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de.Lauretis.T

de.Lauretis.T

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From
 A Bibliography of Literary Theory, Criticism
 
and Philology
(10th ed., 2005)by José Ángel G
ARCÍA
L
ANDA
(University of Zaragoza, Spain)http://www.unizar.es/departamentos/filologia_inglesa/bibliography.html ________________________________________________
T
ERESA
 
DE
L
AURETIS
(Feminist/poststructuralist/psychoanalytic cultural theorist andcritic)
Works
de Lauretis, Teresa. “Narrative Discourse in Calvino: Praxis orPoiesis?”
PMLA
90.3 (May 1975).- - -.
 La sintassi del desiderio.
1976.- - -. “Semiotic Models, Invisible Cities.”
Yale Italian Studies
2.1(Winter 1978).- - -. “Imaging.” In de Lauretis,
 Alice Doesn’t: Feminism,Semiotics, Cinema.
Bloomington: Indiana UP, 1984. 37-69. First version published in
Cine-Tracts
11 (1980).- - -. “Through the Looking Glass.” In
The Cinematic Apparatus.
Ed. Teresa de Lauretis and Stephen Heath.
 
New York,1980.- - -.
Umberto Eco.
1981.- - -. “Now and Nowhere.” (Nicolas Roeg).
Cine-Tracts
11(1980). Rev. version in de Lauretis,
 Alice Doesn’t:Feminism, Semiotics, Cinema.
Bloomington: Indiana UP,1984. 84-102.- - -. “Signs of Wonder.” In
The Technological Imagination.
Ed.Teresa de Lauretis et al. Madison (WI): Coda P, 1980.- - -. “Snow on the Oedipal Stage.” (Michael Snow). In deLauretis,
 Alice Doesn’t: Feminism, Semiotics, Cinema.
Bloomington: Indiana UP, 1984. Originally pub. in
Screen
22.3 (1981). 70-83.- - -. “Desire in Narrative.” In de Lauretis,
 Alice Doesn’t:Feminism, Semiotics, Cinema.
Bloomington: Indiana UP,1984. 103-57.*- - -. “Desire in Narrative.Selection. In
 Narratology: An Introduction.
Ed. Susana Onega and José Angel GarcíaLanda. London: Longman, 1996. 262-72.*
 
- - -.
 Alice Doesn’t: Feminism, Semiotics, Cinema.
Bloomington:Indiana UP, 1984.*- - -.
 Alice Doesn’t.
London: Macmillan, 1984.- - -.
 Alicia ya no: Feminismo, semiótica y cine.
Madrid: Cátedra,1992.- - -. “Gaudy Rose.” (Eco).
SubStance
47 (1985).- - -. The Violence of Rhetoric: Considerations onRepresentation and Gender.”
Semiotica
54 (1985).- - -.
Technologies of Gender: Essays on Theory, Film, and Fiction.
Bloomington (IN): Indiana UP, 1987.- - -.
Technologies of Gender.
London: Macmillan, 1987.- - -. “El ‘principio Franti’.” (Umberto Eco). In
 Ensayos sobre E 
 L
  N 
OMBRE 
 
 DE 
 
 LA
R
OSA
.
Ed. Renato Giovannoli. Barcelona:Lumen, 1987. 53-65.*- - -. “The Female Body and Heterosexual Presumption.
Semiotica
67.34 (1987).- - -. “Displacing Hegemonic Discourses: Reflections on FeministTheory in the 1980’s.”
 Inscriptions
3/4 (1988): 127-44.- - -. “The Essence of the Triangle or, Taking the Risk of Essentialism Seriously: Feminist Theory in Italy, the U.S.,and Britain.”
differences
1 (1989): 3-37.- - -. “Strategies of Coherence: The Poetics of Film Narrative.” In
 Reading Narrative: Form, Ethics, Ideology.
Ed. JamesPhelan. Columbus: Ohio State UP, 1989.- - -. “Upping the Anti [sic] in Feminist Theory.” 1990. In
TheCultural Studies Reader.
Ed. Simon During.
 
London:Routledge, 1993. 74-89.*- - -. “Upping the Anti [sic] in Feminist Theory.” In
Feminisms.
Ed. Robyn R. Warhol and Diane Price Herndl.Houndmills: Macmillan, n. d. 326-39.*- - -. “Sexual Indifference and Lesbian Representation.” In
The Lesbian and Gay Studies Reader.
Ed. H. Abelove et al.London: Routledge, 1993.- - -.
The Practice of Love: Lesbian Sexuality and Perverse Desire.
Bloomington: Indiana UP, 1994.- - -. “The Stubborn Drive.”
Critical Inquiry
24.4 (Summer1998): 851-877.- - -. “Imaging.” Extract. In
 Reading Images.
Ed. Julia Thomas.Houndmills: Macmillan, 2000.- - -, ed.
Queer Theory: Lesbian and Gay Sexualities.
Specialissue of 
differences
3.2 (Summer 1991).

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