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A.naik Vastushastra the Divine School of Architecture

A.naik Vastushastra the Divine School of Architecture

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Published by: stormy1 on Jun 18, 2011
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Vãstu ShãstraThe Divine School of Architecture
Arun Naik
www.vastusindhu.comThis Paper was first published in the anthology“Vedic Culture: The Difference It Can Make In Your Life”ed. Stephen Knapp,Forward by Dr. David Frawley (Pandit Vamadeva Shastri)Published by iUniverse Inc., 2021 Pine Lake Road, Suite 100, Lincoln, NE 68512(Indian edition published by Sundeep Prakashan, Delhi )
The Intellectual Property Rights of this document, including the text and graphics, are reserved with the author. No part of this document may be reproduced in print or electronic media without his written consent.
 
Acknowledgement
I am deeply indebted to Gurus, to Sri Aurobindo and The Mother, and to theShankarãcharya of Kancheepuram.I am deeply indebted to my Acharyas of Vãstu Shãstra, and to all the past andpresent Vãstu Sthapatis and scholars who kept alive the glorious tradition of Vãstuvidya.I am deeply indebted to all those scholars who have put in hours of hard labour to digitize sanskrit texts and put them on various online libraries.I am deeply indebted to Omkaranand Ashram who have made available theITRANS Translator as a free download on the Internet, and which I have used.I humbly thank the Spirit of Vãstu Purush, my revealer of the secrets of Vãstuvidya.Arun Naik
 
FOREWORD
We have entered Dwapara Yuga. This is 2008 AD, 308 Dwapara, the ‘age of rapid development in all departments of Knowledge’.In 1894 the spiritually illuminated saint Sri Yukteshwar Giri, guru of Sri Sri Paramahana Yogananda, wrotea book “The Holy Science” at the behest of Mahavtar Babaji, the guru of Lahiri Mahashaya. In his book heexplains the correct calculations of the Four Yugas. According to him, our Sun is not stationery, but alongwith the entire solar system, revolves round a Grand Centre called VishnuNabhi - which is the seat of Bramha, the Creative power - once every 24,000 years. When it is close to VishnuNabhi, just as theearth gets close to sun during summers, ‘dharma the mental virtue, becomes so much developed that mancan easily comprehend all, even the mysteries of Spirit’, writes Shri Yukteshwar Giri. That is the period of SatYuga. And when it goes farthest from VishnuNabhi, ‘man cannot grasp anything beyond the grossmaterial creation’. That, he explains, is the period of Kaliyuga. According to thia great Master the most recent Kaliyuga lasted from from 700 BC to 1699 AD, after whichDwapar Yuga of 2400 years - the “Age of rapid development in all departments of Knowledge” - has set in. This is 2008 AD, 308th year of Dwapara.To those who may not agree with him, I will suggest to go through “The Holy Science”. But can’t we seethat an age of Knowledge and a corresponding technical developments has arrived? Just look around. IQlevels are going up, Internet has evolved to become the Information Highway and global nervous system,inventions and discoveries are the buzzword, countries with larger knowledge pool are climbing the ladder,we’ve been to Moon and are already aiming at Mars. It sure isn’t Kaliyuga.Simultaneously, there is also an upward shift in Human Consciousness, adeeper understandings of mystical and spiritual aspects of nature, a sort of renaissance of the Spirit and a resurgence of Spirituality.Humanity , indeed, is on the threshold of a spiritual awakening.The need of the hour is to design spaces which support this transition - spaces which vibrate with positiveenergies, where intelligence and spirituality can blossom, where Knowledge feels secure, where one canwork while seated in consciousness and inner strength, where prosperity rules and love becomes the social order.What we need is a scientific system of architecture which can meet this tough challange, and Vãstu Shãstrafits the bill. It is scientific in temperament, it connects to Nature, it has a sound philosophical base, it aimsat designing harmonious spaces which are vibrant with positive energies, and s spiritual in nature becauseits practice is a Sãdhanã in itself.I, a Vãstu Consultanat and a Teacher, look upon my work as my Karma Yoga, my Sãdhanã, my offering tothe Divine, and have this Paper in the same spirit, highlighting the divine and scientific aspect of Vãstu. Theonly change is this Foreword which you are reading.This great system of architecture has been the preserve of Indian Sthapatis for hundreds of years. Withthe changing time it deserves its rightful global recognition in planning our cities, homes and institutions. Arun Naik 308 Dwapar (A.D. 2008)

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