The Mayan Prophecy is a Volcanic Prophecy
S. Seymour Hedke Seite 3
Of course there was a pragmatic element to all this study, and to the sometimes obliquelanguage of the myths built around it, which may suggest that our understanding of the GreatYear cycle is by no means perfect, that precession is not always of the same speed and thatthere are in fact moments in history that can pounce upon us, when sudden violent changes dooccur.Much evidence suggests that these jolting “moments” are triggered by alignments between theaxis of the Milky Way galaxy and the equinox and solstice markers on the ecliptic aboutevery 6000 to 6,500 years. This is suggested by the inclusion of cross symbols, eight pointstars or wheels, and ecliptic-constellation-Milky Way markers in ancient monuments all overthe world. The
“
Great Celestial Conjunction Crosses
“
by Jan Wicherink
,
is excellent furtherreading on this subject. The Celestial Conjunction also creates what is called the Holy Cross
i
and we are in one now.Through including the Milky Way in one’s study, one could know about and prepare for thetimes when the next sudden changes in the relationship between the Earth and the heavenswould occur: changes that altered the “
declination
of the
bodies
moving in
the heavens
around the earth
ii
,”
which can only mean in reality that the Earth itself moves suddenly into a neworbital relation to the Sun and the other heavenly bodies.This very important piece of information about the apparent change of orbits is shared withus by Plato in
Timaeus
iii
, and also by this painting detail from Raphael, which is speaking asilent-secret language.
Plato and Aristotle discussing changes in the Earth’saxial rotation (from a detail of
The School of Athens
byRaphael 1510-11)
This knowledge had been passed down to Plato, as also toother learned men, by the Greek Solon, who had visitedEgypt and asked the Egyptian priests of Sais.But what could cause such a sudden shift of the Earth?Certainly a celestial element is likely. One important part of the language in Raphael’s painting is given in color andgesture. Aristotle’s hand is moving downward and he iswearing blue like water, water naturally falls. Plato is wearing red and his finger is raised: fireis red and fire rises. It is of course no accident that this hand gesture was called the “
Finger of Fire”.
The same use of color and gesture can be found in
The Last Supper
by Leonardo daVinci and in many other works.Seeing the two figures together it is as if we are being reminded of a cycle, with a fallingelement suggested on the right by the blue and a rising element by the red on the left, like Yinand Yang. Of course we are being reminded of this: the daily, yearly and Great Yearly cyclefollows a pattern based on Yin and Yang.But does this raised hand suggest more? Where does fire rise from? The Earth itself contains afiery power that can be powerfully explosive. Could a powerful explosion from inside the
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