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ANNA DAviD
hung up the phone even though I was in the middle o listeningto a message I’d been waiting or. “You look stressed,” he said.He appeared bemused.This guy wasn’t gorgeous; his brown hair was starting togray, his ace was a little pinched, he wore glasses and was nei-ther rugged nor slim. But or some reason, I shook as I smiled athim. “And you look amused by that,” I responded.He laughed—a loud, guttural guaw. “You were very o-cused on what you were doing,” he said. “It made me want tosee i I could break your ocus.” I noticed that stubble decoratedhis cheeks and chin.“Mission accomplished,” I said. Under normal circum-stances, I would have been annoyed—being accosted by astranger doesn’t tend to bring out my good-natured cheer. Butnothing about what was happening elt normal: the air was sud-denly charged with energy rom some otherworldly place.We introduced ourselves. When he told me his name wasWill, I suddenly realized he was the painter my riend hadbeen telling me earlier was going to be at this party. Since myknowledge about art was somewhere between minimal andnonexistent, I’d only hal listened when she’d talked about howhe was a hero o sorts in the art world, credited with creatingsome new medium that enraged purists but was celebrated bymodernists, and how his work sold or millions o dollars. ButI didn’t tell him that I’d just gured out who he was; by thispoint, I was ocused on his eyes, which, now that he’d removedhis glasses and tucked them into the ront pocket o his whitebutton-down shirt, I could see were swimming-pool blue. Theycontained vestiges o pain in the irises but they also looked
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