Professional Documents
Culture Documents
1999 Researchers: Paul T, Fiona T & local Clubscene Warning: this 2011 update contains xxx material (;-)
2011 update: What came out of this research in 1999 was a funded project which did not implement our key recommendation for bottom up leadership policy in its funding a key to avoid creating yet another sect (eg. NOS) and thus detach it from its source: its ground among our clubbing fraternity here in Edinburgh and exhaust its project workers in the vain attempt to reconnect it back to those it was created to serve. The bad news is: A few of us agreed, however to try and make it work (duh!). Result: we used up huge amounts of energy trying to keep it from being top down via its funding with strings and failed to keep it from being coopted and moved away from its groundedness among clubbers here in Edinburgh. After 3 years, the cooption + top down funding with strings - had done its damage; it was now a project FOR local club scene not BY local club scene; it no longer belonged to Edinburghs local clubscene and was completely unable to respond to its creative grassroots questions and aspirations; its dreams and its rage and as was promised at research phase - so we agreed to shut down the project. The good news is 8 years later, we and our friends have returned to our original love and are now embraced again and involved in and learning with and serving with our beloved scene in Edinburgh which has now diversified into a hinterland of amazing art, film, poetry, activism, thinking, music projects and festivals, innovating stuff around economics politics justice and deepening and widening questions about independence not just of wee eck from from wee Westminster but of soul and land to stand up to new empires. We are back in the land again this lesson is burned into our very being - many of us have vowed never to align ourselves with power again, especially powers dressed in the garb of jesus and other coopted good guys we will always ask whats in the tin not just what it says on it- most of all: to stay faithfull and not betray the land and folk here and a very different Jesus, the artist who speaks not from power but to power from among the poor and our streets and our hearts every again.
especially the hungry ones again, sorry everyone (;-) Nothing about us, without us, is for us activists popular chant in
apartheid south Africa & adopted by todays scot poverty truth commission Mimesis and Cooption beware of these thieves dressed in white, learn what they mean now or they will steal, kill and destroy you, your project, your movement of everything - even yourself. So LEARN now before it happens: be prepared!
COMMISSIONED BY: ST CUTHBERTS CHURCH OF SCOTLAND RESEARCHERS: FIONA BROOKER AND PAUL THOMSON & FRIENDS
Methodology:
Visit as many Clubs, Record Shops and Pre-Club Cafes as practically possible within the next two months. Talk to Club managers, staff and clients about themselves and the clubs they go to. Interview friends and personal contacts involved in dance culture. Review our own experience and history. From this, produce a short film/video if practically possible.
The Researchers:
Paul Thomson has a Diploma in Biblical Studies from Sheffield University. He is currently managing a youth-run Magazine Project in Pilton, called The Script and studying for a P/T Masters in Theology, Ethics and Communication at New College, Edinburgh University. Fiona Brooker works as Publicity and Admin assistant to the Priority Areas Fund which is a grant making trust within the National Mission Department of the Church of Scotland. She has a Degree in Divinity from Aberdeen University. Both have been involved in developing indigenous forms of Church Community and Worship within rave and dance music scene since it hit their home town in Aberdeen in1988. Beginning with the setting up of an alternative community based Worship group in Aberdeen then 4 years with now defunct (NOS) Nine Oclock Service in Sheffield. Fee and I wanted to add this at the time but were convinced not to: The famous NOS collapse into a dominating, dehumanising cult within Church of England is a major driver for this research to learn the lessons from NOS about HOW NOT TO socially organise and catalyse new movements and find more humane tactics in new soil and landscape of Scotland.
CONTENTS
What is Club Culture? The Edinburgh Scene: The Life The Places The Experience The People The Values Conclusions and recommendations appendix 1 appendix 2
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Two thirds of 18-24 year olds club at least once a month, nearly a third go once a week Ministry of Sound
Ministry of Sound, The Manual: The who, the where, the why of clubland, Headline Book Publishing, London 1998, p27
THE PLACES:
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FRIDAY Lift at La Bell Angele. 10.00pm - 3am. 7 (6 NUS; 5 mem). Monthly. Techno and trance. DJs Paul C and LFT.
SATURDAY
Joy at the Wilkie House. 10.30pm - 3am. 8 (6) before 11pm; 9 (8) after. Monthly. Progressive gay club with the brilliant Maggie and Alan in the Main room Pure at the Venue. unleashing house, hard house and queer 10.30pm - 3am. 6 (4) techno; Trendy Wendy and Sally Findlay Fortnightly. Two floors. Techno and House. through the back with disco and Cheesy Residents Brainstorm, Twich and Dribbler anthems. and The Bill. The Party at Revolution. Manga at La Bell Angele. 10pm - 3am. 5 10-11pm; 6 11pm 10.30pm - 3am. 7 (6 NUS; 5 mem). midnight Monthly. Drum n Bass. DJ Sir Ossie 7 after. Weekly. Door Policy is dress to impress. Sublime at the Wilkie House 10.30 pm - 3 am. 9 (7) The Subway West End Fortnightly. Scotlands biggest Trance and 4pm - 3 am 1 Weekly. DJs playing chart Techno club. Support from Idge in the music. Main dance floor and through the back in the Blue room with Beany and Felix. Tribal Funktion at the Venue. http://www.sublime.ik.demon.co.uk 11pm - 3am. 7 (5). Fortnightly Funk and Disco. Resident DJs Mateo and Matos. SUNDAY For full club listings consult The List produced fortnightly available for 1.95 from most newsagents. Taste at the Honeycomb. 11pm - 3am. 8 (6 members). Weekly. Fisher and Price in the Main room with hectic house and garage. Martin Valentine and Stuart Barrie through the back.
210 Club nights at present in Edinburgh on weekly/fortnightly or monthly (includes pre-club bars with DJs). Prices usually range from free to 9. (less if you are a member, free if you are on the coveted guest list) There are Clubs on from Mon-Sun every week of the year. Some interesting names include: The Kirk, The Gathering, Higher Ground, Sundaze, Sunday-Sunday.
and had a couple of drinks and finding the club wasnt open yet when we arrived went for one more in the Ceihlah house beforehand. The Honeycomb is a low vaulted building, with three rooms joined by inter connecting tunnels. In the larger of the two dance floors the DJ was playing hard house and if was already filling up. The other room was a more mellow affair and funkier. This is known to be a gay club and it showed, particularly in the way some of the men were dressed - tight white T-shirts and jeans. I was surprised to find it wasnt more camp, there was very little crossdressing going on and having visited gay nights down south expected something less covert. What always strikes you is the relaxed happy atmosphere of a gay night and how friendly everyone is and this was no exception. We soon got talking to the regulars and blended in ...
There were six of us and I was a newbie to the Edinburgh scene. I had dressed up a bit because I guessed they would and primed to bring my own bottle I handed it to my work-mate to hide in her handbag before joining the queue for Walkers disco on Shandwick place (I, being a clubber didnt carry such a thing!). It didnt work, all accessories were duly searched and bottles confiscated, we still passed scrutiny though and made it to the dance floor. The music was a mix of new romantic and disco diva from the seventies and early eighties and the crowd was dressed to kill. Slick haired men in suits were leering over lycra clad ladies and blossoming bosoms teetering on high heels around a classic collection of handbags on the floor. The drinks were expensive and we decided to move on quite quickly, bemoaning our wasted entry fee. Having recovered our booze we moved on to the Rutland No 1 Bar. I can remember being stopped for I D by the two intimidating bouncers in the doorway who thankfully believed me and let me pass without too much trouble. Once in there It was a noisy crowded affair. I was immediately approached by a youngish bloke who put his hand on my head and said something to me that I couldnt quite catch because the music and crowd was so loud. I glared and told him to get his hands off and he complied, letting me pass to join my friends, who by now had gone to the back of the bar. We ordered cokes and disappeared to the toilets as girls do, but not as I was accustomed, this time to top up our drinks with the spirits we had brought with us. Well on now, one of our group began dancing provocatively to the music and attracted some considerable attention from the men around her, one in particular who started to dance with her, joking around. The rest of us danced a little and then filled up our glasses again. I was getting pissed off with the general raucous atmosphere and we moved on up Lothian road to the Barracuda, which has since been closed down. It was a small club done up with blue neon lights and there was a crowded bar and seating area around the dance floor, which was mostly empty but for a few self-conscious looking punters glancing every now and again in the mirrors which surrounded the main dance area. It wasnt long before I was approached by a dark and handsome young man who turned out to be Canadian. I explained I was not on the pull and he danced a couple of tracks with me and went back to the girl had come with. Deciding to make the best of it I danced and danced to get it all out of my system and then left my friends to get the night bus home.
around at the crowd they were a mix of students discovering retro and older, first time round, mods reminiscing about the halcyon days of their own misspent youth. The dance floor was half empty but there were some enthusiastic dancing going on and we reminisced about school discos and had a go ourselves. We called it quits about 1 am and walked up to the Cowgate, settling for a drink before we shared a taxi home around 3 am.
THE PEOPLE
Anonymous Secretary age 32 How often do you go out? The only club I go to through choice is the Citrus Club, I am probably one of the older crowd now and I will often decide to go out later on. I dont often go out with that in mind. Usually its because weve been to a pub with a good juke box and you think Id quite like to dance now. Often to the Citrus Club on a Sunday because the drinks are cheap and you can have quite a long night without spending much money. What should the church look like for our for our culture? If I ever do go to church its always to straightforward Mass and being a bit of a traditionalist the church wouldnt have to do anything special for me. I would feel patronised if I thought that people were making a big effort to do something special for me to make me go to church. Do they think I am too simple to grasp the plain straightforward religious service? Dry ice and flashing lights or gimmicks wouldnt do anything for me - Having said that I wouldnt knock it if it worked. I dont want to go to church but I think the world needs something. I worry about the whole morality of the world and wonder if the decline in morality has something to do with people stopping going to church.
fall down and spread their wings like doves well walk - hand in hand Sisters, brothers, well make it to the promised land It made the hairs on the back of your neck stand on end...fantastic. It felt like even the atmosphere of the town itself was different after that night During the week I kept bumping into people that Id met at the club...in clothes shops record shops, pubs, walking down town - we would laugh and talk excitedly about the night - exchange names, phone numbers, news about next club night on or other stuff that people were getting up to during the week Suddenly I knew all of these people...the buzz was amazing...couldnt wait to
Disc Culture Sampled sound combined in a studio DJ and Crowd interact through records emphasis on atmosphere
Authenticity:
In club culture authenticity or credibility is one of the most significant values. Something is seen to be authentic once it has become normative. e.g. clothes and music become popular once a significant number of people are wearing or listening to it i.e. once it has caught on. something may be accepted because it is original and creative value e.g. an inventive record track played regularly and well received in
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Sarah Thornton, Club Cultures: Music, Media and Subcultural Capital, Polity Press, 1995, p30-31
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a Club is authenticated by the DJ and crowd together. Equally, acceptance can be because it is a natural organic development in the dance community as a way of life e.g. bum bags caught on in the late eighties because it meant you could keep your money next to your skin while on the dance floor. Conversely the same thing can lose its credibility once it has become mainstream, bum bags are no longer credible as essential club wear through widespread use.
Mainstream v Alternative:
Mainstream and Alternative have become commonly understood jargon words in Club culture. The mainstream clubs usually seen as commercial, playing chart music and commercial disco e.g. Revolution (Lothian Rd), Walkers (Shandwick Pl.). While Alternative clubs see themselves as underground. Playing music gleaned from pirate radio and backstreet/specialist record shops. Often non or low profit making businesses e.g. Sublime (Wilkie House, Cowgate), Taste (Honeycomb, Blair St). The dress codes and ethos of the crowd that frequent these distinct groups are identifiably different. Mainstream clubs, dubbed by alternative clubbers as cattle markets, tend towards dressing to impress and typically are more about drinking with your mates and pulling a partner for the night. People frequenting mainstream clubs often dont identify themselves as clubbers at all. Underground clubs have much less strict dress codes and are much more about dancing together as a crowd, taking drugs, and getting into the music. Often transcending boundaries such as race, sexuality and religion. Both groups make gross exaggerations and generalisations about eachother, largely it has to be said, through second hand information. For the Clubbing community mainstream has much wider context than commercial disco clubs but incorporates society as a whole. Representing the majority view of mass media.
Alternative Friendship/Group identity Meaningful work Oral Media Self Expression Now DJs/Records Open/Accepting Underground Visual Spiritual/ Experiential/Mystical Media Critical Celebrate Sexuality Circular Structures
Mainstream Individualism/Nuclear Family Career/9-5 Mass Media Conformity Past/Future Musician/s/Live Bands Dogmatic Visible Textual Religious Media Led Embarrassed by Sexuality Pyramid Structures
Relationships:
In nearly every interview relationship was the most important thing that people identified that they were looking for from the clubbing experience. One clubber described the Edinburgh scene as one big happy family. The music/dance event is not enough in itself to be a success, there has to be a feeling of togetherness, a WE.
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Communication:
Primary forms of communication are highly valued i.e. word of mouth, personal stories. Micro-media such as flyers, flypostings, listings (e.g. The List) keep people informed about whats going on and where its happening. But largely communication happens through the grapevine.
Sarah Thornton, Club Cultures: Music, Media and Subcultural Capital, Polity Press, 1995, p 15-16
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APPENDIX 1
Concerns:
Q. Should we start small or launch right in? Q. accountable ? ecumenical? A. Have one main historic church as Host for support and accountability Or citywide hosting: links with other groups - a board of reference? Q. What if loads of dissatisfied christians join us or it turns into a haunt for church youth groups, swamping and elbowing out the hidden and vulnerable in our culture ? Cultural Clashes between christian culture v club culture God: domesticated in kirk culture v God: as more unconscious, unspoken mysticism within club culture Body/sexuality: fear v love of body, sensuality and physicality Oh No! Now we are really going to get it! We are going to offend some christians who think we are going too far
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and we are going to disappoint some of those in the culture who think we are not going far enough. The Problems of being Public church = public and polity (social organising and agents of political power that speaks Our plural and post-modern culture will confront us - we cant hide as privatised believers putting on a thing for ourselves in a wee corner or should we? Biblical matrix of stories often make cosmic claims that clashed then and clash today with a market of competing worldviews its praxis and polity is out in full view in public square among other claims and stories on global spacesation earth; folk will ask: what the church believes about stuff, what does the bible say ? what do you say as broken saints with L plates on, beginners wandering around with big questions and little bare feet - what the heck should we react to old expectations or stereotyping of us as cosmic landlords and divine know-alls?
Club model:
Good points can be Group experience freedom responsive and expressive bar refreshments intensity and buzz acceptance and security good advertising different rooms and areas Bad Points can be too loud too dark, smelly, crowded, sticky too much drink and substance abuse unfriendly security too expensive no quiet area not enough seating isolating at times narrow age range too late at night DJ too hidden lack of focus lack effort and imagination
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APPENDIX 2
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Basic idea of Staffing and Roles: Pastoral workers grow pastoral workers - worship leaders grow worship leaders, Coordinators grow coordinators- Passing on skills and recognising potential and gifts of others - looking at how they can develop and grow into more responsible roles - staff build teams that replicate and pass on skills - so that it keeps growing and no-one feels completely indispensable or left out. Pastoral Workers+ Community builders need the time to get around, meet and get to know people. Keeping in touch with those they know within the culture as well as the group that is forming. Looking at imaginative ways of building community at every stage of development. Building Community at the heart of the Event In this Culture, even small scale dance/worship/liturgical/teaching events - demand an immense amount of time, energy and expertise - involving: the writing and rehearsing electronic & live forms of music/ transporting and setting up environment props, screens, video and slide projectors, P.A., lighting and music equipment/ logistics of organising teams, equipment hire, venue hire, speakers for teaching & debates, video material for presentations and environment, meetings for strategy and planning. The event is a place of faith, energy, worship, celebration and communion, the danger is that Pastoral workers can be deflected sucked in to the event, unable to focus on the needs of the community. Once the event is launched, and numbers start to increase, at least one pastoral worker needs to focus mainly on overall community development-ministry-teaching-training teams, with as little involvement in running the event as possible, the Pastoral/Arts Development worker can help bring the event together, with the team, rooting it in a theological, cultural and ethical basis. Pastoral support/input both IN and AROUND the event - holds community and event together.
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An office area - phone/computer etc. - this could be in a team/staff members house to begin with - accessible- staff and team Meetings: Strategy&Design - Format of Event/Venue/Facility Meetings: with Host Church Budget/finance - Financial Plan worked out. Bank Acount. Keep records/receipts etc.
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