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Table Of Contents

1.2 TO READ OR NOT TO READ
1.3 SCALES
1.4 INTERVALS
1.5 COMPOUND INTERVALS
1.6 TONES AND SEMITONES
1.7 INTERVAL SHORTHAND
1.8 BASIC HARMONY
1.9 INVERSIONS
1.10 CHORD PROGRESSIONS -CADENCES
1.11 THE DOMINANT SEVENTH
1.12 CONCLUSION AND SUMMARY
2.1 SEVENTH CHORDS (MAJOR SCALE)
2.2 SEVENTH CHORDS (MINOR SCALE)
2.3 SIXTH CHORDS
2.4 ALTERED DOMINANT SEVENTHS
2.5 READING AND WRITING CHORD SYMBOLS
2.6 CHORD CHARTS
3.1 TONALITY-THE III VI ANDICHORDS
3.2 THE III AND VI CHORDS
3.3 THE IV CHORD
3.4 THE IVm7 AND ~VII7CHORDS
3.5 CYCLE OF FIFTHS
4.1 NINTH, ELEVENTH AND THIRTEENTH CHORDS
4.2 POLYCHORDALISM
4.3 THE POLYCHORD TABLES
5.1 INTRODUCTION
5.2 VOICING FORMULA
5.3 PRACTICE METHOD
5.4 TWO-HANDED VOICINGS
5.5 ROOTLESS VOICINGS
5.6 LEFT-HAND VOICINGS
5.7 ALTERED LEFT-HAND VOICINGS
5.8 RIGHT-HAND EXTENSIONS
5.9 FURTHER STUDY
6.1 INTRODUCTION
6.2 GETTING STARTED
6.3 SCALES ... A BASIS FOR IMPROVISATION
6.4 THE MAJOR SCALE
6.5 THE MINOR SCALES
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Modern Jazz Piano-A Study in Harmony and Improvisation-Brian Waite (1-3)

Modern Jazz Piano-A Study in Harmony and Improvisation-Brian Waite (1-3)

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Published by Marian Vernescu

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Published by: Marian Vernescu on Aug 24, 2011
Copyright:Attribution Non-commercial

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11/10/2012

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