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Table Of Contents

Part 3 (or 4 or whatever)
A few more things to think about
Musical intrument radiation patterns
Near-field placement vs. far-field placement
Near Field
Chapter 8 - Fortress Of Doom
Any mic can be used to record any sound
How does this part fit into the song?
Miking an acoustic guitar
Solo Guitar or Background For Vocal?
Acoustic Guitar as a Rock Track With a Band
The Singer/Songwriter Syndrome
Some Points To Ponder
Some Mics To Try First:
End of the first part - more to come!
X/Y miking setup
Vocals - Why Are They So Hard To Get Right?
Concert and Celtic harps
Misc. Percussion
Miking the guitar cabinet
What mic to use?
1. Co-Incidence
2. Near Co-Incidence
M-S Question
M - S
Near Coincidence Stereo Techniques:
A-B (Wide-Spaced Stereo Techniques):
Stereo Wrap-Up Thoughts:
Ribbon Mics
A few more thoughts about stereo miking
Coincident Mic Techniques
Near-Coincident Mic Techniques
Wide Spacing Mic Techniques
Recording Drums
The Drums
The Kick Drum
The Mics For Kick Drums
Recording drums - Things to think about
*raises hand*
Ready for the next part?
Microphone Frequency Response - The Window
Sensitivity - What's that all about?
Maximum SPL - How Loud Can You Go?
Search Colin Thurston
Picturing the mix
Psychiatrist in need!!!
Behringer ECM8000 in X/Y
The Old Gibson
Breaking down the M/S technique in simple terms
Thanks Harvey
Clearing up some misconceptions about tube mics and preamps
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The Mic Book

The Mic Book

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Published by Jake Metz

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Published by: Jake Metz on Dec 21, 2011
Copyright:Attribution Non-commercial


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