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Guitar Techniques March 2001

Guitar Techniques March 2001

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Published by sashagrey666
old guitar!!!!!
old guitar!!!!!

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Published by: sashagrey666 on May 09, 2011
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03/06/2015

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thecontentspage
March2001:JOurguide:to_what'sinside
t.
ismonth
PLAYERPROFILE
12a,nsleJlister
AsmoulderingyounggunontheBritishbluesscene
MUSIC
16deeppurple
RitchieBlackmoreletslooseonanearly
Purpleinstrumental,'WringThatNeck'
28,ngwlemalms'e.en
Love
himorhatehimyou'vegottoadmitthe
guy
canplay!
46wood,mann
Acousticinstrumental
finesse
on'TopHat'
56vinniemoore
Pa
rttwoofour
exclusivemasterclass-
thismonth,thesolo!
62martin
tavlor
Takinga
fj
rst
lookat
tilebe-bopper's
delight-Gershwin's'IGot
Rl:lytllm'
68SJlviusweiss
The
dssslcal
columnenterstheBaroque-era
withthepreludeto
Weiss'
SuiteIV
WORKSHOPS
72
countrypicking
leeHodgsonoffers
some
advice
on
perfectpickingtechnique
76combinin.g
4/4
and
7/8
Superimposingtimesignatureslsn'tjust
for
guitarsuperheroes!
80
beginning'unkrhrthm
Wanna
funk
outlike
theChili
Peppers?Dave
K
leads
the
way!
86
jazzchord
IIrOgressions
Just
what
arethechordsthatthe
jazzmen
use?ShaunBaxtergivesyouthelowdown
REGULARS
The
usual
suspectslineup
the
at
guide
atyour
Simplyturntopage94andall
convenience
wll!berevealedinourhandy
lit
TabGlIide.
You'llwonder
6
cdcontents
howyouIivedwithou
t
it...
8
news
10
letters
=---=-..u
,~.:-
~===
cd
reviews
~
9293
readers'
adstab-8IPlained
wbat'sontbecd?
lInta........"'...._...
cover:rosshalfin/
i
dols
cd:
williamnames/idols
DAVID'SEDITORIAL
fromthetOD
W
ehad
an
emailfrom
someone.
theetherdayaskingexactly
what
the
at
team
practiseto
keepourchopsup.Well,ofcourse,[canonlyanswerformyselfbutl
admit
thatI'dfarrathersit
slumped
in
frontof
thetelJy
watching
a
moviethan
doanythingconstructivewithagultarinmyhand!And1
bet
1speakforthe
majority
of
guitarists
who
are
otherwisehell-bentonlearningtheirinstrument.
Things
change
if
IknowI'm
playing
somewhere
or
takingaseminar-
then
I
becomeananti-sociil.lhermitforat
.I
eastaweek,
making
surethat
ail
thenotesonthefretboardare
whereIleftthemlasttime.At'other
times,
I
endto'play'ratherthan'practise'andthedistinction
isanimportantonetounderstand.Ifyou'relearning
newmaterial,
you'repractising-
if
you'replayingstuffyou
kn:ow,
you'renot!DavidMead,Editor
mead
Bit
ofa
lazygit.then?
 
thecdcontents
Plge
Marcb2001:
get
rea..,torock
thismonth'scd
It'sfull-onfingerworkoutwithofferingsfromYngwieMalmsteen,VinnieMoore,WoodyMannandRitchieBlackmore
otrack1Qtrack10.11otrack18.19otrack26.28
Introdudionl
page
46
page
68
page
80
TuningNotesaeousUeclassicalbeginners
®2QOOW_Mus<;
WoodJMann
SWinusL
Weiss
FilnkRhYlhm'TopHat''PreludefromSuiteIV'26,Introduction
otrack2·5
10.Introduction18.Introduction27.Fulltrack
page
16
11.Fulltrack19.Fulltrack28.Backingtrack
bluesDeeDPurple
otrack12-15<:1track0.22otrack29.31
'WringThatNeck'
page
56
page
72
page
86
2.Introduction
rockcounttytheory
3.Fulltrack
VinnieMooreP'cklngTechnqiuuGuideTonesand
4.Backingtrack1
Masterciass
20.Introduction
VoiceLeading
5.Backingtrack212.Introduction21.Fulltrack29.Introduction13.Fulltrack22.Backingtrack30.Fulltrack
~track6·9
14.Backingtrack131.Backingtrack
page
28
15.Backingtrack2
ctrack23.25
rock
page
76
YngwieMalmSleen
ctrack1&-1'
theory
'BlackStar'
page
62
SUDerimposlngTime
6.Introduction
jazzSignatures
7.Fulltrack
GeorgeGershwin
23.Introduction8.Backingtrack1'IGotRhythm'24.Fulltrack9.Backingtrack216.Introduction25.Backingtrack17.Fulltrack
what'sthekey?the
st
ratingsyStem
Everytransrriptlonor
lessonin
isgrad~d
accordingto
its
level
ofdifficulty
andis
shownonascalewhichlookslike
this:
ralinginfo
oogjlline;reasymod't=ratl:!
ha,rd
t
ating:easJ/moderate
A
complete
dodd
le,
butforthe
undernea
th
yOu'll
findanexpla
nanon
of
therating.
Theoverall
ratingmight
be
'moderate'
sa,butthe
music
mayconlain
severaleasv
sections,
Ifso,
we'llIetyouknow.Theratings90from'beginner'
to
'hard:We
try
to
keepevery
issueof
!It
wellbalanced,
so
there
isatways
something
forplayers
ofeverylevelofabilitytoworkoninthemagazine
everymonth,
Honest!
61
gultarteCho""\l_1
J
march2001
PHIL'SEDITORIAL
musicdude
'herearedefinitelyalotof32ndnotesinthisissue,thankstomessers
MOOTI';'
andMalmsteen,butdon'tJetthefactthatsomeofthematerialwepublishisplayedatahellishspeedontheoriginalrecording-youcanstilllearnanawfullotfromplaying
through
afewfastphrasesat
a.
muchlowertempo.Someoneoncesaidthatgoodfastplaying
isjust
goodslowplayingspeededupandthiscouldn'tbemoretrue.Thereisawealthofthingstolearnoneverypagein
at-
all
it
takesisthecorrectmindset!
Phil
HilborneMusicEditor
FuturePublishing,
30
MonmouthSt,
BathBA1
2BWTEl01225442244FAX01225732334
WEBSlTt
www.guit3~chniques.com
EDITORDavidMead
MUSKEDITOR
Phil'Hilborn.
PRODUCTION
EDITOR
Lewis
Brangwyn
ART
EDITORColinNightingale
MUSIC
ENGRAVING
ChrisFrancis.
James
Brennand
COVER
!lise
MASTERING
Adam
Crute
CONTRIBUTORS
THISISSUEGuthrieGovan,GeoffWhitehorn,
DaveKilrninster,
Lee
Hodgson,
Eric
Roche.
JamieHumphries,
Ri~h"rd
Stokkereit.
Shaun
Baxt~r
ADVERTISING
MANAGER
Roblast,
SENIOR<;ALESEXECUTIVEAndy
Morris
PRODUCTIONCO·ORDINATOR:
StephanieForsey
PRODUCTIONMANAGER,
MatthewGregory
CIRCULATION,
Mandy
Joseph
PRODUcr
MANAGER;Annabel
ParmenterPRINT5HtVICES
CO[I(TROlLER:MichelleNicholls
GROUP
PUBLISHER
lon
Bickley
PUffUSHER
KatherineRaderernt
MANAGING
DIRECTOR
MilleFrey
LICE
NSING
E.NQUI
R5
InternationalUc.".ing
Manager:Chris
Power.e-mail:
chris,
CUSTOMER
5fRvtCES
01458211116
SUBSCR11'flON5
Future
PubliShing.
Freepost
(B54900),
Somerton,
Somerset
TAll6BR
0145827111
I>
SUBSCRIPTIONRATE,
12
issues
[UK)£47.17(£43.35DO)
Europe
a
Bre£71,
Rest
oftheworld1'.81
E-'.".
music.cSubs@future'netco.ulI:
ORDER
BACKISSUESBYE-
.'0
~.z
PRlmtDANDBOUND
IN~".E_
=-
ETHeronPti~t
NEViSTRAllE
OISTRIIlUl'O\
FuturePubli'tli~ISSN13~9
o
FuturoPuo~shjng21lW
Ch~rm~l\:ChfI!;A.ndcrioo(h~l~Ij.o,,'~:Greg
In_gn3!M
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+44.
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www.thefuture:rtetWQ,~plt.CFk
8:lmlOOoon
Mil;;,!)
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tfl:w
Yq,.fi
P.:i{i,P,(li:tl'1¢ill'l'1
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15,307
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the
newsDages
Atthecentre
of
lIerrbumingIssue
whenknoDtler
roamedtheearth...
Here'sariddleforyou:what'saboutoneandahalfmetrestall,haslongprotrudingteethand
definitely
didn'twrite'SultansofSwihg'?Why,it'sMasiakasaurusKnopfleri,ofcourse!
In
oneofthemostunusualhonourswe'vebeardof,DireStraitsmanKuo~flerhas
aad
adinosaurnamedafterhim,Literallytranslated;MasiakasaurusKnopflerlmeans'viciouslizardofKnopfler'andwasreckonedtohavehadmostofits
hit
albumsduringtheCretaceousperiod,between71and65.millionago..TIle'honourwasbestowedduringthesearchforfossilsontheislandofMadagascar.ScientistssaidthatwhenevertheyplayedsomeofKnopfler's
music
onthesiteofthe
dig,
they'dfindmorefossils-andso,as-anoteofthanks,theyd~cidedtonamethelittlebeggarafter.him,
mapnerl
Caught
on
cameramid
50ng
reeling'emin!
Afteryearsof
puttingout:
absolutelytopnotchmusic,WalterBeckerandDonaldFagen-otherwiseknownasSteelyDan-areatlastbeing.inductedintotheRockandRollHallofFame
in
March.Notonlythat,but
the
duo'slatestCD,
TwoAgainstNature,
basbeennominatedfornolessthanfourGrammyAwardslncludingthe
_prestigiousAlbumof
theYear,BeckerandFagen'sresponse
to
thenominationsistypicallylaconic-
check:out
theofficialwebsiteatwww.steetydan.comformoredetails!
kirkmicbaelguitar
festival
This
year's
Kirkmkhacl
Guitar
festival
runsfrom
Prlday
25th-
Sunday
27_2001
;nme
otherwise
quiet
village
of
Klrkmichael
in
the
west
ofScorland.ThefestivalwasthebrainchildofMarrinTaylorandisnow
in
its
thirdyear.•
-\5
eli
asLiveperformance,therewillbeseminarsandworkshopsthroughouttheweekendandafreestagewhere
all
comersgetthechancetoplay.The
full
line
up
[orthefestivalisasfollows:
Friday25thGordonGiltrap-folk(England)Juan
Martin-flamenco(Spa
ill)
MartinTaylor-Jazz(England)
Saturday26th
Simon
Oinnrgan-
classical(England)ColinRe.id-
Celtic
(Ireland)PierreBensusan-world
(Algeria)
BobbyCochrane-reckn
roll
[USA)
Sunday27th
JimMQllen-
jan
(Smtland)
AdrianByronBLims-
blues
[USA)
Woody
Mann-
blues/jan
[USA)
Bob8rozman-
na
Ii
onaIsteel[USA)
TommyEmmanuel-muntry(Australia)
Youshouldrecognisea
few
ofthosenamesasmanyhavefeaturedinIII
in
thepastfewmonths!So,ifyouwanttoseetheseguysplaylive,
get
alongtoKirkmichael-a
weekend
ticketisonly£35.Formoreinformation,telephone01292611222orvisitwww.martintaylor.com

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