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Table Of Contents

In The Beginning
Traditional television
The “New” Digital Television
Numbers describing an analog world
Component digital video
Moving Forward from Analog to Digital
The RGB component signal
Gamma correction
Conversion of R'G'B' into luma and color-difference
The Digital Video Interface
601 sampling
The parallel digital interface
The serial digital interface (SDI)
Timing and Synchronization
Analog video timing
Horizontal timing
Vertical timing
Analog high-definition component video parameters
Digital Studio Scanning Formats
Segmented frame production formats
Digital Studio Synchronization and Timing
Telecine synchronization
Digital Audio
Embedded audio in compo- nent digital video
Extended embedded audio
Systemizing AES/EBU audio
Basic HD embedded audio
Audio Control Packet
How to Monitor Multi-Channel Audio
Audio Channels in 5.1 Surround Sound
The Surround Sound Display
Monitoring and measuring tools
Video Measurements
Monitoring digital and analog signals
Assessment of video signal degradation
Video amplitude
Signal amplitude
Frequency response
Group delay
Non-linear effects
In-Service Testing
Eye Pattern Testing
Jitter testing
SDI Status Display
Timing between video sources
Interchannel timing of component signals
Waveform method
Timing using the Tektronix Lightning display
Bowtie method
RGB and color-difference waveforms
Component gain balance
The vector display
Operating a Digital Television System
The Lightning display
The Diamond display
The Arrowhead display
How to Monitor Gamut
Definition of Limits
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Published by Diego Lombardo

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Published by: Diego Lombardo on Aug 12, 2011
Copyright:Attribution Non-commercial


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