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Table Of Contents

1.0 Curatorial practice
1.1 The role of the curator
1.2 Some history on advocacy for best practices
1.3 Preparing a curriculum vitae
2.0 Researching
2.1 Investigation
2.2 Selecting the artists
2.3. Writing the concept proposal
2.4 Funding options for research
3.0 Finding a venue
3.1 Rationale
3.2 Exhibition proposal
3.3 Proposal submission and follow-up
4.0 Venue
4.1 Follow-up
4.2 Curator’s contract or letter of agreement and critical path
5.2 Institutions and corporate/ individual collectors
5.3 Responses to loan requests
5.4 A master list for the project
6.0 Budgeting
6.1 Developing a preliminary project budget
6.2.1 Fees
6.2.2 Travel costs
6.2.3 Installation costs
6.2.4 Crating and shipping
6.2.5 Visual documentation
7.0 Fundraising
7.1 The curator’s role
7.2 Funding opportunities
8.0 Artist agreements
8.1 Letter of agreement or contract
8.2 Loan agreement
9.0 Public
9.1 Programming ideas
9.2 Community Consultation and Collaboration
9.3 Scheduling
10.0 Media relations
10.1 Working with a designer
10.2 Promotional materials
10.3 Paid advertising
10.4 Media follow-up
11.0 Mounting
11.1 Planning for installation needs
11.2 On site to install the project
11.3 The opening reception and public events
12.0 Wrap-up
12.1 Financial tasks
12.2 Project assessment and fnal reporting
13.0 Expanding the audience:
13.1 Economics of a tour
13.2 Tour venues
13.4 Itinerary planning and confrmation
13.5 The curator’s responsibilities for a tour
14.0 Publication
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Curatorial Toolkit

Curatorial Toolkit

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Published by Nina Duenas

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Published by: Nina Duenas on Aug 12, 2011
Copyright:Attribution Non-commercial


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