ה גולטקהיח תונמא םודיקלו חותיפל דרשמה לש תירוביצה היירפס(םיטלוב םירתוכ קר הגיצמו אוהש לכ רדס יפל אל המישרה)

ethno

–

techno , Guillermo Gomez Pena,

לש םיבושחה םירפסהמ דחאהרמרופרפהיטמזירכ

Radiotext(e

)

רמאמ תפוסאיק םוידרה אשונב םיסאל,קתרמו רידנ רפס!

Spalding Gray's America, William W. Demastes,

הזה רידנה רמרופרפה תא בהואש ימל

Terrors of pleasure

, Spalding Gray,

יירג גנידלאפס לש הזחמ

Gray's Anatomy

, Spalding gray,

יירג גנידלאפס לש הזחמ

Stories left to tell, Spalding Gray,

יירג גנידלאפס לש הזחמ

Understanding Me

, Marshall Mcluhan,

ןהולקמ לשרמ הידמה ןואג לש יאובנה םלועה לע רפס

The posthuman DADA guide, Tzara &Lenin play chess, Andrei CodrescuInterviews, Peter Greenway

עונלוקה יאמב םע תונויאר

The Essential PINTER, Selection from the work of Harlod PinterAltermodern, Nicolas Bourriaud,

קרפ תיתוסחייתה הקיטתסא#

Who saw Who, Robin Rhode,

פא םורדה ןמאה לש גולטקהש יאקירםימוידמ ןיב לובגה לע ךלו

Wanderlust, A History of walking,

סנמרופרפכ הכילהב ןיינעתמש ימ לכל,סהבוח רפ

Please pay attention

, Bruce Nauman words,

ןמואנ סורב לש תונויארו םיבתכ

On Paper, Zvi Goldstein,

רמרופרפכ ותוארל רשפאש ןייטשדלוג יבצ ילארשיה ןמאה בתכש רפס

I am a mistake

, Seven works for theatre, Jan Fabre,

ש םיבתכהזה קתרמה ןורטאתה רצוי ל

Acting, Stanislavski method,

קתרמו יאכרא

Understanfing Brecht

, Walter Benjamin,

הבוח רפס

Teaching Performance studies, Stucky and Wimmer,

סנמרופרפ תארוהב תונורקעו תודוסי

More mobile

, Portable architecture today

Theatre of the Oppressed, Augusto Boal,

הקיסאלק

Pedagogy of the oppressed

, Friere,

הקיסאלק

18 Happenings in 6 Parts

, Alan Kaprow,

הקיסאלק

Causing a scene, Improv everywhere,

ראתמה רפסתאוינה תצובק לש םתדובעםירקרוי

Performing Pedagogy

, Charles Garoian,

םוידמה תארוה תנומת םילשמ ליעל רפסה םע דחיב

aRT&D, Research and development in Art,

תונמאו היגולונכט לע(סנמרופרפ םג)

Performance Studies, Rechard Schechner,

הקיסאלק רפוס

The Many Haded monster, LADA,

ןודנולב היח תונמאל תונכוסה לש רצויה תיבמ רפס

The Noh theatre of Japan

51ונ תוזחמ

Performance Art, Roselee Goldberg,

ליעי ןיידע לבא יאכרא תצק

Lenny Bruce

תוטלקהה לכ

Recording in the home studio,

יתיב ןפלואב תוטלקהל ךירדמ(וידר ירודישל בוט)

Performance Research

, On cooking,

ןיזגמה לש לכוא לשייפס ךותמ ירוקמ ספדומ ךרכ

Rite,

הביתכו סנמרופרפ לע ןודנולב היח תונמאל תונכוסהמ רפס דוע,דואמ ןיינעמ

וליפכו ןורטאתה,וטרא ןינוטנאילקידרה ןוטראתה,תרפע ןועדג –קתועירוקמ! ןותחתה םלועהמ תושדח,גרבנירג יקוביסנטמ דכה,יסאגא ריאמ(ןוסרדנא ירול לע םיאלפנ םירמאמ םע) צנוקא וטיו תא שגפ ןמסורג דיוודשכ'י,רשי ןב תירמלא םירמוחה ראש ןיב:לש תשרב לגוג תיירפס22סנמרופרפ אשונב םירפס,רקחמ תורטמל ןייוצמםירפס רותיאו סנמרופרפה םלועמ םינוש םיאשונב(םיעטק אורקל רשפא םימעפלו רקיעב תורתוכ) מ רתוי522םוחתב םיליבומה תעה יבתכמ םילטיגיד םירמאמ(

TDR, Performance Research,Performance Art Journal

,םינשהמ511דעו252)-םינשב הרק המ ןיבהל תנייוצמ ךרד סנמרופרפה םלועב תומייוסמ,דרי ימו הלע ימ,הפוקת לכב ורביד המ לעו,קל ןיינעמ לשמלאור וארלו םיעבשה תונש תליחתמ םיניזגמה תאסגנינפהה לע יתרוקיבה ןוידה תא ת