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RosicrucianDigestNo. 12009
Page xl 
I
t is not always easy to fully grasp the wonder and the depth of Pythagoras’s insights and accomplishments with the scarce information that we actually have about his school in the south of Italy and his esoteric teachings. We can, however, explore the inspirations of one of his most famous theorems which still bears his name today, concerning the triangle and its many ramifications.
Most Western mathematical develop-ment and architecture derived romPythagoras’s capacity or a deep under-standing o the wisdom o even more ancientcultures. Pythagoras, who traveled extensively and dedicated his lie to learning the arts andsciences o ancient traditions, was able tosynthesize all o this learning into practicalaspects o harmony, mathematics, and the arto living. According to his disciple and ollower,Plato, the circle and the interaction o twocircles, where the center o each circle lies onthe circumerence o the other (the so-called
Vesica Piscis 
), became the core o all solids.Following this train o thought, Geometry becomes Music, and Music becomes CosmicHarmony and the Music o the Spheres. As part o this esoteric teaching, theancient Egyptian right triangle, having aprimarily mystical meaning, became theoundation o mathematical calculationsand construction.Here we will consider the history andtransormation o the amous Pythagoreanriangle and the mathematical and symbolicimportance o the relationships between thenumbers 3, 4, and 5, rom the viewpoint o modern scholarship, which is deeply imbued with the primordial tradition.
Egyptian Numerology 
he Egyptians believed in theimportance o numbers.
1
Perhaps the ore-most proponent o this reality was theleading student o symbolist Egypt, RénéSchwaller de Lubicz (1887-1961) rom Alsace-Lorraine, France:“Schwaller de Lubicz’s second thesis ismathematical. Both the deliberate use o harmonic proportions in art and architectureand the numerical basis underlyingEgyptian myth compelled him to a detailedreconsideration o Pythagoreanism, andto the construction o a system o thoughtconsonant with the masterpieces o Egypt— with the act o an empire that lasted ourthousand years.“‘Number is All’, declared the Pythag-oreans. What is today called Pythagorean
Egyptian Numerology:the Pythagorean Triangleand Its Esoteric Meaning
Some Historic Notes and Brief Comments on Sacred Geometry  Antonietta Francini, S.R.C., M.D., with
Benefactor Taciturnus 
 , F.R.C.
Vesica Piscis, which literally means“the bladder o a ish” in Latin.
 
Page xli 
number mysticism is Egyptian in origin(i not older still) and corresponds to theunderlying philosophy behind all the arts andsciences o Egypt. In eect, what Pythagorasdid was to un-dramatize myth—a strategy that had the advantage o talking directly tothose capable o thinking along these lines.“he work o Schwaller de Lubicz andthe independent but complementary work o a ew other contemporary thinkers (J.G.Bennett, or example) has made it possibleto re-express Pythagorean theory in a way acceptable to our thinking. When we reapply this to Egyptian myth it becomes clearthat these curious tales are based upon anunderstanding o number and the interplay o number, not upon animism, tribalsuperstitions, priestly euds, the raw materialo history or dreams.”
2
he divine signiicance o numbers ispersoniied by the goddess Seshat, as the“Enumerator” or “he Lady o Builders.”
3
he Hymn ound in the
Leiden Papyrus 
I350 (Old Kingdom 2686-2134 BCE)demonstrates that number symbolism hasbeen practiced since ancient times:“he Leiden Papyrus consists o anextended composition describing theprincipal aspects o the ancient creationnarratives. he system o numeration inthe Papyrus identiies the principle/aspecto creation and matches each one with itssymbolic number.”
4
 Ancient Egyptians understood thateverything in the universe is animated by lieorces. hereore, each particle is in constantmovement and has interactions due to theeect o these lie orces. hese principles were called
neteru
(gods/goddesses).Numbers designated these energetic aspectso nature. Consequently, the entire universeis animated and vibrant, and each acet isconsidered either male” or “emale.” We can deduce the sense o livinginteractions by the expressions used in the
Rhind Mathematical Papyrus 
(ca. 1650 BCE):“I go three times into the hekat (a bushel,unit o volume), a seventh o me is added tome and I return ully satisied.”
5
he samePapyrus also recommends that there are “Rulesor enquiring into nature and or knowingall that exists, every mystery, every secret.”
6
he concept o the relationships between3, 4, and 5 is as ancient as Egypt, and as oldas the Great Pyramid o Giza. his powerul,magniicent structure conceals deeply mysticaltraditions that only recently have begunto be recognized by archeological research. We know today exactly why therelationships between the number 3, 4, and5 are so important, but it was a well-keptsecret in ancient times.“Since the Pythagoreans considered theirst ten numbers to be seed patterns or allthe principles o the cosmos, a geometerneeds only create their shapes to modelall the universal rhythms. he irst threeshapes to emerge rom the
vesica piscis 
, thetriangle, square and pentagon (3, 4, 5) ormthe only relationship, or ratios, required togenerate all the rest (except or sevenness).hese relationships called the square roots… are expressible not as whole numbers but
Vesica Piscis with igures within
 Ancient Egyptians understoodthat everything in the universeis animated by lie orces.Tereore, each particle is inconstant movement and hasinteractions due to the eect o these lie orces.
 
RosicrucianDigestNo. 12009
Page xlii 
as never-ending decimals...these ongoingrelationships hold the structural pattern orall numbers and shapes that ollow.”
7
he classical numbers 3, 4, 5 arerepresented in the very structure o thepyramid. he Great Pyramid o Giza wasbuilt in approximately 2560 BCE, at thetime o the Old Kingdom:
•“ThenumberOneisthewhole
structure itsel.
Thetriangularfacesrepresent
the number 3.
•Thesquarebaseisthenumber4
and inally 
Thefourcornersplusitsapex
complete the number 5.”
8
The Egyptian Triangle
From this image the constantrelationships between the One, as the whole structure and 3-4-5 as its indivisiblecomponents are clearly shown. hesenumbers had a proound mystical symbolismthat becomes explicit in the explanationsrelated to the Pythagorean triangle.he Egyptian 3-4-5 triangle is irstdescribed by Plutarch in
Vol. V :“he upright, thereore, may be likenedto the male, the base to the emale, and thehypotenuse to the child o both, and so
 Ausar
 [Osiris] may be regarded as the origin,
 Auset
 [Isis] as the recipient, and
Heru
[Horus] asperected result.
9
he short side o the right angle triangleis named “Ausar,” which corresponds toOsiris, the Father. he longer side is named“Auset,” corresponding to Isis, the Mother. And inally, the hypotenuse is called “Heru,”or Horus, the Son.
10
hese names were assigned accordingto speciic criteria: the upright side (3) islikened to the “male,” the Father Osiris. hehorizontal base (4) is related to the “emale,”the Mother Isis, and the hypotenuse (5)corresponds to the Son, Horus. he irst isthe “origin,” the second is the “recipient,”and the Son is the “result.”
11
 As Plutarch describes: “hree is the irstperect odd number: our is a square whoseside is the even number two; but ive is insome ways like to its ather, and in some ways like to its mother, being made up o three and two. And
 panta
, (all), is a derivativeo 
 pente 
(ive), and they speak o counting as‘numbering by ives.’ Five makes a squareo itsel.”
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Pythagoras’s Contribution
Pythagoras’s contribution (sixth century BCE) consisted in translating this concept
H. Spencer Lewis and the AMORC Egyptian Expeditionon the Giza Plateau, 1929. Photo rom the Rosicrucian Archives ©1929.Pythagorean riangle with Egyptian Attributions.Figures ©2007 by Je Dahl/Wikimedia Commons.
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