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The Return of the King Adnotated Score

The Return of the King Adnotated Score

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Published by Cristian Ispir

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Published by: Cristian Ispir on Aug 24, 2011
Copyright:Attribution Non-commercial

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01/05/2013

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A mpA p t:
The Music of The Lord of The rings fiLMsParT iii: The reTurn of The King
pAkAgd t
The Lord of The rings: The reTurn of The KingThe coMPLeTe recordings.
t AtAtd SR
 
The Music of The Lord of The rings fiLMs
2disc ne
1 – ROOS AND BEGINNINGS
Te Return of the King 
b  a aaally l a bl . b a   a l alz a  a ala ly   . A  a  b,  y   R  aa  - l,a  al   
Te Lord of the Rings
b.B     l ml-a   ay. T  ml-a  al, a la a a   b    R  v  a ya. S’   b—layl, v. Sly  a a all bb    gla v. T  bb , b  a  b. T ll alz v ay - a,  aa  bb , a a  vaa   bb A  ( 
Te woowers
) laylly bl l,  a  ll,    bb   v’ a.T  a    , ly  b a by a   bb’ a ,  l l. B  ly  layl,  byay.  aa  y   R —  R a l a a. déalll  R   l a abl   vba  xa  … a   l xa.T S   R  by a déal l   ba, x  l a. l b, Séal, dé- al’  a,   l R.  déal  , Séal  b. T ax S  a Séal la  l a a, “gv  a, déal, y lv.”Séal l a  R, a a y     a lbl . L ba   b  a a  x a déal  aay.T bb xlably a   a a   v aa b l  a al     R. Ul, Séal’ aa   a ll al a—a    S a vl    R. T   b a v   a S’  
Te Returnof the King 
.
Te Fellowship of the Ring 
a
Te wo owers
lla,   b-b’ y,  v-xa   ml-a, a  ll x    R a a . B , a  y a a  l, a , ba  yll, a   laly    l    R.S’ v a aal b  l a, b aal a  aa  .B Séal a déal’ j S a vl  a l ,al a a al  a’ b. T d T   b   ay allay l aa m, y  a  ,  a   , aa   l aa  , ly  a, -  a l bl v,  lly .B  ala   m  aa   . U  R’ vl , Séal déal. p    y  a a  a ba  R. A ly b l , l   a a Séal    my ma a b  a. t a a  y  -,  a   a all l l  a   . A Séal  a   a al aa  T py  gll. UUSd pt:B    Séala déal’  a   Séal’ a-a  gll     l. gl-l’ aa a  l 
Te Returnof the King 
.
 
The Music of The Lord of The rings fiLMs
3
2 – JOURNEY O HE CROSS-ROADS
Ba    ay, gll la Sa a F   vya  m.  a ay jy, b F  l, b   R  ba a . A   a    b  la, F vly xa  R. S’ , ll a ba     a F  l a  a R , ll a a vl a    al, ll a   y   R. gll’  ba F  a, a   a y , lav   la a  a —   l- bb.T a    ab      S, b a-ly ,  a a . T l la   bbpv S a    a, l a all      Jy T,  R Q  a 
Fellowship
  Sa a F  v a  S’ laa.
3 – HE ROAD O ISENGARD
T a a   la   aa. Sa ll F ’ a    ly v   jy. F a,   ll  a  . B  a   lly- Jy T   a bb av  y v a  a.   l- ,    ba   a.l a   l av ml-a. Aa, Lla a gl, aa by a l  Ra’  , a  ay    a  ’  a   Fll   . A aa l ba a
Te Return of the King 
l a aa,    a F       Ral g, 
de facto
al     l.B g ll av  a,   aa   ,  va by     bb. la j  
tessitura
    by
 pizzicato
 a  l.  a b   a my a p, vabl a a   a  a. Y   all  ’ layl,    b   . my a p’ al  a    .  x a b   S aFll , S  a   bb a ab  l lv  ml-a’   a aly al ay.
4 – HE FOO OF ORHANC
a’ b   a a bb-y baq.  a a’ , Saa a gía - ll l ab. Saa   l a a Té a  Fll. T a ,  a b  a v la , aa ba  a,  -, b ll   a  L pla’l . A bl l    a a   y   .Saa    bb.  la  ,   ab,  by  v  Sa,   ll . A a vaa  Ta  m a  a  vl     a’ a. Saa val  alaí   , aaally - a ala    x.   va’  -  Saa, ba aa a  a ,   bly.UUSd pt:T aal  a  b-   , l gll  a , a l    l  al-l ll a   ay  aa . t mAkg:T l    ,a j a Saa  alaí,   aa   al l.

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