlOXO~bl orpoMHblMll, HO Y)l(e B 1946 ro.ll.Y caryauxa H3MeHHJIaCb. Benyuiae KJ1HOCTY.1l.HI1 cronxuynacs C Henpe.1l.BH.lI.eHHblMI1 rrp06JIeMaMI1, B OCHOSHOM cpHHaHC0BbJMI1 l1 opraHH3aUHOHHblMH, n03TOMY HX B03MO)l(HOCTll CTaJTM fionee orpaHMtJeHHbIMJ'l. YWJIJ1 B npouuioe BhlCOKl1e roaopapsr sa oparuaansusre cueuapaa, a aoceas xpynaeaunrx KI1HOKOMnaHHH BblHY)l(.lI.eHbl 5blJIM yBOJII1Tb 4eTBepT6 csoero nepcoaana. Ha nepBblH OJraH BhllllJIH <pMJIbMbl C COI.lHaJIbHOM HanpaBJIeHHOCTblO, casrue B nOJIy.aOKYMeHTaJIbHOif, peaJII1CTI1'1eCKOH MaHepe, H K KOHU.Y3TOro rrepnona MY3blKanhHoe HaCnell.CTBO rQJIJUIBYJla l:IaCLJI1TblBaJIa He TaK Y)f{ MHoro M103MJ<:JI0B Ii aoofiure TaKHX CPHJlbMOB, rae 3BY4aJIH I<aKl1e-J1H60 !JeCR}!, OCTaBllll1eCH B naM.IITI1 nocnenyroumx nOKOJIeHI1H. )J;aBaHTe BcnOMHHM B 3TOM PaJnene aaurero C60pHl1Ka 0 rex rtecnsx 11 06 I1X asropax, KOTOpble 6e3ycnoBHo 3acnY)f{HBaiOT·3TofO, XOT.SI OHI1I1 6bJnl1 50nbwe CBSl3aHbl C rrepaoii nonOBMHOH 40-x.

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01:1 npaexan B HblO-HoPK Y)Ke J(aK Taporrsn Apnea B caMblH rrOll.XO,1'l$IllHH MOMeHi, TaK Ka.K 3TO 6blJ1 J 925 ron, cepe.IlHHa ".D;)f{a30BOro sexa", H cran rreBUOM-rTl1aHI1CTOM-apaH)l(I1POBLl.{I1KOM B opxecrpe ApHOJIbPa !()f{OHCOHa, KOTOPblH pa60TaJI B pesio "CKaH.lI.aJIbl ,lJ,)I(oplbKa YaMTa" B opxecrpoBOH .SIMe rearpa. 3TO MeCT0 patiors: ocofieuao npaaanocs I'apcnsny, rrOCKOJIhKY TaM 01:1 IiMeJI B03MO)f{HOCTb neTb Me)f{~Y a}(TaMH.

3aTeM ero rrpl1fJ1aCI1JI K0Mn03J.1TOp BHHceHT }()MaHc B CBOI1 HOBblM MlO3HKJI "Great Day" (1929) B pOIII1 BOKaJII1CTa. Hrrrepecao, L.fTO HMeHHO 3T01" nepBblM uiar B 06nacTI1 woy- 611.3He~a3aCTaBHJI ApJIeHa OTKa3aTbC.SI B .1l.aJIbHei1weM OT neHIi.SlI1 CTaTh npolPeCCJ10HaJI.bHbIM KOMn03MTopOM Korna JIeTOM roro )f{e rona ero nOrrpOCHJIM 3aMeHl1Tb 3a60JleBWerO m!aHHCTa ¢JIeT'fepa X3H~epCOHa B ero opxecrpe, TO ua OCHOBe ·OllHOH 113 CBOHX cpopTenl1aHHblX BapHau.I1H Apnea KaK'TO B aarpaxre aanacari necaro, JlJlH KOTOPOH rroar Tesr Koyrrep C04HHHn TeKCT 11 npH.llYMan Ha3BaHHe "Get Happy". OHa OKa3aJIaCb nepsoa npocpeCCI10HaJIbHOH necaea 11 ero nepBblM "XI:'ITOM" (1930). OH nonnncan KOHTpaKT C MY3blKaJIbHO-HOTHbIM M3.1l.an;JIbCrBOM MMJInCa 11 3aKOH411JI aa :nOM CBOlO xapsepy BOKaJII1CTa.

B COTpy ~Hl1qeCTBe C Koy nepou Apnea H ana can 3aTeM paa YJla'il:lbIX rteces .1l.JIH cepaa YHHI<aJIbHbIX uroy B 3HaMeHI1TOM rapJIeMCKOM H04HOM Kny6e "Cotton Club". 3TH BeJIJ.1KOnenHble nOCTaH0.Bl<J.1 C MY3blKOH Apnexa npaanexna BHI1MaHJ1e acero 6pOABe.Sl, Ky~a noaznree 11 rtepetiparracs Faponsn C Te~OM. A nOOJIe HeCKOJIbKHX ycneurasrx peBJO ~l M103HKnOB ua Ep0.1J,Bee Apnea B cepeaarre 30-x ~BI1HyJlC.SI B rOJIJI11 ayzi.

TaM OH scrperan MHorHX CBOHX KOnJIer M B c0TpY.lI.HI1LleCTBe C Apyrl1MI1 asropaaa TeKCTOB necea, TaKJ.1MJ1 KaK 3.1l.rap Xap6ypr, .D;)I(O.HHH Mepcep, Ajipa Tepuraaa, Jleo Po- 6liH, Pa1lb<p EmMH, .il:oPOTI1 <lJHJ1:nC 11 CHOBa c Koynepou ApJIeH HimHCaJI HeMaJIO npesocxonnsrx necen, xo'ropue KOma-1l1160 pO>Kll.aIDICb B rOJIJII1By,ue. Penxo KaKOH cjll1J1bM caM no ce6e xor 6hl cpaBHHTbC.SI C ypOBHeM HanJ1CaHFfblX MM .lJ.lI.II Hero rrecea, XOT.SI11 6blBaJIIi csacrnaaae I1CKJIIO'IeHI1.!l", aarrpnMep, l<JIaCCliL.feCKI-!l1 "Bomuefiame 113 crpaHbl 03" (1939), "XH)f{MHa B ueoecax" (1942), "Hlropvoaaa norozra" (1943) 11 "Po)l(JleHI1e3Be3Jlbl" (1954).

TeKcToBHKH Apneaa rOBOpHJIH, ';ITO CO"l'I-lHI1Tb CROBa K ero MeJIO.ll.M$lM - 3TO scerna Bbl30B .ll.JIll HHX, nOC)(OJIb.KY OHM HMKOf,n;a He 6blBalOT npocrsrua Jf Tpe5ylOT raxoro »ce xeaaypsnaoro TeKCTa. Ho ApJIeHY KaK npaBMJIO Be3J10 aa coaa-

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TOpOl! H CO CBOeH 06b1<IHOH CKPOMHOCTblO OR n;a)Ke MlWT.D;a npanacuaan 11M B aacnyry ycnex 11 nonYJI.IIpHOCTIo TOH MJI.11 HHOM neCHI1. Ho S mo60M cnysae cnenyet npH3HaTh, liTO HMeHHO nepo TaJ(ofo MaCTepa, RaJ< rapOJIIo.D; Aprren, Momo rtpeBpan-HIo rronynapayro necmo B npOH3Be.D;eHHeHCKYCCTBa.

fIeCHH fapOJIh.rta Apnena o.Ka:3aJUICIo HaCTOJIIoKO TeCHO nepennereau C MY3bIKOH BceH aM.e{CIHKaHCKoH neceHHoi1 ·Tpa--!lI1QI1I1, '1'1"0 OHH KaK 6Y)1TO cyinecraesana acerna.Ero MacTepCTBO HeH3MepHM:0 060rai'l1JIO nonynspnyto My3b/Ky B uelIOM. EMY yztasanocs :n;OCTHrHyTb srore oco6oro, xpynxoro 6aJIaHCa MC}!():ly HHTeJIJIeKTyanbHblM 11 HHTYHTHBHblM B CBOeH pa60Te,'1TO nenano (11 .rtenaeT) ero !1eCHH O}lHo.BpeMeHHO npWB.IleKaTeJlbHblMI1 KaK ,1VI1I umpOIWH ny6mlKl1 6naroJIap.lf 11X. Henocpe.nCTseHHOCTI1, TaK H .11JI!I nporaeccaoaam.asrx MY- 3bIKaHTOB· finaronapa erocoaepureaaosry Slla.n.eHM.lO TeXHH~ KOW KOMIJ03HI..I.MOHHoro MaCTepC1'Ba.

Taponsn Apnea YMep B HblO-M'OPKe 23 anperrs 1986 rona B soapacre 81 rona, 3iJ:s·apil )lma6noHcKflH HanHCaJI ero 6HOrparparo B BH.l.(el<Hl1rl1 nozt Ha3BaJmeM ~. "ClIaCTRI1fI c 6JIlO- 30M" (1962).

Fappu ¥oppell (Cansaarope I'napatrsa, 1893-1981). Po,!ll1nc.If B EpYKllHHe(Hhro.MopK), caMoY'lKoi1 OCBOHJI I1rpy Ha posne H B 15 JIfT Y)Ke pafioran nHaHHCrOM-aKKOMnaHI1.aTOpOM .[(1151" HeMblX CPH.lIbMOB. nOCJIe B'OeHHofi CJIY)K6bl 6b1n "neMOHCTpaTopOM necea' B MY3.bll<aJIbHOM 113.naTeJIIoCTBe "lllanape, Bepacrasn 11 PeMHK", Ii sareua 1922 rOAY liMen nepBIoi i1 ycnex C Co6C"rneHHOH rrecaea "Rose Of The Rio Grande", a B 1928 rony - c XI1TOM "Nagasaki". 51B]HIJIC~ raiose aB1'O· POM My3Ioll<l11< HeCKOJIIoKHM 6pO)lBei1cKHM moy, a C Har·lana 30-x pa60TaJI no KOHTpaK'ry B KpynHeHllHiX ronnanyztcxax KH"HOKOMnaHMSlX' "Yopnep Bpasepc" (1932-39), "XX aex - $'OKC" (1940-44), "M~f ~M" (1-944-52) M "Ifapasraytrr" (1952- 61). Texcrsi JlJl.lf era necen rorna IlHCaJIH3JI )l106HH, )J)KOBHI1 Mepcep, ApTYP <DPH.n H Faporrsn A.uaMCQH, a flaH60nee H3BeCTHblMH cpHJiIoMaMH C ere MY3blKOfi 6bl'1IH "42-fl ynaua" (1933), "Ila Mhl" (1934)., <!3'OnOTOHCKaTeJIhHUQbI C Bponses" (1935), "Xenno, <DPHCKO, XeJ1Ji.o" (1943) H "lleBYwKJ.I rapses' (1945).

Hecuorps na TO, '11''0 I1M.If Fappn Yoppeaa oxasanocs B nepBOM p!lJry MaCTep'OB aMepHKaHCKoro KI1HOMI03Hl<:J1a eute B 30-e roasi, HaM· ose-crasro 3HaKOMO T01l:bK'O B 40~e, masHblM 06Pa30M, 6narO;!l.ap!l3HaMeHHToMY CPHJ1bMY "Ceperrana COJlRe'-iHOH .40JIHHbl" (c yqacn-leM Taeaaa Manrrepa), K xoropoxy 0H aanacansce rreeau BJi.!ecTe c n03T'OM MaKoM Fopnoaoa, CBOI1M nocrcanasi» COTpy.nH"HKOM B TeqeHWM pa66Th'llla CTy.uWI1· "XX: aex - <DORC". C HHM)Ke 'OH uanncan B JIaJIbHei1weM TaKlKe Ii Bee neCHH .unH BTOPQr'OcpH.IlbMa C yqaCTHeM I'. Mannepa ")KeRb! 0pKeCTpaHT'OB". Ha HaWHX nJlaCTHHl<aX Anperrescxoro saaorsa 11 MH Y'OPpeHa snepaste nOHBI1JlQCb B 1946 rony, xorna QPKecTP A.UcpacMaHa (c M.IIIMeneBblM) sarracanero necmo "qeM 6:0nbwe BH)l(YCb" ("The More I See You"), X'OTlI elite B 30-x A.B.BapnaMQB I1Cnonssosan Hel<OTOpble o6pa6oTKH ero MeJIOl(I1H ("Ha xapHaBMe").

Ilocne Fonnasyna B 60-e ro.ubl Tappa Yoppea pafioran B Ka'-JeCTBe cBo6oilHoro anropa, OH yMep B JIoc AH.lUKeJleCe 22 ceHTH6pJl 1981 rona, 113 HaH60nee ITOnynJlpHblX necea Yeppena 6bIJI COCTaBneH·MI0311l<Jl "The Lullaby Of Broadway Or Harry Who?", K0T'OPbt:i1 uren aa Epozmee B 1979 rblJ,Y,

Busmop Jbu. rrpxexarr a .f0J1ID1BY.u S 1936 rony .. H nocnenyrouiae 20 ner ero .lKH3HH 6b!JJW 3al101IHeHbI HeBepO.lfTHIoIM KOJIW qeCTSOM C031J,aH HOH liM MY3bIKH. OB 6IoJJJ .aBTopO·M necea, KOMn03I1TOPQM, apa.H){tHpOB!l.!I1J<OM, MY3hl1<aJIhHblM )lHpextopou 11.1l:l1pl1.)KepOM B 350 cpl1JIbMax! Ero pa3H·oCTopOH' H.IIlI MY3blKal1IoHalI ;!l.eWreJIIoHOCTb CBOJI.l1naCb lie T'OJlbRO 1< Harmcastno rrapraryp .nJIH CPHflbMOB,OH TaK)Ke Y'laCTB'OBan B pH.ue pt':rY.IlHpHbIX Bt':.D.yl1.tHX pMl1onpOrpaMM 11 6bJJ1GTYJI.WHHblM 63H.u-nl1.ncpoM H3 cjmpMerpaM3anHCH" "Decca", CaM OB 6bIJJ nOXOlK na HeHCC.IIKaeMhlH HCTOllHI1K MtnOLlHM. MY3'bIKa .u3B3naCb eMY OlieHb nerxo - CTQH.IlO 51Hry cecrs sa poans, Ka}{ MenO;n;~m 6y.uTO J1i1JIHCb H3-f10.D. ero narrsues. OH 6h1J1 rrpaP'O)K.D.effH blM M Y3t.lKaJl TO MR M H O)f(eGTB.Q necea i'I TeM 113 ero 'cp·HJlbMOB )lO CHX nop .lfB·.IIHIOTCjf 4"aCTblO peneptyapa 110- nyrurpHoH My3b1KI'I:

Baxrop 5IHT pozrarrca B l{I1Karo· 8 aB-rYCTa· 1900 rOM B nonsexoii ceuse (oreu 6blJ1 onepHblM nesuoa) Ii ija'lall I1fpa'n, ua CKpHnKe a 6 Ret. Il oene CMepTH MaTep H B [9 to rony ero B MeCTe C cecrpoii ornpaanna }f(HTbK pO.D.CTJleHH HKaM B Bapuiasy. TaM BHKTOP CTaJl ctY.D.eHTOM K'OHCepBaTop'lJ.1. r.n:.c Q.D.HI1M H3 ero ytJHTelleH 6blJ1 POMaH CniTKOBCKI1H, YllCHI1K l{aM.KOBCKoro. Ero conIoHhIw.ne6l<}T KaK cxpsnasa COCTO.llJlC.If C BapmaBCKI1M CI1McpoHl1qeCKHM opxecrpou, a sepea ron KORlIePTHOii pa6'OTbI Bapuraacxee cpHnapMOHH'IeCKOe ofiuieCTBO npeaexrosano eMY cxparrxy Taapaepa.

Ilepsas MI1POB<iH Boi1Ba npepsana xapsepy 51Hra. B 1917 rOD:Y OH 6bJJ1 apecrosaa KaK wnWOH nocne csoero COJlbHOrO xoauepra B iPOCCHH, HO 6e)!(aJI C nOMOlllblO O}lFlOrO ocpHl::lepa-60JIbWeBHl<a, KOTOPOMY rrorrpaaanacs ero Hrpa. EMY Y.D.aJIOCh sepHYThC.II B Bapnraey, rzte DH 6bJJl BHQBIo apecrosan, HO aa 3TOT pas HeMuaMM. Ero TanaHT cxpartaua onars cnac eMY )K113Hb, Ii BI1KTopa OCB060D:I1JI11 nOD: '1eCTHoe enOEO. rtpaXMas OCTaBaTbC.If B Bapurase. Terreps ero e.D.,W HCTB eRH hI M )({eJIaHHeM 6bIJJO BepHYTIoCH B AMepl1KY H"B $eBpaJle 1920 rena OH aasoseu OKa3aJICH B HblO-MopKe,

B 20-e ro.II;bI JIHf 6hl.ll K'OHItepTMeitcrepoM B rearpax qltKafO, me co CB0IiM opKeCTpOM I1rparr u apain£a.rpCisaJI M}'3hTKY K HeMhIMq,HJIbMaM. B 1929 r. aaxanacs ern patiora aa pazrao, a xepea L(Ba rona. OH 3aKJIlO'UDl - KOHTparcrc q,HpMOH [paM3a[1}(CH "Brunswick ". B )laJIbHeH:uIeM 5Iar 6hlJl cM3aH C 60Jiee KpyrmoR q,l1pMOH "Decca ", l1 no'ITH J<ruK.!l"&lH apracr' llenaJI TaM CBOH sanaca B conpoeoxneaaa ero CTy.D;Iffi:H'OrO opxectpa, B D:eKa6pe 1935 rO,QaeMY rrpe.D)lO)Jlli}JH KOm;paKT C KlliiOKOMIIaHlfen «Ilapaesayar», l1'lepe? HeCK0JIbKO MecJP.:leB OH !1p116hlJl B T'O.llJIKBY.n, OTKY)la Y:Ke 60JIbille He yesxan H rne ,[{OC1'Hr HOBhlX BBICOT cBoe:i1; xapsepsr.

HeCMOTpjl aa orrpeneneaasre TeXHI1'1eCKl1e rpe60BaHI1.1l KHHOHH,[{YCl'pI1H, MY3bIXa RHra scerna QTJIH'IaJlacIo TeOnOTOH MenO.n,HH. ):(a)Ke·n naprarype K TPHJlJIepy "HenparnaweB HbIH" (1944) ocaepxuecrecrseu Iibl X sanenaax ero mo- 60SH aa TeMa.. 6blJla CTonb KpaCl-IBOH, lITO. M HOmeCTB 0 nlO.D.ei1 06paTMJ10CIo C Ilpocb6oM C].l.enaTIo ee sanucs. 5hlr np0l13BeJI .l.(onOJIHI1TeJIbHO aesoropyro nonHpOBKY ")TOW MeJlOJUII1 W.B 1946 rony "Stella By Starlight" crana 0.;!l.HOH 113 caMblX npexpacnsrx TeM B HCTOPUI1 I<HHOMY3IoIKH.

51Hra HHQr:n:a IlPI1H:HMaJIH aa 60Kcepa nerxoro aeca, OH 6bl:l1 "I<1penXi1M, 3;!l.OPOBbiM qenOBeK'OM·, 11 xorna B noc.r,re.nHI1W rozrero JKH3Hl1 )lOKTQpa 3anpeTHJIH eMY I<ypMTh M BbIl1MBaTb, OH flOcJIaJI BCeXl< sepry. O.n,:Ha 113 ero caMhl~ necnenaax KI1- H0napTI1l'YP 6b1JIa 11 'O.rtHHM H3 ero asrcanrx )1QCTHJKeHHH -

5

rro 4lHJlbM "Boxpyr CBeTa B 80 nHeM" (1956),K KOTOPOMY OH aanacan cepmo MY3b!KaJIhHblX KapnfH, a TaK)Ke 3arnaBHY!O TeMY, noannee YCIUleHHYIO llHpMyeCl<I1M TeKCTOM H cranuryio 60JlbWHM XHT6M. B reseaae )f(M3HH >IHra 19 ero napraryp 6b1Jut B paJHble roasr npeneraaneast K uarpaae AKaneMI-JIiI KHHOM.CKYCCTBa, HO, TOJlbKO,3a "Boxpyr CBeTa" OB nonysan caoero eJlHHCl1IeHJ·!Oro "Ocxapa" ~ nOCMepTHO. BI1KTOP .HHr CKOH'laJ1C.II OT cepne-nroro rrpHcTyna [I HO!'l6p.ll 1956 rona B ITaJ1M CnpHHI"C (Kanl141opHHR).

1l.:HC1O.R Cmfliiu po,nI1JIC.II B AHrJU111 (J10HD;oH, 31 )Xel<a6p.ll 1905 rona), HO scerna xasancs 6onee· aMepM1<aHCRI1 M KOMno~ 3HTOPOM, 'leM MHor,He 113 era KOnJ1er, PO,nHBWI1XC.II B HOBOM CBeTe. B [913 rony ero ceM bJi nepefipanacs sa OKeaH H ofiocaosanacs B 'lI·I1Karo. TaM )l)((IQJ1 n06111lCli raxax ycnexos B arpe aa posne, "ITO B Ka'ieCTBe 9-J1eTHerO ByHllepKlfrlJla Bbl· crynan COnl1CTOM C CHM41oHl1'teCKHMH opxecrpaua 'lIHKaro H )leTpoiha. B 13 JIeT OH rronyxan cranesnato HMeHIi Mouapra 1UI1i npO)l.oIDKeHl-LR M}'1bu<aJlbHOrO 06paJoBaHJ1RB KOJIJlen)l(e.

O.ll:HaKO, B Te rons: ql'lKaro 6b.ln )l.)!(a30B0i1 CTOJIl1l(eH ellA, rne J1YHC ApMCTpOHr 11 Kl1Hl" 01JJ1Bep, np116blBWHe ctozta 1i3 HOBOrOOpJleaHa; 3Ha}(;OMI1J11-l Mono.ne)!(b C noanauHblM )l)!(aJOM. ITO'lYBCTBOB3B K HeMY 60JlbWOH arrrepec, Jl)!(lOJI CTaHH OCTaBHJT 3aRll.TI1Ji KJIaCCl1'ieCKOM MY3blKOH H B03rJIaSl1Jl T3HlleBaJIbHbJH opxecrp, BblcTynaswHH B <jHKar~

. CKHX OTeJI.llX 11 xnytiax (O)l..HOBpeM:l'IB HeM HrpaJIl1.ua)Ke EeH~ HH rYJlMeH Ii ER"r;: EaM.uep6eK). Y)((e -rorna CraWH npOJlBI1J1 CSOH cnoco6HOCTH lWMI103I1TOPa. Hero nepBOHH3BeCTH0H necae "Sunday" (l926)cy)!<.neHo 6blJ10 erars "sexaoaeneHbIM" CTaH.IlapTOM (CM. ")'h(aJ~raJIepeli. Jlecrep JlHr" aa "MeJIOJHUI", 1989 ron),

B CepeAHHe 30- x CraM.H npaexan B r OJ1JlHBY.u, TaK KaK ero He3aypllJ1.Hbli1. TMaHT 11 ocnosareneusre JHaHHJI .B 06J13CTI1 rapMOHHl1 11 OpKeCTpOBKI1 npHBJleKJlI1 K HeMY BHnMaHl1e KI1~ Ho.neueneit Bxecre C aa'ropou neceaasix TeKCTOB DMMI1 KaHoM, C KOTOPblM CTaMH paficran no [954 rona, OH CO"lHasrtrrcnynapusre neeua MSI My3blKaJIbHbiX 4lHJIbMOB, HO C 1947 rona cran ml(,aTb 60J1bWe MSI Bponaes. O.uHH 1'13 ero causix ycrteinuux MI03l1KJ10B ")l)l(eHTJIbMeHbJ npennouararor 6J10H.IlHHOK" (1949) 6blJI B aexoropoa CMblCJle napOJUleM aa WyMHblH )])K33 20-x ronoa, a ·s ero Kl1HOBepCHH (1953) rnasasre P0J111 HCITOJJHliJIIi M3pl1JlHH MOHPO H ~)((eHH Paccen.

,[1:%1011 CTaftH 6blJI O.llHi1M In HaH60nee rrpeycneaaroutax MaCTepoa nonynilpHoM MY3blKH ClllA, I1Men MHoro paanux aarpan H npellHfM, HO npasroxacerna ocraaancs KaK 61,1 B TeHH .. "TOJIbKO acaonaareas TBOpHT neemo", yrnepanan OH Ii OXOTHO ycrynan CBOIO cnaay rresuaa, KPI1THl<,11. nQJJ.'-IepKi1- BalIH JlerKOCT.b H 113blCKaRHOCTb neeea CTaIiRa, Bepw.I1HOH ero reopsecraa RBHJICR MI03HKJI "C MeWHaH .nes "I OHK a " (1964 ron, 1348 cneKT3KJIei1), naprarypesoroporo nonyxnna Ha~ rpany 'Tp3M~m", aero 3KpaHI13aQH.!I (1968) npaaesna I-l.CnOJIH HTeJIbHH ue r naBHOM POJIH Eap6ape CTpaibeHll npet-uno "OCKap " ,

CTaMH aanacan MY3blKy nO'-lTI1 K 40 100HO(jmJIbMaM 11 ABYM 1l.eCJlTKaM MI03HKliOB,. pa60TaJI nOCT<lHOBIlIHKOM, 6biJI Tal<)I(e rrpomocepox B KHHO, 'rearpe H Ha TeneSHlleHI1H. OR yMep 20 ceHT1I6pJl 1994 rona. Ecrs 6110rpa41wlecKall KR ara ",D;)KIOJI" T.T3Hnopa (HbIO-fiQPK, 1979). Ero CblB Cr3HJII1 CTaM'H (p, 1930) - cnoco6HbiM aBTOp Te~CTOS ne:ceH,}-JJ KOTOph!-X epena

.n!l:<a30Bb1X MY3bIKaHTOB H BOKaJIl1CTOB aanfionee nonynapua ("The End Of A Beautiful Friendship").

II n Ii B n hi T T

Ib6UQ PaKCUI., npoacxomrr 113 <l>11.rta)l,eJlb41HI1; rne 01-1 poAI'lJICR 4 asrycra 1.912 rona. Era oreu 6blJl TaM }lHpl1)KepOM opkecrpa, arpaamero MY3b!Ky l< HeMblM cpl1JlbMaM, 11 no cy6~ 60TaMnpHBo.nHJI B KHHOTeaTp csoero ManeHbKOrO CblHa.(,,51 canen B OpKeCTpOBOH $lOMe H cne)XI'UI!3a ero naJlO'lKOM, Ha l<OHue KOTOPOH CBeTl'l:naCb KpOXOTHaR JIaMnO'IKa. Jl6blJl oxapoBaHcaMOM H.D:eeH.KHHOMY3bIKI1 11 penmn, 'ITO HMeHHO eio H 6yPS 3aHJ:{MaTbCll, xorzta BI>Ipaczy").

J(3BH.n l1:ly'-lan Hrpy ua poarre c npenonanareneu My3blKI1, II WKOJIbHOM opxecrpe !'lIPan ua opraae 11 YJlap}ll,:IX, a C llepeBHHHblMH .nYXOBbIM·H "HHCTpYMeHTaMH OH n03HaKOMHJ1~ cs C nOMOll{bIO orua, KOTOPblM 6bIJI xopo WH M KJlapHeTHCTOM. B 12 ner PaKCHH OpraJ-lH30BaJI CBO.1:l TaH ueaansns: H 63H;tJ:, KO:rOPblH lIblCTynaJl aa 11 esepanxax, a 13 15 OH y)Ke cyan nonHonpaBHblM 'meHOM MY3blKanbHoro COI03a. O.uHOBpeMeHHO OH Y'lHl1Cil B YHHBepCI1TeTe WTaTa IIeHCHJIbBaHI1J1, rile ero nenarorou no KOMn03HIl,HH 6b!JI Kapn Maxflonansn, arpan co CBOHM opKecTpoM aa paztao 11 Me)((.nyaeJlOM COCTaBI1Jl CJl.OBapb .D;)((a30BOi1: TepMHHOllOfHI1.

B 1933 rony PaK'CFlH rrpnexan B HbIO-HoPK, rne pa60TaJ1 fiHaHI1CTOM H apaH)I(HpOBWl1K0M B paansix COCTaBax, BKJ1IO<jaJl nepBblH 6Hr-63H.D: DeAH'" rY)l.MeHa. Ero opKeCTpOBKH nOJIb30~aJlHCb TaKHM ycnexoja, 'HO eMY npeJl)IO)((I1J1li KOH~ TpaKT C KpynHeHlUl1M MY3b1KaJIbHbIM H3JJ:a"teJ1bCTBOM Xapxca, C KOTOPblM 0H 6blJ1 CBR3aH B Te'leHlie . .nBYX rrer, a 1l0TOM npamne nparnameaae H3 rOl1J1HBy.o;a. bfY 6b1JlO TOJlbKO 23 rona, xornaocyurecrexnacs era Me'lTa crars J:(HHOlWMn0311- TOpOM.

AJ1b41pe)l. HbiOMeH nopeKOMeH)!I,OBaJJ ero tJapl1H 'tJanJ1l1- HY, 'iTo6blapaH:lI<.l1pOBaTb rraprjrrypy K (jmflbMY "HOBbIe apeseena" , fI sro 6bma nepaas pafiora FaKCHHa aa "41a6pl1l<e rpes". Qepe3 IO)l.Heli nO~Jle 6eCKOHe'-lHbIX cnopos ·qanmtH ero YBOJlHJ1, HO scxope rtepenyjaan 11 nOTOM OHH BMeCTe pa~ 60TaJlH Ha)l41HJIbMOM B resemre nnl1 M ecs ues. (" qapJIH 6bIJI HHCTI1HI<TJ.fS·HbIM MY3bIKaHTOM, OH 3Ha1!" nY'lwe ruofioro .lIPYroro, Kal(OH .nOJ1)KHa 6blTb My3bIKa.K ero 4l11J1bMaM, 11 YMeJ] 3aCTaBHTb nOj;i.llTb 3TO ").

B 1936·43 ronax ).J;:lBI1)l PaKcHH OHCaJlH apanxaposan M.!I MHO)((eCTBa 4ll-mbMOB, s TOM 'nIClIe KOp01'KOMeTpa:ll<HblX, Mynb THnm{}<aUHOHHbIX H .ll.OKyMeHTaJlbHblX. 3TO 6blIDi rO)lbl, xorna OR COBepweHCTBOBa.JJ caoe MaCTepCTBO. IIpH3HaHI1e K HeMY KaK.K nepBOKJlaCCHOMY KOMn0311TOpy npjnuno TOJIbKO B 1944 rony 6narollapll .ero naprurype K cPl1JlbMY "Jlopa", 3TOT JleTeKTHB CTyrufH "XX BeK - WOKC" He rtperennosan CTaTb J<.HHOKJlaCCHKOM, HO noene era BbIXO)l,a na 3KpaHbi see. My3blKaJIbHbi e Mara3HHbl Ql<a3aJIHCb 3aBaJIeH bl 3aJl:Bl<aMI1 Ha aarracs fJIaBHOM TeMb!. lhuaTem>l DOnpOCHJ1H PaKCHHa npesparars ee B neCHIO, ,D;)KOHHI1 Mepcep HanHCaJI K Hei1 CJtOBa, 11 "Fal< PO.nHJlCil "saeprpuu" "Laura", rtonynspaocrsxeroporo C T·ex nop He yssnana HMKOrJl,a,

EOJ1~bWHM YCITexOM ITO.rtb30BaJlaCb TaJOKe era TeM a "Slowly" (113 KI1Ho41IiJlbMa 'TIa.uwI-lH AHren" > t 945) M B nocne.ll,y,lOlUHe TPI111eC.llTHneTlilI Paxcaa Hal11-lCaJI M)'3blKy ewe nO'iTH K60 4IHJI~ MaM. B 1962 ro.ny BblWeJI "3an03.D,aJIbli16m03" (pe)Kl1ccep j{)KOH Kaccaserec), IfCTOPlill 0 )1,Ka30B.b!X MY3brKaHTax C Y'iaCTHeM E066H )lapHHa H CTeJIJlbl CTHBeHc,.llJIJI xero FaKe!:!}! CO'lI1HHJl .IDO)f(HHY rtsec C pa:mH"lHOH ,LI)K'a30BOM opaeHTaQHej.L

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B 40·e,lI.3BM)l PaKCMH 6blJl y'!eIUU<OM aenaxoro APHOJlbna illeH6epra, IWTOPblH rorna y)!{e )!(11J) B Iloc Aazcsenece, Ii rlOMHMO KI1H.OMy3hlKH aero axraae HeMaJlO KOHUepTHhlX HHeTpYMeHTaJ1bHbl;k pa6oJ:)J)1'!I 60JlbWHX 11 KaMepHb!X cOCTaBOB. ECTb HeCKOJlbKO )lOJlrOl1rpalOlUliX nnaCTHHOK, rae OH ,1l.l1.pl-DKHpyeT c06cneHHblMI1 npOI1.3Be)leHfHIMH. Macro speMeHI'! OR TaKlKe ornasarr MY3blKrulbHOMY 06pa30BaHHIDI1 B resenne psna JIeT sen CBOH KJlaCCKHHoMY3blIOl B YHHBepCH" TeTe lO~Hoi-i KaJll1~OPHHH.

A6mopbl mescmoe neceu:

Teo KOYJlep 0894·1973), O)),HHH3 OCHOBHblX coasropoa Taponsna ApJ1eHa .. POill1J1Cll !I BaWHHfTOHe, ncene OK0H'la· HHJI WKOJlhl 6bJJI TanepOM-mlaHHCTO M B KHH()Tearpax HeMblX cjJJ.1J1bMOB,3aTeM rracan necna H 11I!t6pe'TTo )1)1-.11 6pOl{BeJicIHIX MID3.J.iKJ10B· H peBID nma 3pna Kappona, B KOHue 20·x Koynep n03KaxoMHJICJI C Apneaou H COTpY)1HM'lall c HI1M MHOme ronsr, Baecre OHI1 coaaana pH,ll,ne.rUfJ<OJ1enHbIX uroy "Cotton Club 'Parade" B 3HaMeHHTOM rapneacxoe HO'lHOM l<rry .. 6e, a. C 1934 rena Tea Koyn:ep pa60TMB fOJIJlHsY,n,e. Kpojae Apneaa era napraepaaa no n'eCHliM 6blJJH TaKlKe P.EnYM, C.¢3HH, 'ulK.MaK,XbIO H .l(py.rHe.

3Jl,aio6uH (1891-1945) xaute scero COTpYAHl1'1an C Tappa Yoppeaosr B 30·eroA.bl. OH POAIfJ1C.lI B lllBeiiuapHH (1(roPHX), HOC 1893 roaa )(U!n B CllIA. B 20·.e pa60TaJI Ha EpQ,ll;Bee, rne 6blSl B urrare cny}f{all.(HX Pa3JUlqHhlX My,3b1KaJIhHbIX H3 . ztaTenbCTB H rracan necaa ,!Ull! Tea1p:aJIbHblX nOc:raRO'BOK. Ero nepsoji 60JIbWOH yaa'leHCTaIl TeKeT, HamlcaHHblH 11M Ml! pOMaHTI1'leCKOfO nysra "38e3.l(" roro BpeMeHH I'eprpyns: Jlopeac 11 ,D;'KeKa l;:bloKeHeHa B "Illaprror-pearo' (1926). C 1929 rOJla,UJbOHH aaxonnncs B fOJ1JHiBYJle, paooraa TaM rio KOH~ TpaKTY co crylU1eM"YopHep Epasepc" EMeOTe c Yoppeaoa, Ero rrecaa "Lullaby Of Broadway" (1935) 6blna OTMe'!eHa Harpa.uoH AKaAeMH:H KHHOHcKycCTBa. )b0611H JU3Jl!ll1CH onHliM H3 caasrx ·nnOAOBI1TbIX TeKCTOBHKQB B aMepHKaHeKoH nonynl!pHOH MY3bIKe. B 'laCTHOCTIi, lUll! <popTenHaHHoH KOM· fl03HUHI1 BHKTopa fep6ep:ra "Indian Summer" (1919) crtycra 20 ner OH uanacan npel<paCHhIH JIHpH'1eeKHH TeKCT Ii 3Ta nseca crana XHTOM B 3am.fC.JI"X opxecrpos Fneaxa MHJ1J1epa Ii TOMMH ,nOPCH.

MUK rOpOQII (1904~1959) - 3TO oJ(l:m M3 6JlH)fCaHUmX coJPyruHu<oB f.YoppeHa B 40~e ronst. OH ponancs B Ilonsnre (Bapuraaa) Ii eme pe6eHKoM upaexan c pOJlHTen~MJ.t B CIlIA. Ilocne WKOJIbl nen rrapraa conpaao B MHHC1pell-lIJOY H yqa~ CTBOBaJI B BOl(eBJ.fJIbHblxcneKTaKlIHX H MY3hlKaJIbHbiX KOMeltHHX. He . .t£oJ1rci nopafioras sa Bponnee, Fepnos B 1929 rOllY OllHWM. 113 nepssrx OCeJl B Tonnaayzre (aaasane [10 KOHTpaKry C "TIapaMaYHT"), rne B llaJlbHeMWeM aanacan oxono 200 rtecea K 50 KHHOQlHlTbMaM. B 30~e rozm OB· 6b1JI np.eHMyme· CTBeHHO coasropoa Tappa Pasena, a B 40·e pafioran B ocHOB HOM C Y oppeaox, BMeeTe C KOTOPblM C03J(aJI Bee 3HaMe~ HHThIe neCHH 113 <pI-InbMOB "Cepeaaaa COllHel(HOM J(onJilHhl" Ii ")KeHbl opKeCTpaHTOB" (c y'la.CTueM opxecrpa I'neaaa MHJ1J1epa).

Heo Batuuuemoll (190 1-1976). HecMoTpJI aa csoe naxansHoe TeXHHl(eCKOe ofipaaosanae, 6bln aBTopOM uenoro pJi.lla XHTOB. ITYTh B lll_oy~6u3Hec BaUIHHtToH TaK:lKe aasan aa Eponsee, rl(e eO'll1Hlin neCHHK. "cepHi1Hh.lM~' M103HKJ1aM 3pJI.a

Ksppona, K pa311H'iHbIM BbmYCKaM "qepHblx nnlJ .. r" H "BaaAep6HJIT-peBlO". Cpena ero nepasrx YJ~a'1 ." I'm Getting Sentimenta1 Over You" (rmiBHaH TeMa opxeerpa TOMM4I ,llop~ CM) 11 "Smoke Rings" ("C!1rHaJI" I'neaa fp311. 11 ero "Kaca J1oMbl"),o6e 1932 rona. C eepeJlI1Hbl 30-x 11 )10 60·x BaumrTOH pafioran B fOJ1IIflBYJ(e c Me{:THbl MILKH HOJ(OMIl03HTopa" MI1 (B.~Hr> E.Kei1nep., L(TeMKHH), rne m1CaJI TeKCTbl K I1X 3arnaBHbiM H TeMarWleCKHM MeJIO,ll,WJfM. Ero rrecan ! 2 pas npencraarrsnacs K aarpane AXa.o:eM1Uf.I<HliOJlcKycCTlIa, HO nOJIYl(I1JlH ee TOTLbKO "When You Wish Upon A Star" (as <pHnbMa Yorrra.Ilacsea "II HHOl< .. KHO" , 1940) 11 "High Noon" ("POBHO B IlOJI,n:eHb", 1952). Bsin JlHpeKTOpoM AMepHKaIi· cxoro efituecrsa KOMno3HTQPOB, RBTO.pOB 11 H3.u;a:reneH, B 1950 rOl(Y iof36paH nOqeTHblM rpa}«Ll.aHMHOM csoero PO)J;HO' ro ropona CKp3.HTOf(a (WTaT IIeHcJ1J1bBaHHlT).

OMMU Kan (C3MID3JIb K03H, 1913- 1 993), OnKH 113 caM blX 3Ha'lltTen.bHhlX aBTopOB nonynlTpHblX necea. POAHJ1CH B HMoHopKe, rne nOCJIe OKOflqaHlil! WKOJIbI 6blJl CKpHna:l(OM H 1111aHHCTOM' II BO;D;eBHllhHOM opxecrpe, B 30-x OpraH.1130Ball CIIOf( Tam"eBaJIbHbIH63H.l(, ero napraepoja 6i.1n Con qanmlH. BMe~ ere CKOTopblMKaH B 1937 roJJ.Y HanHCaJI, cnosa I< nonynspHOH eBpeHcKOH MenO)lI1J.{ Illonoaa CeKYHJ(bl "Bei Mir Bist D u Schon" (I 932), H OHaCTaJla BeJlH1<HM 6eeTCeJInepOM B

3alUfCfI BOKaJlb.Hor.O TpHO cecTep 3H)J;PI03. .

C3MMH KaH 6blJI TaKlKe asrcpov nH6perro K nocraaosKaM HeCKOJlbKI-fX peBID ranat'Connie's Hot Chocolates" (i 936) 11 "Cotton Club Parade" (1939), a B 19~O rony yexan B fOnJll1sYA, rne ero nOCTOHHHblMH coaaropaaa CTaJIl1 KOMn03liTOpbl ,ll,}J(lQJI CraHH 11 ,ll)!(eHMC BaH Xbi03eH. BnocnenCTBHM sa csoa pa50Tb! OH 4 pasa nonyvan narpany AxaneMHH KHHOHcKycCTsa·, a nOMHMO KHHO nacan neCHH crreuaansuo J(1l11 TaKHX HCnOJIH'MT-eneH, KaKcllp3BK Cauarpa, 1l.MH MapTHR, Tleppa KOMo, BI1K ,n3M0H, Ilons AHKa, Eap6apa

CTpaH3eH.n H ,ll,p. .

B 1955 ro.u;y KaH CTaJf MY3.blKaJ1bHbIM 113.naTeneM, B 60MX nOlIBJlllnCll na TeJIeBH,UeHHH B TeMaTI1'!eCKHX nporpaaaax, noCBHmeHHblX era neCHJlM, a fI 1974 rOJ(Y asreryrran Ha Eponaee fI xanecrae axrepa, csrrpas rnaaayto pOJIh B woy "Cnosa H MY3bIKa". Obllll136paH npC3l1;.n;e;HToM ofiuiecrsa "Songwritters HaH OF Fame" (1972) Ii HenlIJIe$! 'lneHOMCOBera J(HpeKTOPOB AMepl1KaHCKOro ofiuiecrsa iWMIl03I1TOPOB, aBTOpOB 11 H3.n;aTeJIeM. B 1974 rOAY OH uanacan 11 BbInycTI1lI B HsioHopKe CBOlO aBTo6Horpa<pH'lecKYro KHwry "I Should Care" (".51 aaaetocs"), no Ha3BaHHIO ottHoH H3 ero 113seCTHbiX necen 40-x rOl{OB.

7

From "SUN V ALLEY SERENADE"

IN HE MOOD

Musi~ by JOE GARLAND, Words by ANDY RAZAF, An. by GREGORY FINE

Iimo30BbIH "PHcjlcjl", Ita KOTOPOM OCHOBaHa 3Ta nonYIDIpHaH ,lOKa30Brul reua, eme B nasane 30-x BCTpe'IaJICJI B sanacsx .zwyrox MY3bIKaHTOB «lmeTIJep X3H.n;epCOH, .u:OH P3.n;MeH, Knozi Xortxaac, ,lJ;)KO Mapcana) non .zwYI'RMH Ha3BaHHHMH, noxa TeHopHCT ,lJ;lKO rapnel-t:'.ll. (l907-l977),HrpasmHH rorna C opKeCTpOM 3.n;rapaXsaca, He C.IJ.eJIan H3 Hero H3BeCTH)'IO KOMn03nnmo B 1938 rozty, BHa'laJIeOH.llaJI csoro apaH)KOpoBKY B opxeerp ApTU Hloy, HO TOT HHKor.n;a ee aa sanncsraan, TaK KaJ( OHa 3aHHMana no ,l:(JntTeJIhHOcTH 3HallnTe.JlbHO fionstne BpeMeHH 3BYQaHHJI O)(JIOH CTOPOHbl 78-o6opOTHOH OJIaCTHHKH. Ho xorna 3Ta nseca nonana B PYKH Fneana Mannepa, TO OH Hero apaaxapoanrax .u:JKepPH rp3H y6paJIH 03 nee Bee JIHIDHee H npeBpaTHJIH B 3aJ(OH1feHHbID we.n;eBp JIaKOHHIIHOCTH H CBHHra:

Ilon Ha3BaHHeM "In The Mood" ("B HaCTpoeHHH") MHJIJlep 3anllC8JI CBOJO BepCHJO aa DJIaCTHHKY 1 asrycra 1939 rona H OHa CTMa ere nepBblM 3HaMeHHThIM XHTOM. ORa TaK)f{e Ha'lHHaJIaCb co 3HaKOMOrO l2-TaKToBoro "pHcjlcjla" CaKCOcjlOHoB,HCnOJlHSleMOrO ,ZJ;Ba>K,lJ;bI, 3aTeM CJIe.n;OBaJIH nepeKJIHIJKa TeHopa C amTOM 'Ii cono 1J>y6bl, a B lPHHaJIe MHJIJIep OCTp0YMRO HCnOJlb30BaJI HeO)J;flOlCpaTHoe noaropenae rex lKe "PH!lJ4JOB", nocrenenuo aaryxaiomax H nOI:JTH HCIIC3arom:nX, HO BHC3aqHbIH TYITHHKbIiiB3pbm aa cjlOPTe scero opxeerpa B ~eJIOM, rroaropasxaero 3:TOT IUfKJI, XaR 61>1 CT8BHJI TOIIKY. sasepnras nsecy, 3T0 6bffi OlleRb npHBneKaTeJlbHblH H 3",q,eKTHbIB, THllH1fRO MHIDIepOBCKHH npaea, uerro BpO,ZJ;e MY3bIK8.JlbHOH Hrpbl B KOIIIKH-MbIIllKH, ':ITO HeH3MeHHO BbJ3bmanO BOCTopr Ta~yJ()ll.\eH ny6J1HKH.

BnOCJIe,ZJ;CTBHH MHJlJIep HCn0JIb30BaJI "In the Mood" B xasecrae BCTaBHOrO HOMepa B IPHJlbMe "Cepeaana COJIHelJHOH AOJIHHI;.I" (1941), rne OH CHHMaJICSI BMeCTe co CBOHM opxeerpoa. rJI8BHbIM OfiPa30M, 6JIarOAapS ero lPHJlbMY sra TeMa CTMa H3BeCTHa II HanmM mo6HTemIM ,a*:a3a eme BO spesreaa sanacea aa peHTreHOBCKHX "pe6pax". QHa 6b1JIa HeBepOSlTHO nonynspaa Bl\alDeH crpaae npocro non Ha3BaHHeM ":JIH,llorens", nuc KU B KapTURe OHa 3BytIHT ua raanax HMe~HO B 3TOM "OTeJIe", nOCTpoeHHOM B KHHOn8BHJIbO-

He.

3Ta HHCTpYMeHTaJIbHaJi TeMa HMeJIa TaK)I(e CBOH CTHXOTBOPHblH TeKCT, HO B OCHOBHOM OHa npOCJ1asanacs aa aecs MHp HMeHHO B Krr3CCH"leCKOH apaH)I(HpOBKe Trreaua MHllJIepa H npeaparaaacs B MY3blKaJIbHbrH CHMBOnu.eJIOH 3noXH, BKJII01faBlDeH aoeaaoe H noenesoeaaoe nOKOneHHJI. QHa 3BYllaJIaB OKKyIIHPOBaHHOB HeM~aMH. Eapone, ,ZJ;a)Ke B reTTO H xoannarepsx, X8K 3HaR ConpOTHBJIeHHft Tperseuy peHxy. QHa 3By'laJIa H3 6oM60y6e)J(HlI{bH-1iu-CH H B OCB06o)K)l;eHHOM IIapHJKe KaK 3HaK n06ep;b1 Ha,ll q,aWH3MOM. B 40-x MOCKOBCK.He IUKOJIbHHKH (a HblHe M3TPbl ,lOKa3a) OTDJIlICbmaJIH no.IJ. "JIH,ZJ;-0TeJIb" na rammncruaasax, B 50-x CTHJIbHhIH "In The Mood" neH3MeHHO rpexen aa cry.n;eHlfecKHx raauax. 3a nocnenaae 50 1IeT B MHPe He CE.IIIleTCSI HU onnoro opxeerpa, KOTOPbIH He HMeJI 6bl B caoeu peneryape 3TOT BeJIHKIDf ,lOKa30BbIH "saeprpaa" .

H3BOK8.JlbH.IiIX HcnonueHH" MO)KHO Ha3BaTb, HanpHMep, 3anHCH 6bmmero MHJIJ1epOBCKorOKBapTeT3 "The Modernaires" ("Salute To Glenn Mi11er") H xsaprera ceerep Knapx ("Salute To The Big Bands").

A •• ~ r-:l I ......., . I
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.
1 1 --I T 8

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9

IN THE MOOD

I

(Words by ANDY RAZAF)

Mr. Whacha call it whaeha dolo' tonight,

Hope you're in the. mood tonight and feelln' just right. How's about a comer and a table for two,

When the music's mellow in a gay rendez-vous,

Mister, you've been hungry for some musical food - You gotta do some dance to put you right in the mood.

Mr. Whacha, you call them it's a timely idea, Something swings a dealer wilt be good to my ear. Everybody must agree the dance in a charm,

When you have a certain orie you lovem your arm. Just a now for two will be sweet in a 100 "'

Oh, dol. You put me rigbt in the mood!

In the mood - untill chart it,

In the mood- you get me started. In the mood- oh, while I hug it

We're absolutely, positively in the mood! Hep-hep-hep- with Mr. Miller, Step-step-step - I hear the dealer, Slap-slap-slap- oh, what a thriller!

We've hugging and we're mugging and we're in the mood!

IT

(Words by JOE GARLAND)

Wbo's the Iivin.' dolly with t.he beautiful eyes, With a pair of lips. I'd like to try 'em for size,

I'll just tell her: "Baby. won't you swing it with me?" Hope she tells me maybe what a wing it will be,

So I said politely: "Darling, may I intrude?" ,

She said: "Don't keep me waitin' when I'm in the mood".

First I held her lightly and we started to dance, Then I held her tightly what a dreamy romance! And I said: "Hey, baby, .it's a quarter to three,

There's a mess ofmoorilight, won't eha share it with me?". ~'Weur', she answered, "Mister. don't cha know that it's rude, To keep my two lips waitin' when they're in the mood!".

In the mood - that's wbat she told me, In the mood- and when she told me, In the moed » my heart was skippin',

It didn't take me long to say "I'm in the mood now!" In the.mood - her crazy lovin',

In the mood - what I was missin'

It didn't take me long to say "I'm in the mood now!".

10

From "WATERLOO BRlDGE"

AULD LANG SY

E

OLD SCOTTISH MELODY, Arr. by GREGORY FINE

3TO CTapHHHaB uiorrranncxaa MeJIO,Ll;HH, HamlcaHHa!l aa CTHXlf 3HaMeHHToro nO:3Ta XVIII sexa Pofiepra Bepaca. OHa Ha3bI13aerC5I "Illornaancxas 3aCT0J1hHaB" (wmr "Crapas ,n:pY>K6a"), HO cpezra HaWHX mo6HTeJ1eii KHHO nOJ1YQHlIa Ha3BaHHe "Bansc rOpSlLQHX csesea'' , TaK KaK 6bma KOf,l\a-TO I1Cn0J1h30BaHa Wl1l C03,L(aHIDI pOMaHTHLJeCKOfO HaCTpoeHIDl' B npexpacaou Q:>HlIhMe "Mocr BareplIDO", f,Ll;e repoa TaHl..I.YIOT non 3Ty My3hlKY 8 K.rry6e 'TOpSlLQHe CBeLJ.H". BceMHpHO 3HaMeHHTYIO KapTMHy "Waterloo Bridge" B HenO~JIaCTHOM BpeMeHH )KaHpe Meno.n;paMhl CWIJI B 1940 rony pe)I(J1ccep MepBHH J1ePoa aa CTY,lI,MM "MeTpO-rOJl,LWMH-Mewep" no cueaaparo C.H.fiepMaHa, rnaaaste POJIH I1CnOJIHSlJII1 BI1BbeH 11H " Pooepr T3WJIOP, a oouree MY3blKalIbHOe COnpOBO)fQ:(eHVle, B OCHOBe KOTOpOfO 6bIJIn necna a Mapnm I-M MMpoBoH BOHHhI, apausorposan Fepoepr Cro rrapr,

3TO O,L(WH 113 'rex peAKHX cnysaes, xorna Tpa,Ll;HU;HOHHa1l MelIO,ll,H1I ,LT.aJIeKoro npoumoro, BK1110- -reauas B cjlMJIbM, CTaHOBMTC.9 ero OpraHHlJeCKOH lJaCTbIO B TaKOH CTeneHM, 1..fTO HOCTaJ1hfH1..feCKH accoumrpyercs TOJIbKO C HHM.

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II

1

From "SUN VALLEY SERENADE"

CHA llANOOGA

CHOOCHOO

Music by HARRY -WARREN, Words by MACK GORDON, An. by GREGORY FINE

HaBepWIKaBO BeeM MHOro06pa3HOM My.JLlKaJIbHOM Hacne~1H romnmy.lUl He HaH.zr.eTClI.rq>yroii TeMLI, KOTOPaJI "Me· JIa 6bl CTOm. npO.llO~HLIH Pe30HaHC, BO BCjiJ(OM cnyqae, Y Hac B POteH". H HH O,llHH .upyrou <PHIlLM He Mor 6bl CPaBHHTbCH DO cBoeii My3LD<alILHoii 3HafJHMOCTH C "CepeHlIJJ;oii COJDfe'IHoii )lOJlHHLJ", oka3aBweii orpoaaoe BJIIDIH_He aa uenoe nosoneaae H8WHX ,lJ;)Ka3MeHOB. EJIecnnuWl arpa opxecrpa rneHHa MHmJepa B 3TOM $HJIbMe noponana COTHH HOBD- 06pameHHLIX mo6HTeJIeH ,ltlKa:Ja B HaWeii erpane, a HHLfe OCTaJIHCb HMB aaacerna,

Heenon 1941 rona Beef> opxeerp rJIeHHa MHJm:epa ompaBHJIDI B r OJIJIHBY.Il, r.lle 24 MapTa Ha'laJIach pafiora H3,lI. 3TIlM Ij:lWlbMOM. EU{e B KOHI..te 3O-x kHHoMaruaTbl3aMeTK1IH, 'ITO DOliBJleHHe )l)Ka3-OpKecTpOB na 3kpaHe npHBJIeKaeT ny6JDtI<y B kHHon:a:rphl, Jt3)I(e ecJDI caM «iJHJIbM HeBbJCOKoro Ka'lecrBa, U B tUfCTO I'OJIJIHBY.QcKoii MaHepe OHH Ha'laIIH npe.llCTaBJIllTb 3TH OpKet:"Ipbl C MaKCHMaJILHOH nOMnOH U MHHUMaJIhHOH ,ltOCTOBepHOCTLIO B caMblX pa3JIH'IHLJX K~pi"HHax.

K 1941 fO,n,y, kOr,ltaMO,lta aa cBHHrOBLle 6nr OOH,ltbJ B AMepHke ,ltOCTHI'JIa CBOHX caMLIX roJIOBOkp}'JKHrem.HbIX BLlCOT, B rO.1DlHBY.Qe ycepaao -rpY,IJ;HJlOCb MHOlKecTBO OpKecIpOB. Bee OHH ,lteJIaJIH <pHJlbMbl, kOTOpble 'IYf:lKe 3a6blBamtcb. OJtHat<O, sroro He npoasomno C fJIeHHOM MmIJIepoM " ero "CepeHa,llOH CoJIHe'iHOH )lOJIHHLI". CTOPOHHHK )lOCTOBepHOCTl:f H TO'!ROCTH, OH HacraHBaJI ua nuarem.HOH paspafiorxe xaxoro-ro IIpaB.llono)l,06Hora cnenapas, nepe,n. TeM KaK npencran, nepe,n. ICaMepoH ua CTyJtHH "XX BeK - «VoICe". OH D01pdioBaJI, 'IT06Ll era aHcaM6J1h mJllIJlCg HOOTbeMJIeMOH '1acn.1O BeeH HCTOpHH Ij:lHlIbMa, a He npocro yqacmoBaJI B ICaKHX-To CJIY'laHtn.lX, BCTaBHblX cuesax, KaK 3TO 6hmo co MHOrHMH APyrHMH opxecrpaaa, K 3TOMY BpeMeHU Mrumep nocrar eraryea "3Be3)lbI" H -rpe60BaJI reneps, 'ITOObl CHUM 06p3.I.QaJIHCL HMeHRO xaK co "3Be3.D;oi".

CaM q,HllLM (pelKHccep EproeXaM6epcroH) 6LIJI CHHT oqem 6Llcrpo. B -reIJeHHe scero oaaoro MecJ[ua, HO eMY CyJKJXeHO 6hDlO erars Bh~IQHMCg n3.MJITHH1COM BO Beei HCTOpHU Tneana Mrumepa. Maorne HawH ,l.tlICa3OBbJe My:JhJKaHThIaerepamr Ha3LmaIOT cerO)l,HJl"CepeHa,zzy COJIHelJHoii )J;OJIHHbI" OTI1PaBHOH TOIIKOH caoeii xapsepsr,

9ror 4lH1ILM 6Lm DpHo6pereH HaMU eme B ro)lbl BOHHbl H nOTOM Heo,nHoKpaTHo ,neMoHCTpHpOBaJICJI sa HawHX 3KpaA Hax B TelJeRHe necn:e.n.yrolQUX .50 ner, B HeM TaIOKe CHHMaJIHCL "KOpOJIeaa" cpHI)'pHoro KaTaHIDl aa m;zy, MHorOKpaTHaJi OJIHMIIHiiCKag lJeMnHOHKa Tex JIeT Coas XeHH, 3HIlMeHHTltlH aMepHKaHcKHii KOMHk MwrroH BepJI, a cas MJfJVIep nposaan HeJayp'Wible axrepcKHe xasecrsa, y6e,!lH'reJILHO csrrpaa pom, PYKOBO,lJ}fTeIIJI opxecrpa "Becenue -rpy6a.zzypLJ" (]>HJIa KOpH.

"qaTra.Hyra" JIBJIJIeTQl ueHTpaJIhHOH cneaoa 4JHJIbMa, kOTOpWi BKJIIOlIaeT M)'3bn<y. neaae H TaI:Il.teBaJIhHbIH HOMep. Be HCIIOJIHJIJIH T3KC Beaece, Ilona KeJlJlH, BOKallbHbm KBapTeT "Modernaires" H TaHLtopld - 6paTbJl Haxonac C ,UOpOTH .r:t3HAPH,lI,)K· 7 Mag I. 941. ro,l{a 3Ta TeMa BDepS.Me 6bma 31lDHCaHa Ma.rmepOM Ha DnaCTHHK}', KOTOpWi CTaJIa. nepBLIM "30JIOTbIM

)J)ICKOM" B HCTOPUH )l,)KR3a. Pardon me, boy I can afford

There's goona be

8---------

is that the Chat- ta- noo-ga to board a Chat- ta- noo-ga a CCI"- lain part- y at Ibe

Track twenty nine, I've got my fare Sat- io and lace

Boy, you can gim- me a shine And. just a· trif- Be to spare I us_ed 10 caU- fun- DY face

12

four, bar

quar- tel' to eight to the

Read a ma~ga- me and then you're in Bal- ti- more Then you know that Ten-nes-see is not vc;. ry far,

Din- oeriD Shov- el all

IKJO. tbing could be fm. er got- ta keep iI roU- in'

dian to have your bam and eggs in

the din- er the coal in,

roo- Ii-

Woo,

Woo, Chat-ta.,noo-ga There

na

you are

She's .gonna. cry

un- til I tell that I'n nc;. Vet roam;.

Won't you cboochoo me home.

13

So

From ItSUN V ALLEY SERENADE"

I. KNOW WHY (AN,D SO DO YOU)

Music by HARRY WARREN, Words by MACK GORDON, An. by GREGORY FINE

He C1.JHTasI YBepiloPbl, 3TO iPaKTHlIeCKH nepsaa MenO;n;IDI. C KOTOPOM HalJHHaerCJI MY3bIKa 4mJIb~ Ma "Cepeaana COJIfieqUOH ,ItOJIHHbl". B HeM 3TY necmo H.cnOJIHJlJIAY3T neBHQ.bI opxecrpa BHBHaH j);OYH (axrpeca JIRHH Bspa) H nHaHHCTa Tena Cxorra (aKTep)l;)IWH n3HH). sa HUX Ha 3BYXOBOH ,llopO)I(Ke nenn Jloppean 3,1lJIHOT H P3M: 36epJIH. 3ro HacrOJl~l:fi1 raMH JII06BH C Y.lU'IBHTeJIbHbIMH Jmpn.lJ.eCKlIMH CntXaMH, xoropsie B esoe BpeMJI Y Hac aepenxo neJIH B PYCCKOM nepenone ("MHe

)l,exa6pb KIDK.erCJI. MaeM ••. II). " ,

Fneaa MHJlJIep BCnOMI1HaJI: "Korna Mb1 3anaCblBaJlH 3BYKOByro ,It0POiKKY, nOCJIymaTL Hac npHWeJIAa)Ke we¢ CTY,llHH "XX seK .~ <l>OKC" ,ll;apun 3aHY'K co BeeM csoeii CORTOtt i1rpaTb BUX ) 3aJIe 3BYK03anHCH 6bIDO O)),HO Y)),OBOJIbCTBHe, Haw opxecrp HHeKOf.n8 He 3ByQaJ] TalC XOPOUIO aa flJIaCTHHKax't.

1~~~~~~~

.,..

Anll

Wby do to- bins sing in De- eem-ber

Loqg be-fore .lhe spring- time is due?

ev- en though if'55110W~ ing

vi- ~ I.els aregrow~ ing .~

I . know wby and 50

do

you.
t
do? And #. ~. ~ - - - - - ",..
l- I-- -,- - - - - - - - - -
~. ~
itJ sr.o. 114.7 Om Am alto a""., I D'I
-~ I: .- ~ e .,~ ... .... ,~ &: .~
I I wby have I the feel- ing

JllJ..b.; J)

stais are on ID_Y oeiling ~

~n.

14

[ know why and so

do you.

When

you smile at me-

I hear ,............"...........,

When

dance with me

I'm in

you

heav-en when the music be-

gins.

I can see the sun when if's raining,

Hid-ing eve- ry cloud

I see rain- bows

from my

And

why do

Am{C

Om

when you're in my arms -

do

----

-------------------------

15

From "BABES ON BROADWAY"

HOW .ABOUT YOU

Music by BURTON LANE, Words by RALPH FREED, Arr. by GREGORY FINE

TI€CHH ozmoro H3 HaH60nee 3Ha4HTeJlhHblxKoMn.o3HTopOB rtonynapaca MY3hIKH EpoABe51 H [OJIJH1BY.lla Beprona JIei1Ha.(p. 1912)) nnepsue nposaysaeruaa B lUrHOMlO3HKJIe ",lJ,enl sa BponBee" (pezorccep Eac6li EepKJIl1), caaroro CTY.f(lIoif "TIapaMa)IHT" B 1941 rony c yqaCTl1eM ,u%)'.llH Tapzrenn 11 MMKKII Pyirn B cepaa apyrax noztotiasrx MY3hlKaJIhHbIX q:,IDIbMOB :nOll MOJIO.LI;OH TOf,lla rrapsr. B 50-x Y)latIHble 3aITHCll rrecna cnenana cIlpsHK CRHaTpa C opxecrpou HeJIbCOHa Ptutana, P03MapH KlryHH C BOKaJIbHbIM KBapTeTOM "The-Hi-Lo's", a TaJOKe OHa )J{e C DlIHTOM Kpocfia.

, 1

I like New York in June

Gm'l

How a- bout you

F

Fm7

Fm

I like a Gersh- win tune How a- bout you
-f f r r

slo. sus BI>-e £10 Fm Gm" G</J I

love a

co- sy fire- side

when storm is du.e

16

Dm"

due

I like ~ ta~ to cltip,s. mooqJ.i.gbt and mo- tor tri.ps How a- bout you

r

I'm

mad a-

can't ,get

bout new bOOkS

f

Fm'7

Fm

fiB

And

Dur-

te's look

James

r

give me a thrill

Hold- ing

bands in the mo- Viesbo.w

When all the light are low

not beDew

But] ,like it

May

r~

Dm7 G-O

How

17

my

From "BLUES IN THE NIGHT"

BLUES IN THE NIGHT

Music by HAROLD ARLEN, Words by JOHNNY MERCER, Arr. by YURI CHUGUNOV

He HMelOlU!1J[ HHKaKoro 01ll0JI[eHIDI K 6mo3Y, era scrpamras MeJlOIl.lfJl. TeM He MeHee, 3aC!I)'2KeruIO crana "Be'lf(03eneHhlM CTaH,t(ajtroM Btr<ope nocne csoero npe.u.CTIumeHIDl: B o,I(HoRMeHHOM KHHo(llllJIl>M.e (l941). pesorccep AHaTomfi.t J1I.rrs1lK,C yqacnreM TIPHCIzylJIJlhl JbltH, L"Ty,ll,IDl "YopHep Bpaaepc". CntlTh H aacrpoeaae Yl'O~rneCHH 6I.IJIH YJl.a"lllo Oepe}J]J.;l{I.I B 3am1CH opKecrpa,[(){{ID.:rMH JIaHC¢Op.!J!'l, c,t(erraHI{oti: B AeKll6pe -roro lKe rona, a TaI0!Ce opxecrpa Apra II10y (BOKaJI "XOT JhUIc" IIelt.n:)I{!l). 3aI"lHChlllam! He pas 3"l" 'reM)' fieHHH rY,1J.MeH fli I'nean Mmrnep, H3Becnn.I ee KmlOIfH'!eCKHemrrepnpeTalnIH 3nnOH ¢HLOKepam.)l" $p3HKOM CKHaTpof1 if T. ,t( lli·3!i'o'!eX-IE. rroXolKero Ha:lBilF-rHII ee HHor.t(!l nyraIOT C m.ecoJ!J: 20·x ronos !l>pe.n,a tPmuepa

"Blue Is Night", KOTOPyro 51. CKOMOPOBCKHH :Jro1HCaJI ente B 1932 rom', a ,l:l. 3n1lHFlI"1'OH . B 1946 r-o/lY_

MCTOPIDl ¢HJI];.Mt1 npeJJ:CTaBJISma C060R ldj'3lillU1JU>Hy.EO .!\PaM)' _ B IlH,ne paccsaaa 0 cY/lbpe PYKOBO~8 o.ll.Horo .IOK83.opKeCTpa,. R BHa'tane KapTKHa ,t(OJDKHa 6hQlil Ha3hlBaThCl! ''Hot Nocturne". O,u;Ha1(O BO BpeM.JI ClieMOK CneBh! B nopLMe,KOf'JJ;.il 31!)":IarIa rJIaBlta TeMa, OHa H!1CTOJIbKb nOHpaBlIDaCI. rtpomocepaa, 'ITO Offi! pell.lMlIH. H3MelffiTI> naasaaae 4JIDIbMa na "Blues In The Night" ffio6otThITHt!e Bcero,<rrO caMa OCHOBHaH MeJlOJJ.WI Apneaa H Mepcepa lrnl'Ae He asysana B OKOH'la<renI.HOM aapaasre $HJ:IloM

UeJIDlI'OM. My ma- ma done tol' me when 1 was in knee-pants My

- .

.. J

8- - - - -

6

I

.n-:J'

Of

.J 1 J

.1

B~19+U I '

-- _._.

-

,-

ma- rna done tol' me •

I wo- man'U sweet talk.

and give ya the bi.g eye,

Sonl

But when the sweet talk is done

a

wo- man's a two face

worrisome tbingwbo'U leave ya't sing the blues

. ~

in tbenight

Co

F'

18

a

My

" "
Now tile rait;l's a- fal.l.- in1 hear the train a call- in' whoo- ee 1 ~ (my
" - 7
I: 1>9
a 1;07
r ~r ~
ma- rna done tol' me) Hear dat lone some whis- tle 810w- in' cross the tres- tle, . ~

whoo- ee-deh- whoo- ee,

01'

rna- rna done tol' me)

---. ..

FS

ctick-

ty clack's a- e- cho-in' back the blues

in the ni.gJtt

F1

11

19

From "ORCHESTRA WIVES"

AT LAST

Music by HARRY WARREN, Words by MACK GORDON, Arr. by GREGORY FINE

B MapTe 1942 rona aa cTy.n;HH lIXX BeK - <l>OKC:' 6LUI CI:UIT BTOPOH (H nOCJIe,lJ,HHH) 4nmbM C ysacraea opxecrpa I'neaaa MHJlJIepa lI)I(eHbl opxecrpaaros", rne sry JIHpHQecKyro MeJIO.lI.HIO na 3BYKOBOH ;J;opo)KKe JJ:Y3TOM TIe.J11f IbT <J)paHJJ:3H It P3H 36epJIlf. CHoBa Yoppea H Fopnou aanacaJIM naMHTHble MY3bIKaJIbHbiC HOMepa, a B KOHQe cPHJILMa OIlJlTb 6JlecTJIW,C TaHQCBaJIH 6paTMI HItxonac,

t .. .-III'l ~J J .. .h ~ -~ 1 1\ ~ ...-t
~ .
r --------r "I..
~ - F" -.~
(
1-' -.J
,
At last·

At last

smiled

rlt.

,..... J. .h • ~ • tempo
~ " I ,.... J..
l • ., I '": II'"' ItT
, A't>6
~ Itb Fm7
~ .. t- I

, I --. my love has come a- long. the skies a- bove are blue, and then the spell was cast,

my Ion- Iy days are my hea..t was wrapped in And here we are in

~ -
I
\ .
• .... '" i ~r 1',1 ~ . f f r • ·r r ,.. ..
) 8m'" sip.., EP .4."6 jnP7 J
'7 9 I I
~ •
" I "'["
1 • I ~ 20

over dover Ileaven

and life is like a song

the nigIrt I looked at for you are mine atr:t:-------------"""'"":"'-----..,

...

r

] fotmcl a

dream

that I

12.

you

r. f

omll'rr

r

. speak to,

[found a

a dream tIlat I

can eaU.

my OWD.

thrill

1·

thrill

my ebeek. to,

I've nev- er

A

to press

j)

3

known

You

last.

rlt.

21

At

From "ORCHESTRA WIVES"

SER NADE IN BLUE

Music by HARRY WARREN, Words by MACK GORDON, Arr. by DANIIL KRAMER

3To rJIaBHaH TeMa H3 KHHocpHJIbMa ")I{eHbI opxecrpaaroa" (1942, pexaccep ApqH Matio) C ysacraea opxecrpa rJIeHHa MHJIJIepa, rne ee TaIC)Ke HCnOJIHHn .D;y:n II3T (J)paH,n,3R H P3H 36epJIH. O.D;Ha H3 caMhlX xpacaasrx MeJI('I.D;HH, CBJl3aHHbIxBoo6~e C TBOpqecTBOM MHJIJlepa H aanacaaaaa HM na I11IaCTHHKY B HMripecCHOHHCTHqecKOH apaH:lKHpOBKe liHJJJIa <l>HHereHa H IiHJIJIli M3J1 20 Mas 1942 rona. Korna nosnaee JKeHHJICH ero 6acHCT Tparrep 3nnepT, TO BCH crpynaas rpynna YJKe aoenaoro opxecrpa BBe r.MHJIJIepa arparra B nepssn rour HOB06pa'lHbIX HMeHHO "Serenade in Blue".

M.oderato

rit.

III ...--. .... - 1.# •
rei q~ r --" '" L-J ~ I 1 ".,
< ",
L. • ~ ~ ..
1 .
VI' r .. w~ When I hear that serenade in blue

. Once again your face eomes back to me, • t~mpa

I'm somewhere in another world a- lone with you

Just 6ke the theme of some forgotten me- 10- dy

a

B" a

Sbaring all the joys we used to know,

in the aJ- bum of my memory.

many mooDS serenade

3

ain

F'sul F' Am~ B~'l

I J I

1.

it's seems Uke on- Iy yesterday, 3

a

go

Blue

" .-
j ., . . .
-til ff .,. L_ ~ f Mr l r r r r
I #l=f
<
E~o alo"+6 eP Alo
t . . -
.
\ .
- ~-~ ..... ~ -~ I .. I ....!!i .. I ~
22

a

smallca.-· fe, a crowd-ed floor and as we darKle the night away,

I be2r you say, "For- e- vermore" and

a

•
r r r r f r , T r r r
A~1 Am.~o_ Em~ fm !Fm ~ {mo.
G
·
· then the song be-came a sigh. Fora

e- ver more be-eame good bye, bu.t you 4_

re- main in my beart

r r r r ~r r - ~
F Ce F em" F1' B Fm'1' So tell me 0 dar-. ~ lstherestiD a SPark.

on- lylone- Iy .asft.a of a

wekoew,

C-8 sus

C-9

SbouI· d lOon whistling·. in th,le, dark

t : go 01

in

23

Blue.

1"

V #U-;

o E~

From "CASABLANCA"

Words and music by HERMAN HUPFELD, An. by GREGOllYFINE

AS T ME GOES BY

TIporuJIO 60lIce· norrysexa, HO MOlIO~ble XaMCPPH Borapr H MHrpJ.i,LI. Bepruaa no-npeaoreay CTpaCTHO CMOTp}1T B rrrasa ztpyr npyry, 0TPeWI1Bl1lJ.iCb or scero Ha CBeTe, KOf,LI.a aa reneaxpaaax MHOfMX CTpaH MH'pa CHOBa MeJIbKftIOT 3HaKOMbIe Ka.rWbl QJHJIbMa "Kacafinaaxa", onsoro M3 caMblX apKJilX 06Pa3l(OB aMepUKaHCKOM"KHHOKJ,laCCllKI1, CHSIToro TaK)Ke B 1942 f. Ileseu 11 flHaHHCT I'epMaH XancJleJIb,l!; (1894-1951), aerop HeCKOJlbKJilXH3BeCTHblX Meno,Luu1, nanaean 3TY (.TeMY eute B 1931 rOJJ;y ,1l)UI pemo "Everybody's Welcome", HO MMeHHO B"Kaca6naHI(e" (pexc. MaWFCJI Kepruu) COC'tOHJIOCb ee aropoc pO)K).:(eHHe B KaqeCTBe nIQfiOBHOro neHTMoTMBa,. xorna cJlMJIbM asnnen aa 3I<paHbI B snsape 1943 f. Pons PHKa npesparana Borapra B pOMaHTW-lecKYIO "sneany' M cztenana ere xoponea CTY,LI.MI1 "Yopuep Bpasepc'', a TO canoe ITHaHMHO, Aft KO"FOPOM necASll1CnOJIHJI.JlaCb B ¢11J1bMe, HaXOIU1TCSI reneps B qnCJIe 3KcnOHaTOB nOCTOBHHO )J,eHCTBYKn~eH BblcTaBKH, nocaameaHOH HCTOPHH [OJInJ1By,n;a. Hsaecrnu 3anHCH "As Time Goes By" BY.llH Fepvaaa, Ileppa KOMo, DM.J1mt X0J1JIi.f.lJ,3H, AJ1. I1.¢acMaHa ("AHT0J10fHll COB . .ll)f(a3~" N221).

n

r

It's

must ro-mem-ber ~ When two Io-yen woo, !itillihe same old .sto.ry. • t mp

a

the! a

You

~-- H _e 0
/ " ..l_ I r.;,. .. .. _ . ,.
\ ~ · .
·
f" - f" "II - ........ .... ~ .. I ..... - V
) T Frn.,. S\.9
I J I . , .... ~
f -
·
·
"'" I I _. , kiss is still a kis!i, a sign is jU!it a sign The
!iti1l say "I love you" on that you am re- ly. No
fighl for love and glory A case of do or die The ~i ~ .~ .. ~~. ~~ -- u~t· !::
,.. !- ~ .. - 11""" . ..,[L ....... ~ ...
, :--, .
.
W) -- I ....
) G~ c.,. Fm" S~" E\.e F.m ., FOo Om., C.,
., .. s. .... to 1R- ., •
~

• .... ... , tt- I I .It _-I: ~ .1= ~ .• k:== J ~ 0@- J .t,.~ ._#
- -. ..
I
~ -- , I 1-·'
F "''7 F.O Om" Fm" e"_ • Gm . .,OIo'7 C Gk-.,
..... .. .... - • ., "-- • -
, ..

... I It- I ... I I I {un-. da.~ men--blI (laings

maf- ter whal·~ fu.. world will aJ.. wayswft.

ap- ply. as time
lure brings as lime
tome lovers as time by

.24

Moonlight and love

nev- er out of date

Hearts full of pas-

songs

'Fn'I '7

jeaJ.. ous- y and hate

wo- man needs man

and man must have his male, that

EIo1G

no-

'oy

by

on.e

em ..

25

siOD

From "HOLIDAY INN"

WHITE C RIS MAS

Words & Music by IRVING BERLIN, An. by GREGORY FINE

Korzra I1pBI1Hr Eepnna B 1939 rony nanacan necino "Bence Poacaecreo", TO OCTaJICS! eID He Y)l;OBJIeTBOpgH H npOCTO ee orfipocan. Ho Qepe3 TPH rona OH peumn, lITO OHa fiyner YMeCTHa B cpMnbMe "rOCTHHHlJ,a na BbIXG)J;Hbre"(pe)f(MCCep Mapx C:mllPM'i) C YlfaCTMeM DMHra Kpocfisr, <l>pena Aerepa M Maprosopa PeMHOJIb.llC. Bcxope OHa c)J.eJIaJIaCb Tpa.llI1'-'HOH!i0H necneji I1CnOJlHJleMOM B pO)f()J.eCTBeHCKHM nepaon, TIJIaCTHHKa C 3anHCbIO "EeJIOrO poxnecrna'' B MCnOJTHeHHH DHHra Kpoctia pasoumacs B KOJIHQeCTBe 25 MHJIJIHOHOB 3K3eMnJulpoB 11 110TOM aeonaoicparuo nepe- 113,lI,aBaJIaCb. HeT HI1 O.llHOH aaepaxancxoa ceMbH, rae He 6bIJIO 6bl 3TOM sanaca, a acero nnacrnHOR C )TOM necnea B I:1CnOlIH.eHIUl550 p33HbIX neBUOB 6blJIO npO)1,aHO 140 MH.JIJIHOHOB urryx, Cornacao KHHre pexopnon Tanaecca sa 1990 rOA, OHa)1,O CHX nop ClfMTaeTCS! HenpeB30M):{eHHoM no rupaxy M nonYJUlpHOCTJ1 rrecsea acex apexea. Eute B 1954 rony 6blJ1 CHSIT KJ1HOMJ03I1KJI "Bence PO)f()J,eCTBo" C MY3blKOH BepJIHHa H raioxe C ysacraea EHHra Kpocoa.

I'm

dreaming of a White

Christ-mas

just like the one I used to

know Where the tree tops glist- en and childr-en tis-- ten to hear sleigh bells in the snow

I'm

Christ- mas with every Christnws card I write.

May your days be mer- ry aDd

bright

And may all your Christmases be white

. I
~~ II. 112. ];--.
_ill rtf.
-
-
., . -- ~ ..... ~:it- .. ~ 1" p- [....J I \.1 ' r 1",- v-
Fb. BPs.a C61G Dm"1 G9 G'7 suSIe G9 C
I *L I -, - ~
-
- I I - T _ ....... :;...r'::&
-- -- 26

From "GOLDEN EARRINGS"

GOLDEN EARRINGS

Music by

JAY LIVINGSTON & RAYEV ANS, Words by VICTOR YOUNG, Arr. by GREGORY FINE

OAHH 113 pe.uKFlX cnysaes, xorna KOMn0311TOp B.>I~r 5IBHJ1CH aBTopOM mrpl14eCKOro TeKCTa K nonYJ1j1pHOM necne 113 O,llHOI1MeHHOro q:lHJ1bMa "Bonorsre cepsrn" (1947, pescaccep MHT'-leJIJI Jlea- 3eH), nOCTaBJ1eHHOM xa CTYAHH "Ilapavayar" c yqaCTMeM B rnaaaux pOJUIX Mapnen Ilarpax H P:HI MHJIneH)la. Ilpaana, >IHTY npaaaanexana riaprarypa )l)UI sroro ¢HJIbMa BueJIOM, MY3blKaJIbHhiM xoopnaaaropoa xo'roporo OH 6bIJI. Y)Ke B KOHl"e roro )iCe ro.aa neCHSI CTaJIa 601Ib.illHM XHTOM Ilerrn JIw, XOTSI B caMOM Q)HJlhMe ee HCnOJIH}lna M.,n:H1pHX. )J.pymeBapHaHTbI sarnrca ~ OCKap

Ilarepcoa, P3H KOHHH<p<p. KHT ,[(>Kapper. There's a

old love

my

sto- ry the gyp- sies know is true That wben your love wears
sto- ry that's known to ver- y few but if you wear these
gyp- sy make love your guid- ing tight jU)d let jS pair of
1· . the burning fire they will glow

with every coal

You

will hear de- sire whisp- er low

in .. side your soul

night

Fm

t.rfr

Fm G¢IF

27

From "THE SKY'S THE LIMIT"

ONE FOR MY BABY

Music'by HAROLD ARLEN, Words by JOHNNY .MERCER, An. by YURI CHUGUNOV

BKHHO~HJ1bMe 'TpaHHn:~ He6an (1943, pexaccep 3,n;Bap,ll; rpHq,IPHT) sry necmo anepasre npeaCTaBHJl <l>pe,IJ; ACTep, KOTOPblH rOBOpRII, IJTO CIJHTaereecaMoH .JlYlJlIIeii neCHeH 113 Kor,ll;a-.rUf60 HanncaHllbrx cnenaansao .. ,LUIJI Hero. 3To TaIOKe OMH H3 JI)"IlIIHX JIHpWICCKHX TeKCTOB ,ll;)J(.Mepcp epa, no caoessy CO)l;ep)KaHHIO If aacrpoenaro HanoMHHaIOUJ,HH paaaae paCCK3.3bl XeMJ.tHry3J1. IloMHMO kJIacCHlleCKHX BapHaHToB (Cnaarpa, «PnTJ..J..lOKepa.JI.ZO. B aanaca CYLQecTBYIOT OPHrHHaJIbHLle HCnOJI.neHIDI MeJIa Topae, Da.;:JJJ;H Fpexo, Ocxapa Bpayaa MJI,

It's

quart- er totbree. There's

no one in the plaeee:x-

a lit- de s.to-

you ought- a know,

We're drinking. my friend

~~~~ij.H~~~~~~~~\ I.·· ~~~~~~~/!

To the.end

of It

M.ef ep- i- solie,

Make it o.ne for my

ba- by and

" t I - r-!!!l_ ~.all __ f!! ~ , ~ .... . ..
. .
- .
.... _. "~:.~ ..... -'r' ......... r i~r_·13 !?r:
A"tP AP9' sus • E~ em.,
- -
I".A._I _ . . _ '" r ~ "1
- :

I-

E

one more for the road.

drop a-noth-er Ditk- eJ Joe, I know you get- ling

in the ma- chine, aox- ious to elese

I'm fee).. ing SO bad, So, thanks for the theer,

I I

28

dream- y and sad, bend-ing your ear,

wbb you'd make the IIllHlc hope you didn't mind my

c

C9SusC18 G

one more

for the

rtt.

road.

GA

Buddy, I'm a kind of poet aud I've. got~ .ta. lot·ta things to

say,

Could reU yooa lot This ford! that I've found

But

... simply gotta listen to me. U... till

D~ C

C9SU5

Make i.t one for my ba- by and

You DeY-

er knowit,

I meno mosso

J'm gIom-y, you

WeD must be drowned or it

Make it ODe for my bft..by and one lDore forlile road,

......

Gasus

G

G

29

That

From "STORMY WEATHER"

STORMY WEATHER

Music by HAROLD ARLEN, Words by TED KOEHLER, An. by GREGORY FINE

3Ta 3f1aMeHHTaSl TeMa 6bIna narmcaaa r.ApneHOM erne B 1933 rO,ll;Y,lVUI peBIO "Cotton Club Parade" , rne ee HCnOJIHSlJIa BeJIHKaSl HerpHTSlHCKaJI nesaua H aKTPHca 3TeJIL Y OTepC. B 1934 roay ee aanncan na rmaCTHHKY opsecrp Jleo PaH3MeHa, rne BOKaJIbHyIO napTHIO HCnOJIHHJI caM KOMno- 3HTOP (3TO 6blJI0 O,llHO H3 nocnenaax BbIcrynJIeHHH Apneaa B xasecrse nesua). OJJ;HaKO, B ij>MJILMe 3Ta HeCHSI nposaysana TOJIbKO B 1943 rony, xorna 11 Fonnasyne aa CTyJJ;HH "xx BeK - «I>OKC" 6LIJI rrocraanen rpaH.zr;Ho3Hb1H BceHerpHTJlHCKHH KMHOMI03IUm "Illropuoaas norona" (peaorccep 3H.n;psro CTOYH) C :yqaCTHeM JIHHbl XOPH, DHJIJIa P06HHCOHa, fl>3Tca YOJIJIepa, opxecrpa K36a K3:lIJIOY3S1 If TaHQopOB 6paTbeB Haxonac, BnJIOTb l1.0 KOHQa 40-x B .Bu.n;e HHCTpYMeHTaJIhHOH nsecst non Ha3BaHHeM "Ilfropx H serep" 3Ta TeMa 6blIIa raiose B penepryape opxecrpa Jl.Yrecoaa, XOT.H OH HHKor.z:ta He3al1HCLIBaJI ee aa nilaCTHHKY. HeCMOTPSI aa causte pasasre BepCHM B HCnOJIHeHHH MHorHX ,lJ)Ka30BbIX "3Be3,n", neCHSI ocranacs KOPOHHbIM HOMepOM JIHHb.1 XOpH.

10&& ,.. I 1_.1 - • r T l ..
. Ir rr 'I ~
-., "IV-I j=r -D I
,&, .rf&-:p. I ~I . ..... I
.
If- w- I ~_)4- Don't know wby

~

--

There's no SWl up in the sky

stor-my

weath- er

Sin.ce my man and I

ain't to-- ge- tber 8

keep rain-in' all

the

,.~ ......... I - - &.
( tJ - __ "'" - .. ...:_...u 4if;
G'o Am" D" 8m" G'o Am" D7+
·G~ -- ~ ... ~ ~- ... ... ..,.,....
- - - - ~ -
t
"f I r !'I -. T time

Ufeis bare

gloom and mis- 'ry ev- try where stor- m. : .,

weatb-er

Just can't get my poor self to- ge- ther

I'm wea- ry all

tb H

oit..u iI - . &.
I .
._,. .. --:_-:~J. T Bm~ r..- :
c#~ eme Am" 070+
a ... " £-8 ~~ ~
~ ~.. . ~. ~ .. ~ .rfL -/& ... • .,...
j

11 "IIi , , I I :3

-

-

30

tim.e

the

time

So wea-ry aU

00 When h~ went:- way the blues wsJked in

and Met me,

tbe

If be stays ... way

old rock~ in'

chair

will getm~

all I do ispray the Lord a- bove will let me a

walk in the sun once

c

c~o

r r r

Om'7

MOre

Cu'tgo on,

ev-'ry thing 1 bad is gone, stor- my wealh- er

I}

since my maD and I ain't '0- ge.. ther ./I

Keep the rain-in'

all the time

Keep the rain-in' all

the time

31

- --.....::...___

From "FOLLOW THE BOYS"

I'LL WA K AlO

E

Music by JULE STYNE, Word.s by SAMMY CAHN, Arr. by GREGORY FINE

Onaa H3 nepssrx COBMeCTHblX pa60T 3THX anropos B rOJIJIMBY.lle AJUI qmlIbMa "Cnenyii aa napHRMM" (1944, pezorccep 3,llBap.u: Casepnean), CIDIToro na CTY)lHH "IOHlfBepc3n". B HeM nrpana rvraaayro pOJIh, HCnO.J1HSl.JIa 3TY necaio Ii BnOCJIe,llCTBHM aamrcana ee ,UaHHa Illop, norrynspaaa neBHIJ;a H axrpaca 40- 50-x, qaCTO CHHMaBWa5IC51 B -re rozrsi co CBOHM 3HaMeHHTbIM M}')KeM, KHHoaKTepoM Potieprosr MOHTrOMepH. B 1945 - 46 roztsr necas 6bIJIa TalOKe· B penepryape JIYHca ApMCTpOHra.

I'D walk a-

lone be- causeto tell you thetrutb I'U be lone- Iy
lone they asked me why and I'D teD. them I'd ratb-er
lone and Sead·your love and your kiss- es to guideme
r r
E-v Am., 0 .. I don't mind 1bere are dreams Till you're walk-

to be

I mlL'lt 10gb&-

1000- Iy gath-er side me

When my heart teUs me you Dream we fashioned the nigbJ

r

r

32

are lone-Iy

too.

I'll walk a-

you hold me

1.

tight

I'll

al~ ways be near you

Where et- er you are

each

night

in eve- ry

no

6..,

mat- ter how far ,

just close your eyes

and I'll be there

Please, walk a-$S

I'll walk a- lone.

r

33

From the "TIlE UNINVITED" .. . Music by VICTOR YOUNG,

STELLA BY STARLIGHT wO'!:!:Yb~~~ON,

Onaa 113 causrx M3DeCTHbIX TeM B..RHra 113 ~HHo<l>MrrbMa "Henparnaureassut" (1944, pe)KMCcep nblOHC AmIeH), CHSToro aa CTYA"H l1I1apaMaYHT", 3Ta MenO)J.I1J1 He TOJIbKO Clll1TaeTCJI npesocXOAHOH 6arr.na;:J;oR BO-Deell HCTOpHI1 KHHOMY3bIKH, HO OHa TalOKe nmpoxo HCJ10JIh3yeTcSI KaK ;:J;)I{a- 30BbIll CTaHJJ;apT. Ee MO)l(HO Ha3.BaTb 3TaJI0HOM "Be9H03eneHoM't TeMaTI1KH, HaCTonbKO paatu-re ,D;!Ka3MeHbI c ycnexoa ofipatuanacs K HeM: B pasasie rO,D;bI annors LtO cerospeueua - 3TO 3.<I>I1TQ· ;:J;JKepaJI,Ll; Ii P.QapJlb3, E.Be6CTep, 3.rap. aep 11 M.,lJ.3BHC" .A.11eKceH KY3HeU:OB ("B OJIHMmrnCKOH

. - -

nepesae") 11 Oner JIYH)J,CTpeM (liB COqHbIX TOHax").

I,.~ - - .\:J. ... -
~ - - - -
- - ._ - - -
I ·
·
·
~ \!/ !._
1!P
" I ~
t :
"t) .,.. ..... ""0' f'Ei- -+ 8----·-.,

. I, I~"

~ },~

song

bin

Througb

a ro- ~ ~-
~ I ~ t~mpo _1 1
I -
~ .
t ,: rrr' D .t..e- t r #
) e.~ A., em F",
_j
t •
" I '-J' f

d

The

y 0 ena- ess sprmgs., .... ~ I-
L -
I I
, tJ t ~ ... ...
pf f ~Rf \;& -1J
:Fm 8\1., EP ",P.,
- I
t .
. .....
.. .. I I mur- mur of

a

brook.

at

en- tide

That

~ -
) .
. .
, ..... .... s .f: ....: ~.~ q~' j"':: ~!A. ~ tp
..
I BP e, /10.", Om BmP.
...... ~ I '1
~ I tJ4 I

34

rip- ples by

nook

lov-

where two

ers hide

a

D'7

great

sym- pho- nic

theme

That

-

star-

light

a

dream.

and nol

all

of tbis and

more-

She's eve- ry-

thing

that you'd a-

dare.

35

A

by

She's

From "LAURA"

LAURA

Music by DA VID RAKSIN, Words by JOHNNY MERCER

Casras nonynspuas MeJIO,Z:(HJI .l1:.PaKcHHa H3 O,UHOHMeHHOFO ¢HJIbMa (1944, pescaccep OTTO ITpeMHH,lJ;)f(ep) CTY,lJ;HH "XX DeK - <DOKC", noszraee npespatnennaa HM B neCHFO (1945). B KHHO¢HJIhMe ara reua 3BYlIaJIa KaK MOTHB FnaBHOH repOHHH, y6MTOH peBHHBbIM mo60BHHKOM, B noprper KOTOPOH Bmo6mleTCSI .n:eTeKTHB, 3aHHMalO~HHCJ.I paCCJIe.llOBaHHeM :nOH .n:paMbl. PaKCHHY YAaJ10Cb nanacan, ~e B rcnenae YMK3H)l.a, "O)l.HaKO BbI He MO)l(eTe COQMH5ITb HeLfTO 6eCCMepTHoe Ka)l()l.blH nem.", rosopan OH. HaH60JIee 113BeCTHa 3anI1Cb 3TOH neCHH B RCnOJIHeHHH <l>p3HKa CHHaTphI, a raxxe HHTepeCHO COJIO DOJIa rOH3a.TIBeca C OpI(eCTpOM .l1:JOKa 3JlJU1HITOHa (1956).

hap~pened Yet you re-cal1 it well

You know the feel - ing

of

Moderatei,

I _l-J -,...---- I L rL"i ''I s: , 1 I -I
... ,,;;' I I --, _l 4t".Z r- f "r:
tU".. 1'V.t
~ I.,~),j ---TSl l"l I ... ]-J 1--.- I .J.
I " - I lIod~;.atel.t/

You know the feel - ing

of some_thing half re-mem-bered, Of 8ome-thing that nev-er

" ==-
-.J "fS, '" .. -e- " -ft", - - .. ~ -tl" .. .. - - II
"'p JG tm7 D7 G t~~7 Gl'>.7
-..--.... I ~I J....--.....l
.
I • I s f"--- r

r

F

!

I')_ - ,- I I ~
V - ''to 'I ~r;,7 ""' F......__:!f
Am7 I tBb.J ..... - b'_,j_ If:' GO
r - 1
"r .....__ 1 -""--'1 r

rec-og-niz-ing some-one That you've nev-er met as far a8 you could tell j

well:

!

I"l_ --i • ......... 1 1- - I • _....--
.., Db .J~;GO 'nl ,r 11"1;+ ~t!D7 • ... 1..... 'r
IBbmj.::::=- EM
b_ I •. h,J..-----..... J l--I .t --1
.
I - Lau:. ra _

36

Foot - steps _

that you hear down tho hall _

~
,A -::- B -......
e.J brbmr r ,'tJ~V ·~F.6.7 t ~ r ~
/-erF6
I 1_ I - , "9 :::;---
- ~ _._ •
r f. ...... - The laugh _

that floats on a

8um - m,er night _--~. That you can

/l"..l

I!o - 1 ....
-
v F::l l ~ l ~tb~f it rEb.6.7 ",,- ..... -~b t ---
Bb9

'- I 'I 8 '. e: I ._ I
.
- p-e- P-8- nev - or quite re calli
..............
I

on the train that is paIlS - lng th.ru And. you see Lau - ra_ _....---...._

Tbl')seeyo8--

ft ;;;.... I I :--.... r: . •
- a -
cJ ...... " "lrG F::::: ...<r .... - ........, I" '~Gr; r
D9 -
~1 'II. I _j 1-
"-"I ~, r ...... --
r

r

-
A ~ a ......
eJ l;>"t:t 11= FA7 r f.. r : .Jm7f l f-
C9 i.- F6 ....
I \0. , 8 i r.--;: I 1_'
-
.
-f to - - - bow fa _ mi.1 _ iar they seem _

She gave --.

j

1\ ~. ~ I. I r--...I ..... I _l_ _1_ .L~I -1.....---
-.I' J . ., r r fC r "1 " r r I I
__'~FO D7 J_ D9-$ D9-S
t I y--: . -e-
r I I I --
-- your vel' - y first kis,s

to you _

That was Lau

.ra _

37

From "GREEN DOLPHIN STREET"

GRE.EN DOLPHIN STREET

Music by BRONISLA V KAPER, Words by

NED WASHINGTON, An. by DANDL KRAMER

3ro TJ1aBHaJI TeMa .113 OllHOHMeHHOrO <pHJ1hMa "YJIHu;a senerroro ;ll,eJ1.bcpl:IHa" (1947 r pescaccep BHKTOp G3BHJ1J1) CTY.rtIDI "M-f-M" c yqacmeM JIaHhl Tepnep, nosznree nO)lXBa"tJeHHaSI Ma.:ttnCOHOM )1,3BHCOM 'H crantnas ,lOKa.30BbIM CTal-J,lJ:apTOM B HCnOJIHeHJfH CaMhlX Pa.3JIWIHbQ{ "3Be3p" (JIM KOHHIJ;, ,IlJKOHHH XO.ll)KeC,3pMK ,1l;oJlcpH, EMJlJ1 3BaHc TOMll BeHJteT, Capa BOSH 1:1 T. p.), XOT>I nepBOHalJaJIbHO ona 6blJla nanexa OT )l::Ka3a, T. K. 3Ta MY3blKa COnpOBO)[{,1laJIa B <pHJThMe KapTRHY 3 eMJ]eTP>IceHIDl.

Moderato

I ~
I, ,
< mp ~N:
l ~ L~A: l
I
,
,
_. . ' •• ~
I·" I I
L.~H: L~H: ~.-.. , L~H:
.~.A:. Ir. 'Zt-S: .!. l
.' '" . .
_, .' .. ... ... Love came

plan- n ing to stay,

Green dol- pbin

I LI I I f I 'I I
~ - I .. I
.
, ~ . .
..
,
r' K 1 'T . t I ... ,_ r.:::::: ,,;..u
)
.j Fa L~~: Go~.-... F E~9 D-9~5 Gm"
I ~~ 1 ~ . .e;:::;.. I ~1Il' ~,.. .~~ ~n
• . .
.
_., .. ' "' . . 38

street sup-

plied

the set-ing

C-9+5

F·

The

set- ting (or

nights be-yond for- getting

through these

mo-'ments a-

part

Fadds

mo-

ries live in my heart

Faddo

When

c:a11 tbe love

found

I'd

like

1

J

on

re-

kisS die ground on

dol-

phin

street.

39

And

to

From "EXODUS"

THE EXODUS SONG

Words by PAT BOONE Music by ERNEST GOLD

I ~ ~ I .> I :> >;' Lt:
~ ~ .>
, . ~ .... .. - 'rill" ...
~ ff i
.. .> ~ .>
I
~ ~ . ~ ___..-. ~ ~ I .> I
.>
>- .> Slowly (B"o(I(/')

3arnaBHa.sr TeMa 113 O,llH011MeHHOrO(}mnbMa "Hcxon" (1960,pe)f(HCCep Orrc IIpeM11H)J)Kep) CTY,IlHH "IOHaihe,ll APTHCTC" c Ilorrou HblOMeHOM; B rnaanoji POJll1 . .amI 3TOH: KpY[lHOM nOCTaHOB1m KOMIT03H.TOP rona C03,!:{an npexpacaoe 3BYKOBoe COnpOBO)f(,IleH11e, 11 ero anesarnmoutaa KHHonapTHTypa npaaecna eMY npeaaro "OCKap'!. Bcxope nocne ssrxona Q:>HJlhMa K ero OCAOBHo(:i MenO,l(HH nonynspusra BOKaJIHCT QapJIb3 1O,Il)f{I1H C'TI:n") EYH uarracan cnosa H 3aTeM 3anHCaJ1 ee

KaK necmo, xoropas B 3TOM B11L(e nonyxana WHpOKylO H3BeCTHOCTb B MY3bll<anbHOM MHpe.

Refrain (Espressivo e do'loroao)

This. "land is mine,

God

gave this land to me,

This

,.. I -
I ... ~ -e: ~ _.., ~. 1: ~f .,
r: ~ ., 1
~
mp Cm F lAb Bb Cm
.
I . .
_.. - I 1 brave

and an - cient land to

me.

And when the ...---:::::::::

11 l -- - 1
--..
.
• rGm fEb ~, F l;it ~ r
I G Gill
~l I I ), ..
\ T'" - ='"' 'T
~ rnor n - ing sun re - veals her
1'1 I --=:--... ----
I ~ "j._ 'icm
_h I hill s and plains ~

Then I ~

t r

I

I

I

iGm -r;jBb

.J------ hi.

see a land where

---- --

chil- dren can --

run

free.

So

r Fm

Gm

~~ Bb ~

., ..

Cm

-

~

I

G

--;r

-

j.

I

I

40

take my hand and walk this land with me And
.
~f: "1
c b Db
.
.
walk this llove - IYI land with me. Tho' I am
gold - en
~
~f

0-
-
)
just a man, When y.ou are side, With .the

- - .,...-----... 1 efn

help of God. I know I ......-..... -

can be

-

make this land our home,_ ----

t. strong,

So

strong· _

If

I must

I'll fight to --- ph

Gm

Gm?

make this land our own._

Om

Gm?

>-

On - til I die __ this land is mine!

41

To

GREEN LEAVES· OF SUMMER

Music by DIMITRI TIOMKIN, words by PAUL FRANCIS WEBSTER, Arr. by GREGORY FINE

From "THE ALAMO"

neCHH .113 qnmhMa "Arraxo" (1960), CH5ITOrO na "IOHaHTe)1. Apn:lCTC", pe)KHccejX)M M np0,ll;1QCePOM xoroporo 6hlJl3HaMeHHTh111 rOJInHBY)1,CKHH axrep .n)KOH Y3HH, C ysacnrex Jlopenca XapBH, PHQap)1,a YI1.lJ:MapKa, JIHH):(hl KPHCTaJI, casroro ,L()l(. Y3HHa Hero csnra Tlarpaxa. 3TO HCTOpHQeCKI1l1: cynepaecrepa 0 cpaaceaau B Texace Me)J(!I,y -aMepHI<aHCKJ.1Ml1 Kon-OHH3aTopaMH J.1 MeKCJ.1KaHCKHMH BoikKaMI1 oxono ~OHaCThlp5l3nh AJIa~o . .l{.TeMKHH nanacan COOTBeTCTBYIOU,(yFO My3hIKy )1,ml. sroro cpHJlbMa, Hero MenO)1,HQHYIO rreCHIO "3eneHble JIHCTMI JIeTa" npe,nCTaBJl5IJlH B HOMHHaUHH K Harpa.n:e AKan.eMHI1 KHHOWCKYCCTBa. B aanrea crpaae 6bma nonynspaa sarmct, P3S1 KOHHI1<jlcpa, xposre roro 3Ta reaa qaCTO BXO.llHJ1a B penepryap Pa3JIHQHbIX ):(I11<CMJIeH.llOBhfX COCTaBOB (KeHHH EOJIn).

A A A

time time time

to be just for to be

reap-ing, plant-iog, reap-mg"

a time a time a time

to be just for to be

sow- iog, plough-jog, sow- iog,

The A A

D

green time time

leaves of su~cr

to be court-leg

just for leav-ing

are call-

a girl

a place

iog my

of your

for to

42

home, own. die.

Twasso good "Twas.so good "Twasso good

10 be young then to be young then, to be young then,

in the to be to be

Am

seaclose dose

son or plen- ty to the earth

to the earth,

When thecatAnd to stand Now tbe green

fish were by your leaves of

jumping as high as tbe sky.
wife at the mo- ment of birth.
summer are call~ jng me home.
......____.
Arn6 Em/B 8" Em 43

HOCTanbrMSI M npo.q,On>KeHMeTpa.qMIIMM (50 rOAbl)

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.a.uumpuii TWK.UH (I899~1979) pO;!lI1JIca Ha Yxpaaae, HO nsrpoe B Caaxr-Ilerepoypre, KOTOpbJi1' OH nOKI1Hyn B 1919 roay, xorna eMY 6blJ10 ,D,Ba.o.uaTb JIeT. Ewe B A.eTCTae MaTI, Hay'lHna eroarpe aadropreruraao, Ii B 1912 rony JJ.MlnpHM nOCTynl1JI B Ilereptiyprcxyro KOHcepaaTopHIO, me AMpel<To, pOM rorna 6bJJl. 3HaM;eHHTbIR KOMn03HTOp AJJ.eKcaHAp rna- 3YHOB. TaM OH H.3Y'laJ1KOMn03MlIHIO H noceiuan KJl.3CC pesJ(J'I, ero nenarcrox 6blJl. <l>enMKc nJlYMeHTaJlb, y KOTOPOfO TaK· lKe y'lJ.fnCll BnaJJ.J.fMl1p fOpOSMU. B cB060D.Hoe speas OB sapafiarsraan CBOI1 nepasre .ll.eHbfH KO;\K naauacr-rarrep B neTep6yprcKI1x .KHHOTeaTpax HeMblX QpMJl.bMOB.

nOCJIep:e.B01lIOUI1H TeMKHH nepeexan B Oep1H1H C 110MOUJ,blO caoero orua-apaua, KOTOPblH OCTaBl1J1 MaTh Ii JKeHl.fnClI nlM BTDPI1"1HO. Bcxope ero OTHOWeHI1J1 C OTUOM M3-3a nora npeKpaTHJIMCb, HO MOJlO.!lOMY MY3blKaHTY yztanoc» npoaon)l{MTI? caoe 06pa30~aHMe B Eep.nMHcKOH MJ3blKaJ1bHOH aka.!leMl1H, rae OR 6pan YpOKI1 y BeJIl1KOrO nHaHI1CTa H KOMno- 3HTopa <l>eppy'l'iO Oy'JOHI1, nocnencsarena urxonu AHTOHa Py6HHwTei1Ha. TaKHM 06Pa30M, OT My3blKH fJ1a3YHOB<I OH anaran pOMaHTI'I"IeCKoe aacrpoenae, a y EY30HH HaY'II1JIClI. D.I1CUHn.nHHe MY3hIl(aJlhHOH $OpMbl.

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44

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B 1931 rOJlY ):(MHTpHM TeMKHH narrncan CEOro nepsyro OpHFHHaJIhHyro naprarypy )lJIHcp"HJ1bMa "Boczpecexae" no Il.T OllCTOMy, CH.IITOrO tra c:ry.!lI'lH "!OmifBepCJ1". Em cnenyiowet! KpYlTHOM pa60Tot:! 6blJIa "Anaca B erpanesynec" (19.33) HIIII "Ilapauayar". B AaJIbHeH.w.eM sa 40 C IlI1WHHM ner OH C03)laJJ M y3blKy npa MepHO K 150 cj:lI1JIbMaM. B 411CJIe CB0HX nepBblx y.u:a'-l caM OR Ha3blBali naprarypy K npI1KJ1ro'-ieH'-IeCKOM KapTHHe "ITo-repHHHbIM rOpl-f30HT" (1937, pe)!<Hccep Cl>p:3HK Kanpajo CKa304HOH erpaae lllal-ffpl1-Jla. B 1938 rony TeM1GiH o6pa60TaJI I1I1HCLpYMeHTOBaJI)lJIli 'SY)lecHorocjlHJIbMa "EOJlbWCii1 aansc'' (peJKl1ccep )J(!OJIbeH ):(IOB.HBbe) npeKpaCHble MeJJO,l(HH Ilfrpayca,

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)J,MI1TPl'lil TeMKI1H YMep 11 Jloanoue 11 Ho}[6pl1 1979 rona.

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IToMHM03aIDITIDllOpl1)l.H'Ieern-lMKHaYKaMI1, KeAnep TaK"JKe y"lliJ1CJI nOTOM _B BapmaBCKOH xoscepsarope« no xypcy KOMno:n1L{1111 H¢op:renliaHo, a rrocne -3TQro OTnpa.SKJ1C::l B EepJIHH. TaM B cepemore 20-x OH 06HapY)!<I1JI KCKlI_I04~TeJlbHO TBOp'lecKYIO M.y3blKaJIbHYK:) aTMOCcp.epy, l1onp.Y"JKHnC.II C KypTOM BaHneM {i 6h1CTI)0 nauren cefie pa60TY, C04HH.II.II neeH.I1 LVI.II Ka6ape Ii acrtomsyaneasra LVIl! npOAOJDKeHHl1 My- 3:blKaJlbHOro 06Pa30B3HI1H. C nOJ'lBneHl1eM nepssrx me 3BYJ<OBhIX <p11.lIbMOBII fepMaHHI1 OB CTaJI ITHCaTb My3blI<y .lI.JlIl KHHO, ,,)lHaKO sepes 6 ner, nome npaxo . na HaU:HCTOB K anaCTI1 B 1933 rony ,eMY C )KeHOH npl111IJIOCb cneumo nepe6wparsca B ITapH}I(. Ho 11 TaM OH 110"11'11 cpa3Y'JKe TlOJIY'SHJI rtpenJlQ}i(eHl1e paticrars B KHHO.

Keilnep npoaen zma roaa so 1>paHUHI1, uanacaa MY3bI1l;Y .unR psna <pJ.iJlbMOBI1 CO'iI1HHB aecxonsxo y.ua'lHhIX rtecea, o,.u:Ha 11.3 KOTOPhlX, "HJ1HOH ", crana aeJUlK IdM sceeapo n eikKW M x HTOM, nOCRe Toro RaJ( J1eTOM 1935 rona sa $l1pMe" Odeon" ee3anl1CaJI3HaMeHHTblH neBeL{,11 KI1HOaKTep JIH Knnypa. Ka*J{.aH pa.n:Ho.c-raHUWI nepeaaaana ary aartacs, H xorna aa OT.n;blX a Espony TeM J1eTOM rrpaexan rnasa rO.l1m:my:ucKoii CTY~ lIHlo! "M-[-M" JIYHC Meirep, TO OR CJ1bll11aJI ee noncieny, KyAa 6hL HI-! uren, 3aHHTepeCOB'aBIllI1Cb, OH y3HaJI I1MII ee asropa H nonpocan ero 3aiiTH K HeMY B napl1)1(CKHH orens "PI1U". 3TOT E11311]" 3aKOH<jI1J1CR npHrJIaWeHHeM KOMn03HTopa aa pa60TY B "M·f~M".

KeMnep rtpafisrrr B r OJIllliBYJJ: B 1936 rony H HeMeJl1leHH 0 CTaJI nacars UeeRI'! )lnJl "M-f-M". Ero OCHOBflblMI1 coanropaMH 61>I11H 'rorna Bam-rep n)!<ypMaHH (ascrpaeu, C KOTOpblM 01-1 pa60TaJI etue B Eapone), Tac KaH H Ilon ¢lP3!icl1c Be6c:rep (n03)Ke .,' Hen BaWI1HM"OH 11 Xenen nOM4), aero xoarpaxr C 3TOM cTy,nM.eH perynapso B0306HOBJlJlJ1CH B Te4eHHe 30 J1eT. B nepasie )f(e MeCIi Uhl OH HaflHCaJ1 BeJJI1KOJIeflHb!H xrrr - 3amaBHYlO rtecuto K <PHJ1hMY "CaH-¢lpaHuHcKo", 1<0- ropas crana CTOJ1h liCe no.nYJIlICpHOH, KaI< aMepl1KaHCKHll rl1 I'll H. Ho uensix 4 rOJJ:a OH HH"IeM .rr.pynlM He 3aHI1ManC::I KpOMe necea, TaK KaK.eMY He n03.BOJlRJ1H rracars naprtrrypsr. "Mu B Espone lteJlaJIH llJIH WHl1hMa see - rrecna, naprarypu, apaa>KI1P-OBKH, .nl1peKllWOH", rOBOpHJT Keanep, "HO B rOnJIRBYJle BaM He paspeinaror 3aHHMaTbCli 6oJ1ee 'lei'll O.u:H 0 t:!. pa60ToH. OHM TPaTHT Ha ace MHO)l(eCTBO .neHer, HO npl13TOM He MoryT eerie npeacraaars, 4T06bl O)lHH "IeJIOBeK nenan 60nee OJJ:HO fj pa60Tbl. Ilpasna, ncsxe, xorna $I aa-ran nHC8Tb csoa napraTYPbl, TO CTOJIKHyncll Co6paTHOM lJp05neMOM - reneps OHI1 XOTeJlH nO)lJ(J1lO'll1.Tb aaropa neceu B .uonOJ1HeHHe K MOHM opKeCTpOBKaM! "

EpOHllCJIaB Kejinep, 03BY'lI1Ba11 csoea M Y3b.IKO A nOJl.D:IO*I1Hbl <pHJ1bMOB "M-r-M" B rOA, cpeLtM HHX HaH60Jlee 3Ha·

45

Me~HTbIMH 6blJlH 'TaJOBblM. C.BeT" (1944), "Yrrxua 3eJIeHorO ll.eJ1bq,MHa" (1947), "Ilpxrnaureaae" (1952), "JI.HJIH" (1953, np eM RlI "OCKap"), "CTt:KJl.IIHH2ji rycpenbKa" (1955), "JIe6eLI;b" (1956), "Bparss Kapaaaaoasi" (1957), "MHTe)K aa EaYHTH" (1962). CaMbrM H3BeCTHbIM "Be4Ho3en:eHblM" ;1l)Ka'30BbIM CTaH.v;apTOM B era HaCJIenHH crana, KOHeT.IHO, rewa "Green Dotphin Street' "3 O.llHOHMeRHoro 4mnbl"j'a"; rile ara My3blKaconpoaoseaana ClIeHY 3eMJIeTp.ll'CeHIHI. Ho B 50-e O'leHb nonymlpHOA 6bma rasxe ero.necss "Hi-Lili, Hi-La" 113 cpl1JIbMa "JlJ.uU!", sa naprarypy K KOTOPOMY KOMn0311TOp nonyxan aarpany AKa):(eMHH KHHOI1CKYCCTBa, XOTl! Ii C'IHTaJ1, "ITO OHa npHCY)((.lleHa 1111ll1b nOTOMY, ljTO TaM conepxanacs sra neeHJl.

Pasyaeercs, KeHnep He 6b!Jl TOJ1bKO neeeHH'HKOM, a npelK.Ile scero TanaHTnHBblM KHHOKOMn03'I1TOpOM B WHpOKOM CMblcne. Ero necpasnennas crtocofiaocrsasrpassaes xenoae'leCKl1.e qYBcTBa Ha Jl3h!Ke MY3bll<l-f. rtouorana MHorHM axrepaa. "Haina )KW3Hb HanOJIHeHa BCHKWMH KJIHWeH3 npoiunoro, xoropue Hac orpaaaunsaror: H rtopofi Mew'alOT HaM }I01Tb", rOBOpHJl OH, "HO B MY3hll<e He l{OJl)KHO 6hITb HHKa~ KHX xnaure, 110TOMy 'ITO ORa 6eCKOHe'.JHa, Kal(; BpeMH".

C3MJlfU W3UU (C3MlOe11b <pe.fiH6epf, 1902-1989) pO.nHJICl1 B HblO-MopKe, caMOCTOJlTeJlbHO 113Y4HJl My3bll<y H HfPy aa peane, DOCJle OKOHtlaHH.ll Wl<O'Jlbl ssrcrynarr KaK neseu-naaHI1CT B Ka6ape H aa pamro, pa60TaJI TaJOKe B MY3blKanbHblx H3.!I.aTem,CTBax. B 1929 rony 60JlbWHM ycrtexox n0J1b30Sanan, aanacs era neCHI1 "Wedding Bells" 113aTeM OH nonepeMeaao flHCaJI «aK Ml1 Bponses, TaK H.DJI.I! Fonnaayna no KOHrpaKTaM C 4-M.I! :ee)l.yruHMI1 KHHOcry.uHJlM!1. B 1930 roay neeHJ.f <P3HHa, B 1<11 10 tta.l! "Y ou Brought ANew Kind Of Love To Me", ucnom.soaanacs B cpHJrbMe "})onbwOH npyzr' cTyru,m "ITapaMaYHT" C y4acTI1eM Mopaca Illesanse. B cepeilMlie 30~ x B Hawe.11 crpase 6bma 1l0BOJIbHO nonYII.II.pHa ero necas "Y sononaaa" (H3 :KHHo<p'I1JlbMa «footlight Parade", 1933) B HenOJIHeHHH aHrllWHCKOro opxecrpa EH-EJ1-CH non ynpaaneHHeM reHpH XOJ1JIa; aanacusanee B 1938 rOAY 11 AneKCaH.Ilp U$acMaH.

B .l(aJIbHeihucM Kl1HOMY3blKa M rtecaa C3MMH v3HHa 10 pa3 6blBaJUI rtpeacraaneasr B HOMI1Hal(I1H na npHcYlKlleHHe Harpa.nbl AKa}J;eMHH KIfFlQHcKycCTBa 11 JlSalK,Ilbl OH nonyxan npeMHlO "Ocxap" (1953 H 1955), OH 6bln raxxe OTMe<leFi MHorHMH ,npyrl1MH rfpH3aMI1 H nO'leTHbIMH 3BaHHl1MH, II TriM '{FIene B l'lTamnl H ¢lpaHl(HH, ero H36paJH1 B "Songwriters Halt Of Fame" Ii 'meHOM coaera znrpexropoa AMepl11<aHCKOro ofiiuecrsa KoMn03HTOpO.B,CU3TOPOB H H3,uaTenei1, Ero OC~ FlOBHE>IMH coaBTopaMH 6bIJUJ I1PBHHf Ka3JI H IVP,Be6cTep, a Haw60JIee naMHTHOH necHei1 OCTaJI!lCb "I 'J[ Be Seen ig You" 113 6pO)l.Sei1:cKoro M10311.K1Ia "Right Th is Way" (1938). B Ham C6CPHHK B}OUOljeHbl ABe neCHI1 C3MMli <D3HFla, yzrocroeaasre "Ocxapa",

j(mefJMc BaH X&103en (1913-1989) Y0l{I1J1Cl1l1 repone CHpaxstoc (r.e, CHpaKY3bl, WTaT Hsjo-Hops), aacrosmee HMl1 • 3aaap.u 'lJecTepB361<0lC OKOH4H.Jl ceMHHapH.IO Ka3eHOBHa, or KOTOPOH B 1961 roAY' rronysan nOlieTHYIO Rarpany KaK Bbl,!laR)!.U11HC.I! BbmYCKHHK, 11 MeCTHblH YHHBepC!1TeT, rrte asy'-IaJ1 My3bIKY y Xayapzra nai1MeHa, I.J B 16 JIeT y)!(e pafioran 11I1KtOPOM aa roponcxoa pa.!lJ.fOCTaHt[IfH, a nOTCM BM TaM co6CTBeH HYro nporpaa MY, rrpencraansx OpHrHHa:JIb HbIe npoM3Bel{eHI'I1i MonOnblX MY3blKaHTOB.

B 1933 roJIY BaH Xblo3eH rrpaexan B HbKl-:llOPK, rne f ntfaHHCTOM B MY3blKaJ1bHOM H3lIaTeJIbCTBe PeMHKa H co ssn neCHJf.lUIl1 nOCTaHOBOK "Cotton Club Parade" B 3Ha HI'ITOM rapneacso« KIIy6e. Bsrecre C TeKCTOBI1l<OM 3MH JIaHlKeM OB HanHean llnll Eponaes ,[l)f(a30Bblw MIO)I "Swingin' The Dream" (J 939) Ka:K BOlIbHblH nepecxaa nb, Illexcnnpa "COH B nermoso HOt[b ", KOTOPblH ·HMeJl 60JlbIJ ycnex, a nae m:CHtI H3 Hero CTanH X.I1TaMH 11 BOWJII1 B pen Tyap LlJKa3MeHOB - )lJl<eK Jlecsapzt C opxecrpou TOMMI'I.ll Cl13amiCaJI "Heaven Can Wait", a "Darn That Dream" - n APMCTPOHT C MaKCHH Cannaaea.

B 1940 rozry Ba H Xbl03eH HR"Ian pafiora TI> B r o Jl:lUIB'} caaxana no KOHTpaKT¥,co cTY,!lHefi "Ilapaaayxr", H nl1C; CBOHKI1HOnapT-I1Typbt, HO 3aTeM 1942-44 ronhI nposen Bas. UH·OHHOH xopnopauaa "JIOKXHjJ." B K3yeCTBe JIeTlJHKa-H.cr rarens. Bepnysuracs B KHH0, cnenYKl!.UHe 10 ner OH noc aBHO COrpy.o:HI1<laJI C n0:310M )l)l(OHHI1 EepKOM, BMeCTe c:

TOPblM HanHCM MHO}f(eCTBO necen B OCHOBROM Mil EI1I Kpocfia, a O)].Ha 113 HHK, "Swinging On A Star" M3ero cj)1>l. Ma "HJlY CBOI1M nYTeM" (1944) lla)Ke rronysana npeMHJO "( xap", Bcero Y BaH XbJ03cHa 6bJJ10 4 TaKffX aarpanu. L ecransasrx OR norrynan aa rO,!l.bl caoeronaprnepcrna C C:

MI1 KaHOM (1955-69), xorna OHH nacarnr rnallHblM ofipas J!J1Jl ¢paHl<a CHHaTphL

3aKa3'1HKaMH ua neeHI1 BaH Xsroaeaa 6blJIH TaK)!(e· M'r r04J.fCneHHble "3Se3,1lbJ" HO<!HbIX Kny60B H TeneBl1tJ;eHI 6po.u.:aeficKOH CQeHbl 11 KliH03KpaHa. L(ecllTKI1 ero MellOn; CTanH "Se'-lH03eneHbIMI1" CTaH.o:apTaMH. OH 6bJJ1, no)!(aJl~ H~a",60nee 3aHlITblM MY3bIKaJ1bHhIM ,neJlTeneM B 50-60-e ron 'lneHOM HeCKOJ1bKI1X nurb)l.HH i<OMn03HTopOB 11 aSTOp' snanensuea C06Cf.BeHHoro MY3blKaJIbHOrO I1S,!l.aTeJlbCTI HMen 60Jrbwoe KOJIH'leCTBO noueraux creneneti li 3Bam BClIq·eCl\HX narpan Ii npeMI1i'1.

Apmyp lJiGapu, (1900-1984), KOM n03HTop 11 npoznoce pO)J;HJlCli B BpYKJHlHe: Y<mnCll B YHHBepcHTeTe HbIO-nOp~

, a no HaCTOllHHlO orua Fl3YQaJI rrpaso B KOJIYM5HHCKOM yH aepcurere. Ilocne sroro npenenasan aHTJlI1HCKI1H 113b1K cpe;llHeit Ul1:WJ1e H 3aHI1MMCl! Wpl1!lHtlecJ(oM npaKTH.Koit, I O.D.HOBpeMeHHo nacan neCHI1 ,lUIJl paanux pesrc 11 paaaon CTaH0BOK .. B 1'928 rony OR OCTaB.H.Tl pa6CTY a.QBOKaTa. Ii rtc HOCTbKl nepeKnlO'UI11CJl Ha MY3hIKY. 3)leCberO nOCTOl'lHHb napraepoa aa MHorHe r0.1lbJ cran ncsr-rexcroamc Xaya: .II:HTU, BMeCTe C l<OTOpbIM B 193 J rony Illaapu C03.uaJI nepa ycrreumoe pesto "Opxecrpoaas nOBo3Ka" ("The Ba:

Wagon"), IH<JUO':laBWee enay 113 CaMbJX 3HaMeHI'ITblx, nee sroro TaH}J;eM a "Dancing In The Dark", KOTopaK BnOCJlf CTB"'H crarra KmicCHKoiii nonynspnoa My3b1KI1,

B TeqeHlte 30·x OHH. nO'-lTJiI Ka)!(;J;,blit ·ce30H npencraana. aa Bponaeecaon o'-lepe.nHofi Ml'03Hkn C HOBblMH npasnex TeJlbHblMH Me:rI'OWiltMH, Brmors no cepe.!:(Hlibl 50-x ~IMI1 6bl C03,naHO Ol<OJIO 20 nOLlo6HblX npoH3Be:neHHfi l{J1.1I 6polUle C)(o/1 Gl(eHbl (no3)KeApTYP Illsapu pafioran TaK)Ke C TeKC1 MH .n0pOTH <I>I1JILlC),

B 40-e rO)J.bl Illsapu 6blJI ·CBI{3aHC fOnnI1By,uoM, rne H rracan MY3bll<y lUIl1 HeCKOJIbKltX (ImJIbMOB (saecs ero napri p,aMH 6bUlM VP3HI< Jleccep H Jleo P06WH), a TaIOKe nsicryrt B xaxecrae npomocepa TaJ<HX H3BeCTHbiX KHHoKapTHH, K ";l{eBYW:Ka C 06rro)KJ{w" (1944, M103l1KJl ,U)K.KepHa c PHTI X3M:BOpT H l1,)!(HHOM KeJllIH) H "Hcxs 11 neas" (1946, 611 rpaq,l1}1 Koyna Iloprepa C Kopa Tpaarou B maBHOH pORI

46

B 1953 rony Illsapu UAHTLI npacrynarra .K nOCTaHOBl<e ua CTy.)J;lul"M~r~M" I<HHOSepcHH caoero .QaBH~ro tneztespa "Opxecrposas 00B03Ka" (apyroe Ha3BaIiHe ¢mJlbMa ~ "CHO~ aa K ycnexy", pexaccep BHHceHTe MHHemm)c YllaCTHeM <l>pen.a Acrepa, Can llepl'fcc 11 ABhl Tapnnep, rae CHOBa npo- 3BYQall 6eCCMepTHbiU "Taaeu B TeMHOTe~' > CTaBWHH QeH-rp3J1bHOH H HIDf60Jlee 3cpcpeKTHOHcueHOH qntJIbMa. CneuaaJIbHO lIJl.ll sroro CJlyqaJl Hlaapu l1.l(wr.l..l llOnOJIHtnellbHO HanHeaJIH acrymrremsrryro DeCKlO "That's Entertainment", xoropaa C rex nop crana HCnOJlb30Ba'FbCll KaK IPHpMeHJfblH '1mlrpacp BceH pasanesarem.aoa npo)lyKUHH. "M~r-M".

J{:»eeii Jlueunzcmo« (p. 1915), rtaaaacr Ii kOMn03HTop.

PO.QI'IJICji B MaK,11;oHaJIbllCe (WTaT ITeHCHJIbBaHHlI:), 3aKORtJ:HJl Mec.THhlH: YHIiBep_CHTeT. Mq,a.Tb na posne ero ytJ:HJ1 H3BeCT~ HhlH KOMno3HTop Tappa Ap-rep, a nenaroroa no opxeerposxe 6blJ13HaMeHHTbIHllHpH)Kep Kapn MaK,UoHaJIbn;, pa60TaBWHH rorna a My3bl~aJ}hHOH aKall.eMHH IleHcHJIhBaHHH. 3a~ reM B JIoc AHn;lKeJIece JIHBHHfCTOH YlJHJ1CJI B I<aJll11P0pHHit~ CKOM yluiBepCH'reTe aa xypce, nOCB.IIllI,eHHOM TeXHI1Ke'C03Aa~ HI1.!1 naprxryp Il1HI 4lHnbMoB, nOA pyKoson;cTBOM Jla Craseuca J1 3pna X3reHR (asropa TeMb! "Harlem Nocturne", 1940). Ozmospeaeaao OH OpraHI130BaJI cTYlleH'leCKliit TaHlIeBaJlhHbIH opxecrp, HrpaswHH B HO '-:I HblX xnyfiax, aa f5arrax Ii xpyaaax, Ii pa60Ta.J1 RaJ\: mmHHCTH neccHHblti apamKl-fpOBW.HK Ha paaao,

KaK KHl-iOKOMn03HTOp, B OCH0SHOM JIaBHHrcTOH patioTan nOI(oH'rpaKTY co cryAHei1 "Ilapaxayar" (1945~55)·, aa QCTaJ}hHoe BpeMli rlHCaJJ My3bll<Y .QJl.ll KHHOC1)'llHH Fonnasyna l<aK HeaaBHCHMblH aarop. Ero nOC1'01lHHbiM COTpY,ll;HHKOM 6h!Jl noar P3H 3BaHc H BMeCTe OHH nanacana HeM anosarnaeHhlX. TeM H neces llJIa pasaax CPHJlhMOB. 11-3 HHX HarpaA.aMH A.K3.!leMHH KItHOHckycCTBa 61:.IJlI-I OTMe"leHbl neCHH "Buttons and Bows" (113 q,l-IJlbMa"E.Jlen;J{OJ1HLlbIH", 1948), "Mona Lisa" ("Kaml1'aH K3pH, CIlIA", 1950), "Que Sera Sera" ("qenoBeK, I<OTOPblH CJlHWKOM MHoro 3HM", 1956), a p.ll)]; llPyrHx 8bl)J.EHlranCR B HOMHHaUHID aa npeMHiO "Ocxap",

,UEeH JIHBI{HTCTOH rmean MHOro cneQHaJ1hHOrO MaTepHana TaK>lW J.l. .!lJ1J1 TeneBl-f;D;eHH.II, B 60-e oa C01PYllHIt"laJI C I'eapw MaRcHHH i16b!Jl COBJla.nenbueM MY3blKaJlbHorolflllRTenbCTBa. CJle)J.YeT MMeThB .BIf.QY, llToeCTh etae On;HH nortynapHblH: 1<0 Mn03HTOp ,lJ;)I(epPI1 Jli.fBIiHrcToH (p. 1909) 113 Konopaao, ero OJIHo<jJaMI-fJlell. JXpyroH neceaaoa 3nOXI-t, asTOP He .. CKOJlbKHX XHTOB 30-x rOAOS, HO I1Horlla IiX nYTaJOT.

3p1lecm TOlliJ (p. 1921, ABCTpJ.l.ll') npOHCXOJIi1T H3 OileHh MY3blKaJlbHOM BeHcKoi1 CeMb'-I. Ero MaTh 6blJla neBH1.l,eH, a OTeLl - espana qOM.- 1110 fil1TeneM , HO caa 3PHecT C )J;eTCTBa Me'l~ TaJI crars l<HHOl<OMn03HTopOM. Eute nOApOCTKOM B 30-x OB aeC.IITKi1 p33 XOlllW B Bene na aMepHKaHCKHH qJl-IJ1bM "Canu Annaxa' (c Y'laCTHeM Mapnen )1.HTJlHX) TOJlblW ,lI.JI.II roro, <[ro6bl nocnyurars MJ3bl1<aJ1bHbIH CPOH KapTHHbl - 31'0 6blJIa rtaprarypa ero 3eMJIJiKa Maxca Craaaepa. Korna nocne npaxona Hau.I:iCToB .K MaCTi'! CeMb:ll B 1938 rony nepeexana B HstoMopK Ii rOM uanacan TaM cpopTenHaHHblH KOH~epT, KOTOpblM 6blJl MCnOJ1BeH B Kapnera XOJIJle, TO ace KpHTHKH C ocylK,.IleHHeM 3a.llBHJlH: "3TO 3BYiJliT Kal< KI1HOMY3bIKa". Ho KOrna fOJlD: n03)1(e npaexan B [OJlJ1HBYll Ii nrpan TaM 3T0T I<OHuepr Mil pa3JIHllHbIX PYKOBOll.HTeJreH MY3bIKa.JlbHb.lX orneJlOB Be.ll,YILIHX CTyaHH, OBli TO)l(e cK33anH:"3To 3BytJ:HT Kal(

I<IfHOMY3blKa". Onaaso, B Fonnasyne 31'0 6b1J1o He ocyxcaeHMe, 3TO 03Hall·aJJO nparnaureaae Ha pa60TY.

B BeueSpsecr Fona Yll.HJICH B rOCYllapCTBeHHOH My3blKaJIbHOH aRa;neMHH (1937~38), B HMo-HopKe HCKYGCTBY KOM~ n031lQHHero 06y'lM 3HaMeHHTblH HTallbliHeLl OlTO Qe3aHa, a MacTepCTBY .zmpH)I(HpOBaHH.II - Jleou Sap3HH (1940-44). Korrra B 1945 rOllY rOM OfiOCHOBaJIC.II B fOJllIHByn;e, TO BHasane 3TO 6bJJli1 roAbI PYTHHHOH pa60Tbi Ha.ll.ll.eWeBblMM aecTepHaMH, cf!Hllb_MaMH KaTerOpMi1 "B!' H T.ll·. B O:JKH:,!{aHHI1 B03- MQ)KHOCTH cneners qTO~JlI160 CTOSHlIee. TaKOR uraac eMY npeacraaanca TOJI bKO B 1958 rollY, xorna BblAalOllIHHCJI aMe~ pHKaHcKI.iii KOMU03ltTOP ,ll.lKOPlDK AliTeHJlb (1900~ 1959), Y xcroporo I' 01I.Q H3yq_an I<OMn03HLlHID HOpKeCTpoBK'Y B 1948- 50 ronax, aaesarrao 3a6QJleJI H He CMor aanacan, MY3bTKY .ll11a$HJlbMa CT3HJlH KpaMepa "Ha nocnenneu 6epery". Oa peKOMeHllOBan Fortna, KOTOP.!>lH npexpacao capasl-mc» C nOM 33.!lalleit. Ilpasna, pe)l(H:ccep '3aXeTeJI, IjT06bl no XOllY .1leMCT~ BI1.11 rronynspaas leMa "Waltzing Matilda" npoxonana Jl.eihMOTI1BOM xepes aero naprarypy, H BbI H HKOr)la He CJ1blWaJIlt, <l1'06bl 3Ta crapaauas aaerpxacxas nectrs 3By"laJIa B .CTOJIb 6JItICTaTeJ1bHbIX BapHaUH.IIX aa npOT,OKeHHM. scero qJMJIbMa.

MY3blKa Fenna nponsaena 60JIbWOe Bne'JaTJleHH~ Ha Ct3HJlH Kpauepa, H no 6.1>IJlO HaqanOM I1X .llJII1TeJrbHor0 COTPYllHH"IeCTBa, pe3YIIbTaToM xo'roporo .IIBH.Jl!iCb npeBOCXOk Able napnnYPbl llIUI41ItJlbMOB "nQ)~HeWb 6ypiO" (1960), "HlOpH6eprcKHM npouecc" (1961) ,"3TOT 6e3YMHbIH, 6eay M~ HblH MHP" (l963) It "Kopafim, rnynuos" (1965), see B nOCTaHOBKe Kpaaepa, WeAU]l.te TaK:JKe· aa sxpauax HaweH OTpaHbL

3TH KI-:IHOl<apT:l;fHbI n03BOJUlJll1 fOJLIJ:Y BOHTHB ~JlHTy KpynHeH.WHX K~Mn03I1TopOB fOJlJ1HBYlla, a B 1960 roay pe)I(HCCep OTIO IIpeMH:HlOKep nparnacan ero npJ1HHTb Y'1aCTife B pafiore Ha.n cynepxonoccoa "Hcxon" (nopouaay ILYpaca), rne B rJIaBHOH porta CH!:I MMCl! Ilon HblOMeH.Dpw 310M pesoeccep peunm, tJ:TQKQMn03HTOpy llY"lwe scero "pI1CTynl1Tb K pa60TeB caMOH Ha."IaJIhI;lOH: CTa.IlJ'fl1 H rrortpocxn ero ysacreoaars B npoueccescero C03naHHlt cpHJlhMa .. TaKHM 06- Pa30M_, I'ona npOBeJT HeC,l(OJIbKO MeCRQeB B Hapaane Ha MecTe C'beMOI< I<apTHHhl J.f sepaynca c 6JlOKHOTOM, 3anOJIHeHHblM anrepecnsraa My3hrl<aJfbH'bl.MM HlleJl"MH. B peaynsrareua CBeT nORBHnaCb naprarypa, xoropas crana I<J1aCCHKoit I<1HHOMY- 3bIKi1 tI 3ACJIY)l(eHHO npMHeCJ1a fon.o;y npeMHfo "Ocxap", lie rOBOpJl" Y>Ke 0 BceMKpHoH nonynapaocra ero 3HaMeHMToH 3arJIaBHOH T~Mbl H.3 srore ,JoIJlhMa.

3pHeC1' rOJ1A HBJI.II.eTCH TaRl:Ke aaropou p.II,ll;a .HHCTpyMeHTaJ1hHbiX pa60T ("CHM$OHI'I.II ,lJ.J1.11 nnu HHcTpYMeHToB", "CTPYHHbl if KBapTeT", "$opTemtaHHruI coaara "), OTMeqeHHblX akalleMH·qeCKI1Ml1 HatpallaMH.

A emopw meICCDWS neceu:

11011 tlJp3HCUC Be6cmep (1907-1984), OllHH Ita BeTepaHOB cpena noaroa fOJlJIHBy;ua M asrop J1y"lWHX 05Pa3UOB "Beq~ aoseneunx" erauaaproa, POllJ1JlC.II B Hbio-RopKe, TaM aaKOH'-lUll KOPHeJIJ1bCII:l1H YHl-fBepCi1TeT, .. no nOToM 6blJl MOPJlKOM It YQi1TeneM ras uea , nepea TeM Kal<CTaJI COllHHHTb neCHH aa My3blKy CBO»X COBpeMeHHHKOB. B J932'rollY OH npocnasanCJ! WJlJlrepoM "Masquerade" (MY3bIKa )l;>Kol-la JIoy6a), a B 1933 rony - necaes "My Moonlight Madonna", TeMa KOTO~ pOH6blJla anarrrauaea "II03Mbl" 3.$1-:I6"X3,

C 1935 rolla Be6CTep'HatJ:an pa60TaTb B fOJlJII1Byne no kOHTpaRTY co cty,nl-feH "XX BeK~ <DOKC",. me nacan neCHH

47

)l)IJI <p1111hMOB C Y'IaCTlfeM <peHOMeHaJU>HOH ManeHbKoi1 axrpacn llhipmf TeMnJI,C rpex ner CHHMaBWeHc.II B KliHO, a 3aTeM pafioran KBK CS050D.HbIH aarop C TaKHMH BI1D.HbIMH KOMn03HTopaMH, KaK A.HblOMcm, M.CraHHep, B.KeHnep, <1>.Ba:KCMaH,J(.TcMI<'HH. OlIHoapeMeHHO OH CQ'IMHlIJI TeRCTbl 11 AlIIi J])Ka30BbIX craanapros TaKI1X KOMn03M'ropOB, KaK )1.3- nJIM.HITOH, X. KaJDMaHKn H J1. n OJIJIaK, nHCM sarnaassre neeHM K <!lMJIbMaM H T.D..

H8H6oJIbllil1H ycnex K Beficrepynpauren B 50-x Ii nepBoH nOJIOBHHe '60-x rOl{OB, xorzra ere corpy D.H'fIl<aM 11 6hlJII1 C.ct>3HH Ii )l)({.M:mJleJI, 11 pe3YJIbTaT0M HX coaaropcraa-craJUt rpa aarpazn.r AKa.a:eMI1HKHHOHCKycCTBa B 1953, 1955 H 1965 roaax. Toraa CiH pafioran l{JI5I qHUlbMOB C Y'iaC1'lieM nOpMC .u3H, neTTH XaTToH, TI3Ta EYHa, Xayapna KMJIa 11 Map 110 JIaHJ:(bI (" BeJIHKffI.I KapY30", 1950). MeJIOJ(ll'IH 8.11 TeMa Jlapst 113 $HJIbMa ".1l.0KTOP )I{j'lBaro" (1965) 6nar()naps JmpH'IeCKoMY rexcry Beficrepa crana nonyJ:i.llpHblM XM~ rOM BO sceu Ml1pe.

Xayapo /{umu. (1896-1983),aBTop TeKCTOB, noar H n11'6- peTfHCT. Ponancs B Hsro-Hopxe, rne nOTOM 3aKOli'lI1Jl$axynsrer mypHanHcTHKH KonYM6HHcKoro YHHBepcHrera. Bo BpeM5I l-i1 MHpoBOi-1: BOHHl;] cnY*I1JI B BMC, a B sanane 20-x n03HaK'0MI1JJC.IIC C3MIOen:eM rOJI,!J;BHHOM H cran p'a6oT8Tb aa ero KI1HoerYlll111 "M-f-M" ()tJIl! KOTOPOH OH npI1IlYMaJl3M6- neMY co llbBOM) C 1924 rona, TO ecrs $aKTi1'1eCl<H co ,!J;H.II ee oCHOBaHI1.11 H armori, AO 1960 rozta .. Er:o 0CHOBHblM coas'ropOM B 1 92.9,-6.3r-OJlhI 6bln KO'l,m03MTOp Apryp Illaapu, H noMHMO pa60Tbl B rOJImlBYlll:eli MeCTe 0 Hit Ham1CaJIH oxono JlByX AetsttKOB MI0311KJIOB 11. pemo JUlJ! OPOI(Be.ll. B l'Ieropl1M nonyllllPHOK My3blKI1 AMepl1l<Ji1 ocranacs He 0I(Ha COTH)! necen C nMpI'IlIeCKHMH TeKC1"aMI1 Xayapsa Al-lTua,

01-1 .IIBnJlJ1CJ! )lHpeKTOpOMAMepHKaH€KOFO o6mecTBa KOMn03HTopOB,. aBTOP'OB H113l!aTeJIePi B 1959-66 roaax H 6bl11 1136piUPlJIeHOM "Songwriters Hall Of Fame" (1970), B 1972 rOLlY B HblO-ii'6pKCKOM roponcxox My3ee OTKPISIJI<lCb noCTO~HHOl{,eHC-TBYlOlQ<l.ll Bb10TaBKa "Kapsepa XayapnaIlirrua", aa KOTOPOH ;a:eMoHcrpHpytOTCli ero nYlIwwe neCHH. B 1974 'roll)! B HblO-HopKe asnnna ero aBTo6I1orpaqH-I'IecKa.ll.KHHra "Taaen B TeMHOl'e", n0IlyttHBill&1I rrpexaro "ASeAP':

P3U :3GaHc·(p. 1915), po.rtOM 113 CaJlaMaHKH (urrar HsioHopK), rne B 1931 rOAY 3aK0H'iHIi MecTH'YJO CpeI(HlOlO uncony, a 3areM ITeHCHJlbBaHCKIiK YHl-lBepCHTeT no Cne.L(HanhHOCTH )KOHOMHCTa (1936). Ho, 6YJlYQH" enie cTYLleHToM, HrpM Ka.l< ruo611tenh aa xnapnere 11 caKcocpoHe B YHMBepCI1TeTCKOM opxecrpe, H TaM n03HaKOMI1lIClI C )l>KeeM nI1BI1HrCTOHOM, C KOTOPblM B KOHue 30-x rO'[{OB ofipasoaan OJlI1H 113 caMhlX ycnewHhlX aBTopCKHX Aynos B ofinacr» 110nYlI.JipHOH MY3bIKI1.

BMeCTe ~ JII1BHHrCTOHOM 3B<lHC Clan. pafiorari, B Kanu<pOPHI1H no. KO Htp <llny C [01IJIHBYJICKOH Kl1HOCTYJll1eif "ITapaMaYHT" (1945-55), rrosxe '6hlJI cBo60nHblM aBTopoM (l pa- 60Tan JlIIJ! npyrnx CtyD.I1H, aartacas fleCKOJIb}(O ~eC.IITKOB TeKC1"OB necea , MHorHe ill KOTOPblX rrpeaparanacs B "aexnoseneasie" eraaaaprsr, a TpH. necan 6blJIFi OTMe'leHbl npeMl1ePi "Ocxap", 1JneHooU\ecTBa "Songwriters Hall Of Fame". KpoMe JIIiBHHrcTOfia 3BaHCCOrpy llHI1'1aJI raxxe C Mal<COM CrawHepOM, HI1TIOM Xe(jJm1 Ii [eHpR MaHCIHH1 (,"Mr.Locl<Y", "Dear Heart"}.

r apoJlbiJ A oaMCOH{1 906-1 980) pO.llJ111CJl B [pHHBI1JIJ1e (urrar HblO~JJ)KepCI1). ITOCJIC OKOH'IaHH.II I'apaapncsoro YHI1BepCI1- rera He):{onro pa60TaJI aa Bponsee, r.n;e aanacan JIH6perro 11 neCHH )lJlSl HeCKOJIb.KI1X M103F1KJIOB, a B 1933 rony yxe OKa3aJ1- CJiB [OJIJUmYAe no IWHTpaKTYco CT}I.lUWH"M-f-M".

tl>I1JIbM "TaHuYI0ll1aJ! neaa" (1933, pexaecep Pofiepr JIeOHap.II.), B KOTOPOM srtepasre CHlIJ1Cll$pe)l ACTeJD, 6blJI raK)l(e nepBblM )l)UI AuaMCOHa, rAe np03BY"laJIa ero neCH.II "Everything I Have Is Yours", HanHcaHH,an c:Bep1"OHOM JhI1HOM. HOB JJ.aJ1bHei1weM ero nOCTO$lHHblM ccaaropox CTaJI KOM~ n03HTop ,u)l(HM M 11 MaKXblO, BMec-re C I<OTOPblM 0 HI1 aa 1936- 51 roasr aanncarra neCHI1 l< 22 !f>I1JlbMaM .. CpeI(11 HHX 6hlJIO HeMano YLl.a'lH~blx; 13 40-e Y Hac 6bma O"leHb nonynapaa neeH)J AuaMCOHa H MaKXblQ "Comin' In On A Wing And. A Prayer" ("BoM6apAHpoBUUiKI1") B I1CnOJIHCHl111 n.YTeC013a.

Aaaacoa CO-rpYLlHHQan Tal0Ke co MHon1MH LlpYn1M!1 KOMn03J-iTOpaMI1, BI<n.ro'laH )lIOK-a. 3JIJII1HITOHa, OLlH'aKO Hal16oJIb· w 11M ycnex npa uien K HeMY BMeCTe c BI1KTOPOM 51 HTOM, xorna HX rnaanas resra K $IfJIbMY "Boxpyr CBeTa B 80 L(HCH" (1956) 6blJIa oraesena HarpanoJ;i AKal{eMI1H KH'HOI1CKYCCTBa.

MO)((HO 3aMeTHTb, 'lTQ 60JIbWI1HCTBO KOMn03HTopOB 11 a.BTopOB TeKCTOB, ynoMRHyrblX B )TOM paazterre MysblkaJIhHOH l1CTOPli11 fOJlJIHBYll,a, no Cy-Ni' crrenosano 6bJ OTHeCTI1 e 3"O-e rO.D.b!, Koraa CiHM aa caMOM nerre npFlWJII1 B KI1HO H .Ma- 1.{aJIH TaM CBQfO TBOPI.J eCKYlO xapsepy, Y)Ke rorna C03Lla'B3.11 nepasie ycneumsie npoasaeneaaa. Ho )lIDI yno6cTBa M3flO· )J{eHHJ! MI.l YCJIOBI1JJJ.fCb nasars O·HI1X xparxyre HH$opMaUI1IO npOCTO B nopxnxe nO)JBlIeHH5I HX necea B HaweM C50pHHJi:e, XOT.IIllPYF'He.)!II1T!;]",B03ri10)((HO, MeBee H3BeCTHble yo HaC,B .[(eHCTBltTeJIbHOCTH @bl:FIH Hamft;aHblI1MeHHO B 30-e, '1Toe·wepa:3 HanOM M naer 0 rpaHl1Uax "sonororo sexa" r OJ1JII1BYLl~l..

48

-

From "THE BAND WAGON" Music by ARTHUR SCHWARTZ,

DANCING IN THE DARK W:~~bb:~~~~=z,

Illsapu H ,[lMTU aanacana 3TY necaro euie B 1931 roay roUI pearo "Opxecrpoaas nOB03Ka" • .H0 cnyCTSI 1 () JIeT OHa crana 60JIbWHM XHTOM opxeerpa Apra 1lI0y, xorna nJIaCfHHKa c ero HHCTpYMeHTaJIhHOH sanacsro pa:30WJIaCb MH.lIJIHOHHbIM THpa:lKOM. 3TOT ycnex 3aTeM nOBTOpH.lIa sanacs opxecrpa P3H 3HTOHH B HOBOH apanxaponxe aaxana 50-x. a B 1953 rony B I'onmmyne nOC'faBHJlH CPHJIhM, COXpaHfrB npezoree Ha3BaHHe peBIO, HO C HHhIM CO.D;ep:lKaHHeM (pesc, BHHceHTe MHHHeJ1- .JIM), rae napa c;l)pe)J; ACTep - Can qepMcc TaHl.weT non :JTy MenO)l,HlO B HOllHOM QeHTpaJIbHOM napxe. B 1959 ro.1J.Y 3~cpeKTHYIO sanncs neCHH C,lJ,MaJI, <l>p3HK CHHaTpa C opxecrpox BHJIJIM M351, a 81961 rOAY - Me.JI T0pMe C onxecrpou TOHM Octiopaa.

Dancing in the dark Looking for the light

till the tune of a new

ends, we're love to

And it soon ends we're waltzing in the won- der

I have you love, and we can face tbe mu- sic

of to-

Om" .

It. why

we here

49

From "SHOW BOAT"

OL' MAN RIVER

Music by JEROME KERN,

Words by OSCAR HAMMERSTEIN 2nd

Korna ,lI.)I(. Kepn 11 O.X3MMepcTaHH B 1927 [OAY C03,llaJIJII CBOti 3HaMemtTblH M1031t1J<Jl "Tlnaay- 411H rearp", TO TeM caM bIM 6bma OTKpbITa aosas r JIaBa B MCTOPHI1 HaU:HOHaJIbHQfO aMepI1KaHCKOro MY3blK3JlbHOfO rearpa, 3TOT M10311KJI snOCne,lJ;CTSI1H 11H1)«,[(bl 3KpaHH3l1pOSaJU1 H nOCJJe)l,HHM

pas OH 6bIn nOCTaBJleH B Fonnaayne B 1951 rozty (pexuccep )l:KopLOK CH,UHetf) Ha CTY.IJ;J1H "M-f-M" c yqacmeM Xayapna K.:~fJIa, Asu fapAHep,)l>r<o H. Bpayna, K.3'IpHH fP9HCOH H ,Up.

Ero oparuxansaaa naprirrypa CO.II.ep)f01T He MeHee nonY)l.IO)KHHbl npasnexarensnsrx, aanoMl1HaKHl.V1XC5I MenO,lJ;HM, cpena KOTOPblX uearpansaoe MeCTO 3am1MaeT necns "CTapI1K-peKa", npexpacaas MY3blKanbHa5l MeTacpopa "Orua Bo).1," MHCCI1CHnH. OHa HMeer aanes 11 CTaH,AapTHbIH 32-TaKTOBbIM KOpyC, a ee Te1<CT CO,lJ;ep)KI1T HeKOTOpbIe HerpHTjlHCKl1e H,IJ,l10Mbi aHfnl1HCKOrO 513bl-

xa. 3a npoureznuae ,!l.eC.SITI1JIeTl1.sI OHa HCnOJIH$l.rraCb H aanacsraanacs B caMblX pa3HbIX aapaairrax - OT EI1KCa Baiinepfiexa 11 opxecrpa "Kaca 110Ma" ,B;O Ocxapa ITI1TepCOHa 11 Craaa Ke-rrona. Ee nemr EI1Hf Kpocoa, <l>p3HK CHHaTpa, TOHI1 EeHHeT, a B 3KpaHI13aU:MJ1 1936 rona - TIOJ1b P06COH, I{OTOPbIH nOToM acerzra BKJIlO'-Ian sry necino B CBOH penep'ryap BO .speva BblCTynneHJ1I{ B POCCI111 B 50-e ronsr.

If ocf t'raf 0

:> .::> :>:>

:>

)

I'll . t
.... --...
-
.J r r f r- f--' • ~. ...... r~~
-
P'ICO T(1/!. e dim . p ~ rit:
. ~
-
"'" 7J 6" .J. Pul1-ing dose boats from de dawn to sun - set, Git-tin' no rest till de judgment day.

Corou red folks work on de Mis - sis - sip - pi, Coloured folks work while de white folks play,

fl
.J .) I· -f J-F -) * ~ I ~ ) J~ ) if If ~ ~~ ~~ #
I I I
-
- ""! ~ ~ II" ~ ..",. "* 50

Don't look up

an' 400't look down, you don't ~~ast make de

white boss frownj

~1iJ I . 1--- t 1\ I I' ~ t-,-- l 1 ,'" I ----I
\ .- · . ' , , :
·
· - ~r
mJ 'p r I to' II ..
~
t I _l_ 1 1 1 L. _---... 1
- . I, '1' .... Bend YOUT knees an' bow yo' head, an' pull dat rope

un. til yo're dead.

,f'I 1 ,I .- .. I ::---.. --~ Tall. .. .1 ~>
. .
" - ..,; _' .. 7ft ... .. .,. r_:r r r !~ ...
7'-:.:...j
I ~I I~I ===-
I
r I r r ~ s= Let me go 'way from de Mis - sis - sip- pi,

Let mf' go 'way fTom de white man boss,

p a innpo -====

Sbowme dat st,rc,am caned de riv - er Jor-dan, Dat's de 0 l' st ream dat I Ion g to cr oss, _

Ol'rnan rrv-er. dat 01' man fl'V' er H mu t k . , b t d ' h'

- - - -', e s _ now sump-,m, .' uont say not' -in,

He

just keeps rollin~ He keeps on roll-in' II - long. _

He don't plant 'taters, be

Ji"J, - -
~ .., -
111 r 'r II ~ ~r ) U~-- C.r~ ) .... 'F -J- fro .-:
r"
~ l~ I 1 -
I I .... 4_........· f-6J. f:#, 51

don't plant cot-ton, An' dem dat plants 'ern is soon for -got-ten; But 01' man riv-er he

jes keeps roll- in' a - long. _

You arl me, we sweat and strain,

flt I ~ '-1 • f\ I ;---.,
-.I J i5" l"f " ~r' f'i ~r JI~' I'----I._[_ r
fJ- -!.oJ ,J , .. 1
. I I I
,_" ~ ... -- I . ... . f r ~ . Bo - dy all ach - in' an' racked wid pain. "Tote dat barge!" "Lift dat bale:'

fl.1 - r I..
ooj i ~ I ---....., - I :7 _
. .
~ r 'f r~i r - T .... - --,;- ' ....
1-- ,~ J ..J ~ I I I ---..,
.
f r e . "T T f . l- f f f " T r r Git a lit - Ue drunk

land in jail.

~

Ah gits wea-ry an' sick of try-in; Abm

tired of

liv - in'

An' feared of

dy • in~ But 01' man riv - er

he

III I '" I L I I -" I J\ _.,' _.l ... I l\
4J I F orr T I I T
f cresco
.
'4 =d- ~ :: ~ ~
.:ji
It 112 I
-es kee 5 roll-in a - long. -long. _ !\ J P

52

hm

From "THREE COINS IN THE FOUNTAIN"

THREE COl S

IN THE FOUNTAIN

Music by JULE STYNE, Words by SAMMY CAHN

Cyurccrayernereana, cornacno KOTOpO.H senoaex, 6pOCI1BlllHH MOHeTKY B 3HaMeHI1TblH pMM~ CKHM $oHTaH TpeBH, o6H3aTeJIhHO BepHeTCSI eute pas B Bel.lHblM Fopon, 3TO necus 113 O)l;HOHMeH~ aoro cpHJIbMa "Tpn MOHeTbI B <poHTaHe" (1954, pexaccep )KaH Herynecxo), CH5ITOrO H3 CTY,UMH "XX BeK - ¢toKc" C YQaCTl1eM Knadrroaa Y366a .11 l{0pOTH Mal\Tai1p, sa KOTOpylO ee aaropta nony- 411JII1 sarpany AKa)leMHH KHHOHcKycCTBa. Ee 3anMCb B MCflOnHeHHI1 <Pp3HKa CI1HaTpbl crana 6ecT~ cennepou, a "CHHTJI''-BOKaTIbHOPO KBapTtITa "The Four Aces:' fibJn pacnpoztau MMJI)IMOHHbIM Tl1pa-

)KOM.

I ,.-_-:---,-_---!.!,_::_nm7 :e!o7

EI> t.

"I

--

-

-

iF·

Ebmaj7·Cm7

Cm'T F'I' Aloma

Fm7

Eb

.F7

~.

r f3 Gf· .. ~~1. f''' q--" r ,

'J,lu;"own. by three hope-Cui lov - e r-s , Whi(:b one wIll the (oun-lain bless?

'l'here ~y lie in the foun-tarn ISome-Wbere in the bea.n of

,1ome"~l

I~

I

..

r

1'01 E. m Fm.1 B 1-:5 E I .-
~J ! ! bIt!' I1r I r eInst
-
Wbicb one will th.e foun-tain bless? Whi ell one wIll the foun-tain Three The·
lr-J ~ I~ ~
t _- _.
.
. .
... . ~ .... .... .. Fro'T

F 7

~ I ~···7 tn I El. E mal7 em1 F7 Crn7 F7
I
I .. .-t- .
I~ r r f r r··· lr:rr r JJ qf </11<. .~.~
<
Faun-lain, ThrOugh the r'ip-ph~s bow they shine -c:;« JUgt one wish will be grant-ed
. I __...._ +-== ._-
I . --
, -& e eo- ! I Fm7

I,Ll Al>mo B~7 . E~· E~.~ Al>1 ~ ,...., ':'_--t~.
,....., _'
I ~ : ..
t!J ~1 ., -~ .... ~ r·~ .
v .. , r <; - -- I

1#00 heart will wear a val-en-tine. Make ft. mine! Make it minel Make it mine.1
( ...... J '-J I poco "/_ /7'1.
~ ~- -
t . .

<:» * 1 r I .. ! 53

From "OLIVER"

WHERE ·IS·LOVE

Words & Music by LIONEL BART

B 1968 rozty ua CTy.n;HH "Columbia Pictures" , 6bIn CH»T CPHJIbM "Onnaep" (peH{J1CCep Kspcn PH.n;) KaK MY3blKaJIbHa» a.D,anTa~HSJ H3BeCTHoro pouaaa lIapnb3a ,L:{HKeHca "Onasep TBHeT", cneJTaHHaSi aHrJUIWCKHM KOMno3HTopOM Jlarionenou Baprov. TIapTHTYPY KHHOMK)3HKJla Ham-lean ,L()J(OHHM Fpna, a caa <pMJIhM norry-ran nHTb "OCKapOB". Testa 'T.D,e .ru060Bb?" - cavas H3BecTHaSJ MeJIO.D,HH 113 :nOH xaprmn«.

Slowly, but rhythmically

~ ~

C

Dm7 G7

Cmaj7 C Cmaj7 C7

Dm7 G7

C '7 C6

C aj7

f\ maJ m .
::z
.:J .,~-' ~-
-- from skies a - bove?
Where Is Love? Does it fall

1'1 --- -...
\ -ee ~r~tj
-J T~· U ·~r ~'-r J -r-u f'--f
) PI I
.........--:--- - I .........
I t-z.,..
\ I T ~, --
- &- , . em7 F7 B~~aj7 B~m7 EI.7 A~maj7 AI. Al.s AI. Dm7 G1
~ -
the wil v low tree _ that I'v6 been dream - iog of?
~ ----=-----.
- c

Om7 G7 Cmaj1 C Cmaj7 C7 F

em7 F7

Dm7 G7 C '7 ce

C ]7

1'1 ma.l rna ~
. r~
.; ... ~-. ,
Where_ is she who I close my eyes to see? Will I ev- er know tbe
1'1 ------==--. ~
~
~ .
- ~r:n_;r W~:r
~ t~·U-·r-r ~--r I' r r-J f-f r
(

~ ) I ....-:--... .,.., .....
- I r <c.:»: - - " --.
-e- .. 54

B~F\aj 1

Dm7

Abmaj7 A~

C

G7

Dm7 G7

Iy

Who can say where she may

Ev-'rY!light I kneel and

me?

Cmaj7 C Cmaj7 C7 F

G7

G7

C

Dm1

I
,. ,
-« iT-'O
tJ hide? r I ~ I,
Must I trav - el far and wide Till I am be- side the
puy, Let to-mor-row be the day When I see the face of
fI -----===--1 .... ....---:::::::: 1..---....
!
/ ,
\ ~ ~
eJ T~r r r r-r ~w~r q., r "'~r
t .
< I
I I ~ I
....- I <,
.
~-
-9- y ~ ~~_/ I ... C ·7

m '7

Dm~ Am

C '1 F1I

A79

fJ. rna,} rn rna} maJ7 - ...
.., I , - r -- -~~
some-one wbo_ I can meatl_ some-thing to? _ Where, _. _. _
1l 1 ..--;;;:::--... --;:::::--.._ - - :--..... ...-::::::::;- !
·
· .
-.J. 1 · .p" ~--T--r I: ·~~~r ~·i· ~b~~r qr r~r
------
r--J: .~
«:r b?1 I Dm7

Fs

Fdim Cmaj7 C6

G1 112,c

Dm7

Am

fI -
_1 1':'\
. ·
.... 1 .,
~- I
Wh,ere_ Is Love? Love?
.~Ij;
- ...-:::::::.... .....--:::::
11 P""'T"T J .I _ I ~ ......!
\ ·
·
tll i .,~ ~ll.....l4f;·'" r ·f--j r l LJ I ' I 1-.'.
:::::::::::---- \!I
~
< :::=--1:'\
l. P- I I n i' I rit J---- _,J i [--J
.
·
~ ·
! I I I '\!I 55

From "TOAST OF NEW ORLEANS"

BE MY LOVE

Music by NICHOLAS BRODSZKY!

Words by SAMMY CAHN, Arr. by GEORGE SHEARING

Ilecas W>J KHHOcpHJlbM3 "J]106wMeu; Honore Opnearra'' (1950, pesorccep Hopaas Topor, "Mr~M"), rile ee.acnonaan Mapi10 JIaHlJ,a, fllaBHYIQ )f(eHQKYIO pOJ1b MrpaJl3 K3TpHH rp)HCOH.

Ko M n03J.1TOp HHKOJ1ati EPO.llCKHH (1905-1958), pycCRtd1 no rtpoecxoxnemno, rnrcan MHoro KI1HOMY3bIKH euie B Espone (HanpI1Mep, pouasc "Barna sarracxa' 113 penepryapa KnaB.ll.MJ4 WYJ1b)f{eHKO, ace neCHI1 K aBCTpO-BeHrepCKHM QJI1J1bMaM 30-x c Y'IaGTI-:leM $paH4eCKI1 Faans), a TaK)Ke B AHrmai 11 '3aTeM 8 CllA, xyna OH nepcexan :8 40-e rO)lhI 11 rne n03)Ke, patioras 8 [Ol1Jl1.1BY)le C C3MMI1 KaHOM, C03,D,an PfI,D, J.13SeCTHbJX necea K CPHJ1bMUM C Y4acTitIeM (KpOMe Jlaausr) )]>KIOH 3JlJ[I1CQH, )J.0PHC )l,3ti, ,L(J.1Ha MapTHHa H 1J.pyrl1x "3Be3)],". EOJlbUJi1M ycnexou nOJlb30BaJU1Cb 3anHOl "Be My Love" B nonYIT5IpHOM i1CnOJlHeHJ.1H 3HLJ;H BI1JJb5lMCa M P351 KOHHJ.1cpcpa.

Bemy love for no one else can end this yearn- iug,
Be my love and with your kiss- es set me burn- ing 14 I V~' I~ I ~
1 _.ill'! (I"
t ~IL . , .
-
!. ~~ .. ~~flJ o.r ....,. r - r~r "r r~r
r
< om!
I _l .I~-l _j J~I' I
• -
• "
.I t....
'\ .......
I r---'I .. ~ I ---I Tbis need that

One kiss is

you and you a-

all J need to

lone seal

ere- ate.

my fate.

Just And

56

fill ro)' arms the way you filled m~: dreams.
hand in hand we'D lind~ the 1 The dreams that

I r. 100I .....__ -
/"
I ·rftk. l
I
!. ~r' .. r· vf .. r .. IR-#' ~/ _,;-" .. ~q'"
<,
-
-- ______ accel,


I I I I I I 1 1 I J J I
'. ..
• -
\ 10 ~
~ Il( i ,'"-_____.. you in-

spire

with ev~~ ry sweet de- sire.

Be my

I .1.1 _"..- -.... I'~ 1/ I --.......
t elf -
• J " .. 111 ~ I' H r-,--, V .~ 1 r, ... ~~~r tt! •
I ! ....__
a tempo .
J ~/T'I ...---:: .. ·t~1
]J:"1 1,- I I
~. '"
~. '"
, '''__
1 I I I I I I .1 1 \ pro- mised land, Fhere'Il be

no one but

for

me

you

2

I, 11 '" - --- <, .lo. I
-
h. I.
:i!J g4' • :j- q:l .. ~ ~ ... • T'''' o '""-'I ~1__1 -tiP: ...
I ....
mp f cresco
I ~ ,..- '. 1-----. l J-,I bl L_____ I
I •
., ... -- -
, • __"[J
..
n~," I I I I 1 I i I tern-

Iy .

my

will

be

al-

If

you.

love.

{_liij_..-.... i.~ I ,/ <, ",.- ------
..... -1 ~
I ....
--- ~1'-~r ."t I I{.} v-iiji *
I
(
I I~~ J~l
I j 1 __12,_ .....,__ ~
•
• ...
\ ,
[' 1 1 ~ 57

-----

from I1LILI"

HI-LILI, HI-LO

Music by BRONISLAU KAPER, Words by HELEN DEUTSCH

B 1953 rony aa CTy.aMH "M-r-M" 6blJI CHSIT MY3blKaJ1bHblH CP.HJIbM "JlHJIH" (pexorccep qapma

YOJITepc) c ysacraca JIecJI.H Kapca H Mena <l>eppepa B fJ1aBHbiX pOJTSlX, naprrrrypy K KOTOPO[ v ry, BKJlfOyaSl 3Ty necmo, HanHC3J1 E.Kei1nep H B TOM )f(e rony nonyxan aa aee "OCKap ". B Hawei1 crpaue (PHJIbM wen B aasane 60-x, B HeM paCCKa3blSaJIOCb 0 npHKJTI04eHHHX apTHCTOB nepenmo«nero TeaTpa xyxon,

Slowly

J'\ __. , J ~ ::l ]_ I I
. : .
eI ~ , J I 1
l i> .J ..b 1 .,b 1· t ...b 1 j) 1 j\1
. . . SloW1y(I'ubato)

On ev - 'ry tree there sits a bird, sing- ing a song of love _ On ev _'ry tree there

A teal' for him it tear for me A tear for t~ love he swore A tear for him and

, , -
Ii --- f-- --- • ~ --- a.-
--'-
.
. ~~t~.
... ~ rri r r' ~Dr'F j~~7 ~r1t7
mp J. ..J_. J. 01 J. J
. . . . . . .
. ,.
. sits a. bird,and ev-'ryoot" ev-er heard could break my heart with - out a word

one for me and one for un-der the ce-dar tree and one [or where-ev-er my love may be, and

.
1l_ ~ ~-"t---, _____ I ~ 1 _A • ~I
.I: ;.;tt_- _. ·
. · .
.
I" l~f~ I I IV~' r' '1- 'f C9 rco 1""11 ~bO -~~-;PD7
_t--J. Eb7 D7
~ .. · ---:,..
. .
. .
. - _. .
.
. - I Tempo of a French Waltz

sing - ing a song of love. _

then I shall weep no more. _

A

BOng

of love i8 a

Bad

song,

HI

LI - LI,

HI -

. - .. -
11 --- 1 ---..1
I .
.
.
I" ... ~ F f r ! ~ .- .$ .. ..
FO
fIIP-. l
~ .
_. _.
.. =iit - 'I I ~_/ .. 58

~ ~

I

LI - LI, HI - LO. A song of love .is a
~ fe7 r

SOl1g 0.( woe, don't ask me how I know. A .I'l I I
&I ~ '" -u ..... .. r; f.!f fJ qr r
...
I F
..... ~ .. - .. ~ song

of love

is

song'.

fOl"

I

sad

have

a

.I'l -. J -.... I I I:
.
i'" 'F f r r .. ~ . .. Fn F=- C-m
I_I
L
.
-
.... ~ - ·1 I ~_../ I loved and

[

!'!it. at

the ..,in- dow and ~

90. _

.I'l 1 I- I L L '"3""
&I . " .- .... : r~m' , r f f ... • r V 'r ..
D7
~ , I
.
-rt .. _ r .... I I watch

HI - Ll - LI, HI - U - LI, HI - LO. _

To -

the rain,

,. ~
-
., :3F :at: :S ..,C{ .... ""' ........ ..",.. F ~F7fLnr
,. I -
-
~ ..... ~ I r' f r 1

mor - row ttl proh - a. - hly love a. - gain. m - LI - LI. HI - LI - LI, JU-

7~

.LO. _

L1- LI, HI - LI - LI, m - LO.-----

r:... ~

A

1\ - •
-
• =i ........ "J"~~ ...... .# #1":\ ... ~.Ji""
F C C7 C7 F I
- • • I
.
• . ~ .. .... ... ":it . r r ::::
~ «t&L-_--"""""T

59

From "Can-Can"

I LOVE PARIS

Words & Music by COLE PORTER, Arr. by GREGORY FINE

B 1953 roJI.,Y KOYJI Tloprep aanacan O;ZIJIH li3 CB0I1X caMJ;,IX Y.1l.a'-lHbIX M'103HKJIOB "KaHKaH", KOTOPhlH Bhl)l,epiKaJI na Bponsee 892 npe.1l.CTaBJIemUI, a B 1959 fOAY 6blJI 3KpaHH311poBaH CTY.n;liHew "XX BeK - <POKC" (pexnccep YOJlTep Jlaar) C Y'-IaCTMeM Mopnca Illeeanse, <I>p3HKa Canarpsr, illHPJI¥1 MaKJhMH 11 .n;p. Ha C'heMKaX ¢HJlbMa B I'onmrsyne npliCYTCTBOBaJI HWKI1Ta Xpymcs, eoaepiuasuraa TOr,lJ,a csoa 3HaMeHHTblH BW3HT B CIlIA C nOKa30M aMepwKaH~aM "KY3bKHHOt:! MaTePH", .

"I Love Paris" - 3TO onaa H3 caMbIX nonynapnsrx necea Iloprepa B HallleM crpaae B 50-e roasr.

OHa 3BYlJaJIa raiose na MHorwx ){3b1KaX MMpa, ee HeO.JJ,HOKpaTHO 3anMCblBaJIH B Pa3JUltIHbIX MY3bI"KaJJhHblX aarcpnperauaax nscaa-opxecipsr, nena 3nna <l>HTWliKepan.n;, BHHr Kpocfia, Karepaaa Barrenre 11 T .,lJ,.

Eve- ry time I look down in this tlme-Iess town where the blue or gray bit- fer skies,

where.the

"-'4 ..... I ,.., -
t v -- - .... - ..... I ~
~
I-It ~ ~ -R-.
t

I I I 1 loud bitter cheers or where the soft bitter teal's more and more do I re- al- ize that

/':\

love • tempo

Gm

Pa- ris in the spring- time,

1

love

Pa- ris in the

raj!.

love

I

Pa- ris in the

60

winter

when it drizzI- es,

]

love

Pa- ris in the

sum- mer

wben it sizzl- es.

Pa- ris eve- ry

love

]

m0- ment, Eve- ry mo- m.ent of tbe
f f l>f
G Bm.'7 a\.o year.

I

Pa- ris,

love

~ -
~ 4 rfff 1 f t::rr f f f f rfff
(
Am., 0., C
j

... -- why

Be- cause my 11 ..J.ove

do I love Pa- ris?

is

near

- ,I
~ 2.
I
~ . r r wrqr t. r~t r r r r ~ "'0' v"G" l.---"1
- -
• G
G I I I ., I
j - . '1. . ' .
.
T i -........._ _, ...____..-~ rr

61

Ob,

From "Can-Can" Words & Mnsic by COLE PORTER,

IT'S ALL RIGHT WITH MEArr.byGREGORYFINE

3TO euie OAHa 0PUiI1Ha.rIbHa5l' TeMa Jloprepa 113 ero MJ03HlOIa "KaHKaH", KOTOPblii 6bIn 3KpaHI1311pOBaH B 1959 rozty H <pI1JIhM" BblWeJI B npoxar B 1960·fo.n;y. MenO.llI1H3TOH neCHH oxasanacs npUBJleKaTeJIbHOii nns ,ll)Ka3MeHOB caustx pa3HbIX. cnmeH H aanpasnenaa, ee 3anHCbIBaJIH OCKap Ilnrepcon, 3ppon Fapzmep H KaYHT b3WCI1, KBHHTeT ,ll,)Kei1 ,[()f(eH ,[{»WHCOH - K3H YI1H.Ll}1Hf, a

TRK:>Ke 3JlJIa <PHTUJJ.)I(epan.n;11 CeGTpbI Beppa, It's the wrong time

It's the wrong song Wlonggame

~

_A . .. ~
I .
~ - ~ II! - -
~ .. ~. --... em
~ ~~b'~ I I
.
- and the in the with the

place, style, chips,

Though your Tbougbyour Thougb. your

face smile lips

charmIOVIltempt-

wrong wrong M'ong

" 1 ;
I
I . .
, @.I ... - - .... ,. ___. ---
A~C ems ~ Cm
J A/c 1· ,,)"-J bJ ~~ ... ~
~I .. J. II..
~
ing, it's the wrqng 'see.
Iy, it's the wrong smile.
mg. they're the wrong lips. hls his his

II's not

It's not

They're not

face smile.. lips

_A L " I L ! I " I
.'
, . .
.
e.J - r . V'_"I p-- _. . . _ .....
, B~ EO. a"
I Fm Fm+? F~" Fm'7
_"'-;"". •• • • --- ./" - . .' -:-
_'.,
.
I 1 I I . !'" bul such a charm- ing face
but such a IOl'll- Iy smile,
but they're such tempt- ing lips and it's aI:I

tbat it·s SOit's.1.

right

with

I , I I I
I .

e -::r - W~ ,- II':"- .. .,- .... 101- q-e- ~-e-
a"? G¢ c-9 F?
.- ,~ .no
t

.. I r r ...... 62

\

with

H's the

.all

right

me.

me

2

I\. 'L . .
,
'e) ~ '~. .... - ~ .go.. - r
a log flo
AJ,e"s G., F., Amlo/EI.
; i
~ .
.
7.T - - You

I'm

can't

know how hap- py

I

am

that we met,

I\. , I I I I I I I I I 1 I
\ •.
@) r:' ~ I?"~ ~~, ~r Qr '1
8m!>., C,,9 FA
I EI. G¢ FA C-9
d " 0 . I.. ....-...
\ .g. .... 1
I I. ~ I
'-' strange-

Iyat- tract~

ed to

you.

~Ilre's some-

one I'm

iii I I I I I I I I I
t
~ -eo- F,-r E[6 . . -r -H-' ' ........
t.
Frn., a 10_:9 Bm .,
,

._. --e- I ..... I I try- ing

Don't you

want

to for-

to for-

hard

get,

so

" t. I I I -. I I I t I
~ .•
eJ I 'T r r t: - rF~
< Go¢" C., f7 Cn'l'7 F!:f
~ '" n Lo n 10 L "'--""_J,

I ~ I r I ... "" get

too?

It's the all

~.

with

right

some- one

" 'I _l I . .
~ ,,., ~.
v r---r ~ r t9:S q ...
) \> EIoA9 81.
B:....g D¢ F'J' 18
.~ L

I til r;.- I me .•

a

I\. a -
~ .

:e) Eb a I I ..II! v ... • .?1-
, AI>., .... .. '"J"
f"Et>'1 ho E'"
I Lo~ E., E~
',f2. . : I_""," .. -

-6 V" ....... 63

From "LIMELIGHT"

Music by CHARLES CHAPLIN, Words by JOHN TURNER & GEOFFREY ,PARSONS

ETERNALLY (TERRY'S tHEME)

Onaa 113 casrsrx MeJIO,lUf'lHbJX 11 nOnYIDIpHblX KOMn03HlV1H qapJIR qamIHHa • 3TO reaa TepPH 83 ero «pHJIbMa "OrHR paansi'' (1952). rne CHHMaJIHCb see ero nera, )KeHa, a TalOKe Bacrep KHTOH, YHJIJI.L(pafuJ;eH II ,lijJyrHe axrepu. rmmHYIO pOJIb 6anepHHbI TepPH arpana aHrJIHHCKaSl axrpaca K.JI:ep EnYM. 3TO 6bIJI nOCJIe.zUfHH KMHo!l>MJIbM, nOCTaBJleHHblH qarrmlHblM B CIIIA. 3a MY3blKY K tlOrIDIM paansr'' B 1952 rol1.Y eMY 6blJl npHcYjKJJ,eH "Ocsap", KOTOPblR OH nOJIYQHJ1 cnYCTSl20 JIeT.

B xasecrse MerrO,lUi11 non Ha3BaHMeM "Eternally" ora TeMa B .n;aJIbHeHlIIeM 'lame scero MCnOJI· IDIJIaCb HHCTpYMeHTaJIbHblMH COCTaBaMH (rrraBHblM 06PaJOM, CTpYHHblMM 0pKeCTpaMM), a caMhlH H3BeCTHhl0: BOKaJIhHblH BapHaHT 6hIJI aanacaa Capoa Bosa B KOHue 50-x. "

Valsu Iente

() . -.1 -.... r-+-1 1 I iTi I I J l] I "j :!" ".-
.
.. , _I J . r J ~, I~,r
""ere.to '- -P.-:
,.: . '. 110 -
. -
.
'f ... .,.
I Tiuu,tWilI1'1I6S,1 kDOW. Tidt:& will ebb and will now _

Tho' tbe seas tun

- '--""'1 - ::;:........
~ I t:'\ II t J ~ I I" ~ .T I
c
.
4i q~ I l f.. r "il" l r r qf 'j T
~ n mp
· .
· .
.. . . .. F7 Fo

F7

Yet my tun ean > 110t

If tlh:,..,·s ODt: thlDg rt:al _

die. _

!

fJ I _F,_ 'j;-..." .. ;;;;;;;;::1 , i~
-I I
.
. t r
• t r r' t "-~ i: r " I ,
I--r-." ~ -,
-
· . " --
.
v" I , F7 Bbm

_ I'll' this Juve tbat J

r .. c.l _

fot

you.

- =;--....._ bl J
('J, I i I I I " h::
"_
.
-ot) F' -r-r· 'r1'r i 1 '1 "_
# l
. - . - l!: _.. - "I:
·
.
I -.;t. .. ., C7

E F7

em7

64

CHORUS

k no w n, __ The sun wpuld 't"llill<;:W hen yo II ..... ere nu ne iu 101 nu lK "'_

em7 F7

em7

F+

l'U

. .

be lov-ing- YOII C - ter -nal - Iy, __ ~~~~_

.--- ,

Bb

Fo em7 F7-9 Bb

F7

em7

Tho'{he :;kysl;uuM t;ill.rc·mt:m-lo~r I :ihill1 al-ways be Fur-ev-e r

_------------=---.!..!11l ,

.--- -i--"'---"'"

F9

em7

F7

r---------,~-------..--,.

11 11 2 II

r rue, and lov-ing you t: - ter

1.\-".----

-Jv, -----r.,

nu l

~:i
t.. i ..--.... -- ----T J --I -~ .L rlT 1 - .
. . . : .. ____.:_._.
. ~-s= _ .
.• '-'i f 4 r !" I .. -I 1 I~L r, 'j~ '-~-
-
1 JJlJl, "I "'_P.fI. ~ 1" .
Jo
. . _ .
~. . -
. .
- ..... I _ · .... r .. j 1.
- Cm?

F7 Bb em} Co Bbf

F7

em7

F7-9

65

From "CALAMlTY JANE"

SECRET LOVE

Mosic by SAMMY FAIN,

Words by PAUL FRANCIS WEBSTER, ArT. by YURY CHUGUNOV

3TO 6hIn BemnnfH XMT .rex ner neBHl.\bl H axrpacu .l{0PI1C .ll3H H3ICHHOMlO3HKJIa "Heynaxaaua .ll)KeMHII (1953, pe)ICHCCep )J;3BH,lJ; EaTJIep), nOCTaBJIeHHOrO aa CTY,1:UiH "Yopaep Bpasepc", r,ll,e OHa nrpana rJIaBHYlO POJIh BMeCTe C Xayapaov KHJlOM. ABTOPbl necaa nOJIYlJMJII1 aa nee aarpany AKa.n;eMHH KHHOl1cKycCTBa. 3To#.n;eiicTBHTeJIbHO 6blJIa onaa 113 otDPa311oBo-nOICa3aTeJIbHbIX, THnHlJHO rOJIJ1MBy.n;CKHX MeJIO,I(nH 50-x, KOTopaH 6JIaro.n;apH ICHHO crana norrynspaoti BO scea MlfPe, OT Ilparn zto TOKHO, rne ee TaJOKe HCnOJIHJlJIH H 3anHCblBaJIH.

II I I I ~I I I I • I
el I I- II·""":;''' T ?J- -- ~I
~ ,..., ,-...1'""'1 ~ I J. ,,-...
V r .... VI '" I t ...... ..._ I
j .
., ~. '1 ..:::._....- .. ._¥ 1'$ ~ V'l
.-.J. al>+9 E~ --- el..69
>....--. e-g
I
..___..- . v-v-, .... --- -- ~ me,

AU

too

soon my sec- ret love

'" I = L
t:r ... "1' 1'--== ... r • r: F-
V
F,. \,\,;1.9 B'_ Fm7 J • I ....
' .. ...... _
. . _ . <:» -.__...
I Y I rr • ~u Be- came

lm-

pa- dent to

be free

" ... J. 1 I .._
., ~;:;;D:.. bi(2';' '- "" r i "ff r !Jf, -. ...,
I "
l ·1· j. J BD: I ebg B 1.9 sus e"-9
..___..~-- _...r· 1- I 7J: So

I

told

a friend-Iy star

" I I _ I ..._ I ~ .- J. h h J ....
.
C1 ........ -- " -.:::::: ... .._
E!. GO Fm'7 B~3J ~E!o: =t! i Frn'7
.Je J. 4- ~ ..,c-
-- - V-"D - 66

---

How I

Ev- en told the gold- eo

my heart's an

open door

The

that

dream-

es of- j

.l> .J?_

way

how won-

der- fool you are

And wby I'm so· in love with you

EI.

shout it from die high-

bill

est

daf-

diIs-

fo-

At

And my see- ret love's no sec- ret

- --

'---------------------'

67

do,

last

a- ny

From "YOUNG AT HEART"

YOUNG AT HEART

Music by JOHNNY RICHARDS, Words by CAROLYN LEIGH

Ilepaouaxansao 3Ta M~JIO):Ufsr 6blJIa aanacaua KO.Mno3IfTopOM J1;')K.PHlIap.n;coM (1911-1968) eute B 1939 rony non Ha3BaHHeM "Moonbeam I! , HO B 1953 rony K3pOJIHH JIH COllHHHJIa ,r(.JUI xee HOBblH JIHpHlIeCKHM TeKCT " sarracs necaa B lfCnOJIHeHHH <l>p3H1Ca CKHaTpbI 6bIJIa pacnponaaa MI1JIJ1HOHHhIM ntpIDKoM. B OTJIHlIHe OT 60JIbWHHCTBa .n;pyrIfx umsrepoa c I1X mo60BHOH JII1PHKOM, TeKCT 3TOH neCHH cozrepxan nesoropyro ,lJ;OJIIO )f(HTeHCKoH <pI1JIOCO<l>HI1. rzte B CTIfXOTBOPHOH cpopMe rOBOpHJIOCh ,KaK XOPOlllO 6hlTb MOJIO,lJ;bIM, H 3TO onpeztemuro ee ycnex. 3aTeM ee HCnOJIb30BaJIliI B xasecrse 3arJIaBHOH TeMbl B OJJ.ROHMCHHOM <pIfJIbMe (1954, pexaccep Topnoa )l;yrJIac), CHSI.TOM aa CTYMIf "Yopnep Bpasepe" c yqaCTHeM ,D;OPHC )l;3H If CHHaTpbI.

1

Fair - y taJes - can come true, _ it can

~,_.-. <czzs=.

hap - 'pen to YOII _ .......... ,

if you're .-

- ._ - --, ~r- ---,
I'J I _'---1 ...-.;: - I
j .
tlJ "I I , ~/- I 'r I I r"·· ~
Db -,~
mp '---, ----J
>-
t
.
- T YOUSG AT HEART

to be

,-' -- ,-
~ '-"7 -:;:--~-, ._'~:::I~
f1 I . - • ... _--.- .., I
tJ "";"j- em7 ----~ ..... • • - - ..
F7 em7
-.. p "'p .....
.J ~ --__, .. , r

• YOUNG AT HEART

'You can

d

·r

nar-row n min - I youre r-,-, -~ !:::.l7<!l
......
I'J I ..,._.t---, -:--..,. r- • ..:::_ -.......... J L 1 - ... -.. _:.1 -
tJ F7L r r rF9 ~J:~ F9+' ----.- ._._. -" .. •
.,;' Db P
~,_, r= _.". - - .1'
. __ '" __..... .. • go __ to ez -tremes with im - pos-sioble schemes, .-...... r- • .:::;---.-.... ,_ ,

68

s, [

-

life gets moree.iI~cit • ing with each pass. ing day,_

part at the seams

~

and

and

", :[ r "I J r.......
~ .
e.I r. 11'1 '[. '-1 .. ,.. lF7 i DO l l!l ~ _11'1
C!) 3~7 F7 BO F7 -m:fF9
i ~
.1 1 .... ,~ lnve ig" eith • er in your heart or on the way.

-

Don't you know_ that it~ worth- ev .'ry

~'_'~'_r-.-

fI L ...... r-- ,-----.. _.-.;. I._·-·~
.., r Bh6" rF#O'r Db;' rF#7 r iiJ"_ - ,- I , - ,,_
Cm7 ...................... F7 Bb
~
.
I I .._ .. .. bet ler by far

10 be YOUNG AT HEART

'/\ d 'r

. ~ n, I
'--3 '_"3~
11 l "'_'--" ~ r--a -..., +-«, J L I .. --~..;;;.
t) J r r r F9 f.,J~ F9+:-- .. .. ................... - " .. •
J:' :'--Bb - P
..._..,__, fliP I
-
.
.. u .. • --------------------------

look 0..1 all _ you'lI de - rive _ out of

.-.-.._,_ • ::----'--... ........ .J -

you _should sur-vive _ 1.0 a hun-dred and f ive c,

~

1'J 1 ---:--"'_'--' ""_3":::::' r-,--. ~r-'--' 1- .~ I ~
t) J q-rf* .. '. Jrq" ....... ....i* .. qr;' .e ........ rT " ',' fl J C7~ T
Fm6- G7 _ tFm6 '. G7G7+ G7 C9 - --=
t -1 lo. - t I i J .. ,J -,
r I r 1 , .he • ing a • live, r= J--,' ___

:rnd here is the best par t ,

~

you have a head start

'~

I ,- 1._1, ... '_'''___'''
" :I r 'T , ~ 'I -
.J ~r Eb .r'~Eb{q Bh --- F7 --
em7 F7
t ,,~ ..l ,; --
.
.. .. It..

tr ynu are a-mong the ver _ y YOUNG AT HEART.

HEART.~

69

I

From" AUTUMN LEA YES"

AUTUMN LEAVES

-Music by JOSEPH KOSMA, Lyrics by JOHNNY-.MERCER, An. by GREGORY FINE

3TO 4>paHu,Y3cKa.Sl nonynapaas necas "Les Feuil1es Mortes" ("MepTBbIe JIHCTMI"), xoropyro KOMno3HTop )Ko3eq:. Kocua (p .. 1905) HanHcaJI aa ~MXM )KaKa Ilpesepa eute B 1947 rony, Ii OHa 6bIJIa M3BeCTHa B ncncnaeuaa RBa MOHTaHa. 3aTeM B 1950 rony )lJKOHHH Mepcep cHa6,l1,nn 3TY MeJIO.II;HIO aHrJIHi:J:cKHMH cnOBaMH, a H3T "Knnr" KOYJI cnerr ee B o.ll:HOJiMeHHOM q:.I1JIbMe (1955, pexeccep Pooepr OJuqn-tl:l.) H aanncan na nJIaCTI1HKY c opxecrpcu HeJILCOHa PMM,lIa. BCTb HHTepecasre )l)K330Bble TpaKTOBKU :3TOH MeJIO,ll.MH B McnOJIHeHHI1 3ppoJJa Fapnepa, Ihrrepeona C rMJJnecna, 3YTa CI1MCa, Capsi B03H.

___ - ....... ., r- ....,

" 'I ~ I J I ~ I J 1 1.-.....
" I r 8. I J
~
" I I
< um ;E~ ll. Cm'l Fa D ....
..Q,. .:0... .... b.. ... ~ . _;-----...._
, -
":1 . I $ I ........_ ./ The fall- lng leaves "

t:\ I -

drift by my win- dow,

. ~ , 3 J r::'k.._l
1- '1 J
, .. .
.
.
I -- "f ~tW !t
< Gm7 C m'7 B~.o.
) .- .J F7
t ::=-~ -- ~ I j_ .@'- 1.

r .. I • I • I I lJ.I_ The au- tumn leaves r 3 .....,

of ted and gold

_L I 3
t 4 ~ r ... .. r YJ r .. ., . T' ~ [ r , '.
< E~.o. I "3 I L tJ I
Am7~5 D,
I , ~ I Gm
I , _of!- .... .... ,. .".. I ~ ...
.. ~ ... ... f- .... I I see your lips

the sum- mer kiss- es

3 ,

,

rl-..-I

r

8,

...

I

70

I

"

the SUD burned bands

I used to bold

Gm

'----------------'

the days grow long "

Since you

went a- way

Gm

3

(

and soon I'll bear 3

Old wint- ers song

II I - ri-1 I ~ ~ -:--...
~ ., " r 1- "T ~ , 1 I I i II
, J I
Cm'7 F'7 B~L). ~
_.._ • :. - t e ~- ~ -f!.
~ .L....J I .. I fJ ......... IL'___,

But I

miss you most of

a]] .

my darling

When

leaves

to

start

au-

tomn

I I
t •
.., ~F" ~«_ ..:6r ..... r: r r 'l I I -i ..
~....___..,.. 3
< B~9 E~6 -I
~ 0-9
-, " L ':l- ~3.., ......, J I' ...
t

• • -- I .. "' .... _-tI -.....! ..__,... ,r- fall.

I ~
t t .
"f ~ j: ..a.. ~ .,: ~. -;W~- .-=:: ~ :-J.!::: ~
.~ ~,,,,. ... -
-......_
Gm '" L. 1 L.. r 1 I 1/ r-,
•• ••
I . .
\
..__.... ..___... ...._..... 71

From "LOVE IS A MANY SPLENDORED TIllNG"

Music by SAMMY FAIN, Words by

PAUL FRANCIS WEBSTER

LOVE IS A MANY SPLEN ORED THING

3'ro aarnaaaas necns H3 O)UlOHMeHHoro $HJIbMa "JII06oBb rrpexpacaa BO MHorax oraomeansx" (1955, pexaccep Teapa KMHT, B TJIaBHOH pona YMJIbHMC XOMeH), sa KOTOPYIO ee asropsr Cl>3HH H Beficrep rronynora narpany AKa,n;eMHI1 KHHOHcKYccTBa. 3aTeM ee 6JIeCTm:u;e sarracan rronYJJJIpHbn1: BOKaJIbHM.H KBapTeT "The Four Aces" H era rrnacranxa CTaJIa I1X nJ£TbIM "30JIOTbIM ,uacKoM". I103}l{e ee BKJIIOQaJIl1 B CBOH aJIb60Mhl H9T "Kaxr" KOYJI II P3H Komm$cp.

Moderately (not too /a$t)

I'l I J J .J J ~, ---'--""'1 I J~
j I
.. poco rit. 4~
1Iff ~ r....J. .J.
III - _- LOVE ____,._

IS A MAN- Y - SPLEN - DORED THING,_

It's the

I~ I ---:': I r--1 r -.. I- • -- . I
·
· : .
. . ~ i -r t Vr-j
, --..: "P~~ -- 1 r I r=
0: tempo ....--r --J J: ..... 1
t J.,. I ~ I
.
. ·
... -r , Gm

Cm

A-pd1 rose

that on - ly grow. in the ear - 1y SpiIng;_

Love is

Ab

Cm

Fm6 em

72

.~

08.. t.ri. way of «1"'1. iDg

a

rea· .011 to be liv- iq-,

The g-old -ell crown that

~ I I " I
\ '
'.- ,... r ...... ' .. .. ~-_If -.- r .. '"
,~
J. " I
t -
'1:01 .T , makes a man a

king. _

Onee _

00 a high and

l I ~I I -r: -- I .r-1 J-I
, t "'. sr' _. r u i i'- r.; r r~ T r
<
_L L---r\1 - J
, ~ 11:1'1 •• ~I -t\ I
- ... ,,_." ----
....... ~ .
.,.; ... -e- wind - y hill._

~

In the morn- iog mist two lov.ers k.iss~d and the ..... orld stood . stnl,_

_ .... ~l
~ I_ • I L _l----I " ~ ~ rJJl?~- --
... 8 ~ f"'f ... I , I'f ~~co rit. rPf' I
""
-I ! (Ii- ,lsi" Ih .... ,L. q
1 . k
.
I " I . ,. I \ ... Tbt'R yeur fin-Kt'.rs touch"d my sHl!ot heart and taught it how to sing.

1"::'\ Yes ,

l

II2_.

TllING. _

_ ·1~:

:> :>

73

From "LOVE ME OR LEAVE ME" Music by WALTER DONALDSON,

lOVE ME OR LEAVE ME Ar;~;d~~N~::~R

Caua 3Ta rreCH5I OTHOCHTC5I K 1928 rony ,Kor,[(a OHa 6bIJIa nanacaaa ,[(JI5I 6pO,[(BeHCKoro MJO~ 3HKJIa "KYTelK" c ysacrue« 3HaMeHHTOH neBI1~bI 11 apTI1CTKI1 peBIO PYT 31TI1Hr (1903-1978), HO acxope OHa crana HaCTOllbKO '1.n.eHTI1c}:)J.1~HpOBaTbC5I cee JTH4HOCTbJO, YTO H KI1H06110rpa¢l151 3TnlHr BnocneACTBHH nonyxarra 'ro xe cauoe Ha3BaHl1e. <PHJlbM "JIro6H MeH5II1JTI1 OCTaBb Mew!:" 6bIJI CH5IT aa CTYAl111 "M-r-M" B 1955 rOAY (pexcaccep llapJIb3 BH.L(0p), rnannsie pOJII1HCnOJIH5IJIH ):(0-

pac .lI.3M H .lbceHMc K3rHH. H3BeCTHbJe I1HTepnpeTa~HH neCHI1 - rtpexcne ncero JII1Ha XOPH, "soundtrack" Ji,oPI1C ,lJ;,3i1, 3JlJIa <I>HTLUI)Kepan,o;, Jlecrep 5iHT C TeMI1 YI1JICOHOM 11 T.lI..

Allegro

Love me or leave me and let me be

lonely

you won't believe me and I love you only I'd

rather be lonely then

happy with somebody

else.

Fti-9

mi.ght find Ihe night-time therighl time for kissing but

night time is my time for

just reminiscing

74

You

greting

instead of

forM

ting with somebody else

,Am.,

0., .

Go

There'D be

that someone is you

no

ODe IIIJ..

less

I

tend

10 be

want you to Jove but I

don't want to borrow to

baveit today and to

give b3.ck to-- morrow, For :>

my love is your love, rhere's no love for nobody

else.

a---------------,

• ." I f':\

G

75

I

c~o

From "AROUND THE WORLD IN 80 DAYS"

AROUND THE WORLD

Music by VICTOR YOUNG Words by HAROLD ADAMSON

TOJIbKO C BbIXO,llOM O,llHOHMeHHoro cp"JIbMa B 1956 roay (pescrccep Ma.MKJI Aanepcou), CH5IToro B sane xpacoxxoro "60eSHKa" no pOMaHy)l{. Bepaa cTY.llHeH "lOHawTep APTHCTC", serepaa Fonnasyna, KOMn03MTOp BHKTOP .5IHf 6bIJI OTMelJeH npeMHei1 "Ocxap" sa G8010 KI1Honapnnypy. MeJIO,llM.H era neCHM nocnvxoma fnaBHOH TeMOH :nOH rpaH,UMo3HOH 3KpaHJ.13aU:Ml1, B KOTOPOH: ysaCTBOBaJ1H MHOfl1eBe.llymwe axrepu CIIIA, AHfJ1I.tH H <Ppa.HUHH. Pa.JJ1WlJHbIe nonynspaere sapaanTb! 3TO.H n.eCHH sanncsiean« H3T "Kl1Hr" Koyn,(f)p3HK CWHaTpa, P3H 3J1J1HC, cecrpsi Beppn, P3H KOHHMcpcp. B caMoMcpHJU,Me ee MCnOJrH5UT 8.u.uH CDHlliep.

SlowWaltz tempo ...............

_/j . r- , .... -I -.
-
'I~
"II I I "I "fij '.
1- -.; ~.L .... e rII.
~ ~ ~ .t k J
- - .__.
-- Refrain

A .. round

the world

I've searched for

you,

I trav .. eled

II • I . I I
II i

~c r ~ 'I .~ r - i r
~
l' • *"'PI' I I I
..
:4~ - OD, when hope was gone, tokeep.

-

ren .. dez.. vous.

I

80me ..

\"""'- - --.... _l - ,__ I I I
I
I ! ~ J!r ~D!~ -rG~ .f-1 f .D~
~c I Dm
_'~I 'I ~ I
I r III .. 76

where, some - time, some. hOw, You\llook at me, and I would sse the smile yoll18

~ I ; ,I I - - 1,- ----=--:---.
1 u '~r '~yJ- ~ flO ~ t f. IfF C9+
pml'l ~
I I. .
I
... A f. r .' r ,: r r-

might have bOOn

in

CoUD - ty

5mB • ing now.

~ - I ,I I
\
tJ ~ c f_ - - r ~ f f f r -
~ ~
~l -
, J_T
10 I 10 J
.
\ . . •
Ii·· r [~ . r -. r

DOWI1, or in New York, in Gay Fa· ree, OJ! e -ven Lon. don To\VD. No

~ -.........., --..l ...-- T I I
- ....... I~
I •
. ~
f i r "f ~A!rmwsA (' r L
,~ Dm
)" I • I ~' , ----- I~---'-"'"
, ~ -
.
r I I • I will I

go all a· round

the world, For I have found my

more

~ 1 •• _,... I --....
, ~,
1 .
II e" I t- v, -" ~ r ,- ~~'o!f" tm1
"If F#O e Gm6diA,A7 ,
I ~ ~~ ~
•
•
\' • "
it· ll· I 2.

,

you._, _

Wo"tld

A -

in

you. _

....--..

-~ - i!:
~ I - ~
=:i~
II} J f.:- ~. rr -r :;;.-- 1'-
-
i C'~,
G~ C AI) ~'" G7 C
I ._ 1 ·1 -,J j J ,I -, J 1
I ·

r 4 - .:»: r ~ .... ~ . 77

From "mGH SOCIETY"

TRUELOVE

Music and Lyrics by COLE PORTER

IIecIDI 113 4lHJIbMa "Bsicmee 06rn,eCTBO" (1956, pe)l(Jilccep Qapn.b3 Y onrepc, "M - r -.M "), OJl.HOro 113 nocneznrax C MY3bIKOM Koyna Tloprepa. B HeM CIDIMamlCb EHHr Kpoctia, <bp3HK CMHaTpa, Tpeac KeJDm H nYMC APMCTpOHI" co caoea rpyrmoa "All Stars", a Bee Jl.eHCTBJile npOMCXOJl.HJIO aa

, <peCTHBane Jl.)I(a3a B Hsronopre, EOJIblIIHM ycnexosr 3aTeM nOJIb30BaJICJI "soundtrack" c necHJlMH M MY3blKOH Jil3 sroro <pJilJlbMa, rne JIMPHllecK)'lO 6aJIJIa,I4y "True Love" , B qaCTHOCTM, JilCnOJIHHJII1 E.KpoC6H C r.KeJIJIH, KOTOpaJl BnOCJIe,n;CTBMI1 CTMa npnaueccosl KIDDKecTBa MOHaKo, BblH,n;SI 3aMY)l( sa KHJl3J1 MOHaKCKoro PeRLe III (rtoratina B asroxaracrpodie B 1982).

Moderate Valse tempo

!

, ~ ~ I •
" .
" "
.
-._ ",,'
poco rlt.
~ -fA- .f&- ~ ~ .,.. -~ .f'- 1&, ~ .fI.
. Easy tempo . Sun

blown,

Han

tanned,

wind

ey -

!

-' -
,,_
~ I?'" , r ~ r r T~r f ~ r r rGI' i
~G
fWPlaiempo I I I I
· .
.
T lo lo I .... -If' I ~ .. r ~ f. moon-ers

at

l' ~ ~

Feel

ing

a. - lone,

last

far

how luck-y

we are. While

a- bove par.

Oh,

!

1 .Ii I - 1 I-
.
: .
tc ~ .. - ~ rr r G~' ' lit: f ~~~ ~D7~~
Cm6 ~. poco rit. Am. -
I
· .
__.. Refrain (RaiMr slow)

1 give

you and you

to

'give

to

me

" " ' ----
·
4 - ~G f .-... - .. l7co#tf ':"'" , f
mp foc ~~
IZtempo
·
· ·
· . !

78

True

love,

true

love.

So,

~ J.l.
"ll: c;;. - 4· -.-. f7 ~
~D7 r r t ,_' - C G
r r
I - ---
.. on

and

it will

ways

al

on

Ii iii
I ,.
I ... c;; r - .. .. wt" ~ ,c,oo' f f
, ~ f~ ~co ~G
I I .
. True

and

love.

For

love,

true

you

Ii .u. I
.
I, .., ("Of 0 ~. - r r -r 1.--1 r ~ ~
~D7 r r ,~ -
r r G CNlSC. em
I -
.
I I

ian

an -gel

With

have a

on

~ ~ ..... I - • I •
I.
t r -. . Ir;;II (~r" .. - "..~ ()..,.
F7 Bb I Cm
G7
--
.
I(u noth - ing

do _

But to

give

to

to

n iii
II: ::!!: ., .: ... ~ .. I r ¥ f
fi? _®:rD7
1 Db7 G
'1u I for - ev

er

give

me

Love

to

you and to

" ~ -- -. -
~ - .. ,1Ffi;o#if c,oo' f t 14 - ..
Fe ~G D7, .
I i poco riI.
.
.
I I wi' .,; t.

true. _

2.

'true, ------

I

Illl.
: --
~ 1:'.:.., -r c (Vr rD7 V~ 1..--"
G G
" I .....
. .
, I . -r ~ 79

From "THE JOKER IS WILD"

ALL THE WAY

Music by JAMES VanHEUSEN, Words by SAMMY CAHN, Arr. by GREGORY FINE

neCHH H3 KHHo<lmJlbMa "C}'MacIIIe,llIIIH.iiOIyTHHK", (1957, pexnccep l.{aprrl>3 BH)1,OP CTY.llHH "TIapaMffYHT" C yqaCTHeM t1>p9HKa CHHaTpbI Ii MHTLUI I'eanop, KOTopaH rrpanecaa .ee KOMIT03HTOpY ,lJ)K. BaH.Xb103eiIy sroporo "Ocxapa" B ero xiI3HH. 3arrHCb 3Toi1: nCCHH B HCllOJIHemm Cmtarpra C opxecrposr HeJIbCOHa Paaana B TOM xe ro;zy crana 6eCTceJIJIepOM.

When some- body loves you. It's no

nrlt• r-, When some- body needs you,lt's no

n 11_- _""_..J __ a fempo

-- - ,.,

c

good lOt- less he loves you good lOt- less be needs you

aU aU

the the

Hap- py to be near you, when you Trougb the good or lean years and for

way. way.

,. I • - -
~ IV ~
~ -lP- .,._ ~~ r r"
Am~
eo;ll E., r-t ., ~ I 09 - G., D? SU S
~ ~ I I I I
.
. ~. # I I "U" r

need ~ one to sheer you

aU the in be- tween year.

aU Come

the way

what may

Tall- er Who knows

than the where the

G/e

lallroad

is. us?

Thai's bow it's get On- Iy a reel

to would

feel

est will

tree lead

,. - T • -:--.. I ,. .
"'- -- +-;
I ~ ., I I V - :; ~~UT AI=-
., - - ., ~ ~
< ~r r
om? 0'7 ~
{ 1 E Eo;;' Am Om., .... c?
..,_ "'"
. .

"'Z,.. - r tf ..... r - r

80

deep-

deep blues sea

thaQ the

is

Thai's bow deep it goes

er

if it

real say, But if you let me love you, It's for
[) 12.
f~r Am
.Fm G ... [)U for

sure I'm gOR- na love you

all

the

way

It.
i' .
~ eJ ~ "f ....
F"¢ Frn& Em'1 Au m_
~ ~ Af1 AJ
G.-n A'1
~

Hr Ilr r I It. ~
( r~~ r _j ==p
@) :# bo:S -&- -
< .
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"2l :oi 8J

From "SOME" LIKE

IT HOT" Music by

LOVEDHARRYRUBY&HERBERTSTOTHART, Words by BERT KALMAR,

Arr. by YURI CHUGUNOV

I WANNA BE BY YOU

Ilecas 113 MJ0311.KlIa IIXOPOlIIHH.MaJIht.)HKII (1928), HCnOlIb30BaHHall .LVI.H BOCC03,l:{aHI1.H aTMOC¢epbl TOM 3nOXH B 60nee n03)J;HeM ¢MJIbMe II Heaoropsre JU0611T norops-ree" 111111 "B ,lOKa3e TOlIbKO ,l:{eBYlIlKH" (1959, pescaccep EMJ1J111 YaMJI.llep) c YlJaCTI-leM M.3pl1lIHH MOHPO, TOHM Keprnca 11 ,l:{:>Kexa JIeMMoHa. Bee xapaxrepasie necesxa 20-x nonotipan ,llJIH M3PJ1J1HH OnbITHbIH A;:J:OJ1b¢ ,ll;OHlJ, MY3bIKaJIbHbIM xoopnauarop 11 apaH)I(l1pOBII{HK 3TOM 6neCT.suueii KHHOKOMe.lll1l1, KOTOpa.5l' MHoro ner WJIa aa sxpanax HaWe" crpaasr C HeH3MeHHbIM ycrtexou.

\

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, 117~: ~ --- }~~ .H.....-- ..
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* J wan-- na be loved by you just

Caddg

you,and no- bo- dy else

but you

wan- na be

loved by you a-

" - 1 I l"""""'!!l 1 I I
t tJ r- -,t r ;r l- r·1 ____ .1 r r , r 'r
< Em,! "'1 08 G~/6
~ L' .~ j j " • ..J
. .
.
-. -6 . r

r

lone

I wan- na be

" t:. 1---:1 ~ .1 II ~ .
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....___..,
I C A "'I Om., G-g Caddg
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missed by

you, just

you and

no- bo- dy

else but

you

I wan- na be

missed by

a- lODe

you

pi-

an- y- thing

re

to

er

Fm

CoJddg

I -----

Then till

a de-

si-- re

make

to

you my

own

lone

8

Caddg

8

a

83

From "Captain Carey, U.S.A."

MONA liSA

Music and words by JAY LIVINGSTON and RAY EVANS

MeJIo.ZJ;ID.I H3 KHHO~HJILMa "Kamrran K3PH, CIlIA" (1949, pexaccep MHT1JeJIJI Jleiisen) CTy.lI.HH "Ilapauayar", B KOTOPOM CHHMaJIClI Hsr "Kanr" Koyn. OH npesparan 3Ty necmo B eBoM. BenH"1IaHUlHM XH1" H OHa 6LIJIa OTMe1JeHa Harpa.noM AKa.neMHH KHHOHCKYCCTBa sa 1950 ron, lJeM M naM.1ITeH cau 3TOT CPHJlLM. 3HaMeHHTaa "Mona JIH3a" Jleonapao na BHH'lH nocnyacana HCTOlJHHROM B;zJ;OXHOBeHIDI ,lUDl' asropoa 310M neCHH.

Slowly

1'1. I ~ ~ - .......
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- --.::: . -'; .., . rr -r 1Jur
-
( /lip --= ~
ndi.--
I ~ ~ .....
.
\ - a

lit tie

I - tal - ian town

old

-

..

-

..

.. .. ..

live5 a. girl whose beau- ty shames the rose.

Man-y yearn to lOve her but their

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- hopes all tum - ble down

What does she want? No one knows!

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-- I Refrain Slowly Rubato

Mo - D& Li - Ba, Mo • Da Ll - 9a IIleD have named you,

You're so

.;:::- - ~
A I -- -.
eJ T' "Il -. - -Ab .~b -..-
'9 Eb ."
~
-. .... it .. -~ 84

fi 11 [-

so

like the Ia .. dy With the m)'8"'tic smile,

is 1& 00" iy 'cause you're 1008 .. ly_ therbve

-
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., • .. ... .. ... I~fmf'r tub7 " ~ "4 "_
Fm
1I1P,
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. blamed you fur that Mo .. DaLi .. sa strange-ness j,ft your smile?

Do you

-
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1 l ,
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:it -~ smile to tempt

Or

is

lov .. er,_ Mo .. na

Li ..sa,,_· _

a

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tJ "Cl' - ... ~ • 'AbfJ __, •
Eb
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this your way to hide a brok .. en heart?

Mao .. y dreams have been broudltto your

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tJ • .. .. - ..... ._. ~ '4 '1 1;tI"Ab Abm
"'1'
-
• .. f , cloor .. step,

They just lie there,

Are you

aDd tliey die there.

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-
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I
... ~, ~--
- ~' .. ..... 1 .. warm, are

you real,

a.

Li .. sa,

Mo .. na

just

Or

--. -
1\ I - ,..-...._
.., "'Ab ... ~. • ... I"'" 'I Eb .. • ...
" - 1. cold and loue .. ly, love .. 1y work of art?

12.

Mo ... aa all'(

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-
... "'Db'- .. i ... ... ''I 'i ' ~ ... Eb ~, ~~II. '! I
~~
~ ,.........,
., ;: ... :; ... 85

From "YOUNG MAN WITH A HORN"

THE VERY QFYOU

HaUGHT

Words & Music by RAY NOBLE, An. by GREGORY FINE

3To 6bIJI Bbl,lJ;aIOllJ,Htfcs XHT aHrnHMCKoro KOMn03HTopa H 63H,lJ;-nH.n;epa P3S1 H06na (1907- 1978), KOTOPbU1 OH aanxcan erue B 1934 rony (rorna JKe Y Hac BblWJIa ero nnacraaxa). Ceoe BTOpoe pOJK,n;eHHe 3Ta neCHS nepexana B 1950 rony B <l>HJIbMe "MOJIO.n;OH qeJIOBeK C TPy60H" (peJKHCcep Mamm KepTH~) CTYJ(HH "YOPHep Bpasepc" c yqaCTHCM ,l1;OPHC ,l1;3H, Kepxa ,l1;yrJIaca, Jlopea li3KOJUI H Xora KapMaMKJIa. <I>RJIbM 6bIJI CHSIT no OJ(HOHMeHHoMY pOMaHY ,[(OpOTH lieMKep (1938), nOCBSll.l\eHHoMY HCTOpHH JKH3HH EHKca liaH.n;ep6eKa, POJIb xoroporo arpan ,l1;yrJIac, a na Tpy6e aa Hero HrpaJI Tappa )l;JKeMMC. KpOMe P.Ho6na H )l;.,l(3H .n;pyrHe sanacaaasre BepcHH - 3TO H3T "Knur" Koyn, H3l:1CH YMCOH, <I>p3HK CHHaTpa H )J.aibH IlIyp.

The ve- ry

though of dea of

and I forThe long- in'

get to do here for you

you you

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, I!.I I r r r 0 I r
EP.o. E];, E".o.
t ~ .fL' .,.. ~ ~ -I&-
·
·
.... "it .... ~ ... ~ The lit- lIe Of-

you'll ne- ver . know

----

eli- no- ry things the eve- ry one

how slow the mo- ment go 'tilll'ni

_.:.--.....

<

86

"

, ,

a

"

)'

ought to do
near to you I'm Iiv- ing in the kind

I see yOUT face ill eve-

1~-

of ry

day dream Dow-er

I'm hap- py as stars

a. king

a-

and

Iool- lish tho'

it

my seem,

To me

It's fust the

that's every- thing

The mere i-

hove

12 ..

Eo

thought of yo~,

The ve- ry though of you

my

love

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.
• q .. • Coda

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9 Am '1
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I T I -e- 87

Co nepxanae

Ilocnemrae CKa3KM "<l>a:6PHKH rpes" (40 ronst) 4

Hocransrna H nponornsenae Tpa):{H[(UH (50 rozna) " 44

1. ALL THE WAy 80

2. AROUND THE WORLD 76

3·. AS TIME GOES BY ." " ;· 24

4. AT LAST 20

5. AULD LANG SYNE 11

6. AUTU·MN LEAVES ; " · , " 70

7. BE MYLOVE , 56

8. BLUES IN THE NlGHT " " " .. 18

9. CHATTANOOGA CHOO CHOO , , , , .. 12

10. DANCING IN THE DARK 49

11. c. E'" • '., " , ". '64

ET. RNALLY , , ,', " "., ,. "

12. EXODUS SONG, THE 40

13. GREEN'DOLPHIN STR.EET ; " , 38

14. GREEN LEAVES OF SUMMER , 42

15. GO·LDEN EARINGS , , , , ,": "' 27

16. HI-LILI, HI-LO ; . , , 58

17. HOW ABOUT YOU , 16

18. I KNOW WHY , 14

19. I'LL WALK ALONE .. - , 32

20 .. I LOVE PARIS 60

21. IN THE MOOD , 8-

22. IT'S ALL RIGHT WITH ME " 62

23. I WANNA BE LOVED BY YOU " .. " " "" .. 82

24. LAUR.A " , 36

25. LOVE ME OR LEAVE ME 74

26. LOVE IS A MANY SPLENDORED THING " , 72

27 . MONA LISA 84

28.·OL' MAN RIVER _ , ; 50

29. ONE FOR MY BABY 28

30. SECRET LOVE , , , " 66

31. SERENA.DE IN BLUE 22

32. STELLA BY STAR.LIGHT 34

33"ST'ORMY W'EATHER : ~ 30

34. THREE COINS IN THE FOUNTAIN 53

35. TRUE LOVE , 78

36 .. VE,RY THOUGHT OF YOU,.THE " , ,.86

37. WHERE IS LOVE .. , , , 54

38. WHITE·CHRISTMAS , ·26

39. YOUNG AT HEART , 68