Welcome to Scribd, the world's digital library. Read, publish, and share books and documents. See more
Download
Standard view
Full view
of .
Look up keyword
Like this
2Activity
0 of .
Results for:
No results containing your search query
P. 1
August11 Full Program

August11 Full Program

Ratings: (0)|Views: 228|Likes:
Published by JerCin

More info:

Published by: JerCin on Jul 13, 2011
Copyright:Attribution Non-commercial

Availability:

Read on Scribd mobile: iPhone, iPad and Android.
download as PDF, TXT or read online from Scribd
See more
See less

07/13/2011

pdf

text

original

 
14
Wednesday
יעיבר
20/07
21:00,19:00 3 קטמניס
The Salt of Life
םייחהםעט
See page
4 דומע ואר
19:00 1 קטמניס
(2010ב"הרא/הילרטסוא/הינטירב)
ךלמה םואנ
ירפ'ג ,'תריפ ןילוק :קחשמ | רפוה םוט :יומיב
לש ריעצה ונב ,טרבלא
|רטרקםהנובהנלה,שאר
ונממ ענומש םוגמגמ לבוס ,ישימחה 'גרו'ג ךלמהיטרב .הצור היהש יפכ הכולמה תיב תא גצייל.אוושל ,ול עייסל םיסנמה םינוש םילפטמב רזענלא ,יטרב לש ותשא ,תבזילא העיגמ ףוסבל,לכסותמ ןורטאית ןקחש ורבעב ,ילרטסוא לפטמןיבש ןמזב .תיתרוסמ יתלב לופיט תטיש עיצמשרשקל רבעמ תגרוחש תודידי תרשקנ םיינשה,טרבלא לש רוכבה ויחא ,דראוודא רתוומ ,ילופיט.הכולמה סכ לע הלוע ומצע טרבלאו רתכה לעלע המחלמ הזירכמ הינטירב רשאכ ,1939
־
ב,ומע ינפב ילרוג וידר םואנ תאשל וילע ,הינמרגרובגל וילע ,םיניזאמב ץמוא ךסני עוריאהש ידכבולש רקסואה יסרפב לודגה הכוזה .ותשלוח לעבוליש העיצמה תיתפוקת המרד אוה 2010עצובמה ,ילרוג ירוטסיה עגרל ישיא קבאמ ןיבםע ןונש טירסת :רתויב םיבוטה םירמוחהמבטיה רוסמל חילצמה בוציע ,רומוה לש תופיטתויומד םישיגמש םינקחש רקיעבו הפוקתה תא,תילגנא .תוקד 118) .ןימא ישגר קמוע תולעב.(תירבעל םוגרת
The King’s Speech
(UK/Australia/USA 2010)
Dir.: Tom Hooper | W.: Colin Firth, Geoffrey Rush,Helena Bonham Carter |
Albert, the youngestson of King George V, has suffered from aheavy stutter since childhood. Numerousexperts have tried to help him, but to noavail. Finally, his wife Elizabeth finds anAustralian speech therapist who offers anon-traditional method of treatment. Whilethe two men forge a friendship, Albert’selder brother, Edward, renounces thethrone. It is 1939, Britain is about to declarewar upon Germany, and Albert mustovercome his fears and deliver a speech tothe entire nation…. Biggest winner at the2010 Oscars. (118 min., Eng., Heb. subt.).
19:00 2 קטמניס
םילותחהלאךרדב
Mrs. Moskowicz & the Cats
See page
6
 
דומע ואר
21:30 1 קטמניס
Andante
הטנדנא
See page
8
 
דומע ואר
21:30 2 קטמניס
(1969היבילוב)
רודנוקהםד
לע ססובמ "רודנוקה םד”
| סניחנס החרוח :יומיב
ףוסב הקירמא םורדב שחרתהש יתימא הרקמב"הרא המיקהש תירוזא האפרמ .םישישה תונשהרקיעו הדוליה רוטשמל תינכותמ קלחכ הלעפוניבה םיטבשה ינב רשאכ .םינאידניאה תושנ תאוכלהמב םילא ךוסכס חתפתה בצמה והז יכשא ,האפרמה תא שייאש ,"םולשה ליח" ליעפהשיגמ סניחנס החרוח .םיבשותב עוגפל ידכ היחריתסמ אלו תויושחרתהה לש יביטקיפ קתעהתוברעתהה דגנכ תאצויה תיטילופה ותשיג תאםדוק .הקירמא םורד לש היניינעב ב"הרא לשוקה ןמ קחרה ררחושמ יעונלוק ןונגסב ,ךכללש םילאוטירה תא דעתמ אוה ,ןנאשה ידווילוהההעברא לש קחרממ .היבילובב םינאידניאה יטבשתדכולש ןמז תלוספק אוה "רודנוקה םד" ,םירושעםכותבש םייטתסאהו םייטילופה םיתומיעה תא.(תילגנאל םוגרת ,תידרפס .תוקד 78) .הרצונ איה
Yawar Mallku
(Blood of theCondor) (Bolivia 1969)
Dir.: Jorge Sanjines |
Based on true eventsthat took place in Bolivia,
Yawar Mallku
, tellsthe story of a local clinic established by theUSA as part of a plan to sterilize the localIndian women. When the residents find outthe truth, violent clashes instigate, in which,at one point, live fire is used by the “peacecore” that led the clinic. Four decadeson,
Yawar Mullku
is a time capsule thathas captured the political and estheticalconfrontations in which it was created. (78min., Span., Eng. subt.)
Thursday
ישימח
21/07
21:00,19:00 3 קטמניס
The Salt of Life
םייחהםעט
See page
4 דומע ואר
17:00 1 קטמניס
(2010היגלב/תפרצ)
הנבקפוק
,רפוה לבזיא :קחשמ | יסוטיפ קראמ :יומיב
הדלרמזא התב תא הבחס ובאב
| המאש הטילול
ךירצ אלש םייח רחא שופיחב הפוריא יבחר לכבתיאפוריא תיפיה ןימ .ידמ רתוי םהב ץמאתהלדחא םוקמב תבשל התנהנ אל םעפ ףאשוישכע לבא .הביצי תויגוזו העובק הדובע םעהמאו ןתחתהל תדמוע איה ,הלדג הדלרמזאםש תויהל הלוכי איהש הל תוארהל הצורהליחתמו היגלב ןופצל תרבוע איה .הליבשבתלהנמ איה ןאכ .שפונ תודיחי קווישב דובעלליבקמבו ,הדובעל היתותימע םע היומס תורחתהתוא םמחיש והשימ המצעל אוצמל החילצמהלילעה לע ןעשנ אוהשכ .היגלב לש רקה ןופצברתוי ומצע תחקל אל עדויש טירסת עויסב ,וזההנטק הידמוק יסוטיפ קראמ שיגמ ,תוניצרב ידמםיסופיטה תיירלגמ עבונ הניח רקיעש תחלצומוןיאש םירבגו םישנ ףסוא ,התוא תסלכאמשלכל לעמו .וז םע הז רדתסהל אלא הרירב םהלתררחושמו הלילק העפוהב ,רפוה לבזיא יהוזדציכ תעדויש ,החוטבו הלשב השיא השיגמש105) .ידמ רתוי םמעתשהל ילב םייחהמ תונהל(תירבעל םוגרת ,תיתפרצ .תוקד
Copacabana
(France/Belgium 2010)
Dir.: Marc Fitoussi | W.: Isabelle Huppert, LolitaChammah |
Babou drags her daughterEsmeralda through all of Europe in searchof a leisurely lifestyle. A European hippieof sorts who cannot sit still and never hasa stable job or long-term relationship.But now that Esmeralda grows up, she isabout to marry and her mother wants toshow her that she can be a responsibleadult. She moves to northern Belgium andbegins selling time shares. She becomescompetitive with her co-workers and evenmeets a possible companion. DirectorMarc Fitussi creates a delightful concoctioncombining a light-hearted plot with atalented group of actors. Isabelle Huppertpresents a relaxed and mature performanceof a woman who knows how to enjoy life.(105 min., Fr., Heb. subt.)
19:30 1 קטמניס
(2011לארשי)
הינמלצה
אל ןיטשנסיו םירמ ,96 ליגב
| לט רמת :יומיב
.הייחב שדח קרפ לומ תדמוע איהש הבשחלשו הלש םייחה לעפמ — "הינמלצה"שכ לבא,הסירה תנכס ינפב תדמוע — חונמה הלעב ,ידורתורשפה תרסחו תינתעדה השיאה וליפאהידגרט לצב .הרזע הכירצ איהש הניבמ וזהםיסחי תכרעמ תמקרנ ,תפתושמ תיתחפשמדחיב רשא ,ןב ,הדכנ ןיבו םירמ ןיב תדחוימןוילימכ הכותבש םוליצה תונח תא ליצהל םיסנמלש םיננוכמה םיעגרה תא םידעתמה םיביטגנםיטקילפנוקו תורודה ירעפ תורמל .הנידמהבכרומש לטלטמ עסמל םירמו ןב םיאצוי ,םיבר.תוקד 60) .בלל םיעגונו םיקיחצמ םיעגר ללשמהכוז .(תירבעלו תילגנאל םוגרת ,תינמרגו תירבע.2011 ביבאקוד לביטספב ןושארה סרפב
Life in Stills
(Israel 2011)
Dir.: Tamar Tal |
At the age of 96, MiriamWeissenstein never imagined that she wouldbe facing a new chapter in her life. But when“The Photo House”—her late husband Rudi’slife’s work—was destined for demolition,even this opinionated and uncompromisingwoman knew she needed help. Underthe cloud of a family tragedy, a specialrelationship is forged between Miriam andher grandson, Ben, as they join forces tosave the shop and its nearly one millionnegatives that document Israel’s definingmoments. Despite the generation gap andmany conflicts, Ben and Miriam embark on a
 
15
heart-wrenching journey, comprising manyhumorous and touching moments. (60 min.,Heb. & Ger., Eng. & Heb. subt.)
19:00 2 קטמניס
םילותחה לאךרדב
Mrs. Moskowicz & the Cats
See page
6
 
דומע ואר
21:00 1 קטמניס
The King’s Speech
ךלמהםואנ
See
20.7 ואר
21:30 2 קטמניס
(1972ב"הרא)
5םייחבטמתיב
,סקאס לקיימ :קחשמ | ליה יור 'גרו'ג :יומיב
יאקיטפוא ,םירגליפ יליב
| שור ן'גוי ,ןמביל ןור
תא .ליבקמב תומלוע השולשב יח ,יאקירמארבעב .ינגרוב החפשמ לעבכ יח אוה הווההתא בושו בוש הווח אוה .ןדזרדב יובש היה אוהיהלשב ריעה תא ובירחהש תומויאה תוצצפההאוה ןוימידה םלועב .הינשה םלועה תמחלמ.תינשוח תינקחש תרבחב קחורמ בכוכ לע יחתא בכוכה יבשות ינפב םיינשה םימיגדמ דחי:ץראה רודכ יבשות לש םינושמה םילגרההטרוק תאמ ןמורל דוביע והז .ןימו הניש הליכאאשונב ךבוסמהו בכרומה לופיטה תא .טוגנווטרסב םיהקמ ,יתורפסה רוקמה לש ןמזהתינבתה תא ןווגל ידכ .תויצאיצוסא תרזעבשומיש טרסה ירצוי םישוע תיביטאיצוסאה.הנומתב הלכו לילצב לחה ,םינווגמ םיעצמאב.(םוגרת אלל תילגנא .תוקד 104)
Slaughterhouse-Five
(USA 1972)
Dir.: George Roy Hill | W.: Michael Sacks, RonLeibman, Eugene Roche |
Life through theeyes of Billy Pilgrim, professional nobodywho lives in three worlds at once: in thepresent he is a father to a middle classfamily; in the past he relives again andagain the destruction of the city of Dresdenin WWII; in the world of his imagination helives on a distant planet in the company of asensuous actress. A big-budget adaptationof Kurt Vonnegut’s bizarre fantasy novel.(104 min., Eng. only)
Friday
ישיש
22/07
22:00,14:00 3 קטמניס
The Salt of Life
םייחהםעט
See page
4 דומע ואר
14:00 1 קטמניס
(1976הינמרגברעמ)
ןמזה ךלהמב
סנאה ,רלגופ רגידור :קחשמ | סרדנו םיו :יומיב
ןיב םירבג ינש לש םעסמ
| רציורק הזיל ,רלשיצ
החרזמל הינמרג ברעמ ןיב לובגה לעש תורייעהאוה וישכעו ותשאו ותיב תא בזעש אפור דחאה
ינשה ,וייחב ןכות תקצלו ומצע תא אוצמל הסנמהנרקה תונוכמ לש יאנכטכ ותדובע תרגסמבלש תוחדינה היתורייעב םיססוג עונלוק
־
יתבבהיישע תועצמאב ,םילימ ילב טעמכ .הינמרגםיינשה ןיב תחתפתמ ,תידועת
־
ומכ תיעונלוקתנומת תפשחנ םג םייתניבו ןפוד
־
תאצוי תודידיעונלוקה תוברת לשו ללכב הינמרג לש בצמאוה סרדנו לודגה וטרס ,"ןמזה ךלהמב" .טרפבאוה סרדנו לצא עסמ .הרוהט תיעונלוק הרישלש ושורפ ןיא ,והשמ הב הרוק םא םגש תוליעפיטרסמ הנוש טרס םג והז .הנתשה והשמש רבדםיסחיה םהבש ידווילוהה חסונב תירבגה תודידיהי"ע םיפכנ םמצע ןיבל םירבג ןיבו םישנו םירבג ןיבינש יטרסב" .רבדל ךרוצהו ,הלועפה ,רופיסהדחא םירדתסמו הז תא הז םיבבחמ םירבגהלע רופיסה .השא םע רשאמ רתוי בוט ינשה םעלש רופיסה םג תעב וב אוה םישנה לש ןנורסח,תינמרג .תוקד 180) .(סרדנו) "...ןהילא ההימכה.(תילגנאו תירבעל םוגרת
Kings of the Road
(West Germany1976)
Dir.: Wim Wenders | W.: Rudiger Volger, Hanns Zischler, Lisa Kreuzer |
A doctor who has lefthis wife and home, and a technician whofixes old film projectors, travel from one oldcinema to another in small German bordertowns. The story of a divided Germany andof the friendship between two differentbut very similar men. (180 min., Ger. Heb.& Eng. subt.)
22:00 1 קטמניס
Copacabana
הנבקפוק
See
21.7 ואר
22:00 2 קטמניס
(1968ןפי)
הילתבתוומ
ייק ,ןוי וד
־
ןוי :קחשמ | המישוא הסיגאנ :יומיב
:תרתוכםעחתפנטרסה
|הבאנטאוו וימופ,וטאס
,"?ול דגנתמ וא תוומ
־
שנועב דדצמ התא םאה"71% יכ שבויב חוודמה ןיירק לש ולוק הלוע זאווישכע .וזכ השינעב םיכמות הנידמה יבשותמםעו םינודנה ףגא םע תועדוותה ונל םיכרועאוה דעוימה ןברוקה .המצע גרוהל
־
האצוההתחיצרו סוניאב עשרוהש ינאירוק אצוממ ריעצלבחה ןמ דרומ אוה רשאכ .תוינפי תוריעצ יתשרשפא יא .ושפנ תא חפנ אל יכ םיניילתה םילגמהרכהב תויהל בייח תוומל
־
ןודנ יכ שדחמ ותולתלהקל יכ ררבתמ ונופלעמ ץיקמ אוהשכ .האלמםידמוע הניגב הביסהש קר אל היזנמאבומש תא וליפא ,ול הריהנ הניא וייח תא חפקלהזה ףירחה םושיאה בתכ תא ...רכוז וניא אוהתינפיה הרבחה יכרע דגנו טרפב תוומ
־
שנוע דגנתיירפמיא") המישוא שיגמ ,ללכב היסכטותועצמאב ("סנרול רמ חמש גח" ,"םישוחההפצמש ימ לבא .ולש ביהרמה יעונלוקה עגמהתונש חורב תינויציזופוא תיטילופ
־
ויצוס הריציל"היילתב תוומ" לש ויקמעמב דוביאל ךלי ,60
־
ה.ןניקסע תושגרה תא ףחוסש ינטשפ טרסב אל —רוכינ תוקינכטב שומיש השוע המישוא .ךפיהלהבר תויביטקפאב תושמשמ הלאו תוינאיטכרבםילבוקמ תונויער ךפוה אוה .ויתורטמ תא רתוי,תואיצמ לש םירושימ המכ הנוב ,םשאר לעתא םיכפוהש םירגתא הפוצה ינפב דימעמו117) .הקומע תילאוטקלטניא היווחל הייפצה.(תילגנאל םוגרת ,תינפי .תוקד
Death by Hanging
(Japan 1968)
Dir.: Nagisa Oshima | W.: Yun-Do Yun, Kei Sato,Fumio Watanabe |
R., a Korean student inJapan, is hanged for the rape and murder of two Japanese girls. The officials are amazedto discover that he is not dead. But anyonewho assumes that
Death By Hanging
issimply a plea against capital punishment, isbound to get lost in the deapths of Oshima’smeaning…. (117 min., Jap., Eng. subt.)
Saturday
תבש
23/07
21:30,19:00,17:00 3 קטמניס
The Salt of Life
םייחהםעט
See page
4 דומע ואר
!םידליל רקובב תבש
(
2003
הילגנא)
אלפומלוחכ
ימורממ
| לי'גרתרופ רייטסילא ,טאיב ידנא :יומיב
,ןפוד תאצוי העפותכ ץראה רודכ הארנ ללחהםעבצו םימ םיסוכמ וחטשמ םיזוחא םיעבשאוה "אלפומ לוחכ" .םיקחרמל קהוב לוכתהתונש 5
־
מ הלעמל ,
BBC
־
ה לש קנע תקפהתומלוצמ תועש 700 ,םוליצ ירתא 200 ,םוליצךותב מ"ק 5
־
מ רתוי לש קמועב םוליצ ללוכרשאמ תוחפ םיריכמ ונא ויתולוצמ תאש ,םיההרידנ הצצה רשפאמ טרסה .חריה ינפ תא;תכלה בכוכ ינפ לע ןורחאה רפְסה רוזיא לאתלטלטמו הקזח תידועית תישגר היווח יהוזתא הליטמ רשא ,החפשמה לכל תדעוימה,המישנ רצוע עסמב םימה ךות לא להקההקיטקראטנא יפוחל דעו םיגומלאה תוינושמדעו חותפה םיה לש םיבחרמה ןמ ,םיממושהךרד סונאיקואה יקמעמב תולפאה תולוצמלתופרוט תויח ,םיקמעמבש ןירותסמה דועיתםיימיה םיקנויהו ףוחה תויסולכוא ,תופרטנולש םהיתועפשה תא םג הארמ טרסה ;םייקנעהלש ןתולת תאו ,םילקאה ייוניש ,לפשהו תואגה.ץראה ינפ לעש םיסונאיקואב תויגולויב תוכרעמ
םייקתתטרסהינפל
.תירבעל בוביד .תוקד 90לכ — םיה
.םימיוםיסוניקואאשונבהאצרה
תומיהדמ תועפות ...ירותסימ ךכ לכו לודג ךכ,םידלונ םייח ילעב ,עגרו עגר לכב וב תושחרתמתוטישב םישמתשמו םיפרטנו םיפרוט ,םילדגתויח שי םאה .תאז תושעל ידכ תונושמו תונושןיסח ,םש היהי דימת לודגה םיה םאה ?תוערםיישאר םיבכוכ םה םיניפלוד עודמו ?העיגפמךמסומ םיניפלוד ןמאמ ,רבו'צניפ ןוריל ?טרסבםייחה ילעב לש םהיתודוסמ טעמ ףושחי ,הצרמו(העש יצחכ האצרהה ךרוא) וללה םיקתרמה
 
16
Cinematheque for Kids!
Deep Blue
(UK 2003)
 Andy Byatt, Alastair Fothergill |
 
Deep Blue
 is a compelling BBC documentary thatintroduces viewers to some of earth’smost mysterious ocean creatures. Fiveyears in the filming, the breathtakingcinematography of 
Deep Blue
, combinedwith an excellent musical score is both aweinspiring and moving. Intimate and uniquefootage of sea life includes an innovativeunder-the-ice view of penguins propellingthemselves out of the water as capturedby a newly invented pole camera. Cutting-edge submarine technology allows theexploration of the deepest reaches of thesea where alien looking, jelly-like creaturesflourish in a world of immense pressure andconstant darkness. (90 minutes. Hebrewdubbed). Before the film a short lectureabout the oceans will be hosted by LironPinchover, a Dolphin trainer and marine lifeexpert. (30 minutes)
16:45 1 קטמניס
(2011לארשי)
םיתבהשימחבגרבדלוגהאל
100 ואלמ 2011 יאמ ףוסב
| רדק ריאי :יומיב
,תררושמ — גרבדלוג האל לש התדלוהל הנש,תיאזחמ ,םידלי ירפס תרבחמ ,תרקוחהאמכ הירחא הריתוהש ,הקירבמ תמגרתמ.האמ תדלוה םוי — םויה דע םיארקנש םירפסתררושמל תירטנמוקוד העדצה אוה טרסההייח רופיס תא רפסמ אוהו ,לארשיב הבוהאהתוחיש תועצמאבו ,םיתב השימח ךרד התריציו,םינומזפו הריש ,םיסליטסו םינויכרא ,הירבח םעהיווח רצויו ,טרא ואידיוו תיתונמא היפרגופיטרעוסה הייח רופיס םע תימיטניא תורכיה לשהרחב תירבעהו תירבעב הרחבש השאה לש
ריאי
 
יאמבהתוחכונב
.(תירבע .תוקד 50) .הב
רדיק
Leah Goldberg in Five Stanzas
(Israel 2011)
Dir.: Yair Qedar |
Towards the end of May2011, Leah Goldberg—poet, researcher,children’s writer, playwright, translator—celebrated her one-hundredth birthday. The film before us is a valentine to thisbeloved Israeli poet. Through five stanzas—interviews, archival footage, poetry, artistictypography, and video art—the filmcreates an intimate portrait of the womanwho chose to express herself in Hebrewand Hebrew chose to express itself throughher. (50 min., Heb. only)
Screening in thepresence of director Yair Qedar
18:45 1 קטמניס
Copacabana
הנבקפוק
See
21.7 ואר
20:45 1 קטמניס
םילותחה לאךרדב
Mrs. Moskowicz & the Cats
See page
6
 
דומע ואר
19:00 2 קטמניס
(1979הילטיא)
וחאה
הלבזיא :קחשמ | ינאיבאט וירוטיוו ולואפ :יומיב
עסונ יזנלימ ד"וע
| ודי'צאלפ הלקימ ,ינילסור
אוהו ופשכל חילצמ ףונה .ויקסע לגרל הנקסוטל,תימוקמ ןורטאית תצובק לש תוליעפל עלקנ.יטרוורפ םיבהא שלושמלו יררגא ביטקלוקלםיפונל השיגה ללגב ילוא ןושאר טבממ"ץע יבקבק" תא טרסה ריכזמ — םיילרוטספהבצקב םירחוב םינאיבאטהש אלא ימלוא לשרסמבו רתוי תיטמרדולמ הלילעב ,רתוי ריהמןיב השענש "וחאה" .רתוי רישי יטילופ"וצנרול ןס לש הלילה" ןיבל "הנורדאפ הרדאפ",ררופתמ םזילאידיא ,םילודג תונויער בלשמ —לע הקושתו הקיסיפאטמ ,יטילופ
־
ויצוס רקחמןמ יסור ןמור הריכזמה תבורעתב ,הירטסיה ףסינילסור וטרבור לש עונלוקה תא וא 19
־
ה האמההדיקפת תא ןאכ השוע ןמגרב דירגניאמ ותבש),תיקלטיא .תוקד 120) .(ןושארה יעונלוקה.(תילגנאל םוגרת
The Meadow
(Italy 1979)
Dir.: Paolo & Vittorio Taviani | W.: IsabellaRossellini, Michele Placido |
An exquisite filmabout three young professional people,searching for fullfilment and wrestling withideals about love and happiness. (120 min.,It., Eng. subt.)
22:15 1 קטמניס
The King’s Speech
ךלמהםואנ
See
20.7 ואר
21:30 2 קטמניס
Andante
הטנדנא
See page
8
 
דומע ואר
Sunday
ןושאר
24/07
21:00,19:00 3 קטמניס
The Salt of Life
םייחהםעט
See page
4 דומע ואר
19:00 1 קטמניס
(1955הידווש)
ץיקליליכויח
,דנרטסנרויב ראנוג :קחשמ | ןמגרב רמגניא :יומיב
הלבמ םישנו םירבג לש הרובח
| ןוסרדנא טייראה
.האמה תליחת לש הידוושב ירפכ תיבב עובשפוסאוה ,הדימעה תונשב ןיד ךרוע ,ןמרגא קירדרפ.הריעצ הלותב איה הנא ותשא .דימאו ביצי רבג.קירדרפ לש רבעשל ושגליפ ,תינקחש איה הריזד.תינקחשה לש הבהאמ אוה םלוקלמ ןזורהונב ,קירנה .הרובחל איה ףא תפרטצמ ותשאלכ .היגולואיתל ךובנ טנדוטס אוה קירדרפ לשךרדכ אלש םירבוחמ טרסה תליחתבש תוגוזה(ה)םיאתמה גוזה (ת)ןב תא םיאצומ ,עבטהתועצמאב .םיננכותמ םיכילהת לש הרוש רחאל,הנונש הידמוק ןמגרב רצוי תוינגרובה תויומדהתיסיפאטמ וליפאו תיפוסוליפ ,תמכחותמיקוח") ראונר לש םהיתובקע הב םירכינש —,ולקאל ,("ץיק ליל םולח") ריפסקיש ,("קחשמהםוגרת ,תידווש .תוקד 104) .אקפקו ולדנאריפ.(תילגנאו תירבעל
Smiles of a Summer Night
(Sweden 1955)
Dir.: Ingmar Bergman | W.: Gunnar Bjornstrand,Harriet Andersson |
A charming comedy of manners about a group of men and womenwho spend a weekend in the country.During the course of the weekend, couplesmeet, separate and exchange partners....(104 min., Swed, Heb. & Eng. subt.)
21:30 1 קטמניס
(2011ב"הרא)
םיליפלםימ
,ןופסרתיו סיר :קחשמ | סנרול סיסנרפ :יומיב
תונש ,ב"הרא
| ץלוו רפוטסירכ ,ןוסניטפ טרבור
בוקיי'ג .םדוקה ילכלכה רבשמה ימי — םישולשההירנירטוה ידומיל תא בוזעל טילחמ יקסבוקנאיץפוק אוה .ומצע תא שפחלו וירוה תומ ירחאלעב .סקרקה תבכר יהוז יכ הלגמו תבכרה לעישארה ןמאמל בוקיי'ג תא ךופהל ףאוש תיבהתא ליצהל דיתעש הז ,ולש שדחה טקייורפבהבוכיכב םיליפ לע הביכר תעפוה ורקיעו ,סקרקהלעבל האושנ םג הרקמבש ,הנלרמ ,תבכוכה לשלעב יטנמור שלושמ חומצל דיתע ןאכמ .תיבהטרס אוה "םיליפל םימ" ...תויטמרד תוכלשהתא ומצעל השרמ אוה :יסאלק חוחינב יוושכעוב שי ,ןתוא חתפלו תויומדה תא גיצהל ןמזהתגילמ הנהנ אוהו תומישרמ הקפה תויוכיאןאכ טלוב רקיעב .הפוקתה ינקחש לש תיליעהחילצה ובש הנושמ ןפוא ותואב .ץלוו רפוטסירכ(היטפמיס :רמאנ אלש) ןינע לש הדימ ונב ררועלןאכ גיצהל חילצמ אוה "דובכ ירסח םירזממ"בוליפאו תנבומ איה תאז םעו ,עור הב שיש תומדםימ" ,להקל טידרק טעמ אל םע" .בלל תעגונ120) .(יטייארו) "גנעמו ףחוס טרס אוה "םיליפל.(תירבעל םוגרת ,תילגנא .תוקד
 Water for Elephants
(USA 2011)
Dir.: Francis Lawrence | W.: Reese Witherspoon,Robert Pattinson |
America, the days of theGreat Depression. Following the death of his parents, Jacob Jankoski drops out of veterinary studies and hops on a train only todiscover it is a circus train. When the circus’manager hears of the wander’s veterinaryknowledge, he wishes to make him the headtrainer on a new project that he hopes willsave his business—an elephant show starringMarlena, the owner’s wife. An epic romantictriangle is sure to arise.
Water for Elephants
is acurrent cinematic experience with a classicalfeeling. (120 min., Eng., Heb. subt.)

Activity (2)

You've already reviewed this. Edit your review.
1 thousand reads
1 hundred reads

You're Reading a Free Preview

Download
scribd
/*********** DO NOT ALTER ANYTHING BELOW THIS LINE ! ************/ var s_code=s.t();if(s_code)document.write(s_code)//-->