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Table Of Contents

0. Functionalia 1
1.1. Motivation
1.2. Overview of the Thesis
1.3. Summary of Contributions Castel’s Ocular Harpsichord Thomas Wilfred’s Clavilux Oskar Fischinger’s Lumigraph Charles Dockum’s MobilColor Projector
2.1.2. Abstract Film
2.1.3. Optical Soundtrack Techniques
2.2.1. Advantages of the computer for visual music Score Displays Control-Panel Displays “Interactive Widget” Displays Paul Haeberli’s DynaDraw Scott Snibbe’s Motion Phone and Dynamic Systems Series
2.2.4. A Paint-Program/Sequencer: Toshio Iwai’s Music Insects Simultaneous Dynamic Image and Sound Inexhaustible, Yet Deeply Plastic Results Sound and Image of Commensurate Malleability Eschewing Conventionalized Visual Languages Instantly Knowable, Indefnitely Masterable Interface
2.3.2. A Painterly Interface Metaphor
3.1.1. Streamer
3.1.2. Escargogolator
3.1.3. Polygona Nervosa
3.1.4. Directrix Origins Sonifcation Discussion
3.2.2. Loom: Wrapping Timelines Around Gestural Spines
3.2.3. Warbo Origins Sonifcation Discussion
3.2.5. Floo
3.3. Summary Gesture Capture and Playback Gesture Augmentation Gestural Governance
4.1.2. Augmentation and Sonifcation Based on Analyzed Representations
4.1.3. Functionally Overloaded Gestural Inputs
4.1.4. Functionally Interrelated Gestural Inputs
4.1.5. Gestural Inputs with Greater Degrees of Freedom
4.1.6. Alternative Visual Representations
4.2.1. rANdOmNeSs
4.2.2. The Taste of Mathematics
4.2.3. Cartesian and Diagrammatic Mappings
4.2.4. Modal Interactions
4.2.5. ROM-Based Solutions
4.3.1. Learnability
4.3.2. Predictability
4.3.3. Expressive Range
4.3.4. Granularity
4.3.5. Perceived Origination
4.4. Evaluation
5.1. Conclusions
5.2. Future Directions
0 of .
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Golan Levin_Audiovisual Performance (BS Thesis)

Golan Levin_Audiovisual Performance (BS Thesis)

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Published by: rogeliodsantagada on Aug 04, 2011
Copyright:Attribution Non-commercial


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