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Table Of Contents

I) Augmented or Diminished Rhythms
2) Addition and Withdrawal of the Dot
3) A Table of Some Forms of Augmentation or Dimmution of a Rhythm
4) Inexact Augmentations
Nonretrogradable Rhythms
I) Retrograde Rhythms
2) Nonretrogradable Rhythms
I) Superposition of Rhythmsof Unequal Length
3) Superposition of a Rhythm upon Its Retrograde
4) Rhythmic Canons
5) Canon by the Addition of the Dot
6) Canon of Nonretrogradable Rhythms
I) First Notation
3) Third Notation
4) Fourth Notation
5) Some Metrical Rhythms
I) Intervals
2) Melodic Contours
3) Folk Songs
4) Plainchant
5) Hindu Ragas
I) Elimination
3) Change of Register
I) Song-Sentence
3) Binary Sentence
4) Ternary Sentence
5) List of Melodic Periods
2) Sonata
3) Development of Three Themes, Preparing a Final Issued from the First
4) Variations of the First Theme, Separated by Developments of the Second
5) Plainchant Forms
6) Psalmody and Vocalise
7) Kyrie
8) Sequence
I) Added Notes
2) Added Sixth and Added Augmented Fourth
3) Relation of Added Notes and Added Values
4) Use of Added Notes
I) The Chord on the Dominant
2) The Chord of Resonance
3) The Chord in Fourths
4) Effects of Resonance
6) A Look at Other Styles
7) Natural Harmony
8) A List of Connections of Chords
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Olivier Messiaen.technique of My Musical Language Text

Olivier Messiaen.technique of My Musical Language Text

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Published by: BARNIKOL on Oct 05, 2011
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07/19/2013

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