Unit 10 Metamorphosis

International Baccalaureate Visual Arts

H.R. Giger Alien

He was lying on his back as hard as armor plate, and when he lifted his head a little, he saw his vaulted brown belly, sectioned by arch-shaped ribs, to whose dome the cover, about to slide off completely, could barely cling. His many legs, pitifully thin compared with the size of the rest of him, were waving helplessly before his eyes.
The Metamorphosis, Franz Kafka

UNIT 10 METAMORPHOSIS

From left to right >> Metamorphosis by Jonathan Ducruix; Metamorphosis of Narcissus by Salvador Dali;

International Baccalaureate Visual Arts

IWB CRITERIA
RESEARCH CULTURE/CONTEXT
Analysis and thoughtful comparison of Art from different cultures and times, carefullycon sideringit sf unction and signicance Demonstration of a range of effective skills, techniques and processes when making and analysing images and artifacts Demonstrate coherent, focused and individual investigative strategies into visual qualities, ideas and their context, a range of different approaches towards their study and informed connections between them Demonstrate depth and breadth through the successful development and synthesis of ideas and the wellexplained connections between the work and that of others

In your Investigation Work Book, complete the following tasks:

Investigate how artists have approached the concept of metamorphosis. Compare and contrast their work, identifying links and making connections between their work. Written information should be in your own words. Write 2-3 pages on each artist. Your entries should include both the facts you uncovered and your feelings and thoughts what ideas do they give you? How can you use (or reject) the information you gather and why? Whats its function/signicance? Explore and experiment some of the techniques and media employed by the artists of interest. Research the knowledge needed to use this media well. What terms are associated with the media? What techniques? Research practitioners famous for using this media. Aim for ve pages of media experiments.! Produce an in-depth investigation of one or more artworks relating to the theme of Metamorphosis. Evidence that you have considered the works visual, technical, historical, aesthetic and intellectual values. The more you investigate, probe and explore the more you will begin to develop your own individual approach to creating artwork. This development, and the way that it manifests itself in your work is crucial to a mature, sophisticated and evolved body of art. Plan an exhibition on Metamorphosis. Select three other artists and their work - plan how to display their work and discuss why they were chosen. Then write up a catalogue for the exhibition which features a carefully written entry about what these artists have in common as well as the specic ways in which their work impacts upon this form of Art and its ideology. This should be about 3 pages long.

TECHNICAL/PROCESS

INVESTIGATION

DEPTH/BREADTH

PRESENTATION
Demonstrate effective and accurate use of visual arts specialist vocabulary The use of a range of appropriate sources, which are acknowledged properly

VOCABULARY

The presentation criteria should be evident within your research criteria pages. They
should include evidence of:

ACKNOWLEDGE SOURCES

The effective and creative presentation of work that demonstrates thoughtful, critical observation, reection and discrimination

PRESENTATION

correct terminology and specialist vocabulary when writing as part of your research, investigation and experimentation. a wide range of resources such as books, journals, periodicals, art galleries, internet sources as part of your research. All sources should be cited properly using the MLA format. Use Easybib or Zotero to help you correctly cite sources. ideas should be presented effectively and creatively. Thoughtful observation and discrimination, both written and visual, should be evident.
pages which link directly to your studio work. Documentation of studio work experiments which are developed further in the IWB.

The presentation of a clear relationship between investigation and studio work

INTEGRATION

Metamorphosis I by M. C. Escher; We are family by Patricia Piccinini

In your Studio Work:

Create an original piece(s) of artwork on the theme of Metamorphosis.

Your artwork can be created in any medium and can be developed through your chosen theme. You should seek inspiration in the ways other artists have developed their own work from ideation to the skills and techniques they have employed. Use this knowledge and evidence to create your own personal artworks.
Things to consider when developing your studio work:

Understanding
Are the ideas behind your studio work well suited to the techniques and media you have chosen? Can you explain the personal, cultural, visual meaning, purpose of your studio work?

STUDIO CRITERIA
UNDERSTANDING
Display an excellent understanding of the ideas and techniques that underpin artistic expression

Relevance
How are the ideas in your studio work connected to your own life and cultural background? Have you created strong, powerful pieces of Art which really mean something to you?

RELEVANCE

Development
How much personal growth and improvement have you shown through your artwork? How have you developed as an artist? Can you distinguish the difference between your good and your weaker ideas?

Demonstrate consistently the production of personally relevant artwork that shows excellent exploration of ideas reecting cultural and historical awareness and artistic qualities

DEVELOPMENT

Sensitivity & Technique

What visual effects do I want to create? How effective is the medium you have chosen at creating these techniques? Would it be better to use something else? Are you using your chosen medium with high levels of skill?

Demonstrate thoughtful development of ideas and strategies for expression

SENSITIVITY

Condence & Independence

Have you truly explored your ideas to create interesting, adventurous studio work or have you settled for the safe and obvious? Have you used any unusual or unexpected combinations of ideas and/or materials in your studio work? Does your work show truly independent research, or have you only researched the artists given to you by your teacher?

Display a sensitivity to materials and their use, the work having been reviewed, modied and rened to an accomplished resolution of ideas and medium

TECHNIQUE
Demonstrate excellent technical competence

CONFIDENCE
Demonstrates condence and inventiveness

DEADLINE:
Investigation workbook and studio work to be completed by: 11th Nov 2011 A critique of your work will take place on the same day.

INDEPENDENCE

Shows self-direction and informed, reective judgement that challenges and extends personal boundaries

International Baccalaureate Visual Arts

Landscape III by Levi van Veluw

International Baccalaureate Visual Arts

metamorphosis: a complete change from one form to another.

Blanket No. 7, (professional sports jerseys) by Brian Jungen