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LA “WEB 2.0” COMO NUEVO CONTEXTO PARA LAS PRÁCTICAS ARTÍSTICAS
ISUBMIT, YOUPROFILE, WERANK
La deconstrucción del mito de la Web 2.0
TELEPATÍA COLECTIVA 2.0 (TEORÍA DE LAS MULTITUDES INTERCONECTADAS)
DESLICES DE UN AVATAR: PRESTIDIGITACIÓN Y PRAXIS ARTÍSTICA EN SECOND LIFE
EL ARTISTA COMO GENERADOR DE SWARMINGS CUESTIONANDO LA SOCIEDAD RED
PROCESOS CULTURALES EN RED
Perspectivas para una política cultural digital
TEMPUS FUGIT
Cuando arte y tecnología encuentran a la personaequivocada persona equivocada
IMPACTO DE LAS TECNOLOGÍAS WEB 2.0 EN LA COMUNICACIÓN CULTURAL
“NO LIST AVAILABLE”
“ARQUITECTURAPÚBLICA”:
El Concurso De Arquitectura Como Interactividad De Múltiples Agentes
TRANSNATIONAL TEMPS PRESENTA: Eco-scope
FEA Y REBELDE
MEMORYFRAMES
IMAGINARIO COLECTIVO Y GESTIÓN PÚBLICA DESCENTRALIZADA: IMAGINARIO.CC
Proyecto de investigación “Urbanohumano”
MEIPI: SINERGIA ENTRE REDES DIGITALES Y REDES FÍSICAS
REALIDADES ENCUBIERTAS
LECTURA ACTIVA: STORY ENGINE (MOTOR DE RELATOS)
LECTOR + +
ART FICTION. SNAKE PREVIEW ¹
Curfew, Cinema, Discontinuity
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Inclusiva Net

Inclusiva Net

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Published by Annie Hall

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Published by: Annie Hall on Oct 19, 2011
Copyright:Attribution Non-commercial

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