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Untangling Threads at Oberlin College

Untangling Threads at Oberlin College

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Published by Alia Kate
Opening on May 9th and running through May 30th at Oberlin College’s Mudd Library is Untangling Threads: Women Artisans in Morocco’s Rug Weaving Industry. This exhibit displays handwoven Moroccan rugs beside documentary photographs of the weavers and their families, thereby creating a link between the traditional textural and modern visual arts.
Opening on May 9th and running through May 30th at Oberlin College’s Mudd Library is Untangling Threads: Women Artisans in Morocco’s Rug Weaving Industry. This exhibit displays handwoven Moroccan rugs beside documentary photographs of the weavers and their families, thereby creating a link between the traditional textural and modern visual arts.

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Categories:Topics, Art & Design
Published by: Alia Kate on May 17, 2011
Copyright:Attribution Non-commercial

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05/17/2011

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untangling threads
women artisans in morocco’s rug weaving industry
photography by Anna Beeke • www.annabeeke.comcurated by Alia Kate • www.kantaracrafts.com
On view at Mudd Library until May 30th, 2011Reception and Artist Talk: Saturday May 28th, 3pm
Call Mudd LIbrary Circulation Desk for exact hours: 440.775.8285Oberlin College • Oberlin, OH
www.kantaracrafts.untanglingthreads.com
 
Untangling Threads
Brooklyn, NYEmail:akate@kantaracrafts.com Website: www.untanglingthreads.kantaracrafts.com
Press Release:
Contact: Alia Kate May 13, 2011Opening on May 9
th
and running through May 30
th
at Oberlin College’s Mudd Library is
Untangling Threads: Women Artisans in Morocco’s Rug Weaving Industry
. This exhibit displayshandwoven Moroccan rugs beside documentary photographs of the weavers and their families,thereby creating a link between the traditional textural and modern visual arts.This project is a testimony of how rural Moroccan weavers live their lives, celebrate their Amazigh identity, and most importantly, how they sustain the pertinence of their ancient art inthe face of a globalizing world. The legacy of these women’s art form is manifest in the wovencarpets and the photographs reveal how this ancient craft permeates all aspects of Moroccan life.Alia Kate and Anna Beeke, both graduates of Oberlin College, collaborate in the curatorial and photographic documentation of the project. Ms Kate has been collecting woven works for the past five years in a supportive role of the women who labor throughout various regions of Morocco. Ms Beeke joins as a documentarian whose eye integrates seamlessly from journalist toaesthete.In the photographs you see confident Amazigh Moroccan women who defy the stereotypes painted by the Western media. In the rugs you discover the dexterity of the weavers’ fingers, the boundaries of their imagination, and the antiquity of their craft. With this
Untangling Threads
 reveals the faces and the hands behind the handicraft of weaving in Morocco.This is the fourth installment of the
Untangling Threads
exhibit, which has been shown in a hostof different venues. Debuting in a New York gallery, it has since traveled to a New Jersey HighSchool gallery and most recently appeared in the New York Festival of Ideas for the New City.Ms Kate and Ms Beeke are proud to bring the show back to their alma mater’s library andtransport the viewer from Ohio to the rural world of Moroccan women where everything isconnected to the rug weaving industry.

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