Welcome to Scribd. Sign in or start your free trial to enjoy unlimited e-books, audiobooks & documents.Find out more
Standard view
Full view
of .
Look up keyword
Like this
0 of .
Results for:
No results containing your search query
P. 1
G322 Mark Scheme June 2010

G322 Mark Scheme June 2010

Ratings: (0)|Views: 1,569|Likes:
Published by Julie Thrasher
G322 Mark Scheme June 2010
G322 Mark Scheme June 2010

More info:

Published by: Julie Thrasher on May 05, 2011
Copyright:Attribution Non-commercial


Read on Scribd mobile: iPhone, iPad and Android.
download as PDF, TXT or read online from Scribd
See more
See less





Oxford Cambridge and RSA Examinations
Media Studies
Key Media Concepts (Television Drama)Advanced GCE
Mark Scheme for June 2010
OCR (Oxford Cambridge and RSA) is a leading UK awarding body, providing a wide range of qualifications to meet the needs of pupils of all ages and abilities. OCR qualifications includeAS/A Levels, Diplomas, GCSEs, OCR Nationals, Functional Skills, Key Skills, EntryLevel qualifications, NVQs and vocational qualifications in areas such as IT, business,languages, teaching/training, administration and secretarial skills.It is also responsible for developing new specifications to meet national requirements and theneeds of students and teachers. OCR is a not-for-profit organisation; any surplus made isinvested back into the establishment to help towards the development of qualifications andsupport which keep pace with the changing needs of today’s society.
This mark scheme is published as an aid to teachers and students, to indicate the requirementsof the examination. It shows the basis on which marks were awarded by Examiners. It does notindicate the details of the discussions which took place at an Examiners’ meeting before markingcommenced.All Examiners are instructed that alternative correct answers and unexpected approaches incandidates’ scripts must be given marks that fairly reflect the relevant knowledge and skillsdemonstrated.Mark schemes should be read in conjunction with the published question papers and the Reporton the Examination.OCR will not enter into any discussion or correspondence in connection with this mark scheme.© OCR 2010Any enquiries about publications should be addressed to:OCR PublicationsPO Box 5050AnnesleyNOTTINGHAMNG15 0DLTelephone: 0870 770 6622Facsimile: 01223 552610E-mail: publications@ocr.org.uk
G322 Mark Scheme June 2010QuestionNumber Answer MaxMark1
The purpose of these Units is to firstly assess candidates’ media textualanalysis skills and their understanding of the concept of representationusing a short unseen moving image extract (AO1 and AO2); secondly toassess candidates’ knowledge of media institutions and their productionprocesses, distribution strategies, use of technologies and related issuesconcerning audience reception and consumption of media texts (AO1and AO2).Section A: Textual Analysis and Representation (Unseen moving imageextract)Extract:
Primeval Series 2 Episode 3,
written by Richard Kurti and BevDoyle, dir. Jamie Payne
Question 1
Discuss the ways in which the extract constructs therepresentation of gender using the following:
Camera shots, angles, movement and composition
Mise en scène
Candidates will be assessed on their ability to understand howrepresentations are constructed in a media text through the analysis of different technical areas. Assessment will take place across threecriteria:
Explanation/analysis/argument (20 marks) AO1 Specific
Use of examples (20 marks) AO2 Specific
Use of terminology (10 marks) AO1 SpecificCandidates should be prepared to analyse and discuss the following:technical aspects of the language and conventions of the moving imagemedium, in relation to the unseen moving image extract, as appropriateto the genre and extract specified, in order to discuss the sequence’srepresentation of individuals, groups, events or places. These may beselected from the following:
Camera Shots, Angle, Movement and Composition
Shots: establishing shot, master shot, close-up, mid-shot, longshot, wide shot, two-shot, aerial shot, point of view shot, over theshoulder shot, and variations of these.
Angle: high angle, low angle, canted angle.
Movement: pan, tilt, track, dolly, crane, steadicam, hand-held,zoom, reverse zoom.
Composition: framing, rule of thirds, depth of field – deep andshallow focus, focus pulls.

You're Reading a Free Preview

/*********** DO NOT ALTER ANYTHING BELOW THIS LINE ! ************/ var s_code=s.t();if(s_code)document.write(s_code)//-->