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 Acknowledgements
The work is supported by the National Institute for HealthResearch (NIHR). Biomedical Research Centre, Oxford, UK,and The Wellcome Trust, London, UK. We would like to thankG. Goodwin (head of the Department of Psychiatry, Universityof Oxford, UK), C. Kennard (head of the Department of Clinical Neurology, University of Oxford, UK), K. Porcheret(Nuffield Laboratory of Ophthalmology, University of Oxford,UK), K. Davies and P. Oliver (Medical Research CouncilFunctional Genomics Unit, University of Oxford, UK) for theirvaluable input during the preparation of this manuscript.
Competing interests statement
The authors declare no competing financial interests.
DATABASES
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FURTHER INFORMATION
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SUPPLEMENTARY INFORMATION
See onlne ale:
 
S1(figure) | S2 (table) |S3(table)
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ScIENcE AND SOcIETY
Music training for the developmentof auditory skills
Nina Kraus and Bharath Chandrasekaran
 
Abstract | The effects of music training in relation to brain plasticity have causedexcitement, evident from the popularity of books on this topic among scientistsand the general public. Neuroscience research has shown that music training leadsto changes throughout the auditory system that prime musicians for listeningchallenges beyond music processing. This effect of music training suggests that, akinto physical exercise and its impact on body fitness, music is a resource that tonesthe brain for auditory fitness. Therefore, the role of music in shaping individualdevelopment deserves consideration.
Thh yea f eny-mt tain-in, ften beinnin in eay chidhd,mician deep an expetie in theiintment  matey e thei ice
1
. Inthe ce f tainin, mician incea-iny ean t attend t the fine-ainedactic f mica nd. Thee incdepitch, timin and timbe, the thee baiccmpnent int hich any nd thateache the hman ea — incdin mic peech — can be bken dn
2
. Pitchefe t the anizatin f nd n andeed cae ( e hih pitch) and ia bjectie pecept f the feqency f thend. Timin efe t pecific andmakin the nd (f exampe, the net andffet f the nd) and timbe efe t theqaity f the nd — a mtidimeninaattibte that et fm the pecta andtempa feate in the actic ina.Attentin t thee cmpnent i empha-ized din mic tainin. F exampe, a iinit i tained t pay patica atten-tin t pitch ce t effectiey tne the iin, an intmentait payin in ancheta ha t hae a keen ene f timince and a cndct need t ey n tim-be ce t diffeentiate the cntibtin f  ai intment.Thee i n eidence that mic tain-in indce chane in the bain. Indeed, themician’ bain ha been ed a a mde f nepaticity 
3,4
. Eay tdie inetiatedh mic tainin pime the bain fpcein mica nd and examinedthe extent t hich ch paticity i pecifict pcein mica nd
1,4,5
. Theetdie eeaed that mic tainin indcefnctina and tcta chane in theadity ytem
6
. F exampe, cmpaedt nn-mician, pianit h inceaednea actiity (meaed by 
magnetic surceimaging
) in the adity ctex in epnet heain pian nte
7
. The tenth f nena actiatin t pian nte afnd t ceate ith the ae at hichpian tainin bean and ith the nmbef yea f mic tainin. Thi etthat enhanced fnctina paticity efectexpeience and i nt meey a efectin f innate diffeence beteen mician andnn-mician.Mician a h tcta diffeencein the bain eatie t nn-mician
8,9
, ithae ey matte me in aea that aeimptant f payin an intment. Theeaea incde mt, adity and i-patia ein
8
. In additin, mica aptitdeceate ith the me f the pimay adity ctex and ith nephyiicaepne t inida tne in thi aea
9
.Mee, mician h enhanced eec-tphyiica epne in the adity ctex t
cntur and interval infrmatin
inmedie
10
, and in the adity baintem
11
hen itenin t mica intea.Ntaby, many f thee tdie ed c-eatina data t infe that fnctina andtcta diffeence beteen the bain f mician and nn-mician ae a cne-qence f yea f expeience ith mic.Hee, caaity cannt be deied fmceatina anayi — the diffeencecd efect pe-exitin enetic diffe-ence beteen the t p. T addethi ie, nitdina tdie hae beencndcted in hich chiden ee andmy ained t mic tainin and then peidi-cay aeed e time
12,13
. Cmpaedith chiden h ee ained t at tain-in, chiden h ndeent mic taininhed enhanced bain epne t btepitch chane in mica timi
13
. Fifteenmnth f intene mic tainin ha abeen hn t indce tcta chane inthe pimay adity and pimay mtaea
12
. Thee tcta chane ee a-ciated ith imped adity and mtki, epectiey. Taken tethe, thee dataet that mic tainin can cae fnc-tina and tcta chane in the bainthht  ifetime, and that theechane may impe mic pcein.
Transfer effets
The impact f mic tainin n the ne-a pcein f mic ha n been edcmented
14
. Hee, ae the chane in amician’ bain pecific t mic pcein
PErSPEctivES
NATurE rEvIEws
|
 
neuroscience 
voluME 11
|
AugusT 2010
|
 
599
 
 
Pattern detectionSelectiveenhancementof soundsDynamic yet stablerepresentationof sounds
 
Sound to meaning
 d they tanfe t the dmain thatine the pcein f pitch, timin andtimbe ce? Be, e decibe data thatppt the ie that the fine-ained adi-ty ki f mician, hich ae acqiedthh yea f tainin, pecate t thedmain, ch a peech, anae, em-tin and adity pcein
6
. Th, mictainin impe adity ki that ae ntexciey eated t mic
15–18,22,60,62,64
.Mic and peech ae peceptay di-tinct bt hae many cmmnaitie at bthan actic and cnitie ee. At the ac-tic ee, mic and peech e pitch, timinand timbe ce t cney infmatin
2
. At acnitie ee, mic and peech pceineqie imia memy and attentin ki,a e a an abiity t inteate diceteactic eent int a cheent peceptateam accdin t pecific yntactic e
19
.Mician h an adantae in pceinpitch, timin and timbe f mic cm-paed ith nn-mician
20
. Mic tain-in a ine a hih kin-memy ad, min f eectie attentin kiand impicit eanin f the actic andyntactic e that bind mica ndtethe. Thee cnitie ki ae a cciaf peech pcein. Th, yea f actieenaement ith the fine-ained actic f mic and the cncmitant deepmentf ‘nd t meanin’ cnnectin may etin enhanced pcein in the peech andanae dmain.Indeed, mician h enhancedeked ptentia in the ctex and bain-tem in epne t pitch chane dinpeech pcein cmpaed ith nn-mician
16,21,22
. Din peech pcein,pitch ha exta-initic fnctin (fexampe, it can hep the itene t jdethe emtin  intentin f a peake anddetemine the peake’ identity 
23
) a e aa initic fnctin (f exampe, in tneanae, a chane in pitch ithin a yabechane the meanin f a d). Micianae a bette abe t detect ma deiatinin
pitch cnturs
that can detemine hethea peake i pdcin a tatement  a qe-tin (demntated behaiay a e ain tem f eent-eated ptentia ecdede the ctex)
16
. Ftheme, cmpaedith nn-mician, mician h a mefaithf baintem epeentatin (meaedin the
frequency-fllwing respnse
(FFr))f initic pitch cnt in an nfamiiaanae
18,24
. Thee et et that n-tem tainin ith mica pitch pattencan benefit the pcein f pitch pattenf fein anae
21,25
.D ch tanfe effect cc at at-matic, pe-attentie (that i, befe cncipeceptin) ee f adity pcein,that i, in the baintem? stdie in hmanand anima h that baintem adity pcein
(Box1)
i haped by bth n-tem and ht-tem expeience
2,20,22,26,27,30,31
.Pcein at the ee f the baintem canbe nn-inaiey examined by meainthe
nset respnse
and the FFr
28,29
. schmeaement hae hn that the adi-ty baintem epne t peech efectthe phyica ppetie f nd ith chfideity that hen the eectica epneecded fm the baintem i payed aa nd fie, the epne nd a t ikethe tim that eked it
28,29
. Th, thenet epne and the FFr can be ed t
Box 1 |
cognitive–sensory interplay in musiians
Music training is a demanding task that involves activeengagement with musical sounds and the connection of ‘sound’ to ‘meaning’, a process that is essential for effectivecommunication through music, language and vocal emotion.Formation of efficient sound-to-meaning relationshipsinvolves attending to sensory details that includefine-grained properties of sound (pitch, timing and timbre)as well as cognitive skills that are related to workingmemory: multi-sensory integration (for example, followingand performing a score), stream-segregation (the ability toperceptually group or separate competing sounds),interaction with other musicians and executive function (seethe figure, top part). The cognitive–sensory aspects of musictraining promote neural plasticity and this improves auditoryprocessing of music as well as of other sounds, such asspeech (see the figure, lower part). Sound travels from thecochlea to the auditory cortex (shown by light, ascendingarrows) via a series of brainstem nuclei that extract andprocess sound information. In addition, there are feedbackpathways (known as the corticofugal network) that connectthe cortex to the brainstem and the cochlea in a top-downmanner (shown by dark, descending arrows). In musicians,neuroplastic changes have been observed in the auditorycortex as well as in lower-level sensory regions such as theauditory brainstem. The enhanced subcortical encoding of sounds in the brains of musicians compared tonon-musicians is probably a result of the strengthenedtop-down feedback pathways. Active engagement withmusic improves the ability to rapidly detect, sequence andencode sound patterns. Improved pattern detectionenables the cortex to selectively enhance predictablefeatures of the auditory signal at the level of the auditorybrainstem, which imparts an automatic, stablerepresentation of the incoming stimulus.
PErSPEctivES
600
|
AugusT 2010
|
voluME 11
www.a.m/w/
 
 
   A  m  p   l   i   t  u   d  e   A  m  p   l   i   t  u   d  e   A  m  p   l   i   t  u   d  e   A  m  p   l   i   t  u   d  e
a b
TimingPitchTimbre
360 ms10 ms10 ms10 ms10 ms
StimulusResponse
100300500
Frequency (Hz)TimeTimeTime
QuietNoise0.150.200.250.300.35
   S   t   i  m  u   l  u  s  -   t  o  -  r  e  s  p  o  n  s  e   (
       r
   )
MusiciansNon-musicians
–1–2–3–40.10.20.30.4
r = –0.445p = 0.01
Stimulus-to-response (
)
   S   I   N  p  e  r  c  e  p   t   i  o  n   (   H   I   N   T  s  c  o  r  e   )
ndetand h the bain epeent pitch,timin and timbe
(FIG. 1)
. Thee epneiinate in the baintem, bt they ae inf-enced by ctica tcte ia cticfafeedback pathay
30
. Thi feedback enetp-dn ctica infence een at theeaiet tae f adity pcein
20,30,31
.T detemine hethe tanfe effectcc at bctica tae f adity pcein, eeache hae meaedthe baintem epne a mician andnn-mician hea peech nd. Theetdie hae eeaed that mician hbaintem paticity nt ny f mic tim-i bt a f peech timi
22
. specificay,cmpaed ith nn-mician, micianhed pei epeentatin (eatecepndence beteen tim andnea epne) f ice pitch ce —incdin
fundamental frequency
a e a
harmnic cmpnents in speech
and
time-varying cmpnents in speech
— at the eef the baintem
17,22,32
, and pei encd-in f initic pitch cnt
18,33
(FIG. 1)
.Thi et that mic tainin caechane in adity pcein in thebctica eny cicity.In a f thee tdie, the nea encd-in f nd a pitiey ceated iththe nmbe f yea f mic tainin. Thi,tethe ith nitdina data
12,13
, etthat expeience pmte nepaticity.Mician ae a me accate at jd-in timbe diffeence beteen diffeentintment, a e a din ice pce-in
34
, and adity baintem epne fmmician h fate nea epne t thenet f, and t the actic andmak in,the peech nd that efect the dynamictanitin fm a cnnant t a e
17,22
.Thee ha been cnideabe inteet andcntey in eatin t the effect f mi-ca expeience n enea cnitie abiitie.Athh thee ae indicatin that mictainin can enhance cnitie abiity 
35
,the extent and pecificity — hethe thechane ae de t mic tainin pe e t the cnitie efft ined in mictainin — f ch impement ae tincea
36–38
and aant fthe eeach.Ie ch a thee make the e f pe-attentie nea indice
28
 
(FIG. 1)
paticay enticin, a thee nea meae d nteqie actie paticipatin  cnitieenaement fm paticipant. Indeed, theadity baintem epne t nd can becected een hen an indiida i eep-in  enaed in anthe tak (f exampe,atchin a btited mie). Th, theadity baintem epne efectthe cent tate f the ne ytem— the tate at that time, fmed by an indi- ida’ ife expeience ith nd. Thhexaminatin f thi nea index in mi-cian (in cmpain ith a cnt pf nn-mician), e can examine adity pcein in the abence f attentin kin-memy cnfnd.
Seletive enhanement in the brain
The effect f mic tainin n bain pa-ticity i nt jt a ‘me-knb effect’ —nt eey feate f the adity inaimpe t the ame extent — bt eadt the fine-tnin f adity ina thatae aient (ith ‘nd t meanin’ inifi-cance)
(FIG. 2)
. Mician, cmpaed ithnn-mician, me effectiey epeentthe mt meaninf, infmatin-beaineement in nd — f exampe, the e-ment f a baby’ cy that ina emtinameanin
39
, the ppe nte f a micachd
11,40
 the ptin f the MandainChinee pitch cnt that cepnd ta nte an the diatnic mica cae
33
.Ftheme, mician h impe-ment in adity eba memy and adi-ty attentin, bt nt in ia memy  ia attentin
41,38
. Th, mic taininindce an enhancement f the pceinf adity ina, the chaacteitic f hich depend n the nate f the tainin(f exampe, cndct h peipeiphea patia adity pcein ea-tie t pianit
42
), n the pactice tateie(f exampe, mician h ean ‘by ea’h pei adity encdin f mica
Figure 1 |
na a  , mg a mb   ma ay bam.
Timing, pitch and timbre are the basic information-bearing elements in music and speech. The auditorybrainstem response
 
represents a faithful reconstruction of these features and can be recorded in a non-invasive manner in human participants.
a
| The auditory brainstem response to a speech sound can bestudied in the time domain as changes in amplitude across time (top, middle and bottom-left panels) andin the spectral domain as spectral amplitudes across frequency (bottom-right panel).
 
The auditory brain-stem response reflects acoustic landmarks in the speech signal with submillisecond precision in timingand phase-locking that corresponds to (and physically resembles) pitch and timbre information in thestimulus. Here, a speech stimulus (/da/) and the brainstem response to this stimulus are shown by blackand red traces, respectively.
b
| A comparison of stimulus-to-response correlations in musicians and non-musicians. In musicians and non-musicians the brainstem response is positively correlated with the entirespeech stimulus. However, when the stimulus is presented in the presence of background noise, musi-cians represent the sound features more faithfully than non-musicians (top panel). More faithful stimulus-to-response correlations in musicians are functionally relevant; individuals who had higher correlationsbetween the stimulus and the brainstem response to the stimulus in the presence of background noiseexhibited better speech-in-noise (SIN) perception in standardized tests (for example, the Hearing inNoise Test (HINT)) (bottom panel). Part
b
, top panel is reproduced, with permission, from
REF. 17
 
©
(2009)Society for Neuroscience. Part
b
, bottom panel, data from
REF. 17
.
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