THE INNERGAME OF
S c r e e n w r i t i n g
20 WINNING STORY FORMS
SANDY FRANK
MICHAEL WIESE PRODUCTIONS
vii
CONTENTS
Par† One
INTRODUCING THE INNERGAME OF SCREENWRITING 1
CHAPTER ONE
THE INNER GAME OF SCREENWRITING 2
CHAPTER TWO
A SUCCESSFUL INNER GAME —
THE QUEEN
15
CHAPTER THREE
LACK OF INNER GAME 19
Par† Two
THE TWO TYPES OF INNER GAME 25
CHAPTER FOUR
THE MORPH ARCHETYPES 26
CHAPTER FIVE
USING THE ENNEAGRAM TOCONSTRUCT MORPH INNER GAMES 43
CHAPTER SIX
THE MYTH ARCHETYPES 53
viii
Par† Three
STRUCTURING YOUR SCREENPLAY,FOCUSING ON THE INNER GAME 77
CHAPTER SEVEN
WEAVING THE MORPH INNER AND OUTER GAMES 78
CHAPTER EIGHT
CONSTRUCTING THE MYTH STORY 92
Par† Four
ADAPTATIONS, SEQUELS,AND REMAKES 97
CHAPTER NINE
ADAPTATIONS 98
CHAPTER TEN
SEQUELS 104
CHAPTER ELEVEN
REMAKES 108
Par† Five
WRITING FOR TELEVISION 113
CHAPTER TWELVE
TELEVISION — MORPH, MYTH, AND HYBRID 114
CHAPTER THIRTEEN
TELEVISION SPINOFFS 122
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