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atte 2 her tear cera Ptr thos Hater etre
aremrarerae 2008 wet eiferdren Pragedtt war ech eh. ate
TTT TOKE, TR TAR TET, PAY SITET
create sarzcan ‘ere egrs eater Br Bere Te!CAEN seat teen or each, dere
rere werent recent, sewn zene, fon att
wrafae ta, fase ycten ste orp arta ea,
ante ere wedron reais eemetch srea orn ts
fret. sm Fe sre af acer saa, eto
Ue atom anf ae ere em, dere et ret
Fa feed Seritetre st. ror sara aren toreredeten ere oot
SHEA ~ Space and Time wen tnPvkaton ve are
eer freee aa meen ore vit, snares Te
gv fren tt ere ta 8, oH A
sa? Sea? sree vara argue ont at
sree afr ae Vranas para Fea a eG ATA
ITT ACT tumed into swdio HAE, TER
‘eo annual repairs Wr eT. TET eFeah aten
FE Swe, ent ser een frston woketen
seen art aa fer sera weroue rt, rare we ora
ari een wear as feds os feat
aE fen rere & Aen sires
1B Prorfon what on anf fe ar
sac fre th earhe et Puppet
Series saa ent wetit at 3 arrtam
fokarags tort mie ear depressive
feet wen sireq ere. art aah
frat - ffiftren wera = arr
wee Fran rea wet att
it fewer on tah ame warp,
fro tora ers ereeern oe eA,
rata afta (Colour of Instincts),
afta * (Colour of Emotions) Wea
wont rep ate we ar
aren egfesira, veut, ftir,
feet rom stl nee WEA
arg. ereet orien. een wa et
vefeit wen eas waza stk, eT
sereara at ee wre tas Fea
serch om. fem rar se a
exe et fra ae rd att eee
Fafa area sree! stron Hazon
4 Thesis Greer Hen Het wera e
aye teen vie,
Paren afer ferrsen anifearerarta we ad exh
igs ra 8 sacra are, wo cet al feta ait
ae re eta. Adee ca Free arc
Swern Ses Te,
Soma ttn awe est ant, wen Rerertereeh fr
‘wrare ret. wary athe reer m2" ree we RE
‘ara wore! ser waren, "ee. (age
a wane fee rome ara ar mT, & min
vena mee’ tt)
seéte 2a wt tae we are war tn ant a
rer gith eee eS, er a fie, se ret
era vex ont. Paul Klee RE - “To draw is to take a
line fora walk.’ ard wr saree eRe NA
1h ST Tee eT we TA wT illite
fer oem ther. er ef eo eb, ac ee RT
artewy
fcc cc ttt ttn ORSON PER PETE 8 09 th th th ct tts
aeafrarge.... Torarten wen, sae 88, RA
pa. ae sare sire tg wefete TIT. AT
2. lpn oe wen arch, ta Besearercha a ft
ffir eh ak | sre eran cae WA. fe STAT
ay stam inven arom a Hats wen oe. rte we
ere ame overeat ard? awe
Whe. ranma archos, wean reel a io ata,
are wen ansare wrtw,e Pratieten eevee
i ofeet erect ty, oh men tet wR Sach ak
sat Serer aren Bre Creativity WOR HS awe,
au var aft of, rere re ae tra erg eA,
aera!
sa saeraen re en re erste 38 fre
‘aren ate rae freee a ad are aA Pe
ee ah (a rar re et fer sae eH eT
ye perme re ARTA AA TET ore!) ye
-eartercem cea rer fever TeftroaTaee at
The Quest
ame htote
4
er ao aden arn eee eh, aber re TH
eve eh. es eek an Brera en xh aT Ue
sound of music BAe, TRIES Free aA MME Julie
Andes if fron TPR are aM I halt
Thave confidence in sunshine
Uhave confidence in ain:
Ihave confidence the spring will come again
Besides which you see Ihave confidence in me!
Confidence of creativity 1 concept 8 POETTRTT
forrest I
ewer, cea ren han wer are ye wr
erg ge sarge air fried confessions WE
een, nk it ert we Wen fa wen
wad, ehh, oe wi eT TTT
ares ord a ken are?
ele rere cat frre sen rst
rd fice are tara we Fee |. ER,
wd, wien Fae art g fa.
Safe orem es sae fret
ad white teeter
mere ee eM
Beh he Pere, sre wet et
2p are eet Heh, et TET
vara Yaa ah Hata aT
ores Caen Tae we Te
atest eee emt re eee!
eet sa we awa,
wri Tees wd Ga, FETT
amrgerren erat ore wa, srdterrt
Bre we TEE THT Bra. TL
aha ardren ser oa Fee
The wlimate creation! Ta-wa wt
a ons wi ea, Bae eh.
arya fr att ter eget ert
arent wef thearst ten wth
fafteme fern sree en! wera
arta mini-format penting 7"
ard. sd re te ra fe eT
ad Ren 28, serene ere}
fafura svdin Wren. Nothing goes
waste, Min-format 758 ra WH
WETA reduction 7 - 8 aH ve
ferra sr
STEER ware, ae af
raed sonata woe fer
feat aren ate as eevee
arte wafe, t Puppets FE wae.
caved Tate FA et geTE oh“Bee rere ea tees af TEA ZAEHTT Pe
‘aaa ree hatter terme rod aa sire
sw eh a-ss l earph aagea en ere area
ron ery A, a EEO Terenas, eT
smrorgt st te py eh ah tet ere 49 oe amt
ane tbs ere 2a en drafter wear qed ere ree
aren fea,
‘rama ah fn eh Ae TR HE,
“arangeett re sree Hrs: eee. The strings didn't mater
anymore. [PUTT 3 Saet 4 GK te, seTeT art
‘we ot sre ta afi. sr aTarTe I grew out of
that subject. I didn't want wo repeat myself, JA fe
wd ake ser, a ren Sora ten ren
tet
Baca afesatardt wen ye sere a hs
feorerraae re wreray Hr ore oe sree
‘sre a Mera ecnique safer atom oni fea
mT TGA A ITA. ETM freshness Hf Intensity
‘rome fern sac
Puppets Wf, ren ge wa er wre wr er mre
fra. care rtf free tart wie wr we Tee
adh, ested te, seen eR ote et
pe geen th, edt ee
vaste Gok Vea WTA — em a yet in we ae eT
‘ah rer erat era, Geen? Pere wes tat io,
afr. ee RM we TNE ware wee
sire, Feorrre srerrnéede fet re zfs, are
‘itera’ gorcoart ea weg Sek. sears te ie
eR YF, Tee “af” aa a Ye
aay, ‘war.
oid weed wa, wade, feereron acon, eet
freon, eer 8, TE, TE, AT A stil if
8 free rte, rere ye FET eT fer Bere
Ste a ech, wg fe aa eta ee
‘sited fre. ea shee! era a eae, terT
88. ervare ore fea na a mam are frre
sede oe mem festa fer wear FEM, “Your
rendering of flowers is so sensuous, sensitive .. 1 am
inspired to paint flowers. uy wo get the same in your
human figure. Never start the painting with the ination
of creating amasterpice just ett flow." Seer ZA
7a ee human figure We eee Fe ete
Wer wee ars ard, ota Te ats rahe,
wonfroretran wr ‘sifrea’, sete Som weriaroT
Trowreioa, aq TCAE firen aT. g3, wx, we
safer rer Bren ey, Te ITE SET TER AT
con tte, tary sharerens frie ex fram fe,
oot WU The Quest’ we viereret wd Fett
retreats were a ee et rt
sredertar’ front
WEEN dead-end Sen sie ATEN TATE TAC
“ene ee fee 2 “ara TT FEA 7
eon 9 er ae sen ere cee Fra Ze
are mepeee eue etheron aS A ik. TH,
fresh ta, ufete, gr, eet. mare wernt Rr
re oe, len area wre Set wT
she steerer ore, ewe, ama ft, eR
sate, Reg, vt. ha iver nt, fers at
aA fusion Vee ea. Ee ew a eT
‘tate rear arta. wer, sara te ate ae at et
sich ee recht oe ft ee eee TTY
fear reel i, 0 wt een Peer en are
sae ct, etd ere te ergy er reo
safe are frurren FETE oe ee wT a
cavern apteten ta tswrrbat iron efter sgt
eran save eect yer Hee We eT aT. Pt
wre stearate a tater et A
reaen yee afte} aS A aD St Hen ZA
‘et eee ets wen gata me wreath,
ard ahd cet meh, eed eres en are
‘Beate fate visuals 30 mea. we fee eat
ax fone ate. et ered Ten a ih area!
“aftr eae samen sper ee Hr,
atorrceren ene awe er ee a. aT
sere eed wht. rt Se Wet and I fel grateful to God
for that. wee! wr, afro weeited welt hewn eT
sitar WF Feet ~ “Not at all. Grace isnot God! He isa
very nice human being. Now be is very much a part of
my family.”
sty eee Fern Te sea eta eT
aera ea, see weet th ‘fen fet fe
itch fasts ai oh aka srt, srdte cult atom wee
sear ern eae A ape ea Ase
2 eae fn, fern ere." me TY
Seat fer tecan amt wi wa aa! Sor
wera ena det as wits ere, ae fees re 2a thea,
“an fata be wa, st om Freee eeréta eee
acorn, aah ge Pree, erga ARTE Ho
fai wre wert
“ear care en Fit
‘tered rd a wR
‘wernt eee ara, cat aera arora by, ere
ward we — wba ond wen Hi a seyeeT e
fester sere wat
‘eaqret! Hehe anatomy 8, 2 eer rt,
ergo ween rh anh. alta sara wefiaa Nudes
Anda cenesacesany miiiMemmee Tass Aseseeeeeeeoie rn re cage TT ae,
ar efi areca ere TTT ATCA, eT
sere ff nr tween ado et a, ee
Ser econ Fre wee | are fe eat
Hare area a4 sdsae Tee WA Confession HA
setter atsearaen sah a it om as Ba sre.
‘Nodes are noting but Linear confessions ofthe bones
tnd the skin, which die in the creative cry ofthe sul;
«quest ofthe frst divine mistake of maa, which has been
lingering on the surfacial compassion of requiem: again
snd again, sometimes onthe skin, sometimes onthe bones
and sometimes on the soul alsot
1 ek aera eae efter ee Wee a eT,
ere fh ng ere. meen rem See
Sve std ic as eure Fae ITIL TTL
‘Ten gs erie et fat eb
a aE team Fa a
se fe ree sere af eat se eee ios ercen
A. Sketches 25 Sera ener WPA aA 2 eT
eran. rom ze operative scar Me, PRRTENTTC|
era sare date et carer were sree sr eH?
ew are aera eee HO? SET AT, TT
Raden sepa eaten wai, FEIN HE tO,
exer, wratara tn %5 we 1 was not painting an
meter efrviaet
(acct tt tt ty AN ert Peet @ 00%
we
tuablemised beautiful woman! I think a woman looks
‘beauful with her scars
caren on gears wee a, erate fret
eog8 at acre ae wh, ean eqs Tere
Calligraphy? sreefere waren ate sre, Reena sey
‘eT FH A TEM FUT, Calligraphy" creative
possibilities Te 3 eHTERTY, Hen RAAT, UH Creative
‘fhe cop args en safirorad, release BEIT IW
fray we, re Fore eee RT IS 3 Ht pictorial
form 30 Bara or8 areh, carpe sere Rewer caret
sree rea meh, sree SrA STEN SAE. Calligraphy@ ®
creative 2 safe and fea ater ayaa we arate
language, fer en erect sito tae or za HA,
crater ate cet ant we fia,
‘dbiera erate ther fren 12 wets...
aa Derorn ated rea Preercen ere eater was Fea,
‘efron eraken sremeta meet, sere, Serre ht
Sewars seer, sf wes ri eta eee see TT
eran a wren lea sore a stare, eR we
sneer, wefan fr et, 8 ee, ea HET
arto exit fe, a GHz orf sirewa tr sre,
see fener suet ea
edteren fara wafer, deren craetate safe on srry
ven trod sree feared same sftrcaen ys
sear, rare scare satin yar 5A A. And above all
te ET a ere eA eT
even eh ew’ trea vine ore.
rewa a ahah oc fasfertra fere rere sere
seca!
awe 9 ra? ee Pree ker
ane ara ath et ew,
‘eh fen en at where
sored Bare are eres, Brea tied ean
cafe eneanta men drea-tiaa fret safe arrast
Sitter, aeaa air yea ae a a Fare,
are ete freien fain ren ok.
aaikcon vitesse et sath re wa fra
ficea atts wx Petar sa, or eae ee HOT
mere Seat es et, HEN Peer
canta arate repartee fg ern. Peter
ae ene’ a eRe ua eT, Tee flere
‘ee fret i, ext ere NA at fee ere
swthart nt, lore eh an fem te eet
2 ant, anf § en para wifeatta sar aT
‘BPI st.
Se Se sar et fir a,
Wid widron war) fet saad A