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Third Cinema in Latin America

Third Cinema in Latin America

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Published by AnonymousFarmer

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Published by: AnonymousFarmer on May 11, 2011
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07/01/2012

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ContemporaryFilmandTelevisionSeries
ROBERT
J.
BURGOYNEWayneStateUniversity
GeneralEditor
PATRICIAB.ERENS
RosaryCollege
Acompletelistingofthebooksinthisseriescanbefoundatthebackofthisvolume.
Nelli
LatinRmericanCinema
I
l
i
I
CAREN
J.
DEMINGUniversityofArizonaMIRIAMWHITENorthwesternUniversity
AdvisoryEditors
PETERLEHMANUniversityofArizonaLucyFISCHERUniversityofPittsburgh
I:
V'olumeOne
Theorij,PracticesandTranscontinentalArticulations
EditedbijMICHAELT.MARTIN
~WAYNESTATEUNIVERSITYPRESSDETROIT
 
l.opyngm
\91':1':11
oywaynl::.)lall::UlllVI::l>llYnl::»,Detroit,Michigan48201.Allrightsarereserved.Nopartofthisbookmaybereproducedwithoutformalpermission.ManufacturedintheUnitedStatesofAmerica.01009998975432ILibraryofCongressCataloging-in-PublicationDataNewLatinAmericancinema/editedbyMichaelT.Martin.p.em.-(Contemporaryfilmandtelevisionseries)Includesbibliographicalreferencesandindex.Contents:v.I.Theory,practices,andtranscontinentalarticulations-v.2.Studiesofnationalcinemas.ISBN0-8143-2705-2(alk.paper)ISBN0-8143-2585-8(pbk.:alk.paper)-ISBN0-8143-2706-0)(alk.paper)ISBN0-8143-2586-6(pbk.:alk.paper)I.Motionpictures-LatinAmerica-History.2.Motionpictures-Socialaspects-LatinAmerica.3.Motionpictures-Politicalaspects-LatinAmerica.I.Martin,MichaelT.II.Series.PNI993.5.L3N481997791.43'098--dc2196--46741CIP
•.
VI
"~J
"H/Hu..,
 
TowardsaThirdCinema
NotesandExperiencesfortheDevelopmentof
a
CinemaofLiberationintheThirdWorld
FernandoSolanasandOctavioGetino
...wemustdiscuss,wemustinvent...
FrantzFanon
JustashorttimeagoitwouldhaveseemedlikeaQuixoticadventureinthecolonized,neocolonized,oreventheimperialistnationsthem-selvestomakeanyattempttocreate
filmsofdecolonization
thatturnedtheirbackonoractively~p.J2.()se~.~~_~)::steiE.Unti~ently,filmhadbeensynonymouswithspectacleorentertainment:inaword,itwasonemore
consumergood.
Atbest,filmssucceededinbearingwitnesstothedecayofbOilrgeorsvaluesandtestifyingtosocialinjus-tice.Asarule,filmsonlydealtwitheffect,neverwithcause;itwascinemaofmystificationoranti-historicism.Itw~~
surplusvalue
ci~-ema.Caughtupintheseconditions,films,U;;-most'valuabjeto'ofof
"'--
..
communicationofourtimes,weredestinedtosatisfyonlytheideo-logicalandeconomicinterestsofthe
ownersofthefilmindustry,
thelordsoftheworldfilmmarket,thegreatmajorityofwhomwerefromtheUnitedStates.Wasitpossibletoovercomethissituation?Howcouldtheproblemofturningoutliberatingfilmsbeapproachedwhencostscameto
MichaelChanan,ed.,
Twenty-FiveYearsofNewLatinAmericanCinema.
London:BritishFilmInstitute,1983,pp.17-27.Firstpublishedin
Tricontinental
(Havana,Cuba).Bypermissionoftheeditor,MichaelChanan.33

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