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C
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F
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N
D
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3
C
O
L
O
R
T he
H E S T U
Publishing
C o.
Boston.
Mass.
193;
C o p y rig h t,
1531
by
Pacl
Fester
C h ::a
C O R R E L A T IO N
O F
SOUND
A & rD
G O L O R
i.
I n
th e
o rd e r
o f
th e
L ife -p u w e r's
s e l f - e x p r e s s i o n ,
sound, precedes
lig h t.
A
v e ry
a n c ie n t
S a n s k r i t
b o o k
te lls
o f
Shabda-B rahm a,
th e
s o u n d -d iv in ity ,
w h ic h
i a
th e
ro o t-p o te n c y
o f
a ll
m a n ife s ta tio n .
I t
s a y s ,
" T h ro u g h
s o u n d
th e
w o rld
) I
s t a n d s .
P y th a g o ra s
ta u g h t
th e
same
th in g .
S o
d id
P la to ,
B o th
w ere
ic s tru c te d
b y
E g y p tia n
h ie ro p h e n ts .
F ro m
th e m
th e y
le a rn e d
th a t
th e
p h y s ic a l
u n i v e r s e
i s
c a lle d
fo rth
fro m
c h a o s
b y
o rd e re d ,
rh y th m ic
s o u n d .
M oses,
in itia te d
i n
th e
sam e
E g y p tia n
a c h o o ls ,
b e g a n
G e n e s is
w ith
a n
a c c o u n t
o f
a
s e r i e s
o f
c re a tiv e
a c ts
in tro d u c e d
b y
th e
w ords,
"A nd
G od.
s a id ."
T he
H ebrew s
a n d
th e
G reeks
a lik e
w ere
in s tru c te d
i n
a
s e c r e t w is d o m
w h ic h
h a d
fo r
a
c e n tra l
te n e t
th e
id e a
th a t
th e
la w s
o f
m u s ic a l
p ro p o rtio n
a re
e x p r e s s e d
i n
a ll
th in g s ,
W hen
S t.
J o h n
w ro te
o f
th e
L o g o s ,
o r
C re a tiv e
W o rd ,
''~ h r o ~ ~ h
h im
a ll
th in g s
w ere
m a d e ,
a n d
th a t
w h ic h
h a th
b e e n
m ade
w as
l i f e
i n
h im ,"
h e
s in p ly
p u b lis h e d
o p e n ly
w hat
h a d
lo n g
b e e n
tran sm itted
fro m
m o u th
t o
e a r
i n
e s o te ric
s c h o o l s .
"T hat
w h ic h
h a th
b e e n
m ade
w as
l i f e
i n
him :
a n d
th e
I1
l i f e
w as
th e
lig h t
o f
men,
i s
th e
c o r r e c t
v e r s i o n
o f
th a t
! l
p a s s a g e
fro m
S t.
J o h n 's
G ospel w hich
i s
u s u a lly
r e n d e r e d ,
I n
h im
w as
life .''
R ead
th c
s e n te n c e
a s
th o u g h
y o u
h a d
n e v e r
s e e n
i t
b e fo re .
T hen
you
w ill
p e rc e iv e
th a t
th e
f i r s t
c la u s e
s a y s
e x p lic itly
th a t
L ife
i n
th e
C re a tiv e
W ord
w as
th e
o rig in a l
s ta te
o f
e v e ry th in g .
T h is
m eans
th a t
p la n e ts
a n d
p e o p le ,
h o u s e s
a n d
h ills ,
ta b le s
a n d
t r e e s ,
a re
e x p r e s s i o n s
o f
life .
P h y s i c i ~ t st o d a y
s a y
th e
v e ry
sam e
th in g --o n ly
th e y
c a ll
l i f e
b y
a n o th e r
nam e,
" ele c tro -m a g n e tic
e n e r g y .
n
I I
"T he
l i f e
w as
th e
lig h t
o f
m en.
T he
v ita l
p rin c ip le
o f
th e
C re a tiv e
fio rd
w as,
a n d
is ,
th e
lig h t
w e
k n o w --e v e n
th e
p h y s ic a l
l i g h t w h ic h
s h in e s
u p o n
th is
o a rth
fro m
su n
a n d
m oon
a n d
s t a r s .
I t
i s
n o t
m erely
th e
p h y s ic a l
lig h t.
N ever-
th e le ~ s ,i t
i s
a
ra d ia n t
v ib ra tio n
w h ic h
in c lu d e s
th a t
p h y s i-
c a l
lig h t
am on5
i t s
m a n if e s t o t i o n s
,
T h is
i s w hat
W estern
o c c u lt
s c h o o ls
h a v e
a lw a y s
c c lle d
L.V.X.,
w h ic h
i s
L a tin
fo r
" lig h t" .
T he
w ord
i s
w ritte n
w ith
p e rio d €
b e tw e e n
i t s
le tte rs ,
t o
in d ic a te
a
h id d e n
m e a n in g
c o n -
n e c te d
w ith
th e
n u m e ra ls
r e p r e s o n t c d
b y
i t s
th re e
c h a r a c t e r s .
I n
R om an
n u m e ra tio n
L
i s
5 0 ,
V
i s
5 ,
and
X
i s
1 0 ,
s o
th a t
L .V .X .
s ta n d s
fo r
6 5 .
T h is
num ber
h a s
many
p ro fo u n d
o c c u lt
m e a n in g s ,
w h ic h
i t
i s
im p o ssib le
t o
d i s c u s s
i n
th e s o
pages,
e x c e p t
i n
th e
b rie fe s t
w ay.
E n o u g h
t o
s a y
h e re
th a t
th e
num ber
6
i s
e q u iv a le n t
t o
th e
s ix -p o in te d
s t a r ,
9
P
aym bol
o f
th e
u n iv srss
a n d
i t s
f o r c e s ,
w h ile
5
i s
e q u iv a
e n t
t o
th e
P e n ta g ra m ,
o r
f iv e -p o in te d
s t a r ,
,
w h ic h
s y m b o liz e s
M an,
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