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    Cabin Fever
    Cabin Fever
    Cabin Fever
    Ebook229 pages3 hours

    Cabin Fever

    By B. M. Bower

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    "Cabin Fever" is a 1918 novel by B. M. Bower. A classic example of Western adventure fiction, "Cabin Fever" constitutes a must-read for all lovers of the genre and is not to be missed by fans of Bower's work. Bertha Muzzy Sinclair or Sinclair-Cowan (1871 - 1940), more commonly known as B. M. Bower, was an American author famous for her novels, short stories, and screenplays set in the American Old West. Other notable works by this author include: "Casey Ryan", (1921), "Chip of the Flying U" (1906), and "Cow Country" (1921). Contents include: "B. M. Bower", "The History of Western Fiction", "The Fever Manifests Itself", "Two Make a Quarrel", etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction and biography of the author.
    LanguageEnglish
    PublisherClassic Western Fiction Library
    Release dateJul 19, 2017
    ISBN9781473346291
    Cabin Fever

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      Book preview

      Cabin Fever - B. M. Bower

      1.png

      CABIN FEVER

      By

      B. M. Bower

      Copyright © 2016 Read Books Ltd.

      This book is copyright and may not be

      reproduced or copied in any way without

      the express permission of the publisher in writing

      British Library Cataloguing-in-Publication Data

      A catalogue record for this book is available from

      the British Library

      Contents

      B. M. Bower

      The History of Western Fiction

      CHAPTER ONE. THE FEVER MANIFESTS ITSELF

      CHAPTER TWO. TWO MAKE A QUARREL

      CHAPTER THREE. TEN DOLLARS AND A JOB FOR BUD

      CHAPTER FOUR. HEAD SOUTH AND KEEP GOING

      CHAPTER FIVE. BUD CANNOT PERFORM MIRACLES

      CHAPTER SIX. BUD TAKES TO THE HILLS

      CHAPTER SEVEN. INTO THE DESERT

      CHAPTER EIGHT. MANY BARREN MONTHS AND MILES

      CHAPTER NINE. THE BITE OF MEMORY

      CHAPTER TEN. EMOTIONS ARE TRICKY THINGS

      CHAPTER ELEVEN. THE FIRST STAGES

      CHAPTER TWELVE. MARIE TAKES A DESPERATE CHANCE

      CHAPTER THIRTEEN. CABIN FEVER IN THE WORST FORM

      CHAPTER FOURTEEN. CASH GETS A SHOCK

      CHAPTER FIFTEEN. AND BUD NEVER GUESSED

      CHAPTER SIXTEEN. THE ANTIDOTE

      CHAPTER SEVENTEEN. LOVIN CHILD WRIGGLES IN

      CHAPTER EIGHTEEN. THEY HAVE THEIR TROUBLES

      CHAPTER NINETEEN. BUD FACES FACTS

      CHAPTER TWENTY. LOVIN CHILD STRIKES IT RICH

      CHAPTER TWENTY-ONE. MARIE’S SIDE OF IT

      CHAPTER TWENTY-TWO. THE CURE COMPLETE

      B. M. Bower

      Bertha Muzzy Bower was born Bertha Muzzy on 15 November 1871 in Otter Tail Country, Minnesota. In 1889, she moved with her family to a dryland homestead near Great Falls, Montana. Shortly before her eighteenth birthday, she began working as a school teacher in Milligan Valley. She worked there for one term before returning home, but used her experiences when describing school teachers in her novels.

      In December 1890, she surprised her family by eloping with Clayton J Bower. The marriage was an unhappy one. After living with her family and in Great Falls, they finally settled in Big Sandy, Montana in 1898. It was living in Big Sandy that gave Bower an intimate knowledge of cowboy life and the open range. They had three children: Bertha Grace (1891), Harold Clayton (1893) and Roy Noel (1896). The family moved to a hayfield cabin, which Bower unhappily nicknamed Bleak Cabin. To afford the rent, the family took in Bill Sinclair, with whom Bower began a relationship. She lent him books and helped him with his writing, and he taught her about cowboy life and critiqued her early work.

      Her first marriage deteriorated after she published Chip of the Flying U (1906). Her husband began calling her his ‘little red-headed gold mine’. The marriage ended after he returned home in a drunken rage. Using money lent to her by Sinclair and money she had earned from her writing, she moved to Tacoma, Washington to stay with her brother. The divorce was finalised in 1905, Clayton took custody of the elder children, and Bower received custody of Roy, with whom she returned to Great Falls. During this time, her career continued to blossom and she signed her first short story writing contract for Popular Magazine in January 1905.

      Bower married Sinclair in August 1905 and had a daughter, Della Frances Sinclair, during a blizzard in January 1907. This same winter destroyed their breeding horse herd in eastern Valley Country and ruined their plans to move there in the spring. Instead, they moved to Santa Cruz, California. By 1911, the relationship between them had waned and they separated, Bower moving to San Jose, California. She also changed publishers and signed with the prestigious company, Little, Brown & Company.

      In 1920, Bower moved to Hollywood where she married Robert ‘Bud’ Cowan, a cowboy she had met in Big Sandy. In 1921, they reopened a silver mine in Nevada and ran it until the Great Depression compelled them to move to Depoe Bay, Oregon. Their marriage lasted until Cowan’s death in 1939.

      Bower claimed she began writing to survive her first marriage and to gain financial independence. Her first novel, published locally, was Strike of the Deadpan Brigade (1901), and her first short story published nationally was Ghost in the Red Shirt (1904). Later that year her first Western novel, Chip of the Flying U, was published as a serial in Popular Magazine. It depicted life on Flying U Ranch and the relationship between the cowboy, Chip, and Dr Della Whitmore. The book was so successful that in 1906, it was republished in hardcover with three watercolour illustrations by Charlie Russell. The book made her famous and she went on to write a series set within the Flying U Ranch.

      Bower wrote 57 Western novels. The titles included: Cow Country (1921), The Lonesome Trail (1909), and Pirates of the Ranch (1937). Her novels accurately portrayed cowboy life and she wrote factually, using her first-hand knowledge. Her novels were light-hearted, humorous and contained little violence. Due to their popularity, some of her novels were adapted in Hollywood. Chip of the Flying U was adapted four times and each adaptation changed her narrative. She also collaborated with director, Colin Campbell, writing short stories and screenplays under the name Bertha Muzzy Sinclair. She used her experiences working in studios as a source for several of her novels, including Jean of the Lonely A (1915) and The Phantom Herd (1915).

      Bower died on 23 July 1940 in Los Angeles, California at age 68. By the time of her death, she had sold more than two million copies of her novels, not including her short stories or articles.

      The History of Western Fiction

      Western fiction is a genre which focuses on life in the American Old West. It was popularised through novels, films, magazines, radio, and television and included many staple characters, such as the cowboy, the gunslinger, the outlaw, the lawman and the damsel in distress. The genre’s popularity peaked in the early twentieth century due to dime novels and Hollywood adaptations of Western tales, such as The Virginian, The Great Moon Rider and The Great K.A. Train Robbery. Western novels remained popular through the 1960s, however readership began to dwindle during the 1970s.

      The term the American Old West (the Wild West) usually refers to the land west of the Mississippi River and the Frontier between the settled and civilised and the open, lawless lands that resulted as the United States expanded to the Pacific Ocean. This area was largely unknown and little populated until the period between the 1860s and the 1890s when, after the American Civil War, settlement and the frontier moved west.

      The Western novel was a relatively new genre which developed from the adventure and exploration novels that had appeared before it. Two predecessors of popular Western fiction writers were Meriweather Lewis (1774-1809) and William Clarke (1770-1838). Both men were explorers and were the first to make travel and the frontier a central theme of their work. Perhaps the most popular predecessor of Western fiction was James Fenimore Cooper (1789-1851). His west was idealised and romantic and his popular Leatherstockings series depicted the fight between the citizens of the frontier and the harsh wilderness that surrounded them. His titles included: The Last of the Mohicans (1826), The Pathfinder (1840) and The Deerslayer (1841). His tales were often set on the American frontier, then in the Appalachian Mountains and in the land to the west of that. His protagonists lived off the land, were loyal, free, skilled with weapons, and avoided civilised society as best they could. His most famous novel, The Last of the Mohicans, also idealised the Native American.

      During the 1860s and 1870s, a new generation of Western writers appeared, such as Mark Twain (1835-1910) Roughing It (1872) and Bret Harte (1836-1902) The Luck of Roaring Camp (1868). Both writers had spent time living in the west and continued to promote its appeal through their literature. Harte is often credited with developing many of the cult Western’s stock characters, such as the honest and beautiful dance hall girl, the suave conman and the honourable outlaw. These characters went on to be firm favourites in popular, mass produced Western fiction. At the end of the nineteenth century, thousands of people were undergoing the treacherous journey to the west to make a new life for themselves and the fictional stories and legends of heroes and villains who had survived in this wild landscape captured the imagination of the public.

      Western novels became popular in England and throughout America through ‘Penny Dreadfuls’ and Dime Novels. These appeared in the late 1800s and were texts that could be bought cheaply (for either a penny or a dime – ten cents) as they were often cheaply printed on a large scale by publishers such as Irwin P. Beadle. Malaeska; the Indian Wife of the White Hunter (1860) by Ann S Stephens (1810-1886) is considered by many critics to be the first dime novel. These sensationalist dime and penny novels capitalised on stories of outlaws, lawmen, cowboys, and mountain men taming the western frontier. Many were fictional, but some were based on real heroes of the west such as Buffalo Bill (the scout, bison hunter and performer), Jesse James (the American outlaw, robber, gang leader and murderer) and Billy the Kid (the American gunfighter). By 1877, these Western characters were a recurring feature of the dime novel. The hero was often a man of action who saved damsels in distress and righted the wrongs of the villains that he faced. For this hero, honour was the most important thing and it was something that the dime heroes never relinquished.

      In the 1900s, Pulp magazines helped relay these tales over to Europe where non-Americans also picked up the genre, such as the German writer, Karl May (1842-1912). Pulp magazines were a descendent of the dime novel and their content was largely aimed at a mass market. As their popularity grew, they were able to specialise and there were Pulp magazines devoted specifically to Westerns, such as Cowboy Stories, Ranch Romances, and Star Western. The popularity for these magazines and for Western films in the 1920s made the genre a popular phenomenon.

      The status of the genre in the early twentieth century was also enhanced by particular novels by different writers. One of the most influential Western novels was The Virginians (1902) by Owen Wister (1860-1938) which was considered to be a ground breaking literary Western. Wister dismissed the traditional idea of the solitary pioneer conquering new lands and making a new life for himself, and replaced this traditional character with the cowboy. The cowboy was a mix of cultural ideals, such as southern chivalry, western primitivism and stout independence. These were characteristics that many Americans cherished. Wister contrasted the lawlessness of the West to the order and civilisation of the East. He introduced new characters, such as savages and bandits who attacked the more civilised Eastern characters. His cowboy heroes shared many features with the medieval knights – they rode horses, carried weapons, fought duals and valued their honour above all other attributes. Zane Grey’s (1872-1939) Riders of the Purple Sage (1912) was also a popular Western novel. Grey was a prolific writer and wrote over ninety books which helped shape Western fiction. He changed Wister’s cowboy into a gunslinger who was feared by criminals and held in awe by other civilians. Other popular Western writers in this period include Andy Adams (1859-1935) whose titles include The Outlet (1905) and A Texas Matchmaker (1904), Edward S Ellis (1840-1916) who wrote Seth Jones, or The Captives of the Frontier (1860) and The Steam Man of the Prairies (1868), and Bertha Muzzy Bower (1871-1940) who wrote Chip of the Flying U (1906) and The Dry Ridge Gang (1935).

      The Western hero lived in an environment where climate, natives and the terrain could be his enemies, and it was his job to tame the wilderness around him, but in doing so he determined his own extinction. In bringing forward civilisation and settlement, they brought about their own demise and their reason for existing. Western heroes could only exist on the frontier. Rebels were popular heroes in the Western novel and these heroes were often compassionate to those less fortunate than themselves and fought for the downtrodden. They were loyal, idealistic, independent, and knew the difference between right and wrong. They fought for the good and made personal sacrifices in order that good would triumph. The hostile setting of the Wild West transformed the characters into survivors as they were forced to alter themselves in order to live in this new setting. The Old Wild West captured the attention of many as it exemplified the spirit of freedom, individualism, adventure and unspoiled nature. It depicted a world that was separate from organised, urban society and showed the life of the wilderness, frontier and its inhabitants. The Western romanticised American history and the treacherous, mysterious and otherworldly Old West.

      CHAPTER ONE.

      THE FEVER MANIFESTS ITSELF

      There is a certain malady of the mind induced by too much of one thing. Just as the body fed too long upon meat becomes a prey to that horrid disease called scurvy, so the mind fed too long upon monotony succumbs to the insidious mental ailment which the West calls cabin fever. True, it parades under different names, according to circumstances and caste. You may be afflicted in a palace and call it ennui, and it may drive you to commit peccadillos and indiscretions of various sorts. You may be attacked in a middle-class apartment house, and call it various names, and it may drive you to cafe life and affinities and alimony. You may have it wherever you are shunted into a backwater of life, and lose the sense of being borne along in the full current of progress. Be sure that it will make you abnormally sensitive to little things; irritable where once you were amiable; glum where once you went whistling about your work and your play. It is the crystallizer of character, the acid test of friendship, the final seal set upon enmity. It will betray your little, hidden weaknesses, cut and polish your undiscovered virtues, reveal you in all your glory or your vileness to your companions in exile—if so be you have any.

      If you would test the soul of a friend, take him into the wilderness and rub elbows with him for five months! One of three things will surely happen: You will hate each other afterward with that enlightened hatred which is seasoned with contempt; you will emerge with the contempt tinged with a pitying toleration, or you will be close, unquestioning friends to the last six feet of earth—and beyond. All these things will cabin fever do, and more. It has committed murder, many’s the time. It has driven men crazy. It has warped and distorted character out of all semblance to its former self. It has sweetened love and killed love. There is an antidote—but I am going to let you find the antidote somewhere in the story.

      Bud Moore, ex-cow-puncher and now owner of an auto stage that did not run in the winter, was touched with cabin fever and did not know what ailed him. His stage line ran from San Jose up through Los Gatos and over the Bear Creek road across the summit of the Santa Cruz Mountains and down to the State Park, which is locally called Big Basin. For something over fifty miles of wonderful scenic travel he charged six dollars, and usually his big car was loaded to the running boards. Bud was a good driver, and he had a friendly pair of eyes—dark blue and with a humorous little twinkle deep down in them somewhere—and a human little smiley quirk at the corners of his lips. He did not know it, but these things helped to fill his car.

      Until gasoline married into the skylark family, Bud did well enough to keep him contented out of a stock saddle. (You may not know it, but it is harder for an old cow-puncher to find content, now that the free range is gone into history, than it is for a labor agitator to be happy in a municipal boarding house.)

      Bud did well enough, which was very well indeed. Before the second season closed with the first fall rains, he had paid for his big car and got the insurance policy transferred to his name. He walked up First Street with his hat pushed back and a cigarette dangling from the quirkiest corner of his mouth, and his hands in his pockets. The glow of prosperity warmed his manner toward the world. He had a little money in the bank, he had his big car, he had the good will of a smiling world. He could not walk half a block in any one of three or four towns but he was hailed with a Hello, Bud! in a welcoming tone. More people knew him than Bud remembered well enough to call by name—which is the final proof of popularity the world over.

      In that glowing mood he had met and married a girl who went into Big Basin with her mother and camped for three weeks. The girl had taken frequent trips to Boulder Creek, and twice had gone on to San Jose, and she had made it a point to ride with the driver because she was

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