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Table Of Contents

Thesis Structure and Concepts
Grounding
Structure
Terminology
Introduction: Madness and Western Culture: Controlling Derivation
Constituting Meaning
The Agency of Cinema and the Madness of Spectatorship
Silencing the Insane
Visibility is a Trap: The Spectacle of Madness in the Asylum
Romantic Identification
Representation, Discourse and Othering
Icon, Symbol, Communication
Stigma and Discrimination: Responses to Representation
The Aberrant Other: Madness is a Foreign Country230
The Orientalism of Madness and Romantic Identification
Conflict and the Other
Madness and Imperialism: Othering and Abjection
Crossing the Threshold: Journey into the Orient of Madness
The Orient Within: The Romanticism of Madness
Narrative Closure: Confining Madness in the Gothic Labyrinth
Colonising Madness
The Gothic labyrinth
Atrocity Exhibition
Dis-ease
Who Speaks?
Madness inside the Cuckoo’s Nest: Shock Corridor
One Flew over the Cuckoo’s Nest
Frances
Girl, Interrupted
Gothika
Quills
Madness at Large
Closure, Seeing the Insane, Othering, and Antipodean Gothic
Othering Madness
Epistemes of the Antipodes
The Antipodes, Purgatory, and Madness
Counterfeit Reason
Descent, Exile, and Liminality
Antipodes as Extreme East
The Antipodean Gothic “Man Alone”
Sins of the Father
Antipodes, Altered States and Sensibility
Antipodean Camp: Gothic’s Other
Resistance
The Empty Sign: Antipodes as Antithesis and Madness
Antipodean Camp and the National Psyche (Emergence)
Identity Crisis
Genii
Making Mock
The Impossibility of Antipodean Gothic Madness
Mad World: The Other Speaks in An Angel at My Table
The Asylum Discourse
Conciliation and Reconciliation
Postscript
References
Filmography
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Visions of Madness Final Print BH1

Visions of Madness Final Print BH1

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Published by: dean_manley_1 on Jul 26, 2011
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07/28/2013

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