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Hermeto Pascoal Book Bb

Hermeto Pascoal Book Bb

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Published by Carlinhossax Dantas

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Published by: Carlinhossax Dantas on Jun 13, 2011
Copyright:Attribution Non-commercial

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06/05/2014

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Hermeto
 
Pascoal
 
75
 
years
 
of 
 
sound
 
75
 
anos
 
de
 
som
 
     e       d      i      t     e       d       b     y      J     o     v      i     n     o      S     a     n      t     o     s      N     e      t     o       /      2      0      1      1
Bb
 
book
 
 
Hermeto
 
Pascoal
 
75
 
anos
 
de
 
som
 
75
 
years
 
of 
 
sound
 
Partituras
 
editadas
 
e
 
preparadas
 
por
 
Jovino
 
Santos
 
Neto
 
para
 
festejar
 
os
 
75
 
anos
 
de
 
Hermeto
 
Pascoal
 
a
 
22
 
de
 
 junho
 
de
 
2011
 
Scores
 
edited
 
and
 
prepared
 
by
 
Jovino
 
Santos
 
Neto
 
to
 
celebrate
 
Hermeto’s
 
75th
 
birthday
 
on
 
June
 
22,
 
2011
 
©2006
 
Hermeto
 
Pascoal
 
Apenas
 
para
 
uso
 
não
 
comercial
 
Only
 
for
 
non
commercial
 
use
 
Foto
 
da
 
capa/
 
cover
 
photo
 
by
 
Jovino
 
Santos
 
Neto
 
Design:
 
Luzia
 
Grob
 
dos
 
Santos
 
 
Introduction
75
 
Years
 
of 
 
Sound
 
Hermeto
 
was
 
born
 
on
 
June
 
22,
 
1936,
 
and
 
with
 
him
 
the
 
world
 
got
 
a
 
source
 
from
 
which
 
music
 
flows
 
as
 
if 
 
it
 
would
 
be
 
holy
 
water.
 
The
 
iron
 
scraps
 
of 
 
his
 
blacksmith
 
grandfather,
 
the
 
birds’
 
songs
 
captured
 
in
 
the
 
papaya
 
leaf 
 
stem
 
flute,
 
Indians
 
singing
 
in
 
the
 
night
 
of 
 
Alagoas,
 
the
 
pious
 
women
 
in
 
the
 
little
 
church,
 
all
 
was
 
Sound,
 
and
 
it
 
continues
 
to
 
be.
 
Hermeto
 
learned
 
how
 
to
 
learn
 
with
 
the
 
sounds
 
of 
 
the
 
world,
 
and
 
his
 
musical
 
concepts
 
have
 
grown
 
and
 
travelled,
 
going
 
much
 
farther
 
than
 
what
 
our
 
earthly
 
ears
 
might
 
apprehend.
 
From
 
the
 
remote
 
corners
 
of 
 
the
 
Universe
 
he
 
brings
 
us
 
unexpected
 
colors,
 
flavors
 
and
 
timbres,
 
always
 
perfumed
 
with
 
a
 
natural
 
and
 
spontaneous
 
Brazilian
 
feeling.
 
Thanks
 
to
 
Hermeto
 
Pascoal,
 
all
 
the
 
musicians
 
of 
 
the
 
world
 
can
 
reach
 
the
 
highest
 
levels
 
of 
 
individual
 
and
 
collective
 
development.
 
His
 
legacy
 
is
 
the
 
greatest
 
treasure
 
of 
 
our
 
art
 
in
 
the
 
last
 
75
 
years.
 
75
 
years
 
of 
 
life,
 
75
 
years
 
of 
 
Sound,
 
with
 
a
 
capital
 
S,
 
a
 
universal
 
force
 
like
 
Light,
 
Fire
 
and
 
Gravity.
 
The
 
“Champ”
 
has
 
no
 
time
 
to
 
not
 
make
 
Music.
 
A
 
while
 
ago,
 
he
 
presented
 
me
 
with
 
copies
 
of 
 
some
 
notebooks
 
where
 
he
 
had
 
been
 
composing
 
several
 
themes,
 
off 
 
of 
 
his
 
head,
 
mostly
 
without
 
using
 
any
 
instruments,
 
plucking
 
from
 
his
 
mind
 
the
 
notes,
 
rhythms
 
and
 
chords.
 
Leafing
 
and
 
playing
 
through
 
these
 
invaluable
 
gifts,
 
I
 
felt
 
that
 
the
 
best
 
way
 
to
 
honor
 
my
 
Teacher
 
and
 
Mentor
 
for
 
his
 
75
 
years
 
of 
 
Sound
 
would
 
be
 
to
 
share
 
a
 
bit
 
of 
 
this
 
wealth
 
with
 
all
 
musicians
 
of 
 
the
 
world.
 
Technology
 
allows
 
us
 
to
 
disseminate
 
all
 
this
 
in
 
a
 
few
 
instants,
 
 just
 
like
 
Hermeto,
 
totally
 
analogical,
 
pre
and
 
post
technological,
 
captured
 
the
 
rhythms,
 
melodies
 
and
 
the
 
harmonies
 
herein
 
contained.
 
These
 
41
 
themes
 
are
 
here
 
transcribed
 
so
 
that
 
all
 
may
 
offer
 
their
 
tribute
 
to
 
whom
 
has
 
given
 
us
 
so
 
much.
 
Enjoy.
 
About
 
the
 
music
 
notation
 
employed:
 
In
 
preparing
 
these
 
scores,
 
I
 
opted
 
to
 
use
 
a
 
system
 
of 
 
chord
 
symbols
 
with
 
a
 
wide
 
acceptance
 
around
 
the
 
world.
 
It
 
is
 
important
 
to
 
know
 
that
 
Hermeto’s
 
chord
 
voicings
 
always
 
welcome
 
the
 
upper
 
extensions.
 
Therefore,
 
a
 
major
 
seventh
 
chord,
 
notated
 
by
 
Hermeto
 
as
 
7+9
 
and
 
here
 
as
 
Maj7
,
 
also
 
incorporates
 
the
 
ninth,
 
sixth
 
and
 
often
 
the
 
sharp
 
eleventh
 
or
 
flat
 
fifth.
 
That
 
becomes
 
clear
 
when
 
you
 
see
 
the
 
fully
 
written
 
out
 
chords
 
that
 
Hermeto
 
added
 
in
 
several
 
of 
 
the
 
scores
 
in
 
this
 
album.
 
The
 
dominant
 
seventh
 
chord
 
with
 
a
 
sharp
 
ninth
 
and
 
a
 
flat
 
thirteenth
 
is
 
written
 
by
 
Hermeto
 
as
 
7
 
9
 
+
 
13
 
and
 
here
 
it
 
is
 
spelled
 
as
 
7alt
 
(altered).
 
Another
 
chord
 
that
 
is
 
often
 
used
 
in
 
this
 
collection
 
is
 
exemplified
 
as
 
EMaj7/C
,
 
which
 
I
 
opted
 
to
 
leave
 
in
 
its
 
original
 
notation.
 
This
 
is
 
one
 
of 
 
the
 
most
 
interesting
 
chords
 
for
 
all
 
those
 
who
 
might
 
want
 
to
 
deepen
 
their
 
knowledge
 
of 
 
harmony.
 
Play,
 
listen,
 
study
 
and
 
see
 
the
 
subtlety
 
with
 
which
 
Hermeto
 
utilizes
 
this
 
harmonic
 
color.
 
I
 
use
 
both
 
the
 
forward
 
slash
 
and
 
the
 
underscore
 
sign
 
as
 
an
 
indication
 
of 
 
a
 
chord
 
over
 
a
 
bass
 
note.
 
Their
 
use
 
is
 
often
 
dictated
 
by
 
space
 
requirements
 
on
 
the
 
pages.
 

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