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Table Of Contents

1 IN PRAISE OP THEORY 17
X EDITING 118
XV OPTICAL TRICKS, COMPOSITES,
XVII DIALOGUE
XXIV HEROES, BEAUTY, STARS AND THE CASE OF GRETA GARBO 283
WHY ARE PEOPLE NOT TAUGHT TO APPRECIATE FI LMS?
CREATIVE CULTURE 19
CREATIVE CULTURE
A GREAT OPPORTUNITY MISSED 21
MOVIES AND LARGE-SCALE INDUSTRY
24 ANCIENT HISTORY
NEW SUBJECTS
SLAPSTICK COMEDY 25
SLAPSTICK COMEDY
26 ANCIENT HISTORY
ART DOES HOT DEVELOP
WE ARE IN THE PICTURE
48 THE CREATIVE CAMERA
50 THE CREATIVE CAMERA
IDEOLOGY OF THE PIONEERS
IDEOLOGY OF THE PIONEERS 51
WHAT HOLDS THE SECTIONAL PICTURE TOGETHER ?
WHAT HOLDS THE SECTIONAL PICTURE? 53
THE FACE OF THINGS
VISUAL LIFE 55
56 THE CLOSE-UP
LYRICAL CHARM OF THE CLOSE-UP
THE THIRTEEN 57
58 THE CLOSE-UP
THE THIRTEEN 59
A NEW DIMENSION
SILENT SOLILOQUY
'POLYPHONIC* PLAY OF FEATURES
SPEECH AND FACIAL EXPRESSION
SPEECH IN THE SOUND FILM
KEEPING SILENT NO SOLUTION 71
KEEPING SILENT NO SOLUTION
TEMPO OF MIMICRY
DETAILS OF FACES IN CLOSE-UP
CLASS FACES
OUR UNKNOWN FACES
CRUCIAL MOMENT
REALITY INSTEAD OF TRUTH
SYNTHESIS OF THE PHOTOGRAPHED IMAGE
OBJECTIVE SUBJECTIVISM 93
OBJECTIVE SUBJECTIVISM
94 CHANGING SET-UP
THEME WITH VARIATIONS 95
SET-UP ACCELERATING RHYTHM
DISTORTION 101
DISTORTION
UNFAMILIAR
IMPOSSIBLE OUTLINES
CONDITIONS
EXPRESSIONISM IN THE FILM
DECORATIVE SCENERY
IMPRESSIONS OF EVENTS 107
FILM-IMPRESSIONISM
IMPRESSIONS OF EVENTS
SUBJECTIVE IMPRESSIONISM
PICTURES HAVE NO TENSES
TIME AS THEME AND EXPERIENCE 121
TIME AS THEME AND EXPERIENCE
CONTINUITY OF FORM AND ATMOSPHERE
CREATIVE EDITING
ALLEGORIC MONTAGE
ASSOCIATIONS OF IDEAS
INTELLECTUAL MONTAGE
SPEED OF ACTION AND OF CUTTING 129
SPEED OF ACTION AND SPEED OF CUTTING
ACCELERANDO*
MUSICAL AND DECORATIVE RHYTHM IN CUTTING
INEXPRESSIVE SPORT 137
SPORT IN THE FILM
INEXPRESSIVE SPORT
PANORAMIC SHOTS PROVIDE changes without edit
EXPERIENCE OF TIME
DRAMATIC QUALITY OF THE PANORAMA
CHAPTER TWELVE
FADING
TIME PERSPECTIVE
146 EXPRESSIVE TECHNIQUE OF CAMERA
PICTURE SIZE AND DISSOLVES 147
PICTURE SIZE AND DISSOLVES
DISSOLVES AND SIMPLER STORIES
DISSOLVES AND THE LINKING OF SPACE
150 EXPRESSIVE'TECHNIQUE OF CAMERA
DISSOLVE AND MENTAL PICTURE
CHAPTER THIRTEEN
158 PROBLEMS OF STYLE IN THE FILM
FILMS WITHOUT STORY OR HERO
TRAVEL FILMS 161
TRAVEL FILMS
162 PROBLEMS OF STYLE IN THE FILM
INSTRUCTIONAL FILMS WHICH HAVE A HERO
INSTRUCTIONAL FILMS WITH A HERO 163
164 PROBLEMS OF STYLE IN THE FILM
UNKNOWN PROXIMITY
NEWS FILMS 165
WAR FILMS 169
NATURE FILMS
INTERNAL AFFAIRS
LOGIC IS THE MEANS, PSYCHOLOGY THE END
SURREALIST FILMS
SOUND ABSTRACTION
CHAPTER FIFTEEN
BLIND ALLEY
THE ACOUSTIC WORLD 197
THE ACOUSTIC WORLD
SOUND SPEAKS UP
INFLUENCE OF ACCOMPANYING MUSIC
A BATTLE OF SOUNDS
A BATTLE OF SOUNDS 203
SOUND-EXPLAINING PICTURES
INTIMACY OF SOUND
SOUND CANNOT BE ISOLATED 211
SOUND CANNOT BE ISOLATED
THE MOST EXPRESSIVE INSTRUMENT
SCENE
222 DIALOGUE
SPEECH SEEN AND SPEECH HEARD
228 DIALOGUE
WHY LANGUAGE DUBBING IS IMPOSSIBLE
AESTHETIC LAW OF IMPERMEABILITY
230 DIALOGUE
IRRATIONAL SOUND EFFECT 231
CHAPTER EIGHTEEN
FILM MUSIC 235
FILM MUSIC
CHARLIE CHAPLIN'S SECRET
CHARLIE CHAPLIN'S SECRET 237
PERSPECTIVES OF THE SOUND FILM 239
PERSPECTIVES OF THE SOUND FILM
CHAPTER NINETEEN
COLOUR CUTTING 243
COLOUR CUTTING
244 THE COLOUR AND STEREOSCOPIC FILM
STEREOSCOPIC FILMS
CHAPTER TWENTY
LESSING AND THE FILM
PARALLEL ACTIONS
PARALLEL ACTIONS 253
TECHNICAL CONDITIONS AND
TECHNICAL CONDITIONS 255
TECHNICAL CONDITIONS 257
260 ART FORM AND MATERIAL
262 ART FORM AND MATERIAL
264 ART FORM AND MATERIAL
STYLE AND STYLIZATION 269
STYLE AND STYLIZATION 271
SUBJECTIVE AND TRADITIONAL STYLIZATION
SUBJECTIVE STYLIZATION 273
278 MUSICAL FORMS
FILM OPERA 279
280 MUSICAL FORMS
FILM OPERA 281
282 MUSICAL FORMS
HEROES, BEAUTY, STARS AND GARBO 285
HEROES, BEAUTY, STARS AND GARBO 287
INBEX 291
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BalazsB_theoryofthefilm

BalazsB_theoryofthefilm

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Published by: odoremilia on Jun 15, 2011
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