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Table Of Contents

Understanding and Dispositions
Psychology: Understanding and Dispositions
Parameters of Dispositions
A Psychological Model of Reception
Discourse and Meaning
Some Specifications of the Model
Understanding Point-of-View Editing
Historical Context of Point-of-View Editing
Spatial Immersion Begins
Editing between Adjacent Places: Movement
Editing between Adjacent Places: Gazing
Functions of Point-of-View Editing
Deictic Gaze
The Structure of Deictic-Gaze Behavior
How Does Point-of-View Editing Work?
Eight Hypotheses
Variable Framing and Personal Space
Personal Space
Personal-Space Invasions
Personal-Space Behavior: A Vehicle for Communication
Visual Media and Personal Space
Personal Space and Variable Framing
Early Cinema
Variable Framing in Mainstream Narrative Cinema
Voyeurism
Conclusions
Character Psychology and Mental Attribution
Introduction
Textual Theories of Characters
The Psychology of Recognition and Alignment
Why Mental States?
Mental Attribution in Everyday Life
Ability with Body and Gesture Cues
Folk Psychology: Reasoning about Mental States
Additional Remarks
Mental Attribution Processes in Reception of Cinema
Some General Principles
The Minds of Cinematic Characters
The Emotions of Cinematic Characters
Text and Mental Attribution
Textual Techniques
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Understanding Cinema - A Psychological Theory of Moving Imagery

Understanding Cinema - A Psychological Theory of Moving Imagery

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Published by Eliana Kuster

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Published by: Eliana Kuster on Sep 14, 2011
Copyright:Attribution Non-commercial

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07/26/2013

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